Here are 100 books that Personal Justice Denied fans have personally recommended if you like
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Although I was born in Seattle after the World War II years, my parents, grandparents, and aunts spent time confined at the Minidoka site, and they very rarely talked about “camp.” During the ‘80s and ‘90s, I worked as a newspaper journalist during the time of the movement to obtain redress, and I heard survivors of the camps talk about it for the first time. My acquired knowledge of the subject led to my first book in 1993,Baseball Saved Us. Since then, the camp experience has become like a longtime acquaintance with whom I remain in constant contact.
Among fictional versions of the World War II camp experience, this one has been cited as, thus far, “the great camp novel.”
I consider it the “Apocalypse Now” of camp novels──a hallucinatory, abstract but visceral take on one family’s Berkeley to Topaz camp journey. Early in the story, as the Japanese American mother prepares to leave her home, and with families not allowed to take their pets with them, she kills their dog with a shovel and buries it in the backyard.
Written in short, clipped sentences, the novel continues with its highly original approach to this period in history.
From the bestselling, award-winning author of The Buddha in the Attic and The Swimmers, this commanding debut novel paints a portrait of the Japanese American incarceration camps that is both a haunting evocation of a family in wartime and a resonant lesson for our times.
On a sunny day in Berkeley, California, in 1942, a woman sees a sign in a post office window, returns to her home, and matter-of-factly begins to pack her family's possessions. Like thousands of other Japanese Americans they have been reclassified, virtually overnight, as enemy aliens and are about to be uprooted from their home…
Although I was born in Seattle after the World War II years, my parents, grandparents, and aunts spent time confined at the Minidoka site, and they very rarely talked about “camp.” During the ‘80s and ‘90s, I worked as a newspaper journalist during the time of the movement to obtain redress, and I heard survivors of the camps talk about it for the first time. My acquired knowledge of the subject led to my first book in 1993,Baseball Saved Us. Since then, the camp experience has become like a longtime acquaintance with whom I remain in constant contact.
This novel is the reason I became a writer, for it showed me that we Japanese/Asian Americans had stories to tell, and we could write them.
Its protagonist is one who was labeled a “No-No Boy” for his response to two questions on the “loyalty questionairre” required to be answered in the World War II camps as to whether the respondent would be willing to serve in the U.S. military. Those who refused were not only members of a reviled race after the war, but were also ostracized by their own Japanese American community.
The novel’s powerful writing, questioning one’s place in America, is often spoken aloud in stage readings and, like me, became a catalyst for members of my generation to follow creative pursuits.
"No-No Boy has the honor of being among the first of what has become an entire literary canon of Asian American literature," writes novelist Ruth Ozeki in her new foreword. First published in 1957, No-No Boy was virtually ignored by a public eager to put World War II and the Japanese internment behind them. It was not until the mid-1970s that a new generation of Japanese American writers and scholars recognized the novel's importance and popularized it as one of literature's most powerful testaments to the Asian American experience.
No-No Boy tells the story of Ichiro Yamada, a fictional version…
Although I was born in Seattle after the World War II years, my parents, grandparents, and aunts spent time confined at the Minidoka site, and they very rarely talked about “camp.” During the ‘80s and ‘90s, I worked as a newspaper journalist during the time of the movement to obtain redress, and I heard survivors of the camps talk about it for the first time. My acquired knowledge of the subject led to my first book in 1993,Baseball Saved Us. Since then, the camp experience has become like a longtime acquaintance with whom I remain in constant contact.
Most of the best books about the Japanese American World War II experience are memoirs by those who actually lived through it, and this is one of the best.
Removed along with her family from Berkeley, California and confined at the Topaz, Utah camp, pick any page and the reader will see Uchida’s skillful descriptions: “As we plodded through the powdery sand toward Block 7, I began to understand why everyone looked like pieces of flour-dusted pastry.”
Also, that I am a writer for young readers was trailblazed by Yoshiko Uchida who, along with her publisher, had the courage to write and publish her first book, The Dancing Kettle, and Other Japanese Folk Tales in 1949──during a time in America when hatred against all things Japanese still ran strong.
In the spring of 1942, shortly after the United States entered into war with Japan, the federal government initiated a policy whereby 110,000 persons of Japanese ancestry were rounded up and herded into camps. They were incarcerated without indictment, trial, or counsel - not because they had committed a crime, but simply because they resembled the enemy. There was never any evidence of disloyalty or sabotage among them, and the majority were American citizens. The government's explanation for this massive injustice was military necessity.
Desert Exile tells the story of one family who lived through these sad years. It is…
Although I was born in Seattle after the World War II years, my parents, grandparents, and aunts spent time confined at the Minidoka site, and they very rarely talked about “camp.” During the ‘80s and ‘90s, I worked as a newspaper journalist during the time of the movement to obtain redress, and I heard survivors of the camps talk about it for the first time. My acquired knowledge of the subject led to my first book in 1993,Baseball Saved Us. Since then, the camp experience has become like a longtime acquaintance with whom I remain in constant contact.
But the memoirs didn’t delve into the emotional and psychological impact of the forced removal and incarceration──until this unflinching one from 2005, and it’s another among the best.
Removed along with her family from their farm on Vashon Island, Washington and incarcerated at the Minidoka camp in Idaho, Matsuda Gruenewald, like most of those who underwent this experience, remained silent about what happened to them until she refused to be further confined by “the self-imposed barbed-wire fences built around my experiences in the camps.”
During a 2004 return to the Minidoka site, she wrote about her pilgrimage: “I had been saddled by feelings of paralyzing helplessness for so long. I wondered, Once I open up and start talking, will I also cry? And if I do so, will I be able to stop?”
Mary Matsuda is a typical 16-year-old girl living on Vashon Island, Washington with her family. On December 7, 1942, the Japanese bomb Pearl Harbor, and Mary's life changes forever. Mary and her brother, Yoneichi, are U.S. citizens, but they are imprisoned, along with their parents, in a Japanese-American internment camp. Mary endures an indefinite sentence behind barbed wire in crowded, primitive camps, struggling for survival and dignity. Mary wonders if they will be killed, or if they will one day return to their beloved home and berry farm. The author tells her story with the passion and spirit of a…
Coming-of-age stories have always appealed to me because of their focus on an internal struggle. They’re usually juxtaposed with a changing landscape or moving to a new place. In broad strokes, coming-of-age stories focus on personal identity and our place in our day-to-day world. As someone who’s born in the US but grew up on the Mexican side but currently lives in California, the questions of what aspects of me are American and which are Mexican have been ongoing. With that in mind, these five books speak to me in a profound way, and I'm happy they exist as comics.
This book depicts the complexities of generational trauma. Kiku, our protagonist, discovers that she can go back in time and experience what her ancestors went through during the second world war. Kiku Hughes dives into the daily lives of citizens living in Japanese internment camps. It’s a brave look at the complicated relationship a person can have with the place they live in, given the difficulties their ancestries have gone through. Also, Kiku Hughes is an amazing illustrator. The bulk of the storytelling is through her depictions of the United States throughout different decades.
Kiku is on vacation in San Francisco when suddenly she finds herself displaced to the 1940s Japanese-American internment camp that her late grandmother, Ernestina, was forcibly relocated to during World War II.
These displacements keep occurring until Kiku finds herself 'stuck' back in time. Living alongside her young grandmother and other Japanese-American citizens in internment camps, Kiku gets the education she never received in history class. She witnesses the lives of Japanese-Americans who were denied their civil liberties and suffered greatly, but managed to cultivate community and commit acts of resistance in order to survive.
In the wake of my father’s sudden death (when I was sixteen) I was left with many questions about my heritage. Why didn’t I know more about my parents and their homeland of Korea? Why wasn’t I curious enough to ask questions when my father was alive? Now I’m a Korean American author of many award-winning children’s books most of which are inspired by my family heritage. I’ve spent my adult life unearthing the past, immortalizing long-lost loved ones, sharing meaningful stories that would otherwise be forgotten. I’m drawn to historical fiction the way most people are to their smartphones. The truth is, there is no future without remembering the past.
This book, while it takes place in America, made me think of my mother who grew up in Japanese occupied Korea―she was forced to give up her Korean birth name for a Japanese name; forced to go to Japanese school and bow to large portraits of Emperor Hirohito; forced into the war effort at age twelve only to lose a finger while sewing buttons onto Japanese Imperial uniforms; Meanwhile, in America, a similar and heart-wrenching story unfolds in Weedflower, a story of innocent Japanese Americans going about their lives when Japan bombs Pearl Harbor. Suddenly, Japanese Americans are no longer considered American―they are the enemy.
Twelve-year-old Sumiko has always struggled to fit in, but when the war breaks out, struggles turn to fear for her and her family, so much so, they have no other choice but to burn all precious possessions from Japan including photos of family members…
Twelve-year-old Sumiko feels her life has been made up of two parts: before Pearl Harbor and after it. The good part and the bad part. Raised on a flower farm in California, Sumiko is used to being the only Japanese girl in her class. Even when the other kids tease her, she always has had her flowers and family to go home to.
That all changes after the horrific events of Pearl Harbor. Other Americans start to suspect that all Japanese people are spies for the emperor, even if, like Sumiko, they were born in the United States! As suspicions…
I’m the U.S. author of more than thirty books, many of them traditional or cozy mysteries. As the daughter and niece of several World War II veterans, I grew up hearing some of their experiences – they left out the horror. But I did see the impact those travesties had on gentle people. I often marveled at the courage of those who fought without weapons to survive the deprivation and loss of many loved ones. And I’m glad I had opportunities to visit Germany and Japan as an adult, to see the friendships our nations foster today.
I did not initially include this book until I took a class of middle school English students to the library and more than half of them went to the graphic novel shelves. Who better to tell the story of the U.S. version of concentration camps – internment camps for loyal U.S. citizens of Japanese descent – than George Takei of Star Trek fame (and more)?
Pictures really do tell more than a thousand words. Takei’s autobiographical novel offers moments of joy but paints an infuriating picture of the United States at its worst in the Twentieth Century. The loyalty of Takei’s father to the nation that imprisoned the family and so many others can seem like a contradiction, but it is perhaps the most rewarding component of the book. The illustrations are excellent.
George Takei has captured hearts and minds worldwide with his captivating stage presence and outspoken commitment to equal rights. But long before he braved new frontiers in Star Trek, he woke up as a four-year-old boy to find his own birth country at war with his father’s—and their entire family forced from their home into an uncertain future. In a stunning graphic memoir, Takei revisits his haunting childhood in American concentration camps, as one of over 100,000 Japanese Americans imprisoned by the U.S. government during World War II. Experience the forces that shaped an American icon—and America itself—in this gripping…
Having encountered Japanese American incarceration as an undergraduate student, I was perplexed at how distant so many of the narratives were. How could such a large-scale forced removal in recent history seem like it happened “somewhere else?” This started my never-ending yearning to really understand and feel how these camps operated as communities. I have little doubt that this could happen again in the United States and Canada or elsewhere, so it’s my passion to keep educating people both in my home country of Finland and North America about the underlying dynamics leading to incarceration.
Much of the general public knows the great performance of the segregated Nisei (2nd generation Japanese American) unit in World War II, but few are still familiar with the Nisei draft resisters.
Eric Muller’s book tells the story of these men, who were drafted from incarceration camps—and then imprisoned in federal prisons for refusing to serve. Over 80 of these resisters came from Heart Mountain, where they had organized around a group called the Heart Mountain Fair Play Committee, but men from other camps also resisted. Their message was unanimous: they love the United States but will not serve before their families are freed.
In the spring of 1942, the federal government forced West Coast Japanese Americans into detainment camps on suspicion of disloyalty. Two years later, the government demanded even more, drafting them into the same military that had been guarding them as subversives. Most of these Americans complied, but "Free to Die for Their Country" is the first book to tell the powerful story of those who refused. Based on years of research and personal interviews, Eric L. Muller recreates the emotions and events that followed the arrival of those draft notices revealing a dark and complex chapter of America's history.
Growing up in central Pennsylvania, I learned little about Japanese American incarceration beyond the brief mention in textbooks. It wasn’t until I came across documents about incarceration camps in Arkansas that I wanted to learn more and spent the next five years exploring this subject. What I took away from my research is that even though confinement in camps only directly affected Japanese Americans, understanding how this tragedy happened is important for all Americans who value democracy. I’m a Senior Historian at the National WWII Museum and work hard to make sure that Japanese American incarceration is included in the larger history of the American home front during the war.
If you want to delve into first-hand accounts of what life was like in the incarceration camps, you’ll find a lot of books for that, but you could be overwhelmed in the process. What I like about Kamei’s recent book is that it is a handy compilation of over a hundred engaging, heartbreaking, and inspiring descriptions of incarceration from those who directly experienced and fought against the prejudice that created it. Best of all, you can use this book as a jumping-off point for learning more about any of the individuals you encounter here.
In this dramatic and page-turning narrative history of Japanese Americans before, during, and after their World War II incarceration, Susan H. Kamei weaves the voices of over 130 individuals who lived through this tragic episode, most of them as young adults.
It's difficult to believe it happened here, in the Land of the Free: After the bombing of Pearl Harbor in 1941, the United States government forcibly removed more than 120,000 persons of Japanese ancestry from the Pacific Coast and imprisoned them in desolate detention camps until the end of World War II just because of their race.
I taught for more than 26 years in classes ranging from first grade through college. No matter the age of the students, I used children’s books to introduce topics in history. I never shied away from using a picture book with older students and often found they were more engaged in a picture book than in an article. I also used historical fiction as a hook to lure students into picking up a related non-fiction book. In fact, historical fiction was the gateway that taught this writer of 13 nonfiction children’s books to love non-fiction history.
At the age of eleven I had never heard of internment camps in my own state of California until I came across this book, and I remember being astonished such a thing happened in the United States.
Though this title has been around for many years, Wakatsuki Houston’s autobiography book is still relevant and gently but factually introduces young readers to the unjust discrimination inflicted on innocent civilians/citizens. She tells of her family’s life before Manzanar, at the camp, and her pre-teen/teen struggle to fit in at school when returning from internment.
Its purpose was to house thousands of Japanese Americans. Among them was the Wakatsuki family, who were ordered to leave their fishing business in Long Beach and take with them only the belongings they could carry. Jeanne Wakatsuki Houston, who was seven years old when she arrived at Manzanar in 1942, recalls life in the camp through the eyes of the child she was. First published in 1973, this new edition of the classic memoir of a devastating Japanese American experience includes an inspiring afterword by the authors.
