Here are 100 books that Sex, Drugs, Ratt & Roll fans have personally recommended if you like
Sex, Drugs, Ratt & Roll.
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Ever since childhood, I’ve been interested in dark stories, and this led me to writing dark fantasy. To this day, my main inspirations as a writer are Robert E. Howard and Michael Moorcock, both dark fantasists. I think it is only through understanding evil that we can appreciate goodness. As such, I strive to explore the darker parts of my characters’ psyches. I also write a fair deal about racism, which is a socially accepted, even celebrated form of evil. Fiction, because it has so few limits as far as subject matter, is, in my opinion, the best medium to have these conversations. Thank you for reading my list!
I’m reluctant to recommend it because these guys don’t need the money. Four raging narcissists/rapists/drug addicts create a band and proceed to destroy themselves and everything around them. I remember reading it and thinking, “This is the stuff they admit to.”
This book is the very definition of “If they were black, they’d be locked up.” By the point I was reading Vince Neil whine about not being able to tour Japan because he was on probation for drunkenly killing his friend, I realized I was witnessing pure evil. However, evil can be fascinating.
This book is so singularly revolting that it completely spoiled my already low interest in stories about entitled people growing more entitled. It was adapted into a very whitewashed Netflix movie.
Celebrate thirty years of the world's most notorious rock band with the deluxe collectors' edition of The Dirt-the outrageous, legendary, no-holds-barred autobiography of Motley Crue. Fans have gotten glimpses into the band's crazy world of backstage scandals, celebrity love affairs, rollercoaster drug addictions, and immortal music in Motley Crue books like Tommyland and The Heroin Diaries, but now the full spectrum of sin and success by Tommy Lee, Nikki Sixx, Vince Neil, and Mick Mars is an open book in The Dirt. Even fans already familiar with earlier editions of the bestselling expose will treasure this gorgeous deluxe edition. Joe…
I have a passion for music. My earliest memories are of my childhood being soundtracked by Dad’s love of Elvis, Queen, and Steve Miller. And then the eighties came, and I was mesmerised on two fronts – rock music and pop music. The former led to me picking up a guitar, forming a band, and seeing scores of rock bands perform, which in turn led three decades later to me writing about this amazing time in I Was A Teenage Rock Fan. The latter led to even more bands, a series of DJing opportunities, and eventually writing my recently published Gary Numan biography. I hope you enjoy the books.
Nearly twenty years ago, I wondered why nobody had written about being a rock fan in the nineteen-eighties, and then I came across Seb Hunter’s Hell Bent for Leather.
Hunter’s story was very similar to mine (we’re of a similar age and based in the UK), but whereas I still love the music and look back on my ultimately futile rock star aspirations with a certain sense of pride and warmth, Hunter is dismissive of his more successful attempt, and embarrassed by his allegiance to the spandex and six strings.
So why recommend this book, I hear you say? One word – passion. His stories and opinions, though I may not agree with all of them, clearly come from the heart and cut through his often cynical but incisive narrative.
Seb Hunter wasn't just a heavy metal fan. He was a blind devotee who threw away his education and future prospects to become a rock star. In Hell Bent for Leather, he reaches into the most embarrassing depths of the family photo album to reveal his Wayne's World-esque teen years, taking readers on a (very loud) musical journey from his first guitar to his first gig and on, through groupies, girlfriends, too many drugs, spiraling egos, musical differences, and finally, the end of the dream -- and a much-needed haircut.In this nostalgic look at heavy metal culture, Seb Hunter has…
My new book, I Saw Satan at the 7-Eleven, is among other things, a love letter to heavy metal. I am a lifelong music obsessive: a record collector, concertgoer, maker of mixtapes, sewer of patch jackets. When I’m not writing or reading I’m playing guitar with the amp turned all the way up. And I have the tinnitus to prove it. Some of the books on this list are about metal, others are simply imbued with its rebellious dionysian spirit. But every damn one of them goes to 11, I can assure you of that. Enjoy!
The cutest book I’ve ever read about being a fan. Warm and softhearted, Chuck’s writing is literary comfort food.
A music and sports journalist turned memoirist, this is his misty-eyed look back at childhood. Like an episode of The Wonder Years all about Hair Metal. You can substitute Hair Metal for anything chronically un-cool that you ever fell in love with.
It’s a gleeful defence of the dork inside, a reminder that taste is subjective, that fashions come and go, that when we poo-poo things we’re denying ourselves potential enjoyment. There’s no such thing as a guilty pleasure. Pleasure is pleasure, and there isn’t enough of it in this sorry world.
So, curl up with Klosterman and enjoy what you enjoy.
Powered by a sharp and wholly original voice, Chuck Klosterman delivers a real-life High Fidelity in this savvy, deliriously funny memoir of growing up a shameless heavy-metal devotee in 1980s North Dakota. The year is 1983, and Chuck Klosterman just wants to rock. But he's got problems. For one, he's in the fifth grade. For another, he's mired in rural North Dakota. Worst of all, his parents aren't exactly down with the long hairstyle which said rocking requires. Luckily, his brother saves the day when he brings home a bit of manna from metal heaven, Shout at the Devil, Motley…
I have a passion for music. My earliest memories are of my childhood being soundtracked by Dad’s love of Elvis, Queen, and Steve Miller. And then the eighties came, and I was mesmerised on two fronts – rock music and pop music. The former led to me picking up a guitar, forming a band, and seeing scores of rock bands perform, which in turn led three decades later to me writing about this amazing time in I Was A Teenage Rock Fan. The latter led to even more bands, a series of DJing opportunities, and eventually writing my recently published Gary Numan biography. I hope you enjoy the books.
Stop. Before you say, “Spandau Ballet? Rock Stars?” let me, or even better, Martin Kemp (in his book) tell you that he and his Blitz Kid brothers gave Motley a run for their money in their eighties rock star behavior, so yes, he’s on my list.
He’s also not so different from Seb Hunter and I, in that he wanted to be in a band, just like his friends Steve Strange, Midge Ure, Boy George and George Michael (their names may be familiar). Again, it’s his passion for the era that makes this compulsive reading as he chronicles the rise and fall of Spandau as well as a lot of the same social histories that I cover in my book, but from the VIP side of the velvet rope.
Ticket to the World is a joyous, nostalgic celebration of 80s culture from one man at the centre of it all.
New Year's Eve, 1979. My family and I stand arm in arm around our Formica kitchen table, counting down to the new decade with each televised chime of Big Ben. We have no idea what is about to hit us, no idea of the seismic waves of change approaching.
The 80s transformed life as we knew it. Music, style and culture exploded in a haze of dayglo colour. There were hardships, but there were opportunities too. And I lived…
I became a young man near the end of the sixties, and I have always been enthralled by the era's various idiosyncrasies, both good and bad. For instance, I loved the complex yet pleasant rock music and the freewheeling lifestyle. On the downside, the war in Vietnam cast its pall over the times, and I narrowly escaped being drafted and sent off to Southeast Asia. Overall, it was an era in which good and evil were starkly defined, and many people were attempting to create a better, more peaceful world. There is still much we can learn from this time.
In my opinion, the Grateful Dead's music forms an important part of the soundtrack of the psychedelic sixties–and into the seventies and beyond.
They first performed under this name at Ken Kesey's acid tests in San Francisco and gained an exponentially-growing reputation as cutting-edge performers of acid rock–so much so that loyal "Dead Heads" would follow them around from concert to concert. McNally was the band's official historian, and his inside track gave him access to fascinating details about the individual band members, their music, their drug trips, their metaphysical meanderings, and much more.
This book brings me back to the days of my youth when I lived for a time in the San Francisco Bay Area and saw the Dead perform at Fillmore West.
The complete history of one of the most long-lived and legendary bands in rock history, written by its official historian and publicist—a must-have chronicle for all Dead Heads, and for students of rock and the 1960s’ counterculture.
From 1965 to 1995, the Grateful Dead flourished as one of the most beloved, unusual, and accomplished musical entities to ever grace American culture. The creative synchronicity among Jerry Garcia, Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart, and Ron “Pigpen” McKernan exploded out of the artistic ferment of the early sixties’ roots and folk scene, providing the soundtrack for the Dionysian revels…
Growing up in the ‘80s, I discovered cyberpunk just when the subgenre acquired its name and was instantly hooked. While its style and action were certainly engaging, it was cyberpunk’s message about the surveillance state, corporate power, fascism, and corruption, which contrasted so violently from mainstream science fiction, that kept me turning pages. 40 years later, after writing novels for 25 years, completing 12 books, I’m still fascinated by what cyberpunk can do. In an age where Humanity is mortally threatened by climate change and inequality, we need cyberpunk now more than ever, with its action and adventure and a little something for us to think about, too.
City Come A-Walkin’ is it, the beginning, the first true cyberpunk novel.
As William Gibson famously said in the forward to the 15-year anniversary edition, “John Shirley is cyberpunk’s patient zero.” Debuting in 1980, City follows Stu Cole, a streetwise nightclub owner who angered San Francisco’s political and criminal elite, bringing down the full weight of their power; his only hope, the enigmatic construct known only as, “City.”
A proto-AI, City was a conglomeration of the computer, surveillance, and data infrastructure that took on a life of its own, becoming sapient and dangerous. To ten-year-old me, it was the coolest book I had ever read (and it didn’t hurt that the school library refused to order it for me) and really put the punk in cyberpunk.
Stu Cole is struggling to keep his nightclub, Club Anesthesia, afloat in the face of mob harassment when he's visited by a manifestation of the city of San Francisco, crystallized into a single enigmatic being. This amoral superhero leads him on a terrifying journey through the rock and roll demimonde as they struggle to save the city.
I am a journalist, author, guitarist, singer, and songwriter who has spent my career spreading the gospel of the music I love, notably the Allman Brothers Band and the blues masters. I’ve been a Guitar World writer and editor since 1991, profiled countless musicians for The Wall Street Journal, and lived in Beijing for four years, forming a blues band with three Chinese musicians that toured the country, recorded an album, and won awards. That experience has informed everything I’ve done since, including forming Friends of the Brothers, the premier celebration of the music of the Allman Brothers Band.
I think that this book unveils Jerry Garcia’s essential, elusive personality better than anything I’ve read, even given the excellent work of David Browne, Blair Jackson, Dennis McNally, and other terrific Grateful Dead biographers.
I learned a lot about how seemingly secondary characters are often particularly honest and illuminating. Robert Greenfield also collaborated with promoter Bill Graham on Bill Graham Presents, the excellent autobiography in oral history format.
For more than thirty years, Jerry Garcia was the musical and spiritual center of the Grateful Dead, one of the most popular rock bands of all time. In Dark Star, the first biography of Garcia published after his death, Garcia is remembered by those who knew him best. Together the voices in this oral biography explore his remarkable life: his childhood in San Francisco; the formation of his musical identity; the Dead's road to rock stardom; and his final, crushing addiction to heroin. Interviews with Jerry's former wives, lovers, family members, close friends, musical partners, and cultural cohorts create a…
I have two major passions in life: music and writing. I started learning guitar aged 16, and my friends and I formed a band as soon as we possibly could. My first professional job was writing about pop music for a monthly magazine, and much later in life, I discovered jazz. Now I’m a bass-player, jazz singer, and composer who works with some of the finest jazz musicians in London, and I play regularly at Ronnie Scott’s club. As well as the Donald Fagen biography, I’ve also written biographies of the great jazz singers Mark Murphy (for me, the greatest of them all) and Jon Hendricks.
You thought you knew everything there was to know about The Beatles. I thought I did. I was wrong.
Craig Brown somehow manages to tell a very familiar story with details that either you never knew or had forgotten. He isn’t scraping the barrel: the book is full of excellent stories about the Fab Four, and sheds new light on where the band came from and where they ended up. It’s more than 600 pages long, and beautifully written, but a very easy read.
SHORTLISTED for the Baillie Gifford Prize's 25th Anniversary Winner of Winners award
WINNER OF THE BAILLIE GIFFORD PRIZE 2020
A Spectator Book of the Year * A Times Book of the Year * A Telegraph Book of the Year * A Sunday Times Book of the Year
From the award-winning author of Ma'am Darling: 99 Glimpses of Princess Margaret comes a fascinating, hilarious, kaleidoscopic biography of the Fab Four.
John Updike compared them to 'the sun coming out on an Easter morning'. Bob Dylan introduced them to drugs. The Duchess of Windsor adored them. Noel Coward despised them. JRR Tolkien…
I am a journalist, author, guitarist, singer, and songwriter who has spent my career spreading the gospel of the music I love, notably the Allman Brothers Band and the blues masters. I’ve been a Guitar World writer and editor since 1991, profiled countless musicians for The Wall Street Journal, and lived in Beijing for four years, forming a blues band with three Chinese musicians that toured the country, recorded an album, and won awards. That experience has informed everything I’ve done since, including forming Friends of the Brothers, the premier celebration of the music of the Allman Brothers Band.
I found this book riveting from page one and studied the ease with which Booth alternates chapters of straight biography and his own personal experiences with the band.
This included a drug-fueled slide that contributed to the book, largely chronicling the Stones’ 1969 tour of America, to take 15 years to complete. He writes about this with honesty and without romance, looking the devil in the eye with candor while also offering deep insights into bit characters like BB King and providing the definitive story of the Altamont fiasco.
Stanley Booth, a member of the Rolling Stones’ inner circle, met the band just a few months before Brian Jones drowned in a swimming pool in 1968. He lived with them throughout their 1969 tour across the United States, staying up all night together listening to blues, talking about music, ingesting drugs, and consorting with groupies. His thrilling account culminates with their final concert at Altamont Speedway—a nightmare of beating, stabbing, and killing that would signal the end of a generation’s dreams of peace and freedom. But while this book renders in fine detail the entire history of the Stones,…
I’ve been fascinated by musicians almost my entire life, but I always wanted more than the slick on-screen video, profile on the Lifestyles of the Rich and Famous, or interview. I wanted to know the whys and hows: why they wrote a certain way, what made them want to be a musician first, and where the inspiration and determination came from. What are they like when they’re hanging out at home, not in the spotlight? This research led me to the music and musicians of Laurel Canyon in particular and how one small area of Los Angeles has managed to create music still influential today.
I love this book for its deep dive into the music and time period of the 1960s and 1970s. It’s a wonderful discovery of the bands that made this era of music so wonderful and how Laurel Canyon was in the center of it.
There are great behind-the-scenes stories and interviews with the people who were there, in the industry and making the music. It’s a great glimpse into the vision, values, and freedom of the time and how it all got funneled into that fantastic music I so love.
Michael Walker’s Laurel Canyon presents the inside story of the once hottest rock and roll neighborhood in LA.
In the late sixties and early seventies, an impromptu collection of musicians colonized a eucalyptus-scented canyon deep in the Hollywood Hills of Los Angeles and melded folk, rock, and savvy American pop into a sound that conquered the world as thoroughly as the songs of the Beatles and the Rolling Stones had before them. Thirty years later, the music made in Laurel Canyon continues to pour from radios, iPods, and concert stages around the world. During the canyon's golden era, the musicians…
