Here are 100 books that Louisbourg Portraits fans have personally recommended if you like
Louisbourg Portraits.
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For 23 years I was lucky enough to work in the 18th century. Well, as close as is possible for someone born in the 20th century. That happened because I was a staff historian at the Fortress of Louisbourg, where I passed many hours studying a million pages of documentation and over 500 maps and plans of the long-ago society. That research allowed me to write many books and articles—for both academics and the general public—about the onetime French stronghold and bustling seaport. I found the work fascinating, and I credit my time at the Fortress of Louisbourg for making me the historian and writer I became.
Not many history books remain in print — and highly useful — more than a century after publication. Yet this book by John Stewart McLennan, first published in 1918, is one. His narrative of the rise and fall of Louisbourg remains a compelling and fact-based history that continues to satisfy many readers, especially those primarily interested in Louisbourg as a pawn in the game of imperial struggle between France and Great Britain. To be sure, McLennan’s book is light on the social, cultural, and religious history of Louisbourg, but there are lots of other authors who have explored those themes in more recent decades.
Louisbourg, From Its Foundation To Its Fall, 1713-1758 has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
For 23 years I was lucky enough to work in the 18th century. Well, as close as is possible for someone born in the 20th century. That happened because I was a staff historian at the Fortress of Louisbourg, where I passed many hours studying a million pages of documentation and over 500 maps and plans of the long-ago society. That research allowed me to write many books and articles—for both academics and the general public—about the onetime French stronghold and bustling seaport. I found the work fascinating, and I credit my time at the Fortress of Louisbourg for making me the historian and writer I became.
For a wide range of scholarly — yet highly readable — essays on the onetime French stronghold, Aspects of Louisbourg offers a great starting point. It’s an eclectic collection of fifteen essays by ten different authors. The focus in each paper varies, with some writers examining economic or social themes, and others looking at military history. From the rugged life of 18th-century fishers to gardens and material culture, to the complexities of the garrison or recent commemorative activities, the essays paint a comprehensive picture of both French colonial Louisbourg and what in the 20th century became the Fortress of Louisbourg National Historic Site of Canada.
Aspects of Louisbourg is an eclectic collection of essays that considers the economic, social, military, and commemorative events in the lives of the people of Louisbourg. From the rugged life of an 18th -century fishing family, to gardens and material culture, to today's commemorative activities, these essays paint a picture of the life of Louisbourg.
For 23 years I was lucky enough to work in the 18th century. Well, as close as is possible for someone born in the 20th century. That happened because I was a staff historian at the Fortress of Louisbourg, where I passed many hours studying a million pages of documentation and over 500 maps and plans of the long-ago society. That research allowed me to write many books and articles—for both academics and the general public—about the onetime French stronghold and bustling seaport. I found the work fascinating, and I credit my time at the Fortress of Louisbourg for making me the historian and writer I became.
This book is a true marriage of images and words. The photographer and the writer worked closely together to establish the central storylines they wanted to communicate — under the themes of seaport, fortress, and community. They then chose the best photos to illustrate and enliven the evocative text. Reardon’s photos are outstanding. They highlight the many moods, colors, and characteristics of the renowned Canadian national historic site. First published in 1990, the book remains a wonderful photographic portrayal of the Fortress of Louisbourg and its costumed animators.
Maximilian Tundra is about to have an existential crisis of cosmic proportions.
When a physical duplicate of him appears in his living room, wearing a tight-fitting silver lamé unitard and speaking with an English accent, Max knows something bad is about to happen. Bad doesn’t cover it. Max discovers he’s the only human being who can prevent the end of the world, and not just on his planet! In the multiverse, infinite Earths will be destroyed.
★★★★★ "Funny, yet deep, this is definitely worth venturing into the multiverse for."
Amazing Stories says: "Snarky as Pratchet, insightful as Stephenson, as full of scathing social commentary as Swift or Voltaire, and weirdly reminiscent of LeGuin, Alpha Max is the only multiverse novel you need this month, or maybe ever."
Maximilian Tundra is about to have an existential crisis of cosmic proportions.
When a physical duplicate of him appears in his living room, wearing a tight-fitting silver lamé unitard and speaking with an English accent, Max knows something bad is about to happen. Bad doesn’t cover it. Max discovers…
For 23 years I was lucky enough to work in the 18th century. Well, as close as is possible for someone born in the 20th century. That happened because I was a staff historian at the Fortress of Louisbourg, where I passed many hours studying a million pages of documentation and over 500 maps and plans of the long-ago society. That research allowed me to write many books and articles—for both academics and the general public—about the onetime French stronghold and bustling seaport. I found the work fascinating, and I credit my time at the Fortress of Louisbourg for making me the historian and writer I became.
As fascinating as Louisbourg’s history is all by itself, it is also important to place it in a wider context. René Chartrand provides just such a comparative look in this well-illustrated book about four major French colonial centers, including Louisbourg. Readers are able to grasp the imperial significance of the French colonial stronghold on Cape Breton Island (then known as Ile Royale) and compare it to the brief histories of three other North American towns: Québec, Montréal, and New Orleans.
This title provides a detailed examination of the defenses of the three largest fortified cities in Canada - Quebec, Montreal and Louisbourg - and also covers New Orleans in America. Quebec City is the best known and most impressive of the sites covered, and was the strongest of the fortresses of New France: besieged twice by the British (1690 and 1759) and once by the French (1760), it was captured in 1759 by General James Wolfe. Montreal was also strongly fortified and its strategic location ensured its prominence in the fur trade early on. Fortress Louisbourg was built as a…
Jason has written over twenty historical novels on topics ranging from the Roman Empire to the Islamic invasion of Spain and to the spread of the Viking Age into North America. His latest series, The Long Fuse, follows a young man as he navigates the deadly conflicts of the French & Indian War and the Revolutionary War in Eighteenth-Century America.
This is the most obscure book on my list. But I truly enjoyed reading it. Not only was it utterly informative about the town and fortress of Louisbourg, the largest fort outside of Europe in its day, but Mr. Downey wrote his work in an almost beautiful way. He made countless references and drew many parallels to other eras and conflicts. After reading, I better understood what it was like to be trapped inside those walls during a siege. Likewise, I shivered as I considered the conditions suffered by the besiegers outside.
I am a doctor who is lucky enough to have worked in many countries with many people. I wanted to do this ever since I read Albert Sweitzer’s biography when I was about thirteen. I enrolled in medicine as a single parent in my thirties, then built up experience in emergency departments, pediatrics, obstetrics, remote area locum work, and a year in a hospice before beginning my career overseas. Being a doctor was, at one and the same time, exhilarating and terrifying, heartbreaking and absolutely filled with joy. The more I was able to connect to my patients, the more I loved every moment of my work. I hope the books on this list will give that same gift to you.
I think the librarian at Alice Springs Hospital in the Australian Northern Territory ordered this by mistake. It is about Canadian First Nations, not Australian ones. I read it when I was working there as an intern back in the 1990s and bought my own copy to keep forever.
Any modern doctor will be either working in a colonized land or meeting patients who have known oppression and/or dispossession and are, therefore, suffering from the effects of that trauma, often passed down the generations. This book opened my eyes to a totally different way of seeing right and wrong, of judging—or not judging—community sexual, alcohol, or drug abuse.
I worked with remote area Aboriginal people in Australia and with many tribes in African countries, and the perspective this book gave me allowed me to be effective in ways I would otherwise have missed.
In his bestselling book Dancing with a Ghost, Rupert Ross began his exploration of Aboriginal approaches to justice and the visions of life that shape them. Returning to the Teachings takes this exploration further still.
During a three-year secondment with Justice Canada, Ross travelled from the Yukon to Cape Breton Island, examining—and experiencing—the widespread Aboriginal preference for “peacemaker justice.” In this remarkable book, he invites us to accompany him as he moves past the pain and suffering that grip so many communities and into the exceptional promise of individual, family and community healing that traditional teachings are now restoring to…
I developed a love for James A. Michener’s sweeping novels as a young man, which coincided with an early stage of my career as a travel journalist. I was fortunate to find myself in places all over the globe that he had written about, and these countries were somehow made more vivid to me because of his words. It wasn’t until the onset of Covid-19 in 2020 that I switched from writing non-fiction to fiction. In doing so, I realized that the small part of the world in which I had been born and raised – Nova Scotia, Canada – was as fascinating and interesting as any place I had visited.
This compelling family saga set on Cape Breton Island in Nova Scotia was published in 1996 and explores the lives of the complicated Piper family in the early 20th century.
My late mother was from Glace Bay, a mining town on Cape Breton, and I remember she was quite excited when she heard about Ms. MacDonald’s drama, and promptly bought a copy. She told me she couldn’t get beyond the first few chapters because it was far too filthy for her taste. Naturally, I then had to read the whole novel to find out just how controversial the book was!
Following the curves of the twentieth century, FALL ON YOUR KNEES takes us from haunted Cape Breton island in Nova Scotia through the battlefields of World War I into the emerging jazz scene in New York City, and immerses us in the lives of four unforgettable sisters. The children of a driven and ambitious father, the sisters -Kathleen, the oldest, a beautiful talent intent on a career as an opera diva; Frances, the drunken rogue and child prostitute; Lily, the pseudo-saint cripple; and Mercedes, the fervent Catholic and protector of the flock - are swept along by the tumult of…
When I moved to Kingston, Ontario, Canada in 2001 I was amazed to find how this city, unlike many North American cities, has preserved and celebrated its past. It’s in the architecture, the streets, the fabric, and the soil. As someone with a deep love of reading and exploring history, I immediately began to research my new home. I didn’t discover the sort of bloodless accounts often taught in school, replete with dates and facts. This history simmers and boils; full of tales of pirates and officers, gadflies and ne’er-do-wells, countless plucky frontiersmen and women. There is enough raw material for a thousand novels.
I used Parker’s journal extensively in my research for Bottle and Glass. It is the account of a British officer arriving in the Canadian wilderness for the first time. Parker’s style is very much modern and journalistic, giving an immediacy to the wonder and apprehension he has for his new surroundings. The reader is right there with him marveling over the rudeness of frontier life. A representative quote: “Kingston is one of the dirtiest, or rather muddiest places I have ever been in, even in my extensive peregrinations; it is the worst lighted, and most miserably paved place I have ever been in… the number of masterless dogs prowling about the streets at all times is abominable, the quantity of pigs laying in every corner is disgusting in the extreme, and the number of cattle roaming about the streets with their inexpressive countenances is really, really past bearing!”
I am the Illustrator of 45 books for kids, 9 of which I authored as well. I have always been attracted to joyful nonsense. I am drawn to books and writings that turn norms on their heads. From the time I was super young, my favorite poem has been Lewis Carroll’s “Jabberwocky” with its delightful slithy toves gyring and gimbling in the wabe. In fact, of the books I’ve written to date, every one has had some kind of nonsensical element to it.
This gorgeous book is set like a stage and populated with a variety of bugs who speak a language invented by the author. Within the short space between the covers, our cast experiences the full gamut of life, death, villainy, victory, nature, building, community, beauty, growth, decay, loss, hope, and transformation – an amazing feat! While the invented language is full of delightfully silly words, every sentence can be accurately decoded by tracking how individual words and phrases are reused and by looking for context clues. A sampling of the nonsense you’ll find: “Du kimma plonk?” “Iz unk gladenboot.” “Booby voobeck!”
The creator of Home explores the astonishing changes in a garden, where insects talk their own mysterious language.
In her follow-up to the internationally acclaimed Home, Carson Ellis invites readers to imagine the dramatic possibilities to be found in the natural world ... even the humblest back garden! With gorgeous, exquisitely-detailed illustration that will appear to children and art-lovers alike, and a wonderfully playful invented language, we soon find ourselves speaking "Bug" ... Du iz tak? What is that?
When I moved to Kingston, Ontario, Canada in 2001 I was amazed to find how this city, unlike many North American cities, has preserved and celebrated its past. It’s in the architecture, the streets, the fabric, and the soil. As someone with a deep love of reading and exploring history, I immediately began to research my new home. I didn’t discover the sort of bloodless accounts often taught in school, replete with dates and facts. This history simmers and boils; full of tales of pirates and officers, gadflies and ne’er-do-wells, countless plucky frontiersmen and women. There is enough raw material for a thousand novels.
Bottle and Glass is set in actual, historical Kingston taverns from the early 1800’s. It is said that there was then a drinking shop in town for every seventh male adult and one visitor claimed that two thirds of the people he passed on the road were drunk. In 1812, when Kingston had a population of less than four thousand, it had about eighty taverns. So, the Bottle Companion, published in 1768, is a perfect pairing. It is filled with all manner of ribald drinking songs and saucy lyrics, paeans to drink and revelry; it helps set the tone for what early 19th century life was really like. A number of characters in Bottle and Glass, at particular moments of high spirits and ever-expanding mayhem, belt out selections from the Companion.
