100 books like Owl at Home

I’m endlessly fascinated by people’s resilience—how we hold onto life and find meaning in it when everything seems to be falling apart. As a queer and genderqueer author, I especially love to see stories about queer characters in all of their human messiness, characters who aren’t forced to be models of perfection in order to earn readers’ empathy, stories that show us queer people don’t deserve dignity because we’re perfect; we deserve it because we’re human. These five novels have affected me deeply because they don’t shy away from the complexities of grief, love, parenting, trauma, sex, social justice, gender identity, and more. 

As a child, I fell in love with picture books and the magical, whimsical worlds they opened! I recall snuggling up and listening to these tales being read to me. Later, after a bit of a struggle, I learned to read myself. From there, there was no stopping me. My library card was my most treasured, most loved possession! I quickly moved on to chapter books, then to novels, but never outgrew my love and passion for picture books! As a former teacher and now great-grandparent, I treasure the opportunity to usher children down the rabbit hole of reading!

My first memories are of sitting in the garden munching strawberries off the vine as my grandfather picked vegetables. Dad’s days off meant a trip to the nature reserve or sledding the town slopes. Vacations were for jumping in waves and exploring tidepools. Mom collected antique children’s books and instilled a passion for reading. When not exploring the woods across the railroad tracks with friends, I was reading. Childhood and my passion for nature intersect in my writing in two of my other books, A Beach Tail and Circles of Hope. Nowadays, my routine includes writing in my woodland cabin and daily hikes with my flat-coated retriever, Lowani.

Growing up, there was nothing I hated more than reading. Struggling with dyslexia and learning disabilities made books miserable and the distractions of screens didn’t help. However, everything changed when I discovered graphic novels and comics! That led to a newfound love of stories and books (especially graphic novels) which took me on a journey of not being able to read at age ten, to publishing my first novel at age fifteen. Since then, I’ve written and illustrated children’s books and young adult novels, but Mup is my first graphic novel. This has inspired me to create more graphic novels designed specifically for those who are just like me – reluctant readers.

I grew up in London, close to Richmond Park, where I got to know many of the characters who have since popped up in my stories. I bird-watched, caterpillar-collected, and pond-dipped, and my bedroom had a floating population of minibeasts. My first picture book, Fred and the Little Egg, was about a bear cub trying to hatch an acorn, and my stories have continued to reflect my love of nature. My Fletcher’s Four Seasons series follows a kind-hearted fox cub as he explores his wood through the changing seasons. I hope my books will inspire children to explore and care for the natural world too.

I’ve worked with kids in preschools and elementary schools, (plus I’m a mom!) and to me, nothing is better than hearing kids laugh. I also just adore picture books and treasure my personal library, with its focus on (you guessed it!) humor. Sassy cats, bears who want to have kids for pets, chickens who interrupt, alphabets overrun by frustrated Zebras, picture books bravely go where other books might only tiptoe in a cowardly fashion—into the world of wild imagination and anthropomorphized everything. With amazing artwork!! Let’s be honest, I’ll choose funny picture books over War and Peace every time.

Lots of us rely occasionally on technology to help us entertain a young child, but the connection we form when looking at a book together cannot be beaten. I have found, both personally and professionally, that great books are born when a kind of magical mix-up is created in a child’s imagination between the words you read and the pictures they see. It feels so wonderful when this happens that they want to revisit the book again and again. I have written many books for young children over more than 20 years, and I am always striving to help cast that magical spell.

I’ve written books for kids of all ages, and always there were birds. Sparrows singing on windowsills, cardinals arrowing across yards, cormorants diving into Lake Erie, pigeons poking beneath park benches. Those things with feathers make my own heart sing!  Slowly it dawned on me that I wanted to write a book where birds didn’t just flit across the pages but nested at the story’s heart. I had to do a lot of bird research for Perfect. What I learned about the precious, fragile bonds among all Earth’s creatures became one of the book’s themes: big and small, bound by gravity or able to defy it, we are all deeply connected. 

I have been an ardent fantasy reader since I was very young, and have been a writer for nearly as long. The idea of being able to weave together an original narrative that can be entertaining, educational, and instructive at the same time is a concept that has fascinated me well into adulthood, and one that I continue to explore in my reading and writing to this day, whether short form or long; fiction or non.

Picture books are so important. They’re for everyone, not just young children, and often the readers are adult. Writing one is similar to writing a poem while watching the story in my imagination like a film. Usually I know the illustrator and can write to their strengths. Sophy Williams has drawn The Winter Dragon as an awesome creature who's also kind and protective. When I was seven, my teacher sent my stories to Enid Blyton who replied I must not be spoiled (shame!) and wouldn’t write once I was an adult. After making Dragons with children, I watched them bring their creature alive in their play. The Winter Dragon enlarges Rory’s imaginative world.