Fans pick 100 books like Lots of Mommies

My son is donor conceived, and I’m a solo parent by design, so how he was made is something we’ve talked about since he was tiny. (Although the conversation was rather one-sided for a number of years!)

When I discovered this book it quickly became a favourite as it’s so inclusive! The way it’s presented transcends gender and family set up, meaning you can use it to discuss any or all of the ways a baby can be made. Understanding how babies come into the world and grow helps children to realise the importance of their own bodies. 

I love how you casually get introduced to the main character’s brother’s boyfriend, Peleke, while the children are on a scavenger hunt for natural things in all the colors of the rainbow. If I were a teacher and had to grade this, I would give it an A+++. The publisher, Flamingo Rampant Press, states, “we don’t publish books that have primary narratives about bullying, ostracization, harassment or violence. If your book is about a kid who is made to feel like their identity or family is a problem, that’s not going to be a book for us.” That is one terrific reason for me to love this book.

In 1992, the legendary Leslea came to my college and spoke in a splendid historical chapel about her work. I’ve never belonged to a house of worship. I am a children’s book author who writes about Queer people, so I kinda think this makes Lesléa Newman my minister. In this wonderful book, Mama Rose makes the sign “Gay Mechanic Healing the Planet.” Mama Grace’s sign reads “Gay Nurse Healing the Earth” and she has a tambourine in her backpack. It makes perfect sense that Andrea the mail carrier, the music teacher with the mustache, and nurse Richard are all in attendance at Gay Pride. They chant “2-4-6-8. Being gay is really great” at the parade while all the sidewalk people cheer.

This is a perfectly charming story about a boy who is way into ballet and baseball, written in the 1970s, but which still holds up today. And no one ever makes fun of him. Max is not necessarily Queer, but I consider it in the canon of kid’s books that address gender identity.

This book is so expansive, Audre Lorde invented a whole new genre for it. She terms it “biomythography,” bringing together autobiography, mythology, fiction, poetry, and other forms of writing to tell her story of queer life.

I fell in love with Zami in college back in the day and have been re-reading it ever since. From her childhood in 1930s and 40s Harlem to her coming out as the self-proclaimed fat black lesbian “warrior poet,” who would come to shape black feminism in the late 20th century and beyond, Zami charts the life, loves, and transformative ideas of one of our most important writers.

Zami is both muse and guide, showing us how the iconic feminist writer came to be, and how pleasure, power, creative expression, and community are indispensable to our own freedom today.  

Beginning with O came out in the 70s, when a feminist or lesbian poet could fill an auditorium, and often did. Broumas's poems are physical, compelling, and intelligent, like this one, which reaches for a forgotten language from a time when women were whole and unafraid of their power.

Again, let me get out of the way and quote: “I work / in silver the tongue-like forms / that curve around a throat // an arm-pit, the upper / thigh, whose significance stirs in me / like a curviform alphabet / that defies // decoding, appears / to consist of vowels, beginning with O, the O- / mega, horseshoe, the cave of sound. / What tiny fragments // survive, mangled into our language. / I am a woman committed to / a politics / of transliteration, the methodology // of a mind / stunned at the suddenly / possible shifts… show more.

Full disclosure, I blurbed this knockout of a novel, and I would do it one hundred times over. It takes place in a near-future dystopia ravaged by climate change. However, a billionaire TERF has started a new climate relief program called Inside, which promises a safe and hopeful future for its members (but we all know that’s far from the real story).

Following an unforgettable cast of diverse characters, including some who get accepted to Inside, this book is at once suspenseful, haunting, and revelatory. It’s about queer community, survival, chosen family, paternalism, the harms of white feminism, parenting, freedom vs. control, and hope, always, always hope. It’s highly propulsive, and you’ll probably read it in one sitting just like I did. 

Written with intelligence, wit, and searing social commentary, this book follows Jo, a 28-year-old woman living in a world in which witches are not only real but are feared, put on trial, and killed—she has until the age of 30 to marry a man or else she’ll have to register with the Bureau of Witchcraft and be closely monitored.

On top of that, Jo’s mother disappeared 14 years ago, and we meet her as she is just beginning to accept the idea that her mother might be dead. However, that all changes when she gets an opportunity to honor her mom’s one last request. What ensues is a powerful exploration of grief, autonomy, freedom, desire, community, and so much more. At once heartbreaking and hopeful, Giddings will have you savoring every word.

The first in a series of surreal, poetic short novels, set in the fictional city of Ravicka, a “linguist-traveler” arrives during an unspecified state of emergency. Event Factory feels like a travelog of an unsettling yet beautiful dream. I return to this book often and always get something different—the events evaporate, but the details remain. You can easily enjoy Event Factory as a standalone novel. Gladman is a master. Fun fact: Dorothy, the small feminist press which publishes these books, began specifically to launch these singular novels. 

A classical space romp with a twist. World-building is a must for any sci-fi, and this doesn’t disappoint.  You’re sucked into this world and its people, carried by an interesting cast of characters. It’s a short read, filled with a big heart, and a world just dying to be explored further in future installments.