I’m a writer, artist, and historian, and I’ve spent much of my career trying to blow up the powerful American definition of environment as a non-human world “out there”, and to ask how it’s allowed environmentalists, Exxon, and the EPA alike to refuse to take responsibility for how we inhabit environments. Along the way, I’ve written Flight Maps: Adventures with Nature in Modern America and "Thirteen Ways of Seeing Nature in LA"; co-founded the LA Urban Rangers public art collective; and co-created the “Our Malibu Beaches” phone app. I currently live in St. Louis, where I’m a Research Fellow at the Sam Fox School at Washington University-St. Louis.
“Where do my coffee and newspaper come from?” Cohen muses one morning in her favorite coffee shop…and she’s off and running, to find the unseen nature and labor that make our everyday lives possible. The most gorgeous, lyrical explanation of alienation and fetishization you’ll ever find, and a model for how to drag nature writing into the 21st century.
Once upon a time we knew the origins of things: what piece of earth the potato on our dinner plate came from, which well our water was dipped from, who cobbled our shoes, and whose cow provided the leather. In many parts of the world, that information is still readily available. But in our society, even as technology makes certain kinds of information more accessible than ever, other connections are irrevocably lost.
In Glass, Paper, Beans, Leah Cohen traces three simple commodities on their geographic and semantic journey from her rickety table at the Someday Café to their various points…
A self-critical and often hysterically funny account of what happens when you plant a garden to be “one with nature” and nature has other ideas. Still my favorite Pollan book (his first!), which is saying a lot. Favorite bit: his journey from “living in harmony” with a resident groundhog to an albeit ill-considered act of firebombing.
American nature-lovers are just Americans who love nature? Not exactly, Finney reminds us. She showcases the baked-in whiteness of American environmentalist ideas and advocacy historically, and carves out space for how African Americans have imagined, enjoyed, experienced, and fought for the “great outdoors”—and draws on both scholarship and her own experiences to do so.
Why are African Americans so underrepresented when it comes to interest in nature, outdoor recreation, and environmentalism? In this thought-provoking study, Carolyn Finney looks beyond the discourse of the environmental justice movement to examine how the natural environment has been understood, commodified, and represented by both white and black Americans. Bridging the fields of environmental history, cultural studies, critical race studies, and geography, Finney argues that the legacies of slavery, Jim Crow, and racial violence have shaped cultural understandings of the ""great outdoors"" and determined who should and can have access to natural spaces.
An oldie but a goodie, and a classic. Cronon’s lead essay “The Trouble with Wilderness” roused ‘90s environmentalism like a brilliant party crasher—but don’t miss Richard White’s “Are You an Environmentalist or Do You Work for a Living,” Giovanna Di Chiro’s “Nature as Community,” and, well, my own “Looking for Nature at the Mall.”
In a lead essay that powerfully states the broad argument of the book, William Cronon writes that the environmentalist goal of wilderness preservation is conceptually and politically wrongheaded. Among the ironies and entanglements resulting from this goal are the sale of nature in our malls through the Nature Company, and the disputes between working people and environmentalists over spotted owls and other objects of species preservation.
The problem is that we haven't learned to live responsibly in nature. The environmentalist aim of legislating humans out of the wilderness is no solution. People, Cronon argues, are inextricably tied to nature, whether…
Another powerhouse paradigm-shifter—a party crasher for 21st-century environmentalism—and yeah, it’s a doozie. Think we can “save the planet” without challenging an economy that’s fundamentally hard-wired to devastate people and environments? Or that we can use the profit-maximizing economy (here’s looking at you, carbon markets) to reign in the inevitable earth-wide destruction? Think harder and think again.
Naomi Klein, author of the #1 international bestsellers, The Shock Doctrine and No Logo, returns with This Changes Everything, a must-read on how the climate crisis needs to spur transformational political change
Forget everything you think you know about global warming. It's not about carbon - it's about capitalism. The good news is that we can seize this existential crisis to transform our failed economic system and build something radically better.
In her most provocative book yet, Naomi Klein, author of the global bestsellers The Shock Doctrine and No Logo, tackles the most profound threat humanity has ever faced: the…
We’ve been “saving the planet” for decades…and environmental crises just get worse. All this Tesla driving & LEED building & carbon trading seems to accomplish little to nothing—all while low-income communities continue to suffer the most devastating consequences. So why aren’t we cleaning up the toxic messes & rolling back climate change? Also, why do so many Americans hate environmentalists?
Jenny Price says, enough already! — with this short, fun, fierce manifesto for an approach that is hugely more effective, tons fairer, and a great deal less righteous. She challenges you, Exxon, & the EPA alike to think and act completely anew—and to do it now.
I've been passionate about music for almost my entire life. Jazz music in particular speaks to me but not just jazz. I love music, full stop. I really discovered jazz when I attended a jazz club workshop in London and there, I had to join in or leave. I chose to join in and since then I have never looked back. I was introduced to more jazz musicians and now write about music for three major columns as well as Readers’ Digest. My Women In Jazz book won several awards. I have been International Editor for the Jazz Journalist Association and had my work commissioned by the Library of Congress.
With input from over 100 musicians, the book discusses what exactly jazz is, and how you know you are listening to it. Do we truly know when and how jazz first originated? Who was the first jazz musician? How does jazz link to other genres? What about women in jazz? And writers and journalists? Do reviews make any difference?
This book is a deep dive into jazz's history, impact, and future. It discusses jazz's social, cultural, and political influence and reveals areas where jazz has had an impact we may not even realize.Its influences on hip hop, the connection to…
This book is very different from other, more general jazz books. It is packed with information, advice, well researched and includes experiences from jazz musicians who gleefully add their rich voices to Sammy's in-depth research. All genres, from hard bop to be-bop, vocal jazz, must instrumental, free jazz, and everything between is covered in one way or another and given Sammy's forensic eye. There is social commentary and discussions of careers in jazz music. The musical background of those in the book is rich and diverse. Critics comment: "This new book by Sammy Stein is a highly individual take on…
