Here are 52 books that Map fans have personally recommended if you like
Map.
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I am an award-winning art director, creative mentor, and print and pattern designer with nearly two decades of experience working successfully in the creative industries. As a young person, I loved drama, dance, and art, and was constantly bursting with creative passion. As I grew older, I faced doubt from the people around me about pursuing a creative career. I stubbornly pursued it anyway and ignored the naysayers who told me to “stop dreaming” or to “get a real job.” I am now described as a “powerhouse” in the design world and someone who fearlessly strives forward in her creative career and helps thousands around the world to believe in their own creative power.
As someone who is obsessed with colour, and I mean OBSESSED, diving into this book felt like a colourful dream come true.
Not only does this book delve into so many different colours it also shares stories about how they relate to cultures around the world, and it was so fascinating to learn about. Take my favourite colour, for example, orange. It blew my mind to find out where the word originated and when the term was first used as a colour.
I felt like I was soaking in knowledge at the turn of every page. I can’t tell you how inspired and motivated I felt to start exploring even more colour in my creative practice.
One of USA Today's "100 Books to Read While Stuck at Home During the Coronavirus Crisis"
A dazzling gift, the unforgettable, unknown history of colors and the vivid stories behind them in a beautiful multi-colored volume.
"Beautifully written . . . Full of anecdotes and fascinating research, this elegant compendium has all the answers." -NPR, Best Books of 2017
The Secret Lives of Color tells the unusual stories of seventy-five fascinating shades, dyes, and hues. From blonde to ginger, the brown that changed the way battles were fought to the white that protected against the plague, Picasso's blue period to…
I am a writer and editor with a background in art history, based in Berlin. My work has always been shaped by two complementary needs. First, I always felt a thirst for understanding and knowledge. Second, I was always on the hunt for brilliant design and beautiful visuals. Infographics were thus a natural terrain for me. Since 2012, I have published four comprehensive books in the field. This includes both surveys of contemporary work as well as studies in the history of the field.
In my work, I try to combine my love for brilliant visuals and my fascination for complex scientific topics. You can easily guess why the National Geographic Magazine has always been one of my favourites. Its first issue appeared in 1888, and from an early stage, NatGeo’s editors have made extensive use of excellent infographics and photography alongside their stories. For this book, National Geographic has teamed up with Taschen to assemble a marvellous collection of the best infographics ever published in the magazine. Attention: This is highly inspiring and – quite literally – a heavyweight.
Back in the days when the information age was a distant dream and the world a more mysterious place, National Geographic began its mission to reveal the wonders of history, popular science, and culture to eager audiences around the globe. Since that 1888 launch, the world has changed; empires have risen and crumbled and a galaxy of information is today only a click away. But National Geographic endures; its calm, authoritative voice is as respected as ever amid the surfeit of data in our daily lives.
In this new anthology, TASCHEN and National Geographic gather the magazine's best infographics of…
I’m the Science Director of the Science Museum Group, based at the Science Museum in London, and visiting professor at the Dunn School, University of Oxford, and Department of Chemistry, University College London. Every time I write a book I swear that it will be my last and yet I'm now working on my ninth, after earlier forays into the physics of Christmas and the love life of Albert Einstein. Working with Peter Coveney of UCL, we're exploring ideas about computation and complexity we tackled in our two earlier books, along with the revolutionary implications of creating digital twins of people from the colossal amount of patient data now flowing from labs worldwide.
Over a single year, Giorgia Lupi, an Italian living in New York, and Stefanie Posavec, an American in London, exchanged hand-drawn postcards to chart the granular details of their lives using clusters, plots, and graphs. We featured the outpourings of these talented “information designers” in a 2016 Science Museum exhibition on big data and these striking images, in turn, paved the way for their book, Dear Data, which provides a remarkable portrait of these artists. An intimate and human take on big datathat invites us all to ponder how to represent our own lives.
From an award-winning project comes an inspiring, collaborative book that makes data artistic, personal - and open to all
Each week for a year, Giorgia and Stefanie sent each other a postcard describing what had happened to them during that week around a particular theme. But they didn't write it, they drew it: a week of smiling, a week of apologies, a week of desires.
Presenting their fifty-two cards, along with thoughts and ideas about the data-drawing process, Dear Data hopes to inspire you to draw, slow down and make connections with other people, to see the world through a…
Colin Koopman researches and teaches about technology ethics at the University of Oregon, where he is a Professor of Philosophy and Director of the interdisciplinary certificate program in New Media & Culture. His research pursuits have spanned from the history of efforts in the early twentieth century to standardize birth certificates to our understanding of ourselves as effects of the code inscribed into our genes. Koopman is currently at work on a book that will develop our understanding of what it takes to achieve equality and fairness in data systems, tentatively titled Data Equals.
W.E.B. Du Bois is widely acknowledged as the leading activist for racial equality of his generation. But until very recently little had been known of his deep commitment to the pursuit of equality within and through data technology. As Du Bois was preparing notes for his famous 1903 book The Souls of Black Folk, he was also preparing an exposition of what we would today call “infographics” (or what the editors of this volume aptly call “data portraits”) for exhibition at the 1900 Paris Exposition world’s fair. This volume handsomely reproduces for the first time a full-color complete set of Du Bois’s charts, graphs, maps, and ingenious spirals. A beautiful book to live with, it also subtly transforms one’s understanding of the history of racial progress and inequality in America.
"As visually arresting as it is informative."-The Boston Globe
"Du Bois's bold colors and geometric shapes were decades ahead of modernist graphic design in America."-Fast Company's Co.Design
W.E.B. Du Bois's Data Portraits is the first complete publication of W.E.B. Du Bois's groundbreaking charts, graphs, and maps presented at the 1900 Paris Exposition.
Famed sociologist, writer, and Black rights activist W.E.B. Du Bois fundamentally changed the representation of Black Americans with his exhibition of data visualizations at the 1900 Paris Exposition. Beautiful in design and powerful in content, these data portraits make visible a wide spectrum of African American culture, from…
I am a historian fascinated with maps and geography, I have produced historical atlases on the world, Britain, war, cities, naval history, fortifications, and World War Two, as well as books on geopolitics and maps. I am an Emeritus Professor of History at the University of Exeter and a Senior Fellow of the Foreign Policy Research Institute and of Policy Exchange.
The discovery of hitherto unknown maps is a great treat and this edition uses one to show the development of urban mapping. Well-anchored in the locality, this book is also of much wider value.
This major re-examination of the history of map-making in Exeter, the historic county town of Devon, follows from the recent discovery of a 'new' Georgian town map of the city. That map, by William Birchynshaw (a man not known tohave produced any other), is reproduced in facsimile, along with nearly two dozen other maps from 1587 through to 1949. They are prefaced by an introduction which places the new discovery within the context of four centuries of map-making, demonstrating how Birchynshaw owed a debt both to John Hooker's map of 1587 and to that by Ichabod Fairlove of 1709; and…
I have obsessed with maps my whole life, but I guess the main drive for studying them is my enjoyment of outdoor spaces, as a hiker, a mountaineer, and as a sailor: always with a paper map at hand. If you use GPS (a wonderful innovation) you will not only lose some of your precious orientation abilities but above all you will look less at the environment around you. I feel that paper maps do a great favor to my brain and to my enjoyment of places. The books below are a great tribute to maps; they helped me understand them better, and this affected the way I use them.
This is a very engaging introduction to the history of mapmaking through lively narrated anecdotes, some of which are juicy, such as the persistence of inexistent geographic features (California was mapped as an island for many decades).
I also learned, to my astonishment, that Google has a simple, non-invasive way to know your home address: it is the first address most users look for when they connect to Google Maps!
Maps fascinate us. They chart our understanding of the world and they log our progress, but above all they tell our stories. From the early sketches of philosophers and explorers through to Google Maps and beyond, Simon Garfield examines how maps both relate and realign our history.
With a historical sweep ranging from Ptolemy to Twitter, Garfield explores the legendary, impassable (and non-existent) mountains of Kong, the role of cartography in combatting cholera, the 17th-century Dutch craze for Atlases, the Norse discovery of America, how a Venetian monk mapped the world from his cell and the Muppets' knack of instant…
I have liked maps since childhood and remember them prompting all sorts of questions, like why was that city, mountain, or border there instead of someplace else, or I would imagine what it would be like to visit those places. I don’t feel like I can truly understand or make sense of a place until I can see it from above, so I spend too much time on Google Earth. I have especially valued how maps or other cartographic representations can help illuminate the connections and interdependencies between peoples and places, between society and nature, and ultimately help us understand our place in the world.
After flipping through a few pages, I was immediately engrossed by this book’s exquisite and thought-provoking illustrations. Mason and Miller showcase many cartographic techniques beyond what we commonly consider a map, ranging in scale from the globe to mountain ranges and river basins to cities and neighborhoods to factory floors.
I was struck by the blend of creativity and artistry that went into creating these maps and how well this book showcased the wide range of possibilities for representing almost anything visually and cartographically. Including approximately 300 illustrations, the book has the feel of a coffee-table book and can be easily broken down and read in short chunks, although I found it hard to put down.
Created for map lovers by map lovers, this book explores the intriguing stories behind maps across history and illuminates how the ancient art of cartography still thrives today.
In this visually stunning book, award-winning journalists Betsy Mason and Greg Miller--authors of the National Geographic cartography blog "All Over the Map"--explore the intriguing stories behind maps from a wide variety of cultures, civilizations, and time periods. Based on interviews with scores of leading cartographers, curators, historians, and scholars, this is a remarkable selection of fascinating and unusual maps--some never before published. This diverse compendium includes ancient maps of dragon-filled seas, elaborate…
I have obsessed with maps my whole life, but I guess the main drive for studying them is my enjoyment of outdoor spaces, as a hiker, a mountaineer, and as a sailor: always with a paper map at hand. If you use GPS (a wonderful innovation) you will not only lose some of your precious orientation abilities but above all you will look less at the environment around you. I feel that paper maps do a great favor to my brain and to my enjoyment of places. The books below are a great tribute to maps; they helped me understand them better, and this affected the way I use them.
This is a super-authoritative book on the historical evolution of map-making by a renowned scholar of classics. It shows a surprising variety of maps from Antiquity to the present. Yet in this variety, Jacob is able to find important commonalities that help us understand what makes a map a map.
The take-home message for me has been that maps are engines of thought. By making a territory visible, they unleash a trove of otherwise unthinkable thoughts about it.
A novel work in the history of cartography, "The Sovereign Map" argues that maps are as much about thinking as seeing, as much about the art of persuasion as the science of geography. As a classicist, Christian Jacob brings a fresh eye to his subject - which includes maps from Greek Antiquity to the twentieth century - and provides a theoretical approach to investigating the power of maps to inform, persuade, and inspire the imagination. Beginning with a historical overview of maps and their creation - from those traced in the dirt by primitive hands to the monumental Dutch atlases…
I am a historian fascinated with maps and geography, I have produced historical atlases on the world, Britain, war, cities, naval history, fortifications, and World War Two, as well as books on geopolitics and maps. I am an Emeritus Professor of History at the University of Exeter and a Senior Fellow of the Foreign Policy Research Institute and of Policy Exchange.
Wide-ranging, high-production values, a good balance of maps and text, and excellent value for money. Includes many different types of map not least those of fantasy worlds.
The British Library's map collection is the national cartographic collection of Britain and numbers around four million maps dating from 15 CE to 2017 CE. These include road maps drawn for 13th century pilgrims and sea charts for 17th-century pirates. They include the first printed map to show the Americas and the last to show English-controlled Calais. They include the world's biggest and smallest atlases. They include maps for kings and queens, popes, ministers, schoolchildren, soldiers, tourists. There are maps which changed the world. As well as comprehensively showcasing the varied and surprising treasures of the British Library's "banquet of…
I'm a writer and poet who loved reading books set in fantasy worlds like Narnia as a child. When I began writing for children, I realised my own magical experiences had been on family trips to India, where goddesses and temples, palaces swarming with monkeys, ice-capped mountains, and elephant rides were part of everyday life. The term ‘magic realism’ seemed to better fit my own fantasy world, Indica. Here, elemental magic is rooted in the myths and culture of young hero Minou Moonshine, expanding her experiences and guiding the search for her destiny. The children’s books I've chosen also contain supernatural and magical elements which are intrinsic to the protagonist’s world – no wardrobe needed!
It's hard to believe that Kiran Millwood Hargrave’sThe Girl of Ink and Starsonly came out in 2016.
The book has become a modern classic, combining beautifully poetic writing with the compelling first-person voice of Isabella, the mapmaker’s daughter. When Isabella ventures into the mysterious interior of the island of Joya Governor, to search for her friend, the Governor’s daughter, she must navigate a mysterious labyrinth, supernatural demon dogs, and a volcano-dwelling deity.
The magic elements here are inspired by the indigenous culture of the Canary Isles.
