Here are 100 books that Shoeless Joe fans have personally recommended if you like
Shoeless Joe.
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I grew up in rural Iowa in the 1950s and 60s, a place far removed from most of the world. Our town had no movie theater, no library, no anything except for a truly excellent baseball field. So we played – day, night, with full teams or three brothers or all by yourself. We also were tasked by our father with caring for the diamond, which was the home park for the local semi-pro team, the Cascade Reds. When I left town – fled would be a better description – I took my love of baseball with me. I played baseball in Vietnam, watched games in Hiroshima, Japan, Seoul, Korea, LA, Chicago, Seattle, Kansas City, and St. Louis. I could go on like this for a long time, but I think you get the picture.
This is a minor work in Roth’s illustrious career, but it is pure Roth - hilarious and outrageous - through and through. You can’t not love a novel that begins with an irreverent shot out to Moby Dick: Call me Smitty, is the novel’s first line, penned by a sportswriter and narrator Word Smith. Smitty’s story is the tragic career of the only Babylonian pitcher in major league history, a phenom named Gil Gamesh. (For those who are too far removed from your college classics courses, Gilgamesh is the great epic story of ancient Babylon.) Gil and his catcher concoct a plot to kill an umpire, Mike the Mouth, who never gives them an even break. The would-be murder weapon is a high fastball. Chaos ensues.
From the Pulitzer Prize–winning author of American Pastoral—a richly imagined novel featuring America’s only homeless big-league baseball team in history delivers “shameless comic extravagance…. Roth gleefully exploits our readiness to let baseball stand for America itself" (The New York Times).
Gil Gamesh, the only pitcher who ever literally tried to kill the umpire. The ex-con first baseman, John Baal, "The Babe Ruth of the Big House," who never hit a home run sober. If you've never heard of them—or of the homeless baseball team the Ruppert Mundys—it's because of the Communist plot, and the capitalist scandal, that expunged the entire…
I grew up in rural Iowa in the 1950s and 60s, a place far removed from most of the world. Our town had no movie theater, no library, no anything except for a truly excellent baseball field. So we played – day, night, with full teams or three brothers or all by yourself. We also were tasked by our father with caring for the diamond, which was the home park for the local semi-pro team, the Cascade Reds. When I left town – fled would be a better description – I took my love of baseball with me. I played baseball in Vietnam, watched games in Hiroshima, Japan, Seoul, Korea, LA, Chicago, Seattle, Kansas City, and St. Louis. I could go on like this for a long time, but I think you get the picture.
As a long-suffering fan of the Seattle Mariners, who have avoided success longer than any other North American sports team this century, how could I not love a novel whose central premise is what would happen if an elite professional sports team, the defending National League champs, fielded an entire line-up of players overwhelmed by clinical depression? This is the funniest sad book I’ve ever read. Well, maybe the second after Catch 22. All the characters play baseball, but the book is less about sport than it is about how humans survive a hostile world.
I grew up in rural Iowa in the 1950s and 60s, a place far removed from most of the world. Our town had no movie theater, no library, no anything except for a truly excellent baseball field. So we played – day, night, with full teams or three brothers or all by yourself. We also were tasked by our father with caring for the diamond, which was the home park for the local semi-pro team, the Cascade Reds. When I left town – fled would be a better description – I took my love of baseball with me. I played baseball in Vietnam, watched games in Hiroshima, Japan, Seoul, Korea, LA, Chicago, Seattle, Kansas City, and St. Louis. I could go on like this for a long time, but I think you get the picture.
Coover’s prescient novel pre-dates the explosion of sports fantasy leagues by at least a decade, but places an imaginary league at the center of his story. Anyone who has ever played in fantasy leagues knows their power. The fantasy can take over your life, which is precisely what happens to J. Henry Waugh. The protagonist is a mild-mannered accountant by day, but the owner-operated-madman-in-charge of his self-created league at night. Eventually, it overwhelms his real life. This is a novel about the dangers of living inside your own head.
As owner of every team in the league, Henry is flush with pride in a young rookie who is pitching a perfect game. When the pitcher completes the miracle game, Henry's life lights up. But then the rookie is killed by a freak accident, and this"death" affects Henry's life in ways unimaginable. In a blackly comic novel that takes the reader between the real world and fantasy, Robert Coover delves into the notions of chance and power.
I grew up in rural Iowa in the 1950s and 60s, a place far removed from most of the world. Our town had no movie theater, no library, no anything except for a truly excellent baseball field. So we played – day, night, with full teams or three brothers or all by yourself. We also were tasked by our father with caring for the diamond, which was the home park for the local semi-pro team, the Cascade Reds. When I left town – fled would be a better description – I took my love of baseball with me. I played baseball in Vietnam, watched games in Hiroshima, Japan, Seoul, Korea, LA, Chicago, Seattle, Kansas City, and St. Louis. I could go on like this for a long time, but I think you get the picture.
This is the fourth and last of Mark Harris’s Henry Wiggen novels. All four novels are narrated in a charming colloquial voice by Wiggen, a star lefthanded starting pitcher for the New York Mammoths. The books trace the all-star career of Wiggin, from his rookie year through to the end of a long career. The time frame of the novels is the 1950s through the 1960s, moving beyond the innocence of the beginning (when players still had off-season jobs to pay the rent – Wiggen sold insurance) to a kind of melancholy at the end. The novel chronicles the end of Wiggen’s excellent career, an end Wiggen, as the wistful title suggests, never saw coming until too late. It’s funny, sad, and heartfelt.
Henry Wiggen, the bedraggled six-foot-three, 195-pound, left-handed pitcher for the New York Mammoths, returns to narrate another novel in his inimitable manner. Fans who loved him in Bang the Drum Slowly, The Southpaw, and A Ticket for a Seamstitch (all Bison Books) will cheer his comeback. Wiggen is now thirty-nine, a fading veteran with a floating fastball, a finicky prostate, and other intimations of mortality. Released from the Mammoths after nineteen years, the twenty-seventh winningest pitcher in baseball history (tied at 247 victories with Joseph J. "Iron Man" McGinnity and John Powell), Wiggen is not ready to hang up his…
I love short-story collections. I’ve read dozens to hundreds of them, starting as a child reading Richard Scarry, and I still make them a regular part of my reading diet. I started trying my own hand at short fiction in 2012 and have since finished more than one hundred stories, including the ones in Animal Husbandry. I’m now working on my first novel after years as a short-story writer, and it gives me additional admiration for how many outstanding novelists are also able to master short fiction. It’s two different skill sets, and the five authors I mentioned here (among many others) excel at both.
Kinsella was a master at blending two of my favorite things—fiction with supernatural elements in a realistic setting, and also baseball.
The title story was expanded into the novel Shoeless Joe, which later became the movie Field of Dreams, and I was fascinated by how the story changed in those three formats. Plus, the collection is packed with cool historical Americana fiction laced with uncanny happenings.
I come from a family of eaters. Food was often at the center of family stories and celebrations. I first became fascinated with apples while I was working on my Ph.D. in history, and my interest has since expanded to include all things related to food history. I’ve taught classes on food history, and a few years ago, I started collecting cookbooks. I blog about my cookbook collection and other historical food oddities on my website.
I think Sanora Babb is an underappreciated author. During the 1930s, Babb worked for the Farm Security Administration and was inspired to write a novel about Dust Bowl migrants. Unfortunately, her publishing contract was canceled when John Steinbeck published The Grapes of Wrath.
As much as I love Steinbeck, I love Babb’s novel more. She paints a vivid picture of life in small-town Oklahoma through small, domestic details. I appreciated the range of characters across the economic spectrum. Her characters are strong, but they are also aware that they are cogs in a machine, caught in circumstances beyond their control. She manages to highlight the plight of farm workers while maintaining their dignity as human beings.
Sanora Babb's long-hidden novel Whose Names Are Unknown tells an intimate story of the High Plains farmers who fled drought dust storms during the Great Depression. Written with empathy for the farmers' plight, this powerful narrative is based upon the author's firsthand experience.
This clear-eyed and unsentimental story centers on the fictional Dunne family as they struggle to survive and endure while never losing faith in themselves. In the Oklahoma Panhandle, Milt, Julia, their two little girls, and Milt's father, Konkie, share a life of cramped circumstances in a one-room dugout with never enough to eat. Yet buried in the…
Neighbors. We’ve all got ‘em, right? We believe we’re the good ones, and we pray we don’t live next door to the bad ones… but sometimes it’s inevitable that we share our property lines with those ill-suited for neighborly behavior. Horror books about bad neighbors are the perfect window into our own communities. We can peer into the lives of others without worry of getting caught. We can tiptoe through their rooms and rummage through their drawers… Who knows what we might find. Are they witches? Serial killers? Devil worshippers? Only their dirty laundry will tell.
Samson’s one and only novel, The Auctioneer is a wonderfully unnerving tale of how a community can find itself completely hollowed out in a matter of a single devil’s bargain. Predating Stephen King’s Needful Things, this book is a literary garotte that slowly closes around the reader’s throat. The paranoia is palpable in these pages, believe me.
One of the finest and best-selling horror novels of the 1970s returns at last to chill a new generation of readers
In the isolated farming community of Harlowe, New Hampshire, where life has changed little over the past several decades, John Moore and his wife Mim work the land that has been in his family for generations. But from the moment the charismatic Perly Dunsmore arrives in town and starts soliciting donations for his auctions, things begin slowly and insidiously to change in Harlowe. As the auctioneer carries out his terrible, inscrutable plan, the Moores and their neighbors will find…
Fairy tales were my first love but I didn’t discover the true magic of children’s picture books until I left my 25-year career as an attorney to enter an MFA program. Wow, was I amazed. Picture books—books in which pictures tell an integral part of the story—not only create an instant connection between reader and little listener but stay with us into adulthood as memories. With this insight, I dove into the genre to discover what distinguishes picture books that are read and reread from those that fade. The answer turns out to be—tales that engender awe and wonder, yarns with heart, and narratives about friendship and kindness. Those are the stories that stay with us forever.
The Farmer and the Clown is my personal candidate for “best” wordless picture book. Author and two-time Caldecott Honor medalist Marla Frazee tells the story of a reluctant farmer who rescues a frightened baby clown separated from his circus family. With zero words and perfect pacing, Frazee steals our hearts as the farmer and the clown overcome their fears and learn to love each other. A testament to kindness and friendship, this book will appeal to grandparents, parents, and young readers alike. Once you read The Farmer and the Clown, you’ll want to acquire the other two books in this amazing trilogy:The Farmer and the Monkeyand The Farmer and the Circus.
A baby clown is separated from his family when he accidentally bounces off their circus train and lands in a lonely farmer's vast, empty field. The farmer reluctantly rescues the little clown, and over the course of one day together, the two of them make some surprising discoveries about themselves-and about life!
Sweet, funny, and moving, this wordless picture book from a master of the form and the creator of The Boss Baby speaks volumes and will delight story lovers of all ages.
I believe that we betray the past when we treat it as the past, and we abandon our ancestors, actual and spiritual, when we dehumanize them as denizens of history, as fundamentally different from us in terms of their lusts and appetites and political nuances and strange senses of humor and nose picking and dance moves and love. Novels, I think, are a powerful mode for understanding and perhaps even undoing the cultural patterns that would have us believe that history is behind us and that the past is not part of the forever dance of the present.
This novel is haunting, poetic, dense, and exquisite. It is centered around a small town in New England and wends and weaves through the strange and terrible things that happen there. Allio's writing is exquisite and melodic, and while this book nominally takes place a century ago, in so many ways, it frighteningly and fluently depicts today's world.
"An elegant, luminous, moving work of lyric prose. Every page shimmers."-Carole Maso
"Fiercely imagined, alive with incandescent imagery, Kirstin Allio's Garner is a memorable debut."-John Burnham Schwartz
Landlocked, sail-shaped Garner, New Hampshire, is a town delineated by its Puritan ethics and its "Live Free or Die" mentality. Like the forbidding landscape of Wharton's Ethan Frome, this New England outpost keeps its secrets and shapes its inhabitants. Frances Giddens, a spirited, elusive girl born at the dawn of the twentieth century and now approaching womanhood, moves through the forests and rivers that mark Garner's borders as easily as she befriends its…
Because of the presence of my four beloved grandparents throughout my growing up years, (all four of my grandparents even attended my wedding), I’ve always enjoyed relationships with older people. My comfort with older people translates into my friendships where many of the women in my life are quite a bit older than me. These intergenerational relationships offer wisdom and experience that informs my own life. I hold an M.F.A. in Creative Writing and have written one novel for adults and one for middle-grade readers. My past jobs include being a television engineer, an adjunct professor, and a publishing professional.
Single and self-sufficient Dottie O’Connell farms her 300 acres with strength and independence, not needing anyone. When she finds herself the primary caretaker to her friend’s young daughter Mattie after the girl is orphaned by a tragic fire, Dottie suddenly is thrust into guardianship with a young person she had no desire to raise. While I admired Dottie for taking on such a life-changing responsibility, at times I couldn’t fathom Dottie’s choices involving the girl. Thankfully, the author peels away the layers of Dottie’s wounds, allowing us at least to understand her while maybe not agreeing with her. Each of us has a Dottie story that influences our decisions for good or for bad.
This is an unforgettable debut novel about the nature of forgiveness, the debts we owe, and the mysteries of what we call grace. When Dottie Connell adopts her best friend's daughter out of a combination of spite and loyalty, she must confront her ideas on motherhood, sexuality, and God. Set in rural Ohio, "This Heavy Silence" spans ten years in Dottie's life. She loves the land despite its bitterness and hardship. She raises her adopted daughter and farms her family's three hundred acres in a time and place unaccustomed to independent women. Her struggle to buy back the farm comes…
