Here are 100 books that Plants as Persons fans have personally recommended if you like
Plants as Persons.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I am an early medieval European historian who, in the last decades, branched out into environmental history. Having grown up in semi-rustic conditions, I have always been curious about rural things and past agricultural practices. I watch carefully as plows slice through fields, mind how birds and bees weave together their ecosystems, and pay attention to the phases by which trees put on and take off their leaves. Now a professional historian, my job involves reading a lot of rural and environmental history, so I have developed a good sense of books that mix academic rigor and approachability.
“The face that launched a thousand ships,” as Homer would say. Pollan’s witty and well-written treatment of how plants think and act to modulate their environments inspired 21st-century “critical plant studies” in the Anglophone world, including mine.
The book starts you thinking about the thousands of ways plants elbow into your world and how much they matter to your existence on earth, in economic but also spiritual senses. You end up agape in wonder.
A farmer cultivates genetically modified potatoes so that a customer at McDonald's half a world away can enjoy a long, golden french fry. A gardener plants tulip bulbs in the autumn and in the spring has a riotous patch of colour to admire. Two simple examples of how humans act on nature to get what we want. Or are they? What if those potatoes and tulips have evolved to gratify certain human desires so that humans will help them multiply? What if, in other words, these plants are using us just as we use them? In blending history, memoir and…
In my everyday world of responsibilities, I’m a writer, retired veterinarian, and freelance English editor for academic writing. But in my inner world of curiosity and obsessions, I’m forever a child with a profound longing to understand what the world is and how it works. Always searching on behalf of this forever child, I’ve read many a dull book about science, history, and writing. Despite having fascinating content, authors often flatten these subjects into featureless recitations. Happily, I’ve also found authors who express enthusiasm, expertise, or concern for their topic in prose that is as interesting in voice as it is in content.
I love swamps and streams and rivers (and I’m learning to love the ocean), and I especially love the miniature ecosystems that Kimmerer studies and describes with such gentle care in this book. Sure, everyone’s read Braiding Sweetgrass. (Wait, you haven’t? What are you doing here?! Go! Read!) But have you read the one about moss?
Both books reminded me of why I am drawn to science, of how structured observation and research can illuminate complex and dynamic processes. But I found the science in this one more compelling. It’s a collection of graceful retellings focused on the intricacies of the exact kinds of watery habitats I love best.
Living at the limits of our ordinary perception, mosses are a common but largely unnoticed element of the natural world. Gathering Moss is a beautifully written mix of science and personal reflection that invites readers to explore and learn from the elegantly simple lives of mosses.
In this series of linked personal essays, Robin Kimmerer leads general readers and scientists alike to an understanding of how mosses live and how their lives are intertwined with the lives of countless other beings. Kimmerer explains the biology of mosses clearly and artfully, while at the same time reflecting on what these fascinating…
For fifteen years now, I have been exploring the seemingly strange connection between plants and philosophy. The unexpected twists and turns of this theme have taken me to forests and gardens, to collaborations with plant artists and plant scientists, to ancient thought and twenty-first-century experimental design. Once you get over the initial surprise (What can philosophy tell us about plants?), you will be in for the exhilarating ride that is vegetal philosophy, finding plant heritage in human thought, politics, and society; witnessing traditional hierarchies and systems of classification crumble into dust; and discovering the amazing capacities of plants that testify to one important insight—plants are smarter than you think!
Monica Gagliano gives us a enchanting peek at the complexities, consciousness, and subjectivity of plants, as well as at her own story as a woman scientist, who is one of the pioneers in the field of plant intelligence. Weaving together her biography with the life of plants in a creative mix of “phytobiography,” the author shows how working “on” plants is also always working “with” them. We collaborate and communicate, Gagliano suggests, across species and biological kingdom boundaries, and it is on this unknown terrain that her scientific discoveries of plant learning or plant bioacoustics are made. Although Gagliano is not a philosopher by training, the account she offers in Thus Spoke the Plant opens new and exciting vistas in the philosophy of plants.
An accessible and compelling story of a scientist's discovery of plant communication and how it influenced her research and changed her life.
In this "phytobiography"--a collection of stories written in partnership with a plant--research scientist Monica Gagliano reveals the dynamic role plants play in genuine first-hand accounts from her research into plant communication and cognition. By transcending the view of plants as the objects of scientific materialism, Gagliano encourages us to rethink plants as people--beings with subjectivity, consciousness, and volition, and hence having the capacity for their own perspectives and voices. The book draws on up-close-and-personal encounters with the plants…
For fifteen years now, I have been exploring the seemingly strange connection between plants and philosophy. The unexpected twists and turns of this theme have taken me to forests and gardens, to collaborations with plant artists and plant scientists, to ancient thought and twenty-first-century experimental design. Once you get over the initial surprise (What can philosophy tell us about plants?), you will be in for the exhilarating ride that is vegetal philosophy, finding plant heritage in human thought, politics, and society; witnessing traditional hierarchies and systems of classification crumble into dust; and discovering the amazing capacities of plants that testify to one important insight—plants are smarter than you think!
This book challenges us to leave behind the conventional distinctions and classifications that separate plants from animals and humans. Instead, Wood urges us to view different species and kingdoms from the standpoint of their collaborative being-with. Seemingly familiar realities, including human and vegetal realities, become strange, indeed, uncanny. Throughout, he focuses on plants—trees, above all—to illustrate the main point of his important study. Wood’s philosophical concern is similar to my own: he wishes to save plants from the unfair neglect, to which philosophers have historically submitted them, and to restore to them their rightful place in the history of life and of thought.
Collected essays by a leading philosopher situating the question of the animal in the broader context of a relational ontology
There is a revolution under way in our thinking about animals and, indeed, life in general, particularly in the West. The very words man, animal, and life have turned into flimsy conceptual husks-impediments to thinking about the issues in which they are embroiled. David Wood was a founding member of the early 1970s Oxford Group of philosophers promoting animal rights; he also directed Ecology Action (UK). Thinking Plant Animal Human is the first collection of this major philosopher's influential essays…
I’m a writer, artist, and historian, and I’ve spent much of my career trying to blow up the powerful American definition of environment as a non-human world “out there”, and to ask how it’s allowed environmentalists, Exxon, and the EPA alike to refuse to take responsibility for how we inhabit environments. Along the way, I’ve written Flight Maps: Adventures with Nature in Modern America and "Thirteen Ways of Seeing Nature in LA"; co-founded the LA Urban Rangers public art collective; and co-created the “Our Malibu Beaches” phone app. I currently live in St. Louis, where I’m a Research Fellow at the Sam Fox School at Washington University-St. Louis.
A self-critical and often hysterically funny account of what happens when you plant a garden to be “one with nature” and nature has other ideas. Still my favorite Pollan book (his first!), which is saying a lot. Favorite bit: his journey from “living in harmony” with a resident groundhog to an albeit ill-considered act of firebombing.
I fell in love with reading as a child and have carried that sense of magic and possibility with me ever since. As an adult and a writer, I believe passionately in the power of story to foster empathy, understanding, and greater human connection – and I still turn to children’s literature whenever I need reminding of all that we are capable of becoming and doing as human beings. This list has a strong environmental bent to it – partly because Wildoak is a book about caring for the natural world, and partly because I believe that stories shape our sense of purpose.
I originally read the adult version of this book and quite honestly, it’s a book I’ll never forget. It changed the way I think about the relationship between human beings and the earth. I absolutely loved it. And I was so excited when this young adult version came out, because it’s now so accessible to younger readers and I could share it with my teenage daughter. I love to read books alongside my kids and find ways to broaden and deepen our conversations about the natural world… and this one is top of my list for doing just that.
Drawing from her experiences as an Indigenous scientist, botanist Robin Wall Kimmerer demonstrated how all living things—from strawberries and witch hazel to water lilies and lichen—provide us with gifts and lessons every day in her best-selling book Braiding Sweetgrass. Adapted for young adults by Monique Gray Smith, this new edition reinforces how wider ecological understanding stems from listening to the earth’s oldest teachers: the plants around us. With informative sidebars, reflection questions, and art from illustrator Nicole Neidhardt, Braiding Sweetgrass for Young Adults brings Indigenous wisdom, scientific knowledge, and the lessons of plant life to a new generation.
I am now considered by many as the expert on creating allergy-free and allergy-friendly gardens and landscapes. I have lectured on the subject all across the US and Canada, and also in Israel, Ireland, the United Kingdom, New Zealand, and Australia. For 30+ years now I’ve been researching the connections between urban landscaping and allergies and asthma. My articles have appeared in dozens of fine publications, including The New York Times, The London Times, The Guardian, The Los Angeles Times, Atlas Obscura, Scientific American, Der Spiegel, and The New Scientist. I have owned two nurseries and taught horticulture for twenty years.
This is the best book on medical botany. The authors are both top experts on biology and botany, and among his peers in biology, Walter H. Lewis is known as the medical botanist. Just packed with interesting, useful information not found anywhere else. Widely used as a university textbook for medical botany…but extremely readable. Highly recommended!
Plants as Medicine.... A Natural Approach to Self-Health Medical Botany: Plants Affecting Man?s Health, Walter H. Lewis, Memory P.F. Elvin-Lewis
Medical Botany is a fascinating look at the facts and fictions surrounding plants and man?not only which plants affect our bodies, but how they affect them. Authoritative, rich in anecdote and lore, lavishly illustrated, this encyclopedic reference brings within your reach the curative, healing, poisonous, allergenic, and psychoactive properties of thousands of plants. Its ready reference format allows you to turn instantly to information about a specific plant?s properties, its history, its use in orthodox medicine (where applicable) and its…
I am a somewhat eclectic personality, who has studied both arts (fashion, illustration) and sciences (geology, chemistry) alike. I hope that in the book choices I have made - using my love of words, appreciation of fine books, and natural discernment - the reader will find a degree of excellence; as well as surprise and delight, at the discovery of titles they may not even have thought of!
I had the great pleasure of meeting Michael Hickey at one of the RHS shows in London, at which I was exhibiting some of my botanical art; a thoroughly nice man, who sadly died soon after. I also met the personable and talented Coral Guest, the creator of the most exquisite botanical paintings, at the same show!
This is an excellent introduction to plant families for the beginner in botanical painting, focusing on 25 core plant families. It leaves out some of the technical botanical detail which would probably be included on an undergraduate botany course, but which would be confusing for the botanical painter who simply wanted to illustrate. It is clearly laid out, written, and illustrated; a must for plant artists, would-be botanists, and even medical herbalists - everywhere!
Provides a basic introduction to twenty five commonly occurring families of flowering plants, chosen for their economic, ornamental and ecological importance. It is designed to enable students of botany and related disciplines to gain some knowledge of the general characteristics of each family and also the relationships between them. An introductory section provides basic botanical information which is often assumed to be known and which is essential for a proper consideration of the families themselves. These are described in the second section of the book. For each family, information on its distribution, classification, general features and economic importance precedes a…
I grew up in a coastal landscape and aspired from childhood to read my way through it by knowing its plants. I once watched a master carver at work on a totem pole at a living museum and could relate the wood curls falling from his adze to the giant cedars growing at the site. As a university student, I worked in a botanical show garden, learning so much about the provenance of plants and what they tell us about geography, history, and beauty. These experiences, in childhood and early adulthood, formed my lifelong interest in ethnobotany, nomenclature, and mythology, explored through the lens of creative work.
I learned about botanical nomenclature as a 19-year-old, and it opened a world to me, a place where plants told me something about their origins and their function. This book gives me the background to the long history of naming.
Those who gathered plants, who learned their uses and needed to be accurate, also required a system that would allow them to write about their knowledge in a way that allowed others to use it and share it. From Aristotle’s pupil Theophrastus in 4th century BE Athens to Islamic scholars to the 18th-century medical professor Carl Linnaeus, Anna Pavord immerses us in the search for meaning and sense in the world of plants.
It isn’t, not at all. It’s history at its best, populated by apothecaries, artists, botanists and scholars. And the illustrations are sublime.
Searching for Order traces the search for order in the natural world, a search that for hundreds of years occupied some of the most brilliant minds in Europe. Redefining man's relationship with nature was an important feature of the Renaissance. But in a world full of plagues and poisons, there was also a practical need to name and recognise different plants: most medicines were made from plant extracts. Anna Pavord takes us on a thrilling adventure into botanical history, travelling from Athens in the third century BC, through Constantinople, Venice, the medical school at Salerno to the universities of Pisa…
In Nature’s Realm is my third book on the theme of exploration of Vancouver Island, my home for the past thirty years, and my first focussed on the history of natural history. In it, I call upon decades of experience in mapping hitherto scarcely known parts of the world, combined with a keen fascination with the fauna and flora of the many places where I have lived and worked. I have marvelled at the work of the exploring naturalists and am fascinated with their personal histories. I find it enthralling how they each added to the sum of human knowledge of the wonders of the natural world, now so sadly threatened.
This fine book was another discovery of mine as I studied the literature on aspects of the history of natural history for my own book in this genre. Although written by two academics, this book is easy to read by a generally educated public. It covers what is to me, the engrossing topic of the early botanical collectors and illustrators, both men and women. The authors recount the lives of eleven subjects from Linnaeus through Banks, Douglas, Spruce, and Hooker, and how they, together, founded the science of botany by roaming the world in search of new species. There are 32 well-chosen illustrations, in colour and monochrome.
The flower hunters were intrepid explorers - remarkable, eccentric men and women who scoured the world in search of extraordinary plants from the middle of the seventeenth to the end of the nineteenth century, and helped establish the new science of botany. For these adventurers, the search for new, undiscovered plant specimens was something worth risking - and often losing - their lives for. From the Douglas-fir and the monkey puzzle tree, to exotic orchids and azaleas, many of the plants that are now so familiar to us were found in distant regions of the globe, often in wild and…
