Here are 88 books that Sonny Rollins Plays the Bridge fans have personally recommended if you like
Sonny Rollins Plays the Bridge.
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I have written 60 books over the past 20 years. My titles include picture books, poetry books, and dozens of nonfiction books covering a wide range of history and social studies topics. My picture books deal with concepts such as counting and colors. I enjoy rhyming and wordplay and conveying ideas in simple terms.
An outgrowth of the 1619 project, this masterful picture book traces a family’s roots from Africa through generations of enslavement in the United States to today. A young girl’s grandmother tells stories in the form of poems that convey joy, terror, heartache, persecution, struggle, and triumph. Illustrations move from light during the times in Africa to dark during the decades of enslavement and back to light in the present. The book ends on a positive note with the girl drawing an American flag—the flag of the country that her ancestors helped build and “that I will help build, too.”
The 1619 Project's lyrical picture book in verse chronicles the consequences of slavery and the history of Black resistance in the United States, thoughtfully rendered by Pulitzer Prize-winning journalist Nikole Hannah-Jones and Newbery honor-winning author Renee Watson.
A young student receives a family tree assignment in school, but she can only trace back three generations. Grandma gathers the whole family, and the student learns that 400 years ago, in 1619, their ancestors were stolen and brought to America by white slave traders. But before that, they had a home, a land, a language. She learns how the people said to…
I have written 60 books over the past 20 years. My titles include picture books, poetry books, and dozens of nonfiction books covering a wide range of history and social studies topics. My picture books deal with concepts such as counting and colors. I enjoy rhyming and wordplay and conveying ideas in simple terms.
This engaging book presents three young children being brave in three scary situations—a thunderstorm, the first day of school, and getting a shot at the doctor’s office. Using very simple rhyming text, Karla Clark captures the fear of these events and shows the children overcoming that fear. This is a great book for parents to use with preschoolers in discussing ways to deal with being frightened. Jeff Őstberg’s artwork effectively portrays the children’s fear, as well as their pride in overcoming it. The cover art is especially striking.
Told in gentle, rhyming couplets, this collection of stories presents relatable moments of unease and the strength found in conquering fears. A roaring nighttime thunderstorm, the first day of preschool, and a doctor's visit, in turn, encourage young readers to forge their own paths of strength in times of distress. Illustrated in rich, emotional scenes that depict vignettes of daily life, this book provides comfort and empowerment for resilience and resolution.
I have written 60 books over the past 20 years. My titles include picture books, poetry books, and dozens of nonfiction books covering a wide range of history and social studies topics. My picture books deal with concepts such as counting and colors. I enjoy rhyming and wordplay and conveying ideas in simple terms.
It begins with a simple assignment—a teacher asks her class the one thing they’d save if their home were on fire. The answers, ranging from practical items such as cell phones, laptops, and wallets to priceless mementos such as a sweater knitted by gran, a baseball star’s autograph, and a lock of hair from a younger brother who died, reveal a lot about the students’ backgrounds and priorities. The text is written in a line structure called sijo—an ancient form of traditional Korean poetry. Simple black-and-white illustrations provides a nice complement to the text. This is a great book to get kids thinking about what is really important in their lives.
If your house were on fire, what one thing would you save? Newbery Medalist Linda Sue Park explores different answers to this provocative question in linked poems that capture the diverse voices of a middle school class. Recipient of four starred reviews!
"[Park's] message is powerful: We don’t need a great blazing tragedy to determine what we hold most precious in our lives; we can define what’s vital through our thoughts and memories, always at hand, in our heads and hearts—safe, where the flames don’t reach."—New York Times Book Review
When a teacher asks her class what one thing they…
I have written 60 books over the past 20 years. My titles include picture books, poetry books, and dozens of nonfiction books covering a wide range of history and social studies topics. My picture books deal with concepts such as counting and colors. I enjoy rhyming and wordplay and conveying ideas in simple terms.
From the time he was young, Edward White loved outer space and dreamed of traveling there. In simple poetic language, this book tells how Edward’s life led him to serve in the U.S. Air Force and ultimately in the NASA program, where he became the first American to walk in space. Nonetheless, the book emphasizes that while he was always reluctant to stop doing anything related to outer space, he was eager to return from his journey to spend time with his greatest treasure of all—his family! Back matter gives more details about White’s life and a timeline of his accomplishments.
Edward White was the first American astronaut to walk in space. But before his spacewalk, he was just a boy who loved the stars. As he grew up, he would look up at the night sky in wonder - he knew that, one day, he would visit the stars themselves. In this touching and poignant picture book biography, we see how Edward's passion for the stars shaped the course of his life, and how…
Where Are Your Boys is the book I always wanted to write. Watching emo bands like My Chemical Romance and Paramore soar from suburbs to stardom during my high school years inspired me to take writing seriously, that a kid like me growing up in New Jersey with few connections to the media industry could find a backdoor in, because those bands did, too. With its dense population, adjacency to New York City, and a multitude of record stores and all-ages shows, New Jersey was the setting for much of emo's 2000s boom and the home of My Chemical Romance and many other important bands.
John Lurie makes me think of what it means to be an artist. It’s funny, though, because after watching three seasons of his TV show, I still wasn’t entirely sure who John Lurie was or why he had an HBO series.
Painting With John is hosted by a 60-something Lurie living in the Caribbean, slowed by chronic illness, musing on past misadventures with New York City icons like Basquiat and Bourdain while getting lost in his dreamlike paintings. Lurie's 2021 memoir fleshes out his story just enough: jazz saxophonist turned reluctant art house film star who side-stepped significant fame and money by unfortunate events and steadfastly chose creativity over compromise.
On the page, Lurie’s telling of these events is mystifying. I’m looking forward to a life of creativity with his voice in my head.
The quintessential depiction of 1980s New York and the downtown scene from the artist, actor, musician, and composer John Lurie
“A picaresque roller coaster of a story, with staggering amounts of sex and drugs and the perpetual quest to retain some kind of artistic integrity.”—The New York Times
In the tornado that was downtown New York in the 1980s, John Lurie stood at the vortex. After founding the band The Lounge Lizards with his brother, Evan, in 1979, Lurie quickly became a centrifugal figure in the world of outsider artists, cutting-edge filmmakers, and cultural rebels. Now Lurie vibrantly brings to…
I have been writing and illustrating books for fifteen years, and I am passionate about the art of making picture books. I love music and dance too. While making this list, I was amazed by how different visual artists that I admire—and who have very different styles—were able to capture movement, rhythm, and energy. I was also fascinated by how the different authors crafted their stories and yet all of them managed to celebrate Black culture and resilience.
The illustrations in this book are fantastic. They are filled with pastel blues, reds, floating circles, and overlapping shapes. They are very atmospheric. It feels like I’m listening to one of John Coltrane’s melodies.
The text is musical, too. The short and lyrical lines focus on the sounds that Coltrane heard as a boy and the events in his early life that inspired him to become a Jazz giant. The book’s ending is great. It is very satisfying.
Young John Coltrane was all ears. And there was a lot to hear growing up in the South in the 1930s: preachers praying, music on the radio, the bustling of the household. These vivid noises shaped John's own sound as a musician. Carole Boston Weatherford and Sean Qualls have composed an amazingly rich hymn to the childhood of jazz legend John Coltrane.
Before John Was a Jazz Giant is a 2009 Coretta Scott King Illustrator Honor Book and a 2009 Bank Street - Best Children's Book of the Year.
Now it can be said: three decades ago, when Vanity Fair assigned me to write a profile of Miles Davis to accompany an excerpt of his about-to-be-published memoir, I presented myself as a jazz expert — when in fact my enthusiasm for the music far outweighed my knowledge. But in the years since I’ve learned a lot about America’s great art form, in part through researching my Frank Sinatra biography — Sinatra worked with many important jazz musicians — and now in working on my latest book, about Miles and two of the geniuses who collaborated with him on his historic album Kind of Blue, the saxophonist John Coltrane and the pianist Bill Evans.
Saxophonist, flutist, and jazz educator Dave Liebman (born in 1946) was the son of two
Jewish Brooklyn schoolteachers, who envisioned the same life for him — all the more so after he contracted polio at age nine. Much to their dismay, Liebman had different ideas.
Because he couldn’t play sports, he nourished a passionate interest in music, first taking
piano lessons, then moving on to his real interest, the saxophone. A strong student with an
interest in history, he might have followed his parents’ wishes and become a teacher — until
the night, at age 16, he took a date to the New York jazz club Birdland and heard the
saxophone giant John Coltrane for the first time, and realized the one and only thing he
wanted to do with his life.
Written in the form of a dialogue with the jazz writer and musician
Lewis Porter, What It Is…
Dave Liebman is one of the leading forces in contemporary jazz. Prominently known for performing with Miles Davis and Elvin Jones, he has exerted considerable influence as a saxophonist, bandleader, composer, author, and educator. In addition to his recent recognition as a National Endowment for the Arts Jazz Master, he has received the Order of Arts and Letters from France and holds an honorary doctorate from the Sibelius Academy in Helsinki, Finland. He has mentored many of today's most notable young jazz musicians worldwide and is a prolific writer on jazz.
As a poet, my main gift is related to my first ambition, to be a musician. I like to talk, I like to listen, I like the sounds of words and I like to hear(for example) what Emily Dickinson and William Butler Yeats have to say.
An artist—a wonderful horn player—speaks his candid, clear-eyed, eloquent account of his life: self-destructive, immensely creative.
If the horn is broken, if the player is just out of prison, if he’s drug-riddled... all that might be bad for himself or others, but he improviseswith his back to the wall, to get out of it. And in speech as in music, a great improviser.
Art Pepper (1925-1982) was called the greatest alto saxophonist of the post-Charlie Parker generation. But his autobiography, Straight Life , is much more than a jazz book,it is one of the most explosive, yet one of the most lyrical, of all autobiographies. This edition is updated with an extensive afterword by Laurie Pepper covering Art Pepper's last years, and a complete and up-to-date discography by Todd Selbert.
I took piano lessons as a kid, but my teacher was imperious and boring. In my mid-30s I started thinking about it again, and my partner bought me a state-of-the-art Yamaha keyboard as a Valentine’s Day present. I found a wonderful teacher, Rafael Cortés, who worked at a community music school a few blocks from my office. Every piece we worked on began with a conversation about the composer, the period in which she/he wrote the piece, and the other artists–painters, sculptors, poets–who were working then. I fell in love with both playing and learning about music, and more than 30 years later, I’m still taking weekly lessons with Rafael.
Dyer is a gorgeous writer, and this book, which takes its title from a hauntingly beautiful 1947 song, is one of the most musical pieces of prose I’ve ever read. This paragraph captures both his voice and penetrating musical insights:
“If [Thelonius] Monk had built a bridge he’d have taken away the bits that are considered essential until all that was left were the decorative parts–but somehow he would have made the ornamentation absorb the strength of the supporting spars so it was like everything was built around what wasn’t there. It shouldn’t have held together, but it did, and the excitement came from the way that it looked like it might collapse at any moment, just as Monk’s music always sounded like it might get wrapped up in itself.”
"May be the best book ever written about jazz."—David Thomson, Los Angeles Times
In eight poetically charged vignettes, Geoff Dyer skillfully evokes the music and the men who shaped modern jazz. Drawing on photos, anecdotes, and, most important, the way he hears the music, Dyer imaginatively reconstructs scenes from the embattled lives of some of the greats: Lester Young fading away in a hotel room; Charles Mingus storming down the streets of New York on a too-small bicycle; Thelonious Monk creating his own private language on the piano. However, music is the driving force of But Beautiful, and wildly metaphoric…
I grew up hearing jazz thanks to my dad, a big swing fan who allegedly played Duke Ellington for me in the crib. My father couldn’t believe it when I developed a taste for “modern jazz,” bebop, even Coltrane, but he never threw me out. Fifty years later I still love to play jazz on drums and listen to as much as I can. But along the way, I realized the world might be better served by me writing about the music than trying to make a living performing it. I had the great privilege of studying jazz in graduate school and wrote about big-band jazz for my first book, which helped launch my career.
Space Is the Place opened so many windows for me into a world of esoteric spirituality fused with mind-blowing musical and theatrical creativity. John Szwed was a member of my PhD dissertation committee, although it was pretty hard to track him down, and he was wrapping up this book as I finished my own. I’d seen Sun Ra at my college and thought of the Arkestra as a kind of spaced-out novelty act, not knowing anything about Ra’s history: his celestial epiphanies; his long immersion in big-band jazz, including his stint with the great Fletcher Henderson; the cadre of stellar musicians he recruited and molded for the Arkestra; his entrepreneurial streak. When I turned to the study of music and spirituality, Szwed’s biography became an indispensable source. Afrofuturism has become a very hot topic in contemporary cultural studies, and there’s no better way into its arcane mysteries than through this…
Considered by many to be a founder of Afrofuturism, Sun Ra-aka Herman Blount-was a composer, keyboardist, bandleader, philosopher, entrepreneur, poet, and self-proclaimed extraterrestrial from Saturn. He recorded over 200 albums with his Arkestra, which, dressed in Egypto-space costumes, played everything from boogie-woogie and swing to fusion and free jazz. John Szwed's Space is the Place is the definitive biography of this musical polymath, who was one of the twentieth century's greatest avant-garde artists and intellectuals. Charting the whole of Sun Ra's life and career, Szwed outlines how after years in Chicago as a blues and swing band pianist, Sun Ra…
