Here are 42 books that Map fans have personally recommended if you like
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I grew up in a family of artists and then went to art school, so I have been thinking visually my entire life. I have always collected random, inspiring books with both words and images. I love being able to pick up a book and read a chapter at a time or flip through it for visual inspiration. I keep some of my favorite books at my bedside just because they give me comfort. There are so many more books I could recommend in the category I have chosen!
If you are interested in the history and stories behind the colors that we see daily, this book is for you.
I loved discovering that gold is the color of desire, when and how shades of blue were first discovered, and what is mixed to create blue pigment. Modern stories of punk rock pink, to the first colors painted on the walls of caves.
It is a fascinating read that you can pick up whenever you are curious about the colors in your world.
One of USA Today's "100 Books to Read While Stuck at Home During the Coronavirus Crisis"
A dazzling gift, the unforgettable, unknown history of colors and the vivid stories behind them in a beautiful multi-colored volume.
"Beautifully written . . . Full of anecdotes and fascinating research, this elegant compendium has all the answers." -NPR, Best Books of 2017
The Secret Lives of Color tells the unusual stories of seventy-five fascinating shades, dyes, and hues. From blonde to ginger, the brown that changed the way battles were fought to the white that protected against the plague, Picasso's blue period to…
I am a writer and editor with a background in art history, based in Berlin. My work has always been shaped by two complementary needs. First, I always felt a thirst for understanding and knowledge. Second, I was always on the hunt for brilliant design and beautiful visuals. Infographics were thus a natural terrain for me. Since 2012, I have published four comprehensive books in the field. This includes both surveys of contemporary work as well as studies in the history of the field.
In my work, I try to combine my love for brilliant visuals and my fascination for complex scientific topics. You can easily guess why the National Geographic Magazine has always been one of my favourites. Its first issue appeared in 1888, and from an early stage, NatGeo’s editors have made extensive use of excellent infographics and photography alongside their stories. For this book, National Geographic has teamed up with Taschen to assemble a marvellous collection of the best infographics ever published in the magazine. Attention: This is highly inspiring and – quite literally – a heavyweight.
Back in the days when the information age was a distant dream and the world a more mysterious place, National Geographic began its mission to reveal the wonders of history, popular science, and culture to eager audiences around the globe. Since that 1888 launch, the world has changed; empires have risen and crumbled and a galaxy of information is today only a click away. But National Geographic endures; its calm, authoritative voice is as respected as ever amid the surfeit of data in our daily lives.
In this new anthology, TASCHEN and National Geographic gather the magazine's best infographics of…
I’m the Science Director of the Science Museum Group, based at the Science Museum in London, and visiting professor at the Dunn School, University of Oxford, and Department of Chemistry, University College London. Every time I write a book I swear that it will be my last and yet I'm now working on my ninth, after earlier forays into the physics of Christmas and the love life of Albert Einstein. Working with Peter Coveney of UCL, we're exploring ideas about computation and complexity we tackled in our two earlier books, along with the revolutionary implications of creating digital twins of people from the colossal amount of patient data now flowing from labs worldwide.
Over a single year, Giorgia Lupi, an Italian living in New York, and Stefanie Posavec, an American in London, exchanged hand-drawn postcards to chart the granular details of their lives using clusters, plots, and graphs. We featured the outpourings of these talented “information designers” in a 2016 Science Museum exhibition on big data and these striking images, in turn, paved the way for their book, Dear Data, which provides a remarkable portrait of these artists. An intimate and human take on big datathat invites us all to ponder how to represent our own lives.
From an award-winning project comes an inspiring, collaborative book that makes data artistic, personal - and open to all
Each week for a year, Giorgia and Stefanie sent each other a postcard describing what had happened to them during that week around a particular theme. But they didn't write it, they drew it: a week of smiling, a week of apologies, a week of desires.
Presenting their fifty-two cards, along with thoughts and ideas about the data-drawing process, Dear Data hopes to inspire you to draw, slow down and make connections with other people, to see the world through a…
Colin Koopman researches and teaches about technology ethics at the University of Oregon, where he is a Professor of Philosophy and Director of the interdisciplinary certificate program in New Media & Culture. His research pursuits have spanned from the history of efforts in the early twentieth century to standardize birth certificates to our understanding of ourselves as effects of the code inscribed into our genes. Koopman is currently at work on a book that will develop our understanding of what it takes to achieve equality and fairness in data systems, tentatively titled Data Equals.
W.E.B. Du Bois is widely acknowledged as the leading activist for racial equality of his generation. But until very recently little had been known of his deep commitment to the pursuit of equality within and through data technology. As Du Bois was preparing notes for his famous 1903 book The Souls of Black Folk, he was also preparing an exposition of what we would today call “infographics” (or what the editors of this volume aptly call “data portraits”) for exhibition at the 1900 Paris Exposition world’s fair. This volume handsomely reproduces for the first time a full-color complete set of Du Bois’s charts, graphs, maps, and ingenious spirals. A beautiful book to live with, it also subtly transforms one’s understanding of the history of racial progress and inequality in America.
"As visually arresting as it is informative."-The Boston Globe
"Du Bois's bold colors and geometric shapes were decades ahead of modernist graphic design in America."-Fast Company's Co.Design
W.E.B. Du Bois's Data Portraits is the first complete publication of W.E.B. Du Bois's groundbreaking charts, graphs, and maps presented at the 1900 Paris Exposition.
Famed sociologist, writer, and Black rights activist W.E.B. Du Bois fundamentally changed the representation of Black Americans with his exhibition of data visualizations at the 1900 Paris Exposition. Beautiful in design and powerful in content, these data portraits make visible a wide spectrum of African American culture, from…
I am a historian fascinated with maps and geography, I have produced historical atlases on the world, Britain, war, cities, naval history, fortifications, and World War Two, as well as books on geopolitics and maps. I am an Emeritus Professor of History at the University of Exeter and a Senior Fellow of the Foreign Policy Research Institute and of Policy Exchange.
The discovery of hitherto unknown maps is a great treat and this edition uses one to show the development of urban mapping. Well-anchored in the locality, this book is also of much wider value.
This major re-examination of the history of map-making in Exeter, the historic county town of Devon, follows from the recent discovery of a 'new' Georgian town map of the city. That map, by William Birchynshaw (a man not known tohave produced any other), is reproduced in facsimile, along with nearly two dozen other maps from 1587 through to 1949. They are prefaced by an introduction which places the new discovery within the context of four centuries of map-making, demonstrating how Birchynshaw owed a debt both to John Hooker's map of 1587 and to that by Ichabod Fairlove of 1709; and…
I’ve been surrounded by maps all my life. As a child, a highlight of family summer holidays was the night before, pouring over road maps, planning every step of our drive from my home in rural English midlands, via the cross-channel ferry, to a rented gîte in France, perhaps in the Dordogne or the Loire Valley. Maps are to me a paragon of design: a true marriage of science and art. In an amazingly compressed space, a well-designed map can be incredibly beautiful at the same time as containing an incredible amount of raw data, more than could be contained in reams of tables or many pages of text.
On the Map provides a whistlestop tour of the stories behind some of the best-known maps in history (including the Hereford Mappa Mundi, John Snow’s Broad Street cholera outbreak map, and Harry Beck’s London Underground map) as well as many less well-known but no less-fascinating tales of fantastic maps.
I love this book simply because it is a joyful celebration of all things maps and mapping: a compendium of compelling, cheerful, and often incredible stories that provide a glimpse of not only the immense variety and complexity maps, but also their inherent fun.
It is that fun which I think first attracted me to maps and mapping, and still sparks joy for me upon encountering new maps and mapping innovations today.
Maps fascinate us. They chart our understanding of the world and they log our progress, but above all they tell our stories. From the early sketches of philosophers and explorers through to Google Maps and beyond, Simon Garfield examines how maps both relate and realign our history.
With a historical sweep ranging from Ptolemy to Twitter, Garfield explores the legendary, impassable (and non-existent) mountains of Kong, the role of cartography in combatting cholera, the 17th-century Dutch craze for Atlases, the Norse discovery of America, how a Venetian monk mapped the world from his cell and the Muppets' knack of instant…
I am a historian fascinated with maps and geography, I have produced historical atlases on the world, Britain, war, cities, naval history, fortifications, and World War Two, as well as books on geopolitics and maps. I am an Emeritus Professor of History at the University of Exeter and a Senior Fellow of the Foreign Policy Research Institute and of Policy Exchange.
Wide-ranging, high-production values, a good balance of maps and text, and excellent value for money. Includes many different types of map not least those of fantasy worlds.
The British Library's map collection is the national cartographic collection of Britain and numbers around four million maps dating from 15 CE to 2017 CE. These include road maps drawn for 13th century pilgrims and sea charts for 17th-century pirates. They include the first printed map to show the Americas and the last to show English-controlled Calais. They include the world's biggest and smallest atlases. They include maps for kings and queens, popes, ministers, schoolchildren, soldiers, tourists. There are maps which changed the world. As well as comprehensively showcasing the varied and surprising treasures of the British Library's "banquet of…
I still remember the day I discovered the family atlas (I must have about five; it then lived in my room, and my dad was probably irked, but too kind and encouraging to show it). Since then, I have been mesmerized by maps. How lucky I am to turn an early passion into a focus of research and teaching (I am a Classicist and Historian of Ancient Science). My publications include studies of narrative maps in Greco-Roman literature (they too were mesmerized by maps). You can find maps in the most unexpected places!
Never intended simply as a vehicle for giving directions from one place to the next, maps are translations of the topographical world. And translation is an act of interpretation.
That is one of the many things I like about this book: Monmonier looks at maps from different angles to explain the tricks that modern mapmakers have in their toolkits to distort data (this is nothing new; two thousand years ago Ptolemy fretted over the distortion caused by projecting a three-dimensional space, the spherical earth, on a two-dimensional surface).
How do maps lie? Scale, symbols in the key, distracting colors, selective data. What is the map’s purpose? Is it an advertisement or political propaganda? Is the map deliberately vague, inaccurate, or even just out of date?
An instant classic when first published in 1991, How to Lie with Maps revealed how the choices mapmakers make--consciously or unconsciously--mean that every map inevitably presents only one of many possible stories about the places it depicts. The principles Mark Monmonier outlined back then remain true today, despite significant technological changes in the making and use of maps. The introduction and spread of digital maps and mapping software, however, have added new wrinkles to the ever-evolving landscape of modern mapmaking. Fully updated for the digital age, this new edition of How to Lie with Maps examines the myriad ways that…
I'm a writer and poet who loved reading books set in fantasy worlds like Narnia as a child. When I began writing for children, I realised my own magical experiences had been on family trips to India, where goddesses and temples, palaces swarming with monkeys, ice-capped mountains, and elephant rides were part of everyday life. The term ‘magic realism’ seemed to better fit my own fantasy world, Indica. Here, elemental magic is rooted in the myths and culture of young hero Minou Moonshine, expanding her experiences and guiding the search for her destiny. The children’s books I've chosen also contain supernatural and magical elements which are intrinsic to the protagonist’s world – no wardrobe needed!
It's hard to believe that Kiran Millwood Hargrave’sThe Girl of Ink and Starsonly came out in 2016.
The book has become a modern classic, combining beautifully poetic writing with the compelling first-person voice of Isabella, the mapmaker’s daughter. When Isabella ventures into the mysterious interior of the island of Joya Governor, to search for her friend, the Governor’s daughter, she must navigate a mysterious labyrinth, supernatural demon dogs, and a volcano-dwelling deity.
The magic elements here are inspired by the indigenous culture of the Canary Isles.
Growing up, I rewatched Star Wars until I wore out my VHS tape. I read every Dragonlancenovel. I played a bit of D&D. When I got to college, I finally was allowed work on things that interested me. I found Art History, dove into Medieval Studies, and, in grad school, got serious about monsters. Monster Studies didn’t exist, but books were out (especially by Jeffrey Jerome Cohen), and my advisor encouraged me to follow my passions. My 15-year-old self would be astonished to learn that I’d get to read monster books, study monster art, and watch monster movies as a job!
This is a brilliant, wide-ranging, deeply-sourced study of the dynamics that underpinned and justified early modern colonization of the Americas. Mandeville’sBook of Marvels and Travels is the prehistory of the horrors of colonization; the sources at the heart of Davies’s study are colonization’s architecture: maps, book illustrations, freestanding prints, published texts, letters, journals, and on. With nuance and care, Davies rewrites the intellectual history of this period, confronting the dehumanizing, demonizing, monsterizing visual and textual rhetoric of colonial enterprises (which directly contributed to large-scale violence), but also looking carefully at nuances, differences, and shifts in this rhetoric over the course of the Renaissance.
Giants, cannibals and other monsters were a regular feature of Renaissance illustrated maps, inhabiting the Americas alongside other indigenous peoples. In a new approach to views of distant peoples, Surekha Davies analyzes this archive alongside prints, costume books and geographical writing. Using sources from Iberia, France, the German lands, the Low Countries, Italy and England, Davies argues that mapmakers and viewers saw these maps as careful syntheses that enabled viewers to compare different peoples. In an age when scholars, missionaries, native peoples and colonial officials debated whether New World inhabitants could - or should - be converted or enslaved, maps…
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