Here are 100 books that No Simple Highway fans have personally recommended if you like
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Since childhood, I have been fascinated by the culture and stories of my place, the Mississippi Delta. I began my education in the beauty shop, where my mother “fixed” hair six days a week. I continued my education in the pool hall when I was 13 or 14, listening to the braggarts and fools who pontificated about every subject under the sun. I escaped to Memphis in the late 60s and became a hippie, drinking in the experience of Memphis’ electric streets. These experiences informed my thinking and helped me become a writer and filmmaker.
The story of American music is laid out in a fascinating series of stories by musicologist and former New York Times music critic Robert Palmer. Palmer used interviews with Muddy Waters and many other bluesmen to explain how this music traveled from Africa to the American South and then up to Chicago, Detroit, and other northern cities.
It is an in-depth look at the stories and myths of the South and the people who made their escape from the brutal cotton fields and racial segregation of the times. This book is a must for anyone wanting to know the beginnings and significance of American music.
Blues is the cornerstone of American popular music, the bedrock of rock and roll. In this extraordinary musical and social history, Robert Palmer traces the odyssey of the blues from its rural beginnings, to the steamy bars of Chicago's South Side, to international popularity, recognition, and imitation. Palmer tells the story of the blues through the lives of its greatest practitioners: Robert Johnson, who sang of being pursued by the hounds of hell; Muddy Waters, who electrified Delta blues and gave the music its rock beat; Robert Lockwood and Sonny Boy Williamson, who launched the King Biscuit Time radio show…
An academically trained historian, I'm a Music Obsessive/History Geek/Southerner/Guitarist/Public Historian/Teacher/Interpreter/Writer/Fan who studies the intersection of music, culture, history, and place. I grew up devouring Mom’s Beatles and Dad’s country records. My life changed in 6th grade when I got my first guitar and discovered the blues. In 7th grade I wrote a research paper on the hippies. That’s when I fell in love with the counterculture. Throughout my life I’ve interwoven my love of the blues, punk rock, the Allman Brothers Band, and the Jam Depression collective as a historian, fan, and musician. My enduring passion culminated in a Ph.D. and the publication of Play All Night! Duane Allman and the Journey to Fillmore East.
I dearly love this book by the daughter of Duane and Donna Allman, my favorite on the Allman Brothers Band. Part biography and part memoir, it’s heartfelt story of Galadrielle Allman’s quest to get to know her famous father as a human being and artist.
Through the lives of Donna and Linda Oakley, the two young widows at the center of the story, it is also one of the very few music history books that addresses rock & roll’s impact on families. Throughout the book, Allman connects with a father she never knew through her relationships with those who did—an extended family network that carried and shared Duane’s memory.
Her conclusion that Duane’s story was a love affair with the guitar helped me frame my own understanding of Duane’s artistry as I began writing my book.
Crossroads: Postwar American South, American youth culture, counterculture
A deeply personal, revealing, and lyrical portrait of Duane Allman, founder of the legendary Allman Brothers Band, written by his daughter
“Duane Allman was my big brother, my partner, my best friend. I thought I knew everything there was to know about him, but Galadrielle’s deep and insightful book came as a revelation to me, as it will to everyone who reads it.”—Gregg Allman
In 1969, Duane Allman had a vision for a band with two drummers, two guitarists, and a bass player, anchored by his brother’s soulful lead vocals—and the Allman Brothers Band was born. Their fiery, mesmerizing performances…
An academically trained historian, I'm a Music Obsessive/History Geek/Southerner/Guitarist/Public Historian/Teacher/Interpreter/Writer/Fan who studies the intersection of music, culture, history, and place. I grew up devouring Mom’s Beatles and Dad’s country records. My life changed in 6th grade when I got my first guitar and discovered the blues. In 7th grade I wrote a research paper on the hippies. That’s when I fell in love with the counterculture. Throughout my life I’ve interwoven my love of the blues, punk rock, the Allman Brothers Band, and the Jam Depression collective as a historian, fan, and musician. My enduring passion culminated in a Ph.D. and the publication of Play All Night! Duane Allman and the Journey to Fillmore East.
I’ve spent a lot of time with this remarkable book over the years.
I suppose my greatest takeaway is the way Ward explores music’s meaning from a variety of angles and intersections: musical, economic, legal, racial, gender, class, and generational.
The airwaves could not be segregated; music gave insight into the Black freedom struggle and a shared sense of humanity that helped topple Jim Crow barriers nationwide. I particularly appreciate how Ward unpacks the ways Black audiences shaped the sounds of the era. Black music reflected an optimism and an assertion of racial pride, and you’ll find the modern Civil Rights Movement at the heart of his book.
Crossroads: African American freedom struggle, Postwar America, the South
Brian Ward is Lecturer in American History at the University of Newcastle upon Tyne .; This book is intended for american studies, American history postwar social and cultural history, political history, Black history, Race and Ethnic studies and Cultural studies together with the general trade music.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
An academically trained historian, I'm a Music Obsessive/History Geek/Southerner/Guitarist/Public Historian/Teacher/Interpreter/Writer/Fan who studies the intersection of music, culture, history, and place. I grew up devouring Mom’s Beatles and Dad’s country records. My life changed in 6th grade when I got my first guitar and discovered the blues. In 7th grade I wrote a research paper on the hippies. That’s when I fell in love with the counterculture. Throughout my life I’ve interwoven my love of the blues, punk rock, the Allman Brothers Band, and the Jam Depression collective as a historian, fan, and musician. My enduring passion culminated in a Ph.D. and the publication of Play All Night! Duane Allman and the Journey to Fillmore East.
Flowers in the Dustbin uses an approach I dearly love: the vignette. Miller deftly selects stories that tie together a larger narrative of “where rock & roll came from—and what it came to do.”
The book begins with the birth of rhythm & blues through one of its earliest stars, Wynonie Harris. Subsequent stories in chapter one weave together the impacts of technology, the Great Migration, racial dynamics, a booming economy, and an emerging youth culture. It culminates in Elvis’s earliest recordings, the so-called birth of rock & roll. All in the first chapter!
In the story that follows, Miller demonstrates why rock & roll emerged and how it reflected and shaped the social, cultural, and political landscape.
A prizewinning historian and journalist who has covered the pop music scene for more than three decades, James Miller brings a powerful and challenging intellectual perspective to his recounting of some key turning points in the history of rock. Arguing that the music underwent its full creative evolution in little more than twenty-five years, he traces its roots from the jump blues of the forties to the disc jockeys who broadcast the music in the early fifties. He shows how impresarios such as Alan Freed and movie directors such as Richard Brooks (of Blackboard Jungle) joined black music to white…
Stuart Coupe is an Australian music journalist, author, band manager, promoter, publicist, and music label founder. He's best known for his work as a rock writer with Roadrunner, RAM (Rock Australia Magazine), The Sun Herald, and Dolly magazine; the music labels, GREEN Records and Laughing Outlaw; and the author of books including The Promoters, Gudinski, Paul Kelly and Roadies. Coupe is a former manager of the Australian bands the Hoodoo Gurus and Paul Kelly and is currently a presenter on Sydney radio stations 2SER and FBi Radio. He's also known for his writing as a reviewer of crime fiction for the Sydney Morning Herald and for founding the Australian crime fiction magazine, Mean Streets.
Researching a book on the lives and work of road crew was a fascinating, eye-opening, and thoroughly enjoyable, and enlightening experience. It also made me realise how few of those people have told their own stories. In fact, not nearly enough of them start writing road crew folk! But this book was a delightful revelation – a road crew guy, with a great way with words and insights – and telling us about his experiences with one of my favourite rock’n’roll bands of all time. What’s not to like. This may not be the easiest book to find – but like a Grateful Dead show, the reward is often the journey and what you find at the end.
This is a look at one of America's legendary rock bands: The Grateful Dead. It is the tale of a man who lived the dream, rising from roadie to manager. It tells a story of music, friendship and redemption, and is filled with stories of memorable shows and the sometimes insane life on the road.
I became a young man near the end of the sixties, and I have always been enthralled by the era's various idiosyncrasies, both good and bad. For instance, I loved the complex yet pleasant rock music and the freewheeling lifestyle. On the downside, the war in Vietnam cast its pall over the times, and I narrowly escaped being drafted and sent off to Southeast Asia. Overall, it was an era in which good and evil were starkly defined, and many people were attempting to create a better, more peaceful world. There is still much we can learn from this time.
In my opinion, the Grateful Dead's music forms an important part of the soundtrack of the psychedelic sixties–and into the seventies and beyond.
They first performed under this name at Ken Kesey's acid tests in San Francisco and gained an exponentially-growing reputation as cutting-edge performers of acid rock–so much so that loyal "Dead Heads" would follow them around from concert to concert. McNally was the band's official historian, and his inside track gave him access to fascinating details about the individual band members, their music, their drug trips, their metaphysical meanderings, and much more.
This book brings me back to the days of my youth when I lived for a time in the San Francisco Bay Area and saw the Dead perform at Fillmore West.
The complete history of one of the most long-lived and legendary bands in rock history, written by its official historian and publicist—a must-have chronicle for all Dead Heads, and for students of rock and the 1960s’ counterculture.
From 1965 to 1995, the Grateful Dead flourished as one of the most beloved, unusual, and accomplished musical entities to ever grace American culture. The creative synchronicity among Jerry Garcia, Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart, and Ron “Pigpen” McKernan exploded out of the artistic ferment of the early sixties’ roots and folk scene, providing the soundtrack for the Dionysian revels…
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of…
Stuart Coupe is an Australian music journalist, author, band manager, promoter, publicist, and music label founder. He's best known for his work as a rock writer with Roadrunner, RAM (Rock Australia Magazine), The Sun Herald, and Dolly magazine; the music labels, GREEN Records and Laughing Outlaw; and the author of books including The Promoters, Gudinski, Paul Kelly and Roadies. Coupe is a former manager of the Australian bands the Hoodoo Gurus and Paul Kelly and is currently a presenter on Sydney radio stations 2SER and FBi Radio. He's also known for his writing as a reviewer of crime fiction for the Sydney Morning Herald and for founding the Australian crime fiction magazine, Mean Streets.
This is a big, sprawling biography of the heart and soul of The Grateful Dead - guitarist, songwriter, and troubled musical genius Jerry Garcia. Jackson did his research, interviewing over a hundred people including Garcia, his friends, lovers, and bandmates. Plus he went through thousands of source material documents and probably listened to thousands of concert tapes and recordings. He knows the Dead. He loves the Dead. And he captures the essence of Garcia superbly. It’s been called a definitive portrait and it is.
Examines the life and times of Jerry Garcia, capturing the psychedelic world of the musician and songwriter, his relationship with members of the Grateful Dead, his battle with drug addiction, and his lasting influence on popular music.
Stuart Coupe is an Australian music journalist, author, band manager, promoter, publicist, and music label founder. He's best known for his work as a rock writer with Roadrunner, RAM (Rock Australia Magazine), The Sun Herald, and Dolly magazine; the music labels, GREEN Records and Laughing Outlaw; and the author of books including The Promoters, Gudinski, Paul Kelly and Roadies. Coupe is a former manager of the Australian bands the Hoodoo Gurus and Paul Kelly and is currently a presenter on Sydney radio stations 2SER and FBi Radio. He's also known for his writing as a reviewer of crime fiction for the Sydney Morning Herald and for founding the Australian crime fiction magazine, Mean Streets.
The subtitle tells you all you really need to know. Kreutzmann was a founding member of the Grateful Dead and there for the whole long, strange trip and – to date – the only band member to pen an insider’s account of exactly what it’s like to be a member of The Grateful Dead. He tells a good story and if the Grateful Dead loom as large in your life as they do mine – well, just image a memoir written by Ringo Starr or Charlie Watts. Drummers sit there doing their stuff – and they see everything.
The Grateful Dead are perhaps the most legendary American rock band of all time. For thirty years, beginning in the hippie scene of San Francisco in 1965, they were a musical institution, the original jam band that broke new ground in so many ways. Bill Kreutzmann, one of their founding members and drummer for every one of their over 2,300 concerts, has written an unflinching and wild account of playing in the greatest improvisational band of all time. Everything a rock music fan would expect is here, but what sets this apart is Bill's incredible life of adventure that was…
Stuart Coupe is an Australian music journalist, author, band manager, promoter, publicist, and music label founder. He's best known for his work as a rock writer with Roadrunner, RAM (Rock Australia Magazine), The Sun Herald, and Dolly magazine; the music labels, GREEN Records and Laughing Outlaw; and the author of books including The Promoters, Gudinski, Paul Kelly and Roadies. Coupe is a former manager of the Australian bands the Hoodoo Gurus and Paul Kelly and is currently a presenter on Sydney radio stations 2SER and FBi Radio. He's also known for his writing as a reviewer of crime fiction for the Sydney Morning Herald and for founding the Australian crime fiction magazine, Mean Streets.
A controversial book amongst Deadheads as Selvin takes a critical and insightful look at the machinations of the post-Garcia band and things don’t always come up smelling roses. Selvin’s not a card-carrying member of the Dead Fanclub – but he can write superbly and has dug very deep and uncovered all sorts of fascinating maneuvering and powerplays between the key participants in the band. It’s not always pretty but it’s certainly fascinating. If you don’t want to know then maybe look away.
A tell-all biography of the epic in-fighting of the Grateful Dead in the years following band leader Jerry Garcia's death in 1995The Grateful Dead rose to greatness under the inspired leadership of guitarist Jerry Garcia, but the band very nearly died along with him. When Garcia passed away suddenly in August of 1995, the remaining band members experienced full crises of confidence and identity. So long defined by Garcia's vision for the group, the surviving 'Core Four,' as they came to be called, were reduced to conflicting agendas, strained relationships, and catastrophic business decisions that would leave the iconic band…
Stuart Coupe is an Australian music journalist, author, band manager, promoter, publicist, and music label founder. He's best known for his work as a rock writer with Roadrunner, RAM (Rock Australia Magazine), The Sun Herald, and Dolly magazine; the music labels, GREEN Records and Laughing Outlaw; and the author of books including The Promoters, Gudinski, Paul Kelly and Roadies. Coupe is a former manager of the Australian bands the Hoodoo Gurus and Paul Kelly and is currently a presenter on Sydney radio stations 2SER and FBi Radio. He's also known for his writing as a reviewer of crime fiction for the Sydney Morning Herald and for founding the Australian crime fiction magazine, Mean Streets.
As good a history of the Dead as you’re likely to find. Scully spent nearly two decades as close to the band as you could get without actually being a member. Great stories and anecdotes and a wonderfully drawn and evocative history of the band from their very early acid-drenched days in the 1960s through to their evolution as one of the most important and loved bands in American music history.
As a manager for the Grateful Dead, Rock Scully was with the band from its early days in San Francisco to the years it spent touring the globe as one of the most enduring legends in music history. In Living with the Dead , Scully gives a complete account of his outrageous experiences with the band, during years that saw the Grateful Dead transform from a folksy revivalist band to psychedelic explorers of outer space. In addition to close-up portraits of band members Jerry Garcia, Bob Weir, Pigpen, Phil Lesh, Micky Hart and Bill Kreutzmann, Scully brings into the story…
