Here are 100 books that Oslo Manual 2018 fans have personally recommended if you like
Oslo Manual 2018.
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When I began my doctorate many years ago I was somewhat disenchanted with the static nature of much economic analysis whereas it was apparent that the world is very much dynamic and continually changing. I thus committed myself then, and in a long career that followed, to exploring the ways in which Economics could be used to clarify and address the major issues that arise from innovation generation and diffusion. I present these choices as a way that other like-minded individuals may begin the exploration of innovation and discover the breadth and depth of the contribution that has been made by economists.
This major textbook written for students with some basic knowledge of economics, written by one of the best expositors in the field, provides a comprehensive yet very accessible introduction to the economics of innovation and as such represents an excellent place to start.
I have known Peter for a number of years and he always offers in his writings (and lectures) both valuable insights into his subject and a sense of excitement.
This major textbook provides a comprehensive yet accessible introduction to the economics of innovation, written for students with some basic knowledge of economics. G.M. Peter Swann contends that innovation is one of the most important economic and business phenomena of our time and a topic of great practical and policy interest, with widespread implications for our economy and society. This book engages with the reader to explore some of the key economic issues concerning innovation.
Bridging a gap in the literature, this timely textbook addresses critical questions such as: How should different aspects of innovation be described and classified? What…
When I began my doctorate many years ago I was somewhat disenchanted with the static nature of much economic analysis whereas it was apparent that the world is very much dynamic and continually changing. I thus committed myself then, and in a long career that followed, to exploring the ways in which Economics could be used to clarify and address the major issues that arise from innovation generation and diffusion. I present these choices as a way that other like-minded individuals may begin the exploration of innovation and discover the breadth and depth of the contribution that has been made by economists.
This is the first volume of a two-volume, tour de force, which jointly offers 29 specially written papers by major contributors to the field that broadly explore the genesis of technological change and the ways it is commercialized and diffused.
It is an invaluable source of literature surveys of the many different areas covered within the definition of the economics of innovation and also provides predictions of fruitful research directions.
Having myself edited a Handbook some years earlier I know both the time and effort involved but also the extent of knowledge dissemination that a book such as this can provide.
Economists examine the genesis of technological change and the ways we commercialize and diffuse it. The economics of property rights and patents, in addition to industry applications, are also surveyed through literature reviews and predictions about fruitful research directions.
Two volumes, available as a set or sold separately
When I began my doctorate many years ago I was somewhat disenchanted with the static nature of much economic analysis whereas it was apparent that the world is very much dynamic and continually changing. I thus committed myself then, and in a long career that followed, to exploring the ways in which Economics could be used to clarify and address the major issues that arise from innovation generation and diffusion. I present these choices as a way that other like-minded individuals may begin the exploration of innovation and discover the breadth and depth of the contribution that has been made by economists.
This book provides the foundations for the evolutionary approach to the analysis of innovation and technological change.
In doing so it represents a serious attack on the dominant neoclassical approach to economic analysis, raising significant objections to assumptions of profit maximization and market equilibrium, instead borrowing the concept of natural selection to construct a detailed evolutionary theory of business behaviour.
It is probably in the field of innovation that evolutionary economics has its greatest presence. As a mainly neoclassical scholar myself I value this alternative paradigm both as a challenge and a valuable alternative viewpoint.
This book contains the most sustained and serious attack on mainstream, neoclassical economics in more than forty years. Richard R. Nelson and Sidney G. Winter focus their critique on the basic question of how firms and industries change overtime. They marshal significant objections to the fundamental neoclassical assumptions of profit maximization and market equilibrium, which they find ineffective in the analysis of technological innovation and the dynamics of competition among firms.
To replace these assumptions, they borrow from biology the concept of natural selection to construct a precise and detailed evolutionary theory of business behavior. They grant that films are…
I have always been curious about why societies develop, which is why I was drawn to the social sciences as a student. I first encountered attempts to explain development in economics, but found that mainstream models were too neat and abstract to account for my everyday observations. Why are there no entrepreneurs in the models, and why do most economists assume that property rights are unambiguous? I eventually discovered that non-mainstream economic theories and some of the other social sciences are more concerned with reality. Eventually I developed an eclectic framework with a focus on entrepreneurship, institutions, and spatial agglomerations as factors that shape socio-economic development.
This is the first book I read about the role of entrepreneurs in the economy. I have mixed feelings about it.
It’s filled with insights but it is also deeply flawed. Entrepreneurs drive economic development and engage in “creative destruction.” The market is about change rather than equilibrium. These are both great insights.
But history has refuted Schumpeter’s Nietzschean view that entrepreneurship is confined to “captains of industry” with unusual personality traits, and his attempts to explain business cycles is unpersuasive.
Joseph Schumpeter (1883-1950) is one of the most fascinating and influential economists of the twentieth century, renowned for his brilliant and unorthodox insights into the nature of capitalism. His students include leading economists such as Paul Samuelson, Robert Solow and the former chairman of the Federal Reserve, Alan Greenspan.
The Theory of Economic Development is one of Schumpeter's most important books and the one that made him famous. He poses a fundamental question: why does economic development proceed cyclically rather than evenly? Turning prevailing economic theory, which approached economics as equilibrium, on its head, Schumpeter argues it is because economics…
The key to a great contemporary thriller—as opposed to older novels about say, Sherlock Holmes or James Bond—is that solving the mystery reveals something essential about the protagonist. In other words these are character investigations as well as whodunits, where the same action provides revelations in both arenas. It’s what I discovered I wanted to do, when I veered from “serious fiction” to the books I began to write, starting with Presumed Innocent.
Sheldon Horowitz, an aging widower suffering from dementia, has been removed from New York to Oslo, so he can live with his granddaughter, his only relative, and her new husband.
Confused but wily, Horowitz is soon on the run in a country he does not know, hiding the neighbor boy being pursued by the thug who murdered the boy’s mother. This book was a total surprise to me, and seemed an unlikely amalgam of elements that could never work together—but did.
He will not admit it to Rhea and Lars - never, of course not - but Sheldon can't help but wonder what it is he's doing here...Eighty-two years old, and recently widowed, Sheldon Horowitz has grudgingly moved to Oslo, with his grand-daughter and her Norwegian husband. An ex-Marine, he talks often to the ghosts of his past - the friends he lost in the Pacific and the son who followed him into the US Army, and to his death in Vietnam. When Sheldon witnesses the murder of a woman in his apartment complex, he rescues her six-year-old son and decides…
I’ve been fascinated by absurdist comedy and ideas for as long as I can remember. At sixteen, I wrote my first book, Mr A, which followed a man who would turn into a superhero after taking LSD and his talking dog. As an adult, I continue to revel in these types of stories. I brought this passion to my chart-topping debut non-fiction book, where I interviewed several people who believe McDonald’s has interdimensional properties. Now, I hold no bars in fiction writing, having authored a ‘genius of a book’ that follows a talking pencil.
I found this book mentioned in one of Charles Bukowski’s. If Bukowski liked it, I surely would, too, I thought. This is, without a doubt, a severely strange book. Hunger followers the narrator as he desperately tries to become a successful writer while battling the hardships of starvation and homelessness. He becomes delusional with grandiose ideas and attempts to humiliate a love interest of his. This book will leave you questioning your literary choices.
One of the most important and controversial writers of the 20th century, Knut Hamsun made literary history with the publication in 1890 of this powerful, autobiographical novel recounting the abject poverty, hunger and despair of a young writer struggling to achieve self-discovery and its ultimate artistic expression. The book brilliantly probes the psychodynamics of alienation and obsession, painting an unforgettable portrait of a man driven by forces beyond his control to the edge of self-destruction. Hamsun influenced many of the major 20th-century writers who followed him, including Kafka, Joyce and Henry Miller. Required reading in world literature courses, the highly…
I have spent my working life as a journalist, author and storyteller, aiming to uncover complexity that sheds new light on stories we think we know. I got my training at the Wall Street Journal and the New York Times—and from the wonderful editors of my twelve books. An Innocent Bystander, my book that deals with the Middle East, began as the story of a hijacking and a murder of an American citizen. But as my research widened, I came to see this story couldn’t be told without understanding many perspectives, including the Israeli and the Palestinian, nor could the political be disentangled from the personal.
Oslo is a theatrical rendering of the behind-the-scenes negotiations that led to the Oslo Accords in 1993.
This Tony-Award-winning play takes a perhaps unreasonably optimistic view of potential peace. Nor will reading (or better yet, seeing) this play satisfy a serious researcher’s desire for historic detail. But it lays out the emotional stakes with humanity and humor, not qualities one usually dares to associate with the conflict in the Middle East.
Winner of the 2017 Lucille Lortel Award for Outstanding Play
Winner of the 2017 New York Drama Critics Circle Award for Best Play
“Oslo is a wonderful and moving work that portrays how real diplomacy works. The play shows us what can happen when men and women on opposite sides of what is perceived as an intractable divide strive to create a shared humanity.” – Ban Ki-moon, former Secretary-General of the United Nations
“A disarmingly funny masterpiece.” – Huffington Post
“So human and so funny. Oslo is gripping, compelling, and compulsively…
Just like my Upstagedheroine, my first stage experience was playing Mr. Jacey Squires in The Music Man. Both of my parents were singers and really, there’s never been a time when music—and the friends I made through music—haven’t been an important part of my life. Love of the arts can bring kids together in surprising ways. The characters in these books face varied challenges, home lives, and predicaments. But for all of them, it’s the support of friends, a dose of courage, and inspiration from the arts that get them through. That’s why I’ve chosen these five wonderful, readable, un-put-downable books.
I absolutely fell in love with twelve-year-old Bart—a kid who doesn’t complain when there are only pretzel sticks for dinner, who takes boxing lessons, but can’t punch, a kid who loves opera. Opera! (Specifically, the voice of baritone Bryn Terfel--Look him up and listen!) He lives near Oslo, Norway in shabby public housing with his loving, alcoholic, and often unemployed mother. Bart makes the best of everything in his life. His unique, gentle nature, some lovely friendships, and Svingen’s storytelling completely
won my heart. I don’t know why this book hasn’t gotten more accolades—maybe
because people expect every Norwegian novel to have Vikings and fjords. (Language
Alert: There are some instances of the word sh*t—blame the translator).
From award-winning Norwegian author Arne Svingen comes “an uplifting coming-of-age story” (The Wall Street Journal) about a relentlessly positive teenager who uses his love of opera to cope with his less-than-perfect home life.
Bart is an eternal optimist. At thirteen years old, he’s had a hard life. But Bart knows that things won’t get any better if you have a negative attitude. His mother has pushed him into boxing lessons so that Bart can protect himself, but Bart already has defense mechanisms: he is relentlessly positive…and he loves opera.
Listening to—and singing—opera is Bart’s greatest escape, but he’s too shy…
I’ve been exploring Scandinavian authors for several years after working my way through the American masters of the genre (Chandler, McDonald, Parker, Burke, Stout, and others). For some reason, Scandinavians seem a lot more vicious in their writing, crafting murder scenes that are beyond gruesome. After reading the works of several Icelandic authors, I was inspired to go there and see firsthand what I was reading about, then to create my own mystery in that setting.
I wish I could write like Jo Nesbø. His detective, Harry Hole, faces the worst of the worst sadistic criminals and somehow succeeds, but not always without cost, both to himself and those near to him. In this first Hole story, the Oslo police detective is dispatched to Australia to investigate the murder of a Norwegian citizen. The case is complex, he falls in love, falls off the wagon, and finds suspects who later become victims. Nesbø has a way of keeping you guessing, with plenty of red herrings, a slew of suspects and many grisly deaths along the way. The prose is precise, inventive, compelling. In short, a master at the craft, even in his first story.
Detective Harry Hole is meant to keep out of trouble. A young Norwegian girl taking a gap year in Sydney has been murdered, and Harry has been sent to Australia to assist in any way he can.
HE'S NOT SUPPOSED TO GET TOO INVOLVED.
When the team unearths a string of unsolved murders and disappearances, nothing will stop Harry from finding out the truth. The hunt for a serial killer is on, but the murderer will talk only to Harry.
Inequality and fairness are basic issues in human conflict and cooperation that have long fascinated me. Growing up in Louisville, Kentucky, I was confronted with the extreme racial segregation of schools and neighborhoods. My Catholic upbringing taught me to cherish the cardinal virtues of justice, wisdom, courage, and temperance, and my education in political economy taught me that markets can fairly and efficiently allocate resources, when legal power is evenly shared. My formal education culminated in a Ph.D. in Public Affairs from Princeton University, which led me to my current roles: Non-resident Senior Fellow at the Brookings Institution and Principal Economist at Gallup. I care deeply about the social conditions that create cooperation and conflict.
Can ideas change the world? How does belief in political equality—the idea that everyone deserves basic unbridgeable liberties—affect innovation and economic development?
Dierdre McCloskey—one of the most creative and interesting economists alive—takes on these topics and much more in her characteristically witty, fast-paced style. She loves describing and refuting bad ideas—or even ideas widely regarded as brilliant—in an effort to go deeper into the forces that lifted humans out of poverty and sustain innovation to this day.
There's little doubt that most humans today are better off than their forebears. Stunningly so, the economist and historian Deirdre McCloskey argues in the concluding volume of her trilogy celebrating the oft-derided virtues of the bourgeoisie. The poorest of humanity, McCloskey shows, will soon be joining the comparative riches of Japan and Sweden and Botswana. Why? Most economists from Adam Smith and Karl Marx to Thomas Piketty say the Great Enrichment since 1800 came from accumulated capital. McCloskey disagrees, fiercely. "Our riches," she argues, "were made not by piling brick on brick, bank balance on bank balance, but by piling…
