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I am the author of the Herringford and Watts mysteries, the Van Buren and DeLuca mysteries, and the Three Quarter Time series of contemporary Viennese-set romances. I am also the author of The London Restoration. My non-fiction includesDream, Plan and Go: A Travel Guide to Inspire Independent Adventure andA Very Merry Holiday Movie Guide. I live in Toronto, Canada.
The second in the Liebermann Papers: a mystery series featuring Freud-student Max Liebermann noted as literature’s first psychoanalytic detective who helps the pragmatic and gruff Detective Inspector Oskar Rheinhardt solve some of fin-de-siecle Vienna’s most dastardly crimes. While since made into a successful PBS series, the book’s atmospheric rendering of the Baroque jewel’s opulence is countered by the stark portrayals of anti-semitism, paranoia, and the primitive, cruel, and rudimentary techniques used to “treat” patients suffering from mental disorders.
In the grip of a Siberian winter in 1902, a serial killer in Vienna embarks upon a bizarre campaign of murder. Vicious mutilation, a penchant for arcane symbols, and a seemingly random choice of victim are his most distinctive peculiarities. Detective Inspector Oskar Rheinhardt summons a young disciple of Freud - his friend Dr. Max Liebermann - to assist him with the case. The investigation draws them into the sphere of Vienna's secret societies - a murky underworld of German literary scholars, race theorists, and scientists inspired by the new evolutionary theories coming out of England. At first, the killer's…
When I produced a recording of lost works by Alexander Zemlinsky with Riccardo Chailly for Decca Records in 1984, I soon realized that a wealth of music had been lost during the Nazi years that had never been recovered. After initiating and supervising the recording series Entartete Musik for Decca, the first retrospective of major works lost during the Nazi years, I headed research in this subject at London University’s Jewish Music Institute. I was a music curator at Vienna’s Jewish Museum. YUP published one of my books, and I am a co-founder of the Research Center and Archive “Exilarte” based at Vienna’s University of Music and Performing Arts.
When I first read Zweig’s memoir, I initially thought it was pretentious name-dropping, mentioning one prominent fin de siècle Viennese writer or musician after another. Only years later did I warm to his memories describing a world that existed before the cataclysm of World Wars and the ultimate fate of Europe’s Jewish citizens.
In reading other memoirs from the period (such as Ernst Krenek’s–not available in English), it’s possible to see that Zweig was writing from a position of enormous privilege while also reflecting the very essence of cultural life in a world where culture was perhaps its most important characteristic and distinguishing element.
The World of Yesterday, mailed to his publisher a few days before Stefan Zweig took his life in 1942, has become a classic of the memoir genre. Originally titled “Three Lives,” the memoir describes Vienna of the late Austro-Hungarian Empire, the world between the two world wars and the Hitler years.
Translated from the German by Benjamin W. Huebsch and Helmut Ripperger; with an introduction by Harry Zohn, 34 illustrations, a chronology of Stefan Zweig’s life and a new bibliography, by Randolph Klawiter, of works by and about Stefan Zweig in English.
I'm a child of Holocaust survivors who spent three years in slave labour camps. My mother told me stories of her experiences a child should probably not hear. The result is that my philosophy of life, and sometimes my writing, can be dark. It’s no surprise that this period of history imbues my novels. I chose to write mysteries to reach a wider audience, the Holocaust connections integral to the stories. During my research, I discovered a wealth of information on the Holocaust but learned that memoirs revealed best what happened to people on the ground. Memoirs draw you into the microcosm of a person’s life with its nostalgia, yearning, and inevitable heartbreak.
This unlikely story has a different focus from other Holocaust memoirs. After working in a slave labour camp, Edith Hahn, a Viennese Jew, was ordered to report for transport east, and probable death, but instead went into hiding with a new identity thanks to two Christian friends. Jews hiding in plain sight were called U-boats. Though trained as a lawyer, she worked as an ignorant nurse’s aide in a hospital and met a Nazi Party member who fell in love with her. She told him she was Jewish but he wanted to marry her anyway and became both a protector and a constant threat. In an unsentimental style and with surprising dark humour, Hahn has written a gripping account of that period when being found out would have been fatal.
Edith Hahn was an outspoken young woman studying law in Vienna when the Gestapo forced her and her mother into a ghetto, issuing them papers branded with a "J". Soon Edith was taken away to a labour camp and when she returned home after months away she found her mother had been deported. Her boyfriend, Pepi, proved too terrified to help her, but a Christian friend was not. Using the woman's identity papers, she fled to Munich. There she met Werner Vetter, a Nazi party member who fell in love with her and, despite her protests and even her eventual…
I first learned about life in 1930s Vienna from my grandfather’s memoir: Reminiscences of the Vienna Circle and the Mathematical Colloquium. I was fascinated by the time and place and began to read more about the era, which ultimately served as a setting for myforthcoming novel, The Expert of Subtle Revisions.
Spanning seven years in six hundred pages, Gainham’s Night Falls On The City is a richly detailed depiction of the stress and madness of life in Vienna after the German annexation.
Onstage or off, the novel’s protagonist, Julia Homburg, must always act, and the strain of this performance, under escalating violence and increasingly difficult circumstances, takes a harsh toll. A compelling and memorable story.
Vienna, 1938. Beautiful actress Julia Homburg and her politician husband Franz Wedeker embody all the enlightened brilliance of their native city. But Wedeker is Jewish, and just across the border the tanks of the Nazi Reich are primed for the Anschluss.
When the SS invades and disappearances become routine, Franz must be concealed. With daring ingenuity, Julia conjures a hiding place. In the shadow of oppression, a clear conscience is a luxury few can afford, and Julia finds she must strike a series of hateful bargains with the new order if she and her husband are to survive.
I first learned about life in 1930s Vienna from my grandfather’s memoir: Reminiscences of the Vienna Circle and the Mathematical Colloquium. I was fascinated by the time and place and began to read more about the era, which ultimately served as a setting for myforthcoming novel, The Expert of Subtle Revisions.
Roaming turtles are branded with swastikas and Nazi soldiers burn synagogues to the ground in Veza Canetti’s The Tortoises, which follows Eva and her husband Andreas, who are trapped in the country without departure visas.
Informed by her experience of the time and place (Canetti wrote the novel shortly after she herself left Vienna in 1938), Canetti paints a vivid and terrible picture of life under Nazi occupation. Published posthumously many years after her death, the novel’s road to publication is a story in and of itself.
A renowned writer and his wife live quietly in a beautiful villa outside Vienna, until the triumphant Nazis start subjecting their Jewish "hosts" to ever greater humiliations. Veza Canetti focuses on seemingly ordinary people to epitomize the horror: one flag-happy German kills a sparrow before a group of little children; another, more entrepreneurial Nazi brands tortoises with swastikas to sell as souvenirs commemorating the Anschluss.
A professor of 16th- and 17th-century Spanish literature and culture at Georgetown University with a focus on women’s writing and the mystics, I am also the author of four bio-novels, all of which feature indomitable female protagonists. Whether queens, saints, or not-so-ordinary housemaids, the protagonists of the books I have chosen (and my own) demonstrate the power and vulnerability of women in early modern Europe. Fiction and scholarship overlap in my work, as I am often able to bring my academic research into my fiction. Two of my latest scholarly books areTeresa de Ávila, Lettered Womanand Women Religious and Epistolary Exchange in the Carmelite Reform.
I have been fascinated with
Sisi since I visited the Habsburg Castle in Vienna several years ago. In The
Accidental Empress, Allison Pataki imbues Elisabeth of Bavaria—known as
Sisi—with humanity and intelligence. Engaged to Sisi’s older sister, the
emperor Franz Joseph falls in love with the younger girl instead, making Sisi
an “accidental empress.” However, his choice unleashes a chain of intrigue and
political maneuvering. Pataki’s novel is rich in psychological insight, and her
detailed descriptions of court life and the Austrian landscape transport the
reader to another time and place. Pataki captures beautifully the atmosphere of
luxury and intrigue of the Habsburg court and having been in the Castle, I can
well imagine Sisi gliding through its vast space or dining on its priceless
china.
*NEW YORK TIMES BESTSELLER * Discover the "captivating, absorbing, and beautifully told" (Kathleen Grissom) love story of Sisi, the Austro-Hungarian empress and wife of Emperor Franz Joseph-perfect for fans of the Netflix series The Empress!
The year is 1853, and the Habsburgs are Europe's most powerful ruling family. With his empire stretching from Austria to Russia, from Germany to Italy, Emperor Franz Joseph is young, rich, and ready to marry.
Fifteen-year-old Elisabeth, "Sisi," Duchess of Bavaria, travels to the Habsburg Court with her older sister, who is betrothed to the young emperor. But shortly after her arrival at court, Sisi…
I am the author of the Herringford and Watts mysteries, the Van Buren and DeLuca mysteries, and the Three Quarter Time series of contemporary Viennese-set romances. I am also the author of The London Restoration. My non-fiction includesDream, Plan and Go: A Travel Guide to Inspire Independent Adventure andA Very Merry Holiday Movie Guide. I live in Toronto, Canada.
Recalling Ibbotson’s personal experience of leaving Austria for England before Hitler’s Anschluss, The Morning Gift is a witty and warm marriage of convenience story between a witty and intrepid archaeologist, Quinton Somerville, and a brilliant professor’s daughter Ruth Berger. When Ruth is accidentally left behind in Vienna after her family has emigrated to England, Quin marries Jewish Ruth and protects her from oncoming Nazi occupation: under the condition that they will part ways when both are safely back in London. But Quin and Ruth continue to run into each other again and again and again. A deliciously Austrian-flavoured book. Ibbotson’s Viennese set-sequences and memories are a love letter to her city.
The Morning Gift is a beautiful, classic romance from much loved author, Eva Ibbotson.
Eighteen-year-old Ruth lives in the sparkling city of Vienna with her family, where she delights in its music, energy and natural beauty. She is wildly in love with the brilliant young pianist Heini Radik and can't wait until they are married.
But Ruth's world is turned upside down when the Nazis invade Austria and her family are forced to flee to England, and through a devastating misunderstanding she is left behind. Her only hope to escape Vienna comes from Quin, a young English professor, who unexpectedly…
When I produced a recording of lost works by Alexander Zemlinsky with Riccardo Chailly for Decca Records in 1984, I soon realized that a wealth of music had been lost during the Nazi years that had never been recovered. After initiating and supervising the recording series Entartete Musik for Decca, the first retrospective of major works lost during the Nazi years, I headed research in this subject at London University’s Jewish Music Institute. I was a music curator at Vienna’s Jewish Museum. YUP published one of my books, and I am a co-founder of the Research Center and Archive “Exilarte” based at Vienna’s University of Music and Performing Arts.
In some ways, this is an even more daunting novel than Musil’s masterpiece. Initially, it gives the impression of meandering over some 800 pages, with the first hundred pages dealing with individuals who do not reappear until towards the end. It is less a novel with a narrative plotline and more a novel in which the protagonists are themselves the plot.
These individuals do much more than represent Austria and Vienna in the 1920s. Indeed, it could be seen almost as a sequel to Musil’s Man Without Qualities, which deals with the same social milieu. It is always amusingly chaotic yet equally cynical as it shows us a sector of Middle European society that was bred to run an empire when, abruptly, there is no longer an empire left to run.
It is a vast panorama, presenting a society of rather dull-witted people educated well beyond their natural intelligence.…
The first English translation of an essential Austrian novel about life in early-twentieth-century Vienna, as seen through a wide and varied cast of characters.
The Strudlhof Steps is an unsurpassed portrait of Vienna in the early twentieth century, a vast novel crowded with characters ranging from an elegant, alcoholic Prussian aristocrat to an innocent ingenue to “respectable” shopkeepers and tireless sexual adventurers, bohemians, grifters, and honest working-class folk. The greatest character in the book, however, is Vienna, which Heimito von Doderer renders as distinctly as James Joyce does Dublin or Alfred Döblin does Berlin. Interweaving two time periods, 1908 to…
When I produced a recording of lost works by Alexander Zemlinsky with Riccardo Chailly for Decca Records in 1984, I soon realized that a wealth of music had been lost during the Nazi years that had never been recovered. After initiating and supervising the recording series Entartete Musik for Decca, the first retrospective of major works lost during the Nazi years, I headed research in this subject at London University’s Jewish Music Institute. I was a music curator at Vienna’s Jewish Museum. YUP published one of my books, and I am a co-founder of the Research Center and Archive “Exilarte” based at Vienna’s University of Music and Performing Arts.
There are so many histories of fin de siècle Vienna that this book is a welcome, long-awaited postlude. It explains how the city’s creativity did not die with the fall of the Habsburgs but became the source of everything we think of today as “modern”, from shopping, to cooking, to economics, to housing, education and the interaction of state and society.
Berlin may have been livelier in the 1920s, but the new ideas that would take root across the world and shape modern society were still coming out of Vienna.
How can one European capital be responsible for most of the West's intellectual and cultural achievements in the twentieth century?
Viennese ideas saturate the modern world. From California architecture to Hollywood Westerns, modern advertising to shopping malls, orgasms to gender confirmation surgery, nuclear fission to fitted kitchens-every aspect of our history, science, and culture is in some way shaped by Vienna.
The city of Freud, Wittgenstein, Mahler, and Klimt was the melting pot at the heart of a vast metropolitan empire. But with the Second World War and the rise of fascism, the dazzling coteries of thinkers who squabbled, debated,…
I am a historian at The Ohio State University. When I started my academic studies in Israel, I was initially interested in European history and only later began focusing on Jewish and Israeli history. I’m not exactly sure what attracted me to this career, but it’s probably the desire to better understand my own society and identity. I enjoy studying migration because it has played such an important role in Israeli and Jewish history, and even in my own life as an “academic wanderer.” Migration also provides a fascinating perspective on the links between large-scale historical events and the lives of individuals, and on the relationships between physical place, movement, and identity.
In this short book of essays, Joseph Roth, author of the great novel The Radetzky March, describes the efforts of Eastern European Jews to find new homes in the West following the turmoils of World War I and the Russian Revolution. Roth reports on interwar Jewish life in shtetls in Eastern Europe and in what he calls “ghettos in the West” such as Vienna, Berlin, and Paris, as well as in America and the Soviet Union. He writes with sympathy about “ordinary people” forced out of their homes at a time of growing restrictions on international movement and mounting animosity towards migrants in many countries.
Every few decades a book is published that shapes Jewish consciousness. One thinks of Wiesel's Night or Levi's Survival in Auschwitz. But in 1927, years before these works were written, Joseph Roth (1894-1939) composed The Wandering Jews. In these stunning dispatches written when Roth was a correspondent in Berlin during the whirlwind period of Weimar Germany, he warned of the false comforts of Jewish assimilation, laid bare the schism between Eastern and Western Jews, and at times prophesied the horrors posed by Nazism. The Wandering Jews remains as vital today as when it was first published. "[A] book of impassioned…
