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I’m a member of the Horror Writers Association and have been a professional writer since 1997. I got into writing horror because I love reading horror and watching horror movies. Even as a kid, I watched horror movies on Saturday afternoons and read horror books late at night—under the covers, with a flashlight. I collected Universal monster models as a kid too and still have my collection and have even added to it. I love all things horror and believe I have a deep understanding of what scares people and how to scare them. I guarantee that the books on my list will scare you to the bone.
If you love Halloween like I do, this holiday horror collection from the twisted minds of some of today’s best horror authors will delight and scare you. The stories are short, fast-paced, entertaining, and shocking. Some of my favorites: A Wasted Pumpkin, Waiting for Death, The Hungry Child, Razorblade Smiles. Check this collection of flash fiction out. You’ll read it in one night. But keep the lights on!
Skeletons, ghosts and witches. All Hallows Eve is filled with the terrors that walk the thin line of our world and the other. From the twisted minds of some of todays best horror authors, Dark Halloween is a collection of halloween themed stories sure to delight and terrify.
How will you celebrate the holidays?
Dark Halloween is book 5 in the holiday horror collection
Dark X-Mas Dark Valentine Dark Solstice Dark Celebration Dark Halloween
With stories from: M. Ennenbach, N.M Brown, G.G Flavell, Vic Kerry, Lamont A. Turner, Radar DeBoard, L.T. Emery, Alyson Faye, Jay T. Levy, Gabriella Balcom, P.S…
I’m a member of the Horror Writers Association and have been a professional writer since 1997. I got into writing horror because I love reading horror and watching horror movies. Even as a kid, I watched horror movies on Saturday afternoons and read horror books late at night—under the covers, with a flashlight. I collected Universal monster models as a kid too and still have my collection and have even added to it. I love all things horror and believe I have a deep understanding of what scares people and how to scare them. I guarantee that the books on my list will scare you to the bone.
Get your horror on! This collection of flash fiction will activate your taste buds like zombies drawn to fresh brains. These stories oozed from the brains of some of the best horror writers from around the world, the likes of Ramsey Campbell, Nate Kenyon, Tim Lebbon, William F. Nolan, Eric Guignard, Lisa Morton, Jack Ketchum, Nancy Kilpatrick, Del Howison, (yours truly) Fred Wiehe, and many more. Also, Mike Mignola of Hell Boy fame designed the cover art! I was honored to be included in this anthology and thoroughly enjoyed reading the other stories by these masters of horror.
Do you like your horror in small bite-sized chunks? If so, then SLICES OF FLESH from Dark Moon Books will activate your taste buds like zombies drawn to fresh brains. These flash fiction stories oozed from the brains of some of the best horror writers from around the world and will fit perfectly into your daily diet of "scary." SLICES OF FLESH includes the following short horror tales: Acceptance (Reesa Brown), Air Baby (Stephen Volk), All Paths Lead to Psychopath (Sephera Giron), Althea's Mistake (Jennifer Word), Angst (Fran Friel), The Bastard Called Hope (Jennifer Brozek), Big Bite (Rick Hautala), Blame…
I’m a member of the Horror Writers Association and have been a professional writer since 1997. I got into writing horror because I love reading horror and watching horror movies. Even as a kid, I watched horror movies on Saturday afternoons and read horror books late at night—under the covers, with a flashlight. I collected Universal monster models as a kid too and still have my collection and have even added to it. I love all things horror and believe I have a deep understanding of what scares people and how to scare them. I guarantee that the books on my list will scare you to the bone.
This anthology features chilling stories written by an all-female cast of horror writers. If you think only male writers can deliver explicit and graphic horror, this anthology proves you wrong. These talented women do not pull punches and their stories are not for the faint of heart. My friend Reyna Young (aka Miss Misery—Hall of Fame Horror Host, Producer, Director, and Writer) edited this volume and contributed the story The Dinner Party. Another friend actress and writer Debra Lamb contributed Collectibles. If you want stories that will leave you screaming for more, read this volume.
Featuring: Debra Lamb – AnnMarie Martin – Christina Francine – Staci Layne Wilson – Reyna Young – Ravennight – Tonjia Atomic – Tori Danielle Romero – Maureen Whelan – Jessica Dwyer – Marjorie Dehey – Michelle Nessk – Nicole Andrea Guzman
Last Doorway Productions and Black Bed Sheet Books celebrate women in horror fiction again by partnering to bring another chilling, all-female horror anthology, A Scream in the Night 2! Horror Host Miss Misery (Reyna Young) has for a second time brought together 13 stories that set stellar examples of female voices in horror today and the tales they have…
I’m a member of the Horror Writers Association and have been a professional writer since 1997. I got into writing horror because I love reading horror and watching horror movies. Even as a kid, I watched horror movies on Saturday afternoons and read horror books late at night—under the covers, with a flashlight. I collected Universal monster models as a kid too and still have my collection and have even added to it. I love all things horror and believe I have a deep understanding of what scares people and how to scare them. I guarantee that the books on my list will scare you to the bone.
I’m fortunate enough to have contributed a story in this anthology too, along with the likes of Nicholas Grabowski (author of Halloween IV), Reyna Young (horror host Miss Misery), Tom Sawyer, Patrick James Ryan, Rey Otis, and more. What makes this horror anthology different from others is the depth of characters and emotion of the stories. Yeah, it’s dark, scary, and will leave you squirming in your seat. But it’s the depth of characterization that truly propels these stories and sets them apart from other horror anthologies.
The first official publisher’s anthology featuring the exemplary talents of the authors of BLACK BED SHEET BOOKS!"Black Bed Sheet is not only a publisher of fantasticallycreative horror books but knows the meaning of heart and integrity....Grabowsky has taken BBS to heights that few could have imagined with his drive, determination and talent, along with the talent in his stable. If you haven't read anything from BBS, it's past time you did but it's never too late!"--- Gene Tipton, A SHOT IN THE DARK COMICS"I had this idea for an anthology. A crazy, outside the box thought that I hoped would…
I’ve always been interested in art and architecture. I studied Fine Arts at CalArts. I’ve written three books on Mid-century home builders and designers, William Mellenthin, Jean Vandruff, and Robert Byrd, whose life and work in Southern California had gone mostly unnoticed during their lifetimes—with very little information written about them in the press. I spent three years on each book working with the families to uncover their lives and place in local history. This is information that would have otherwise been lost. When you research the life of one person in this profession, you inevitably learn about the life and work of others—some famous, some not.
I was born in Burbank, CA. This book details the early land development deals made by Fritz Burns for new single-family homes in Burbank and the surrounding area beginning in the 1930s.
Fritz Burns was an innovator, showman, and very successful businessman. His office once occupied the historic House of Tomorrow located at the corner of Highland Ave. and Wilshire Blvd. that he commissioned architects Walter Wurdeman and Welton Becket to design and build.
He also helped develop the Kaiser tract homes in the San Fernando Valley, and some of the first large hotels in Hawaii in the 1950s. When driving around the neighborhoods of Southern California I’m always searching for historically important buildings and residences.
My dad instilled in me a love of, and respect for, history and an avid interest in golden-era Hollywood. In my adult life as a professional writer, that paternal guidance has translated into eight books about various aspects of old Hollywood, with a growing focus on the intersection of Hollywood and World War II. My career to date was punctuated by the international success of Dutch Girl: Audrey Hepburn and World War II, which detailed the future star’s very hard life in the Netherlands under Nazi occupation. Dad didn’t live long enough to know I’d written anything, let alone a number of books he would have enjoyed reading.
The author was one of a platoon of young, bicycle-riding male messengers that roamed the sprawling Warner Bros. studio in Burbank before World War II, delivering scripts and memos to directors, writers, and stars like Humphrey Bogart, Bette Davis, Olivia de Havilland, and yes, Errol Flynn (who got a big thumbs-up from the messenger boys).
Jerome pulls no punches on the stars he liked and those he detested and provides graphic details to back up his rankings. This book shows the stars as real people, for better or worse, while also providing an invaluable look at the inner workings of one of the most successful studios of old Hollywood.
As both an author and a teacher, I’ve been using Howard Zinn’s iconic book for over 20 years. I have found it to be an effective counterweight to more orthodox texts, as well as a credible platform for stimulating discussion. In writing my own “guide” to U.S. history, I always kept Zinn in mind. While we may not always agree, the dissonance is something I’m certain Howard Zinn would appreciate. He was unafraid to "engage" with his subject matter and his readers. This is an inspiration.
Essentially a conservative response to Zinn’s wildly successful book.
Paul Johnson, who started out on the political left in England and shifted to the right with works such as Modern Times, writes in a style that is superior in its command of the material than Zinn but also a bit cranky at times or just simply odd.
His loathing of Thomas Jefferson and Woodrow Wilson is palpable, just as his veneration of Warren Harding and Calvin Coolidge is puzzling. Yet his passages on jazz, the eclectic architecture of Southern California, or the origins of the Coca-Cola x Pepsi rivalry are unforgettable.
Johnson’s book could be viewed as a necessary corrective to Zinn - or simply as a contrarian companion volume. I actually use both when teaching U.S. history.
Reading my great uncle’s war letters home to Kansas City and seeing his artwork—he was a magazine illustrator in civilian life and then editor of the 27th Empire Division’s magazine, Gas Attack—I knew, as a writer, I had to put his story down on paper. What his National Guard regiment did, the 107th, simply blew me away. From writing about what the 107th endured in the Great War, I was carried away to tackle the all-black 369th Regiment, famously known as Harlem’s Hell Fighters. I then had to tell the story of New York City’s most famous regiment, the Fighting 69th. My trilogy of New York’s National Guard in the war is now done.
The late historian, Thomas Fleming, was a friend. It was an article he wrote for American Heritage magazine in 1968, “Two Argonnes,” about his father, a lieutenant in the 78th Division, that inspired me to write my first World War I book centered on my great uncle as the main character.
Thomas authored 19 books, The Illusion of Victory, is his last book, and he paints a different picture of America’s role in the war, showing how President Wilson and our country were “duped” by Great Britain and France to enter the war, thinking the war was almost won. He not only writes about the Western Front but goes into detail about the home front. After reading his book, you’ll get a different perspective on World War I.
In 2020, to honor one of our most imminent historians, Military History Quarterly magazine inaugurated the annual Thomas Fleming Award for…
In this sweeping historical canvas, Thomas Fleming undertakes nothing less than a drastic revision of our experience in World War I. He reveals how the British and French duped Wilson into thinking the war was as good as won, and there would be no need to send an army overseas. He describes a harried president making speech after speech proclaiming America's ideals while supporting espionage and sedition acts that sent critics to federal prisons. And he gives a harrowing account of how the Allies did their utmost to turn the American Expeditionary Force into cannon fodder on the Western Front.Thoroughly…
I am an associate professor of history at Trinity University in San Antonio, TX, where I teach courses on modern United States history, U.S. foreign relations, and public history, direct our minor in museum studies, and direct the Mellon Initiative for Undergraduate Research in the Arts and Humanities. I am particularly interested in how domestic culture, ideology, and values have informed how the United States has engaged with the world around it. My recent work has explored the influence of conservative religious groups in foreign affairs, and I’m at work on a new book about national security and the congressional debates that unfolded over foreign aid after World War II.
Although there is no shortage of books on the 28th president and his foreign policy—we even use “Wilsonian” as a shorthand for the embrace of idealism, liberal internationalism, and democratic capitalism in U.S. foreign relations—Burnidge’s work offers an exceptional exploration of how religion and religious ideas informed Wilson’s approach to world affairs. She sets her chronicle of Wilson’s life and spiritual development within the context of the broader religious history of the late 19th and early 20th centuries and weaves in expert analysis of the relationship between Wilson’s Christianity, race, and racism in that era. This provides a compelling foundation for her discussion of the Protestant beliefs that shaped Wilsonian internationalism during World War I and beyond. Engrossing, revealing, and extraordinarily smart, this is a key book for those interested in Wilson, World War I, and the global Progressive Era, not to mention the underpinnings of liberal…
A century after his presidency, Woodrow Wilson remains one of the most compelling and complicated figures ever to occupy the Oval Office. A political outsider, Wilson brought to the presidency a distinctive, strongly held worldview, built on powerful religious traditions that informed his idea of America and its place in the world. With A Peaceful Conquest, Cara Lea Burnidge presents the most detailed analysis yet of how Wilson's religious beliefs affected his vision of American foreign policy, with repercussions that lasted into the Cold War and beyond. Framing Wilson's intellectual development in relationship to the national religious landscape, and paying…
As a child I read and experienced history books as adventures. Adventure drew me to Alaska after a hitch in the Navy. I wanted to write an accurate historical novel about Juneau and the Treadwell Mine and began my research. I knew the Alaska Historical Library was the perfect place to begin. When I discovered the extensive photo collections, I flashed back to my admiration of the historical novels that impressed me. I borrowed technique and structure from all and incorporated imagery in my manuscript. My main goal was to successfully immerse the reader in a good novel about 1915 in Alaska Territory.
I first read 1919by Dos Passos when I was a teenager in the Navy. Having a yen for history since the age of eight, I was transported to an era where hopes and dreams have shattered or vanished. The author created the gritty and tawdry ambiance of characters as far out of their depth as was the reader.
We meet many limned characters with engaging flaws and hopes. The point-of-view shifts constantly and the narrative is spaced with advertising jingles from period radio programs and magazines to promote visualization.
The USAtrilogy never left me. After pursuing art and making my living as a commercial artist for 15 years I turned to writing. I realized I wanted to create an immersive portrait of Juneau using similar tactics. I believe I succeeded.
“A Depression-era novel about American tumult has—perhaps unsurprisingly—aged quite well.”—The New Yorker
In 1919, the second volume of his U.S.A. trilogy, John Dos Passos continues his “vigorous and sweeping panorama of twentieth-century America” (Forum).
Employing a host of experimental devices that would inspire a whole new generation of writers to follow, Dos Passos captures the many textures, flavors, and background noises of the era with a cinematic touch and unparalleled nerve.1919 opens to find America and the world at war, and Dos Passos’s characters, many of whom we met in the first volume, are thrown into the snarl. We follow…
