Here are 100 books that Lungbarrow fans have personally recommended if you like
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I am a voracious reader of romantic fiction, and I’m always drawn in by books where time plays an important role. I love it when the characters have limited time and are on a countdown, or time is stretched out between their interactions, or when one single moment changes the course of their lives so completely. It always adds so much conflict and drama to a plot, as if time is a character in itself: it’s such a big thing in all our lives, but it’s also, in some respects, completely arbitrary. I love all these books because time and timing have such a big impact on the characters.
I fell in love with Lizzy and Ciaran as they tried to find their way back to each other after over a decade of not speaking. I loved the glamour of the Cannes film festival, which was a backdrop to the very real, human, unglamorous resentments they were harbouring, and I was gripped by the sense of time running out as the festival progressed.
The flashbacks to their time in France when they first met were gripping, and I was swept away by these two completely believable characters but was also caught up in the sizzle between them, and it’s such a funny, heartfelt book too.
I can't be the only one to see men with power manipulate their status to hold back others. This isn’t just a Hollywood thing. A Sunday supplement piece by a young gay actor about his troubled life with a leading director struck a chord. Fate led me to him, and he connected me with others who shared off-the-record stories of exploitation and ambition. I wanted to tell these tales but not launch yet another bad news book into an already battered world. I aimed to create something accessible and engaging, darkly funny while shining a light on Hollywood's underbelly.
I’ve spoken to people who really couldn’t get into this book, and I consider them somewhat deranged. It’s a rollicking good read, and maybe it helped that I enjoyed the author reading the story, which added to my enjoyment. I’ll go out on a limb and suggest very few authors make great audiobook performers. Mortimer absolutely does, getting the voice of the squirrel spot on.
There’s a strange and convoluted plot set in the not-terribly-underworld of London. A brilliant neighbor part for Kathy Burke should Mortimer ever be fielding Netflix offers. It’s a book you’ll read in days, not weeks. Fast-paced and has me on edge for part two–out in August.
*WINNER OF THE BOLLINGER EVERYMAN WODEHOUSE PRIZE FOR COMIC FICTION 2023*
THE SUNDAY TIMES BESTSELLER
'Funny, clever and sweet'- Sunday Times
'The much loved comic proves adept at noirish fiction in a debut whose surrealist humour sets it apart' - Observer
My name is Gary. I'm a thirty-year-old legal assistant with a firm of solicitors in London. To describe me as anonymous would be unfair but to notice me other than in passing would be a rarity. I did make a good connection with a girl, but that blew up in my face and smacked my arse with a fish…
Aside from my brief stint as a bossy know-it-all when I was little, I have always been that quiet girl no one notices. In high school, it took me at least ten minutes and five tries to get myself to wish my desk partner a happy birthday. I spent a lot of my adolescence trying to find myself, so I understand what it’s like to feel lost. My greatest wish is for my book to help at least one person feel how these books helped me.
I will never pass up an opportunity to discuss one of Zack Smedley’s books. This one is one of the most beautiful, truthful, and book-hangover-inducing stories I have ever enjoyed reading.
Its narrator, a boy struggling to tell and come to terms with a difficult truth, will live in my heart and mind forever. I advise people to check for content warnings, as Smedley’s work never fails to leave me an emotional wreck.
Owen Turner is a boy of too many words. For years, they all stayed inside his head and he barely spoke-until he met Lily. Lily, the girl who gave him his voice, helped him come out as bi, and settle into his ASD diagnosis. But everything unravels when someone reports Owen's biggest secret to the school: that he was sexually assaulted at a class event. As officials begin interviewing students to get to the bottom of things, rumors about an assault flood the school hallways. No one knows it happened to Owen, and he's afraid of what will happen if…
Like many readers, I am drawn to stories of vengeance. Stories of someone seeking revenge have a built-in tension and narrative drive. But as the saying goes, when you embark on a journey of revenge, dig two graves. Yes, these tales seldom go smoothly. The consequences of this and the violence that ensues are what I wanted to explore in my latest novel, but several books on my shelf make fascinating stories out of this desire for revenge.
This book surprised me with its sharpened steel edge and uncompromising main character. Joe Reddick has lost it all and is, as a result, a very dangerous man you do not want to cross. When his family is threatened, Joe embarks on a mission to bring down the men who dared cross him and show them what mistakes they had made.
That you root for Joe even as he goes about doing terrible things to more terrible people is a testament to the stellar writing of Haywood in this, one of his most compelling standalone thrillers.
The new novel from the critically acclaimed and award-winning author - When Joe Reddick and his family are threatened in their LA home by a masked, knife-wielding intruder, it means serious trouble for a gang of desperate criminals. The threat sends Joe Reddick over the edge. He's lived the nightmare of losing a family to a crazed killer once, and he's not going to let it happen again. After sending his wife and son to safety, he goes to war, determined to kill those responsible. Soon Reddick’s living nightmare will finally be over. One way or the other . .…
I fell deeply in love with books as a child, wrote oodles of stories growing up, majored in English literature, and built a writing career in advertising and TV. But my deep love of children’s books never faded. Somewhere in my 30s, I had an epiphany sitting on the couch one day: I clearly saw that writing children’s books was what I wanted to build my life around. It took a lot of time and effort to accomplish that, but with the aid of a helpful hamster named Humphrey – and his friend Og - I found my happy place, and I hope I never, ever “grow up.”
Another friendly rodent tale with a clever premise! I read this long before there was ever a movie about Stuart. Once again, the author’s imagination amazed me. I was enchanted with all the clever things Stuart could do – his car, his canoe, his friendship with Margalo the bird, and the humans that accepted him as part of their family.
I remember bringing the library book to my grandmother’s house when I spent the weekend. I don’t think the book was out of my grasp except when I was sleeping. And even then, I was dreaming of being a writer and “living” in a world like Stuart’s.
The classic story by E. B. White, author of the Newbery Honor Book Charlotte's Web and The Trumpet of the Swan, about one small mouse on a very big adventure.
Stuart Little is no ordinary mouse. Born to a family of humans, he lives in New York City with his parents, his older brother George, and Snowbell the cat. Though he's shy and thoughtful, he's also a true lover of adventure.
Stuart's greatest adventure comes when his best friend, a beautiful little bird named Margalo, disappears from her nest. Determined to track her down, Stuart ventures away from home for…
The best fiction explores complex relationships between friends and lovers. I’ve been fascinated by this for as long as I can remember because love and friendship are the cornerstones of human existence. As concepts, they give life meaning yet can also take it away. They bring us together but can also leave us estranged. The sun-soaked cities of Europe have for so long been playgrounds for young lovers and friends, enjoying both the best of life and the most melancholy. I love traveling Europe–the grandeur, the romance, the happy-sad sentiment of it all. It embodies the topic and makes for the most beautiful setting.
The Trio captures the essence of friendship and love and the coexisting yet diametrically opposed social anxieties that can accompany them. This is why I love this book–love is presented as complex, challenging, and fraught with more that is unsaid than actually expressed.
I also love this book because it expresses love as a real feeling, something that is experienced but not always easy to explain (or get along with). The characters are relatable, honest, and flawed, yet likable. The book is also set in beautiful locations–Stockholm, Paris, London–which makes it beautiful to read.
Elegant, mature and richly atmospheric, a bittersweet love story glimpsed through the veil of memory
'The love child of Normal People and Brideshead Revisited... Sublime and elegiac' Francesca Reece
'[A] heady mix of hope and nostalgia, of desire and regret, of new love and lost love' Sunday Times
Thora, August and Hugo come from different worlds. One is an art school dreamer, one a wealthy scion of the old-world elite, and one an ordinary boy from out of town. But over the course of two sky-blue summers in Stockholm, they are drawn together…
I love historical fiction, and with dual timelines, I often find myself identifying with a contemporary character who is trying to solve some mystery from the past. I wrote an article titled Five Questions to Ask Before Writing a Dual Timeline Novel, in which I addressed structure, how to relate the timelines to each other, and how to keep the reader engaged when going back and forth between time periods. I also wrote a blog post about how fitting the pieces together for this kind of work can be a bit like solving a jigsaw puzzle. Each of the novels I’ve recommended is an example of a satisfying final picture.
Joseph, a Berkeley student and the son of a Jewish mother and a Muslim father, receives a mysterious package from his estranged father. He embarks on a journey to understand a family mystery that can be traced back a thousand years.
I really cared about all of the characters who strive to lead good lives and demonstrate the many ways in which responsibility, forgiveness, love, and kindness shape the way we see and act in the world.
In this “wonderfully rich” (San Francisco Chronicle) novel from the author of the internationally bestselling The Oracle of Stamboul, a young man journeys from California to Cairo to unravel centuries-old family secrets.
“This book is a joy.”—Rabih Alameddine, author of the National Book Award finalist An Unnecessary Woman
WINNER OF: THE AMERICAN LIBRARY ASSOCIATION’S SOPHIE BRODY AWARD • THE NATIONAL JEWISH BOOK AWARD IN FICTION • THE SAMI ROHR PRIZE FOR JEWISH LITERATURE • Named One of the Ten Best Books of the Year by the BBC • Longlisted for the Northern California Independent Booksellers Association Fiction Prize • A…
I am a philosopher of language (and of art) and have been for 30+ years. Why philosophy of language? Well, it encourages a certain salutary kind of self-consciousness—which is extremely valuable to philosophy—and facilitates greater rigor. But it only got going some one hundred and twenty years ago. So it's modern(ish) as well as deep. And whereas it might seem a narrow slice of the philosophical pie, it isn't; it seems to provide fruitful ways of thinking for almost any philosophical subject. For example, rather than 'What is X?', we ask 'What do we mean by "X"?'; a subtle difference perhaps but the change in perspective might be a key.
Musil is a person who you know you’ll never quite keep up with; he has irony within irony within irony. The book is fiction, but few things are better for learning skepticism about "essences" and big ideas, and yes, humility about oneself.
Ulrich, Diotima, General Stumm, sister Agatha, and Moosebrugger are the unforgettable characters, and post-World War I, Vienna is the stage.
It is 1913, and Viennese high society is determined to find an appropriate way of celebrating the seventieth jubilee of the accession of Emperor Franz Josef. But as the aristocracy tries to salvage something illustrious out of the collapse of the Austro-Hungarian Empire, the ordinary Viennese world is beginning to show signs of more serious rebellion. Caught in the middle of this social labyrinth is Ulrich: youngish, rich, an ex-soldier, seducer and scientist.
Unable to deceive himself that the jumble of attributes and values that his world has bestowed on him amounts to anything…
As a queer reader and writer of horror, I have little interest in anything that could be deemed “positive representation.” Horror is most compelling when it gets honest and ugly about the bad, selfish, cruel, or simply unwise choices people make when they’re truly scared–and that includes queer people. I love queer stories that aren’t primarily romantic or neatly resolved. I like messy groups of friends, toxic emotional entanglements, and family dynamics that don’t fit in a Hallmark card. These days there are lots of stories in other genres about queer people becoming their best selves, but horror also has space for us at our worst.
This book is horror for adrenaline fiends, but it has emotional depths and a rich cast of well-developed characters to balance out its fast-paced thrills.
My favorite character in this book, and one of my favorites in the whole horror canon, is Nell Talbot, one half of the brother-sister duo of protagonists. Nell is a 100-proof disaster bisexual, surfing a wave of her own bad choices all the way to shore.
You know how a story is supposed to have an inciting incident? Nell Talbot is the inciting incident.
One of Tor Nightfire's "Horror Books We're Excited About in 2022"!
"Lyons
burnishes his reputation as a rising horror star . . . [and] keeps the pages
flying with fast-paced chills." -Publishers Weekly (starred review)
From the author of The Night Will Find Us comes a white-knuckled horror-thriller set across the American Southwest.
Road trips can be hell.
Siblings Jonah and Nell Talbot used to be inseparable, but ever since Jonah suddenly blew town twelve years ago, they couldn't be more distant. Now, in the wake of Jonah's divorce, they embark on a cross-country road trip back to their hometown…
I grew up in the era of sweeping historical epics, traveling with the turn of a page from Gaius Marius’s Rome to Victoria’s England and everything in between. I’ve always loved books that immerse you in places and time periods you know nothing about—and when I couldn’t find enough of them, I started writing my own. While my long-ago history PhD work is in Tudor-Stuart England (my specialty was the English Civil War), what I love most is being a historical dilettante and getting to hop around the historical record—which may be why my books can take you anywhere from Napoleon’s court to 1920s Kenya to Cuba with Teddy Roosevelt!
I don’t know about you, but when I learned history in elementary school, we skipped straight from Ancient Greece and Rome to the Norman Conquest with the briefest of nods at Byzantium to acknowledge there was something in between. It was all very simple and straightforward—and completely left out the crumbling kingdoms left behind in the wake of the fall of Alexander the Great’s Empire.
I can still remember opening Gillian Bradshaw’s Horses of Heaven for the first time and thinking, “What’s Ferghana? Or Bactra?” Gillian Bradshaw wrote a number of books set in the wake of Alexander’s empire, but this one is the one that really stuck with me, told through the eyes of a girl picked to go as attendant to a Greek aristocrat from Bactra being married to King Mauakes of Ferghana (now Afghanistan).
Heliokleia, a young princess of Bactria, is allied in a mismatched marriage to the ruler of Ferghana, but she realizes too late that the king's son, Itaz, is her true soulmate
