Fans pick 100 books like The Apothecary Rose

The characters in Maggie O'Farrell's book are so real and compelling that they make historical figures feel like your next-door neighbors. I've always been obsessed with Shakespeare, and it's fascinating to learn more about how much Shakespeare was inspired by the death of his son Hamnet. It shows Shakespeare the man but also brings to life the other people in his life, especially the women, who history has forgotten about.

Behind every great man is an army of unseen women, and O'Farrell's novel gives those women voice and agency, showing what life (and death) was like for women in previous centuries, and showing that the experience of grief is universal.

Another medieval setting, this time far more political, working with the crown, but eminently readable. Doherty’s love of history and his extensive knowledge are infused in this, the first Hugh Corbett Book.

The detail of the medieval streets of London, the smells, the violence, the intrigue, the patchwork of characters had me hooked from the beginning.

Hugh Corbett is a damaged soul at the beginning and grows with the pace of the book into a man with a purpose. His personal loneliness inspires pity and there is humour in his manservant Rafe picked from the condemned minutes before a hanging.

Hugh Corbett has become another fictional hero—I follow him through his many adventures and watch him grow.

This lengthy story covering many years is set in Ancient Rome, during the reign of the despot Domitian. It follows two particular characters—a young hairdresser who has clients at the Imperial palace, and the scarred soldier devoted at first to the service of the Emporer.

The historical facts of Domitian’s reign of terror are very real and are set against the hard lives of our two main characters, the passion, the love, and sometimes the hate are very powerful.

Lyndsey Davis writes with humour, honesty, and some fine knowledge.

I have read this book over and over again, each time learning more and enjoying it freshly each time.

This is my indulgence! My all-time favourite and definite pick me up if miserable.

Mouche, a discarded dancer, is about to throw herself Into the Seine.

Walking through the fair she passes a puppet booth, and these seven puppets engage her in conversation. They give her advice and she talks aloud to them as if they are real. Of course the actual voice comes from the puppeteer, an evil man who rapes her whilst at the same time talking to her through the puppets. This Dichotomy of good versus evil existing in just the one person is a lesson in the depths of despair, the depths of deprivation and the power of love. A hauntingly beautiful book.

Each time I visit Canterbury Cathedral, I pay homage to my favorite knight, Edward of Woodstock, who epitomizes the fourteenth-century version of the knight nonpareil. Being an autodidact rather than a scholar, I am particularly grateful that Black Prince is both meticulously researched and easy to read. I particularly admire Prince Edward because of his courage on and off the battlefield, especially when enduring the mysterious illness that ultimately killed him. Edward the Black Prince embraced all the turns of fortune’s wheel with grace, courage, and dignity. Love this man and love this book!

Again, we are in the fourteenth century, in Oxford, but following the first terrible onslaught of the Black Death. The title made this a must-read for me because my own sleuth, Seb Foxley, is involved with the making and selling of books, just like Ann Swinfen’s hero, Nicholas Elyot. I wasn’t disappointed.

The characters came alive for me and I too was sad when a good student was found drowned in the river. But the bookseller is suspicious and uncovers a villainous plot, putting him, his family and friends in danger.

A beautifully-woven medieval mystery; I had to read it in one go – forget the washing up. Fortunately, this is book 1 of the Oxford Medieval Mysteries so there’s more fun to come.

Edward III’s founding of the Order of the Garter was what inspired me to write my book, but I knew little about him.

This true medieval king’s fifty-year-long reign was marked by controversy from the start, but he was also a romantic, a warrior (he instigated the 100 Year War against the French), steered England through the horrific amount of death from the plague in 1348, and was the patriarch to The Black Prince and John of Gaunt, and The War of the Roses came after his reign.

I recommend this fascinating account of his life. 

This is a work of fiction, but one so well imagined that I felt like I was actually in the medieval English countryside.

It’s the story of Will, a peasant heading to France to join the English army as an archer in the Hundred Years War during the summer of 1348, when the Black Death swept across northern Europe. Along with him travel a gentlewoman avoiding an unwelcome marriage, some soldiers harboring a sordid secret, and a cleric with troubles of his own.

Following behind is Will’s gender-fluid childhood friend and would-be lover, Hab-Madlen, who is endangered as much by people’s prejudices as by the disease stalking the population. Will they escape England and their pasts before the plague catches up with them?

Thomas Costain’s series introduced me to a fascinating world of castles and cathedrals, of tournaments where mounted knights broke lances on behalf of their ladies, where courtly love and chivalry ruled the day. (In theory. Seldom in practice.) How strange, my preteen self thought. How enchanting! I was particularly fascinated by The Three Edwards, which recounts the reign of one of England’s worst kings sandwiched between two of its greatest. With the eye of a natural storyteller, Costain intersperses tales of wars, rebellions, and political machinations with myths such as Arthur and Guinevere’s tombs being “discovered” in Glastonbury and the possible origins of Robin Hood. While there are newer series mining the same period, Costain’s research remains relatively solid, and his prose retains its powerful simplicity.  

Set in Cambridge in the 14th century, Matthew Bartholomew is a doctor trying to instill knowledge into his students while surviving the rigours of life in an under-funded college, and the censure of fellow physicians who still believe in astrological charts, and who dismiss Matthew’s new-fangled notions of cleanliness. Although keen to focus on his students and his studies, Matthew invariably becomes involved in the town vs gown troubles, along with murders and mysteries when his help is invoked by the Proctor, Brother Michael. Great reads about life in a university town along with medieval medical practice.