Here are 100 books that Fare Thee Well fans have personally recommended if you like
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Stuart Coupe is an Australian music journalist, author, band manager, promoter, publicist, and music label founder. He's best known for his work as a rock writer with Roadrunner, RAM (Rock Australia Magazine), The Sun Herald, and Dolly magazine; the music labels, GREEN Records and Laughing Outlaw; and the author of books including The Promoters, Gudinski, Paul Kelly and Roadies. Coupe is a former manager of the Australian bands the Hoodoo Gurus and Paul Kelly and is currently a presenter on Sydney radio stations 2SER and FBi Radio. He's also known for his writing as a reviewer of crime fiction for the Sydney Morning Herald and for founding the Australian crime fiction magazine, Mean Streets.
This is a big, sprawling biography of the heart and soul of The Grateful Dead - guitarist, songwriter, and troubled musical genius Jerry Garcia. Jackson did his research, interviewing over a hundred people including Garcia, his friends, lovers, and bandmates. Plus he went through thousands of source material documents and probably listened to thousands of concert tapes and recordings. He knows the Dead. He loves the Dead. And he captures the essence of Garcia superbly. It’s been called a definitive portrait and it is.
Examines the life and times of Jerry Garcia, capturing the psychedelic world of the musician and songwriter, his relationship with members of the Grateful Dead, his battle with drug addiction, and his lasting influence on popular music.
Stuart Coupe is an Australian music journalist, author, band manager, promoter, publicist, and music label founder. He's best known for his work as a rock writer with Roadrunner, RAM (Rock Australia Magazine), The Sun Herald, and Dolly magazine; the music labels, GREEN Records and Laughing Outlaw; and the author of books including The Promoters, Gudinski, Paul Kelly and Roadies. Coupe is a former manager of the Australian bands the Hoodoo Gurus and Paul Kelly and is currently a presenter on Sydney radio stations 2SER and FBi Radio. He's also known for his writing as a reviewer of crime fiction for the Sydney Morning Herald and for founding the Australian crime fiction magazine, Mean Streets.
As good a history of the Dead as you’re likely to find. Scully spent nearly two decades as close to the band as you could get without actually being a member. Great stories and anecdotes and a wonderfully drawn and evocative history of the band from their very early acid-drenched days in the 1960s through to their evolution as one of the most important and loved bands in American music history.
As a manager for the Grateful Dead, Rock Scully was with the band from its early days in San Francisco to the years it spent touring the globe as one of the most enduring legends in music history. In Living with the Dead , Scully gives a complete account of his outrageous experiences with the band, during years that saw the Grateful Dead transform from a folksy revivalist band to psychedelic explorers of outer space. In addition to close-up portraits of band members Jerry Garcia, Bob Weir, Pigpen, Phil Lesh, Micky Hart and Bill Kreutzmann, Scully brings into the story…
Stuart Coupe is an Australian music journalist, author, band manager, promoter, publicist, and music label founder. He's best known for his work as a rock writer with Roadrunner, RAM (Rock Australia Magazine), The Sun Herald, and Dolly magazine; the music labels, GREEN Records and Laughing Outlaw; and the author of books including The Promoters, Gudinski, Paul Kelly and Roadies. Coupe is a former manager of the Australian bands the Hoodoo Gurus and Paul Kelly and is currently a presenter on Sydney radio stations 2SER and FBi Radio. He's also known for his writing as a reviewer of crime fiction for the Sydney Morning Herald and for founding the Australian crime fiction magazine, Mean Streets.
Researching a book on the lives and work of road crew was a fascinating, eye-opening, and thoroughly enjoyable, and enlightening experience. It also made me realise how few of those people have told their own stories. In fact, not nearly enough of them start writing road crew folk! But this book was a delightful revelation – a road crew guy, with a great way with words and insights – and telling us about his experiences with one of my favourite rock’n’roll bands of all time. What’s not to like. This may not be the easiest book to find – but like a Grateful Dead show, the reward is often the journey and what you find at the end.
This is a look at one of America's legendary rock bands: The Grateful Dead. It is the tale of a man who lived the dream, rising from roadie to manager. It tells a story of music, friendship and redemption, and is filled with stories of memorable shows and the sometimes insane life on the road.
Stuart Coupe is an Australian music journalist, author, band manager, promoter, publicist, and music label founder. He's best known for his work as a rock writer with Roadrunner, RAM (Rock Australia Magazine), The Sun Herald, and Dolly magazine; the music labels, GREEN Records and Laughing Outlaw; and the author of books including The Promoters, Gudinski, Paul Kelly and Roadies. Coupe is a former manager of the Australian bands the Hoodoo Gurus and Paul Kelly and is currently a presenter on Sydney radio stations 2SER and FBi Radio. He's also known for his writing as a reviewer of crime fiction for the Sydney Morning Herald and for founding the Australian crime fiction magazine, Mean Streets.
The subtitle tells you all you really need to know. Kreutzmann was a founding member of the Grateful Dead and there for the whole long, strange trip and – to date – the only band member to pen an insider’s account of exactly what it’s like to be a member of The Grateful Dead. He tells a good story and if the Grateful Dead loom as large in your life as they do mine – well, just image a memoir written by Ringo Starr or Charlie Watts. Drummers sit there doing their stuff – and they see everything.
The Grateful Dead are perhaps the most legendary American rock band of all time. For thirty years, beginning in the hippie scene of San Francisco in 1965, they were a musical institution, the original jam band that broke new ground in so many ways. Bill Kreutzmann, one of their founding members and drummer for every one of their over 2,300 concerts, has written an unflinching and wild account of playing in the greatest improvisational band of all time. Everything a rock music fan would expect is here, but what sets this apart is Bill's incredible life of adventure that was…
An academically trained historian, I'm a Music Obsessive/History Geek/Southerner/Guitarist/Public Historian/Teacher/Interpreter/Writer/Fan who studies the intersection of music, culture, history, and place. I grew up devouring Mom’s Beatles and Dad’s country records. My life changed in 6th grade when I got my first guitar and discovered the blues. In 7th grade I wrote a research paper on the hippies. That’s when I fell in love with the counterculture. Throughout my life I’ve interwoven my love of the blues, punk rock, the Allman Brothers Band, and the Jam Depression collective as a historian, fan, and musician. My enduring passion culminated in a Ph.D. and the publication of Play All Night! Duane Allman and the Journey to Fillmore East.
Since their 1965 founding, the Grateful Dead have been one of the counterculture’s most enduring institutions.
No Simple Highway answers why, placing the band in the context of its times through three utopian ideals central to the band and its fans: Ecstasy (not just drugs, but an “urge to transcend”), Mobility, and Community. The band, Richardson argues, is “the American experiment in action.”
You’ll learn how the band wove multiple strands of American music with literature, folklore, the counterculture, and the visual arts into a truly unique musical tapestry whose express purpose was as part of a live music experience.
This music-as-participation dynamic meant the audience was as important to the Dead as the music they played. This book had a major impact on how I approached the band/audience story for my own Allman Brothers research.
Crossroads: Postwar America, youth counterculture, audience, San Francisco
For almost three decades, the Grateful Dead was America's most popular touring band. No Simple Highway is the first book to ask the simple question of why―and attempt to answer it. Drawing on new research, interviews, and a fresh supply of material from the Grateful Dead archives, author Peter Richardson vividly recounts the Dead's colorful history, adding new insight into everything from the Acid Tests to the band's formation of their own record label to their massive late career success, while probing the riddle of the Dead's vast and durable appeal.
Arguing that the band successfully tapped three powerful utopian…
I became a young man near the end of the sixties, and I have always been enthralled by the era's various idiosyncrasies, both good and bad. For instance, I loved the complex yet pleasant rock music and the freewheeling lifestyle. On the downside, the war in Vietnam cast its pall over the times, and I narrowly escaped being drafted and sent off to Southeast Asia. Overall, it was an era in which good and evil were starkly defined, and many people were attempting to create a better, more peaceful world. There is still much we can learn from this time.
In my opinion, the Grateful Dead's music forms an important part of the soundtrack of the psychedelic sixties–and into the seventies and beyond.
They first performed under this name at Ken Kesey's acid tests in San Francisco and gained an exponentially-growing reputation as cutting-edge performers of acid rock–so much so that loyal "Dead Heads" would follow them around from concert to concert. McNally was the band's official historian, and his inside track gave him access to fascinating details about the individual band members, their music, their drug trips, their metaphysical meanderings, and much more.
This book brings me back to the days of my youth when I lived for a time in the San Francisco Bay Area and saw the Dead perform at Fillmore West.
The complete history of one of the most long-lived and legendary bands in rock history, written by its official historian and publicist—a must-have chronicle for all Dead Heads, and for students of rock and the 1960s’ counterculture.
From 1965 to 1995, the Grateful Dead flourished as one of the most beloved, unusual, and accomplished musical entities to ever grace American culture. The creative synchronicity among Jerry Garcia, Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart, and Ron “Pigpen” McKernan exploded out of the artistic ferment of the early sixties’ roots and folk scene, providing the soundtrack for the Dionysian revels…
I am a journalist, author, guitarist, singer, and songwriter who has spent my career spreading the gospel of the music I love, notably the Allman Brothers Band and the blues masters. I’ve been a Guitar World writer and editor since 1991, profiled countless musicians for The Wall Street Journal, and lived in Beijing for four years, forming a blues band with three Chinese musicians that toured the country, recorded an album, and won awards. That experience has informed everything I’ve done since, including forming Friends of the Brothers, the premier celebration of the music of the Allman Brothers Band.
I think that this book unveils Jerry Garcia’s essential, elusive personality better than anything I’ve read, even given the excellent work of David Browne, Blair Jackson, Dennis McNally, and other terrific Grateful Dead biographers.
I learned a lot about how seemingly secondary characters are often particularly honest and illuminating. Robert Greenfield also collaborated with promoter Bill Graham on Bill Graham Presents, the excellent autobiography in oral history format.
For more than thirty years, Jerry Garcia was the musical and spiritual center of the Grateful Dead, one of the most popular rock bands of all time. In Dark Star, the first biography of Garcia published after his death, Garcia is remembered by those who knew him best. Together the voices in this oral biography explore his remarkable life: his childhood in San Francisco; the formation of his musical identity; the Dead's road to rock stardom; and his final, crushing addiction to heroin. Interviews with Jerry's former wives, lovers, family members, close friends, musical partners, and cultural cohorts create a…
Popular music in all its shapes and forms has permeated my life since my pre-teen years and has remained both an intimate and professional preoccupation of mine throughout my life, even when I was doing other things professionally. Books dealing with all aspects of music, from artist biographies to its cultural and social examinations have been and remain that essential element that both fuel and satisfy that interest and give it that expanded feature it needs. As somebody who has a degree in journalism and had careers as a journalist, diplomat, and a translator, and now as a freelance writer, music and books on music remain that thread that connects them all.
In many ways, this book by one of the rock critic veterans covers almost exactly the period in modern music history that relates to my perspective book. It is a collection of his early writings, partly at the time when he was the music editor at Village Voice. Personally, Christgau is one rock critic that perfected the art of album/single reviews.
Over the years, as a Professor of English at St. John's University, NY, I have shifted my research from American literature to popular culture, specifically rock music, a passion first ignited when I watched the Beatles on The Ed Sullivan Show, and re-ignited time and time again over the years. I have written articles, reviews, interviews, and a few books and I edit Popular Music and Society and Rock Music Studies.
Not many books are written about bands that labor in the trenches for over thirty years with little success. The Fleshtones formed in New York City in the mid 1970s, one of many new wave/punk bands seeking to fulfill their rock-‘n’-roll dream. Today, they are still looking to achieve that dream. Since 1982, they have released over 20 albums, none achieving commercial success. With just the right combination of humor and seriousness (like The Fleshtones themselves), Sweat documents the band’s bad luck, bad management, bad record contracts, bad decisions, and self-destructive behaviors. Always on the brink of breaking through, “The Fleshtones,” as lead-signer Peter Zaremba put it, “have stared in the face of success and laughed.”
It's June 2001. Keith Streng steers a cramped mini-van north along Lincoln Avenue in Chicago while Peter Zaremba, Bill Milhizer and Ken Fox sprawl in the back nursing hangovers and road weariness. They pull into the Apache, quaintly described as a "hooker hotel" by local folk, and drag their gear and merchandise into a decrepit room. Blood is splattered on the ceiling, roaches scurry on the walls and grainy porn blares on the television. Next door, two obese half-naked guys sit on a bed with an enormous bottle of cheap bourbon between them, staring idly at the TV.The Fleshtones are…
Where Are Your Boys is the book I always wanted to write. Watching emo bands like My Chemical Romance and Paramore soar from suburbs to stardom during my high school years inspired me to take writing seriously, that a kid like me growing up in New Jersey with few connections to the media industry could find a backdoor in, because those bands did, too. With its dense population, adjacency to New York City, and a multitude of record stores and all-ages shows, New Jersey was the setting for much of emo's 2000s boom and the home of My Chemical Romance and many other important bands.
This book gave me a drive. Goodman’s account of the Strokes’ debaucherous rise in 9/11-era New York City ignited my passion for oral history and to tell the story of the music that made me. Downtown cool kid garage rock shaped popular culture immensely, but so did My Chemical Romance and their cohort (even more so, I’d argue). Up to this point (MMITB was published in 2017), 2000s emo was frequently misconstrued by those too old to have understood its impact or left out of the conversation entirely.
As I conducted interviews for my book, I challenged my own hypotheses (and personal biases) about these two scenes. I learned they intermingled more than I thought. I talked to Fall Out Boy’s Pete Wentz about DJing the ultra-hip downtown party Misshapes and My Chemical Romance’s Mikey Way about trying to catch a glimpse of Madonna at the same place.
A SUNDAY TIMES, ROUGH TRADE, ROLLING STONE, MOJO AND UNCUT BOOK OF THE YEAR LONGLISTED FOR THE PENDERYN MUSIC BOOK PRIZE
New York, 2001. 9/11 plunges the US into a state of war and political volatility-and heralds the rebirth of the city's rock scene. As the old-guard music industry crumbles, a group of iconoclastic bands suddenly become the voice of a generation desperately in need of an anthem.
In this fascinating and vibrant oral history, acclaimed journalist Lizzy Goodman charts New York's explosive musical transformation in the early 2000s. Drawing on over 200 original interviews, Goodman follows the meteoric rise…
