Here are 99 books that Old in Art School fans have personally recommended if you like
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My tenure as editor-in-chief of Guitar magazine is well behind me now, but it always lights me up to create content for musicians, and to absorb it. These are my people, you see, a community of curious, empathic, chronically late daydreamers and night owls, good listeners all. I’m not qualified to comment on Adorno’s Aesthetic Theory or Stravinsky’s Poetics of Music, but neither do I want to talk about rock-star memoirs or fawning fictionalizations. No fanfare here, thank you. Instead, these are five books in which musicians may recognize some element of their creative self and come away with a little more fuel for the fire.
Wilco frontman Jeff Tweedy really, really wants everyone to write a song, and I find it terribly endearing.
I picked up his handbook amid a COVID-era creative block, and with Jeff as my songwriting sherpa, I was eventually able to drop some baggage and make my way up. I had already known that music would pay me back for the effort, but Jeff (I think he’d want me to call him Jeff) patiently walks through directly applicable strategies such as word-laddering, stealing, and the Dadaist cut-up technique for lyric writing.
His encouraging nudge made it easier to leave self-judgment and even good sense behind.
'A guide to rediscovering the joys of creating that we all felt as children.' NEW YORK TIMES
One of the century's most feted singer-songwriters, Wilco's Jeff Tweedy, digs deep into his own creative process to share his unique perspective about song-writing and offers a warm, accessible guide to writing your first song, championing the importance of making creativity part of your everyday life and experiencing the hope, inspiration and joy that accompanies it.
'Fascinating.' ROUGH TRADE 'Eloquent.' INDEPENDENT 'Nourishing.' PITCHFORK 'A proselytiser for the act of songcraft.' FINANCIAL TIMES 'A smart,…
I've been making messes with paint, string, and words, as well as in love, mothering, and in virtually every other way imaginable my whole life. Eventually, an expertise began to grow, and the confusion in my life began to make sense through my creations, while at the same time, the seemingly irrelevant words and textures I was making started to tell me something about my life. Eventually, my lived experience and training in the Expressive Arts Therapies have led me to the roles of teacher, educator, and contemplative artist. If we pay attention to what we express and how we express things, we can find our way through any mess we find ourselves in.
Of all the creative self-help books out there, Twyla Tharp’s perspective stands out as one fueled by awareness and curiosity rather than grit and force.
For me, this gentler, more curious cultivation of creativity has proved sustaining as opposed to the conventional wisdom that suggests life must be pushed away or overcome to create. As a choreographer and dancer, her wisdom on building a life of creative expression is broad and encompassing, focusing on how one interacts with the world rather than the products one creates.
The inspiration in this book is followed up with practices that have changed the way I approach seeing the world, focusing my thoughts, and allowing the creative process to transport me to surprising places.
What makes someone creative? How does someone face the empty page, the empty stage and making something where nothing existed before? Not just a dilemma for the artist, it is something everyone faces everyday. What will I cook that isn't boring? How can I make that memo persuasive? What sales pitch will increase the order, get me the job, lock in that bonus? These too, are creative acts, and they all share a common need: proper preparation. For Twyla Tharp, creativity is no mystery; it's the product of hard work and preparation, of knowing one's aims and one's subject, of…
I’ve always loved movies. In my 20s, I went to film school – perhaps you can still find a couple of the short films I wrote with animator Matthew Hood on Vimeo (Hourglass and Metalstasis) – and I worked a little in the UK film industry reading scripts for Film4, among others. I’ve also interviewed filmmakers, including Nicolas Winding Refn, Christopher Hampton, Life of Brian producer John Goldstone and editor Anne V. Coates. And I’ve always found a romance, despite the seedy aspects, of Tinseltown being developed out in Hollywoodland, a place of orange groves and pepper trees where people from the Midwest went to retire in the sun.
Some Like It Hot, The Apartment, Double Indemnity, Sunset Boulevard… Billy Wilder is my favourite filmmaker. I like the elegance of his storytelling and his bittersweet wit. In Wilder’s final years, Cameron Crowe conducted a series of interviews with the writer-director. From fleeing Nazi Germany to his admiration for Ernest Lubitsch, from the trials of working with Marilyn Monroe or Raymond Chandler to the joys of collaborating with Barbara Stanwyck, Jack Lemmon, and Charles Laughton, from his successes to his failures and on to the secret of what makes a good writing partner, Wilder needs little prodding to tell movie-making tales from Berlin to Paris to Hollywood.
In Conversations with Wilder, Hollywood's legendary and famously elusive director Billy Wilder agrees for the first time to talk extensively about his life and work.
Here, in an extraordinary book with more than 650 black-and-white photographs -- including film posters, stills, grabs, and never-before-seen pictures from Wilder's own collection -- the ninety-three-year-old icon talks to Cameron Crowe, one of today's best-known writer-directors, about thirty years at the very heart of Hollywood, and about screenwriting and camera work, set design and stars, his peers and their movies, the studio system and films today. In his distinct voice we hear Wilder's inside…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I’ve been obsessed with studying the artistic process for over 25 years since I got my degree in Studio Art and Art History at Vanderbilt University. After getting my MFA in Creative Writing, I headed out to Hollywood to produce national television for over twenty years. I’ve worked with many of the greatest actors, filmmakers, and writers of our time and written my own bestselling novels about artists. I read as many books on the artistic process as possible. My mission has always been to ensure that every person knows that they, too, can be artists – creating art isn’t just for the “great”, it’s for everyone.
This is probably the most challenging read here, but so worth the effort if you want to dive deep into one of the most unique artistic minds of our time. If you’re not a trained actor, you might not understand all of the nuances here – Mamet is a definite theater guy and doesn’t stop down to explain every detail here -- but any artist can learn Mamet’s biting, witty, shocking creative tips. I recommend just letting this one wash over you the first time, but if you give yourself to this text and to Mamet, it is sure to give you a new perspective on the way we all create art and hopefully inspire you to delve into some creative expression that you were always too scared to try.
The Pulitzer Prize winning playwright, director and teacher has written a blunt, unsparingly honest guide to acting. In True and False David Mamet overturns conventional opinion and tells aspiring actors what they really need to know. He leaves no aspect of acting untouched: how to judge the role, approach the part, work with the playwright; the right way to undertake auditions and the proper approach to agents and the business in general. True and False slaughters a wide range of sacred cows and yet offers an invaluable guide to the acting profession.
I lived in sixteen places by the time I was twenty-two. A peripatetic youth may teach you that different is interesting, that stereotypes don’t hold, that the emperor has no clothes. When I moved South and worked as a journalist, I found black elders’ stories so different from the official stories of white authorities. Horrified that these men and women would die with their heroism untold, I interviewed more than 150 black activists for Stories of Struggle. I want to know what is missing; I want it found. Like a detective, an anthropologist, a scientist, and yes, a journalist, I want to know, and I want others to know.
The History of White People tracks the creation of race as a fact, rather than an idea or social construct, and of Anglo-Saxon whiteness, for the free male, as a promise of power and supremacy.
Nell Irvin Painter, a Princeton professor of American history, emerita, begins with Greek historians and Roman conquerors BCE, who thought not of race but of place, the highlands and lowlands shaping appearance and temperament.
Along the way, Rome’s scrubbed-up copies of Greek statuary become the ideal for beauty, and skin colors and skull measurements become a way to rank superiority. Painter traces the United States’ enslavement of Africans, slaughter of Native Americans, eugenics, endorsement of male brutality (Ralph Waldo Emerson! Teddy Roosevelt!), and race-oriented immigration control: all play a role in whiteness.
Telling perhaps the most important forgotten story in American history, eminent historian Nell Irvin Painter guides us through more than two thousand years of Western civilization, illuminating not only the invention of race but also the frequent praise of "whiteness" for economic, scientific, and political ends. A story filled with towering historical figures, The History of White People closes a huge gap in literature that has long focused on the non-white and forcefully reminds us that the concept of "race" is an all-too-human invention whose meaning, importance, and reality have changed as it has been driven by a long and…
As a Rhode Islander, I didn’t have to do too much research to write Ready, Set, Oh. I was born in Providence, and I grew up in Cranston, a suburb outside the city. After graduating from a local high school, I studied at Brown University and after years of living in different cities, fifteen years ago I settled in Providence with my family. I adore this place—we have vibrant neighborhoods, gorgeous beaches, plenty of history, and a surprisingly lively literary scene. I assembled this list to draw attention to some great but under-recognized books set in Rhode Island, either by Rhode Islanders or writers with significant connections to the Biggest Little.
After Clay Blackall loses his brother to suicide, he lights out for Twinrock, a decaying mansion perched on an island in Narragansett Bay, where he attempts to retrace his brother’s steps in his final days and hours. Winter’s quirky novel unfolds from multiple points of view. In addition to Clay, there is Vinco Vincenti, a failed author who has taken to impersonating the actor Judge Reinhold, and Alix Maus, an adjunct college instructor burdened by her past. All of them have ties to Clay’s lost brother. But the star of the show is Twinrock itself—a fictionalized version of Clingstone, the mysterious mansion that can still be seen off the coast of Jamestown, RI. Fans of writers like Robert Coover will enjoy Winter’s stylish prose, which convincingly evokes the bohemian atmosphere of the 1980s on Providence’s East Side.
[A] heartbreaking novel about the devastations of severed attachments.” —NPR
For Clay Blackall, a lifelong resident of Providence, Rhode Island, the place has become an obsession. Here live the only people who can explain what happened to his brother, Eli, whose suicide haunts this heartbreaking, hilarious novel–in–fragments.
A failed actor impersonates a former movie star; an ex–con looks after a summer home perched atop a rock in the bay; a broken–hearted salutatorian airs thirteen years’ worth of dirty laundry at his school’s commencement; an adjunct struggles to make room for her homeless and self–absorbed mother while revisiting a scandalous high…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
I absolutely love the Pre-Raphaelites, they are my utter passion and these books are the fuel for that fire. Who wouldn't want to be a Pre-Raphaelite woman? Smart, talented, resourceful, these women define what it is to make a mark and great some of the most ground-breaking art in history. I'm particularly obsessed with Pre-Raphaelite women, the artists and muses who created the art we love so much today. After spending almost 30 years researching their lives and loves, it's now my absolute pleasure in telling everyone about these astonishing women, and why we should love them and learn from them.
The first time I saw a Pre-Raphaelite painting, I was immediately besotted and this was the first book I could find on the subject. Despite being over half a century old, this is the best starting book, filled with images and engagingly written, which will lead to a life-long passion for the subject. It's a handy size and like all the T&H World of Art books, it's an essential part of your Pre-Raphaelite library.
The works of the Pre-Raphaelites are among the best known and best loved of all English paintings, and yet there has long been a tendency to dismiss them as mere Victoriana, and to deny them their proper status as works of art. This pioneering critical history places the movement in its historical setting, relating the individual painters and their art to the larger concerns of 19th-century society. Virtually every Pre-Raphaelite painting is discussed in detail and illustrated here, including works by the best known - Holman Hunt, Rossetti and Millais - and the movement's many minor talents.
As a Rhode Islander, I didn’t have to do too much research to write Ready, Set, Oh. I was born in Providence, and I grew up in Cranston, a suburb outside the city. After graduating from a local high school, I studied at Brown University and after years of living in different cities, fifteen years ago I settled in Providence with my family. I adore this place—we have vibrant neighborhoods, gorgeous beaches, plenty of history, and a surprisingly lively literary scene. I assembled this list to draw attention to some great but under-recognized books set in Rhode Island, either by Rhode Islanders or writers with significant connections to the Biggest Little.
In this baker’s dozen of stories, Jean McGarry reprises favorite topics—tight-knit families, fraying loves, intimations of mortality. A native Rhode Islander with ties to Providence’s blue-collar Irish community, McGarry paints the state and its inhabitants in shades as tender as they are unsparing. McGarry’s great theme is decline: Everything that starts out promising invariably goes bad. Steeped in this worldview, her characters are lively and quick with an insult—even when they’re confronted by experts who presume to know them better than they know themselves. One mordant example: A therapist finally gets a breakthrough with a tough-to-reach Rhode Islander. The patient feels relief, and the therapist urges him to attend sessions more regularly. “You’re at it again,” the patient remarks. “Save your advertisements for someone else.”
The stories of Ocean State roll over the reader like a wave. Family pleasures, marriage, the essential moments and mysteries of a seemingly ordinary world that break into magical territory before we can brace ourselves-Jean McGarry puts us in life's rough seas with what the New York Times has called a "deft, comic, and devastatingly precise" hand.
Growing up in a Kentucky coal-mining community, I enjoyed reading about the lives of other people and how their experiences differed from mine. I read biographies of famous people, such as Paul Revere or Stephen Foster, and an occasional memoir, such as Harlan Ellison writing about infiltrating a juvenile gang or David Gerrold revealing how he came to write forStar Trek. Fiction also took me to places that I had never seen. But something about a coming-of-age tale especially resonated with me and I hope these recommendations will help you make that same connection with how others have navigated the magic and miseries of childhood.
I was a huge bookworm as a boy, so I identified greatly with Ann Hood’s memoir that focuses on her own love of reading, which she developed as a child growing up in Rhode Island. While I still enjoy reading as an adult, nothing matches the way I could lose myself in a Hardy Boys adventure or a Doctor Dolittle tale as a youngster. Hood captures this total-book-immersion experience as she recalls readingLittle Women, one of the first books to whisk her away to a different world. The title of this memoir refers to another of Hood’s beloved books, Marjorie Morningstar by Herman Wouk.
In her admired works of fiction, Ann Hood explores the transformative power of literature. Now, with warmth and honesty, Hood reveals the personal story behind these works of fiction.
Growing up in a household that didn't foster the love of literature, Hood channelled her imagination and curiosity by devouring The Bell Jar, Marjorie Morningstar, The Harrad Experiment and other works. These titles introduced her to topics that could not be discussed at home: desire, fear, sexuality and madness. Later, Johnny Got His Gun and The Grapes of Wrath influenced her political thinking and Dr. Zhivago and Les Miserables stoked her…
Me and The Times offers a fresh perspective on those pre-internet days when the Sunday sections of The New York Times shaped the country’s political and cultural conversation. Starting in 1967, Robert Stock edited seven of those sections over 30 years, innovating and troublemaking all the way.
As a Rhode Islander, I didn’t have to do too much research to write Ready, Set, Oh. I was born in Providence, and I grew up in Cranston, a suburb outside the city. After graduating from a local high school, I studied at Brown University and after years of living in different cities, fifteen years ago I settled in Providence with my family. I adore this place—we have vibrant neighborhoods, gorgeous beaches, plenty of history, and a surprisingly lively literary scene. I assembled this list to draw attention to some great but under-recognized books set in Rhode Island, either by Rhode Islanders or writers with significant connections to the Biggest Little.
This novel-in-stories follows a quartet of friends—Dub, Rollo, Rye, and Gio—as they party, fight, love, and occasionally even consider leaving Rhode Island. Gio, the group’s storyteller, observes, comments, and guides the reader through a hard-edged world of race and class oppression. Guns and drugs flood Gio’s world, but these forces are offset by bonds of family, friends, and friends who become family. Never has the overlooked town of Pawtucket been so lovingly portrayed, and I’ll not soon forget Holmes’ mouthwatering descriptions of Portuguese Catholic feast days in East Providence. A keen observer of toxic masculinity, Holmes shows how misogyny holds this group of young men together while it also holds them back.
Four young men struggle to liberate themselves from the burden of being black and male in America in an assured debut "as up-to the-minute as a Kendrick Lamar track and as ruefully steeped in eternal truths as a Gogol tale" (Kirkus, starred review).
Bound together by shared experience but pulled apart by their changing fortunes, four young friends coming of age in the postindustrial enclave of Pawtucket, Rhode Island, struggle to liberate themselves from the legacies left to them as black men in America. With potent immediacy and bracing candor, this provocative debut follows a decade in the lives of…
