Fans pick 79 books like I'll Scream Later

This book has become a kind of Bible for those with hearing loss, certainly it has for me. Both authors share their own personal experiences with hearing loss, but this book is primarily a wonderful handbook for self-advocacy.

It is chock full of valuable information about how to navigate the hearing loss world; from the latest hearing technology to how to communicate more effectively in the world. I learned new things that I’ve now applied to my life.

I love movies, but unless they are foreign films with subtitles, I’ve always struggled to understand what is being said. But I discovered there are captioning devices that will download in real time what is being said. Just recently, I watched Barbie with a captioning device that fit into my seat’s cup holder. To my delight, I was able to glance down periodically and read all the dialogue. 

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I was so engrossed by this poignant memoir that I inhaled it one day. Hay describes how he lost all his hearing in his 20s due to a rare disease that causes tumors that required removal over many surgeries with major side effects and long and difficult rehabs. Honestly, I don’t know how he achieved all that he did while juggling a demanding job and three children.  

Delightfully woven throughout his account is a tale of his musical journey as he is determined to commit to memory the lyrics of his favorite songs while going deaf. I had fun learning about the music that informed his generation. I was also moved by the love between him and his devoted wife, Nora, who unfailingly stood beside him every step of the way.  

It is a poignant account of bravery and resilience as he works hard to live a life as normal… show more.

Holston, a journalist and musician, went to bed one night and woke up the next morning virtually completely deaf.

His book is a fascinating account of how he clawed his way back to the hearing world through various misdiagnoses, a failed cochlear implant, and finally, after extensive rehabilitative therapy, a successful cochlear implant. I learned so much about the pros and cons and risks of cochlear implants, and how they have improved greatly over the years.

I loved the way he communicates his profound frustrations and fears through this painful process with a self-deprecating humor that makes the book, despite its serious subject matter, an entertaining as well as educational read.

Bouton skillfully weaves her personal story of suddenly losing her hearing at age 35 with information about modern hearing technology. I so relate to her account of having to adjust to living with an invisible disability, the impact that her hearing loss had on her career, and the process she went through, from denial, depression, and finally to acceptance. I appreciate how transparent and genuine she is in her disclosure of how painful and difficult hearing loss can be.  

I’ve given this book to family members and friends, for it has many fabulous tips about how to assist those with hearing loss: speak as normally and articulately as possible, rephrase when the person says “what”, turn off the TV and background music, and certainly, don’t whisper in their ear. And, shouting won’t help!

If this beautifully illustrated collection of Hollywood tragedies were only kink, only lurid scandal like so many cheap TV potshots, it wouldn’t be the iconic masterpiece it has become. Kenneth Anger’s take on the faded and fallen Hollywood differs because he loves the place and its people with all his heart.

A child starling and renegade director in his own right (Scorpio Rising, Kustom Kar Kommandoes), he oozes child-like wonder and horror on every page. As he puts it in the book’s equally stark sequel, Hollywood Babylon II, the movies “promise immortality, but don’t really deliver.”   

Although I knew of Hattie McDaniel’s groundbreaking achievement as the first African American woman to win an Academy Award for her iconic role as Mammy in Gone with the Wind, I knew little about Hattie’s life before, during, and after the film’s release. 

Through this book, I learned why McDaniel's victory marked such a pivotal moment in the history of cinema. More importantly, I appreciated how Tate moved beyond that singular moment to unveil the deeper layers of McDaniel's life, painting a vivid portrait of her struggles, triumphs, and the indelible mark she left on the entertainment industry, including the challenges she faced in a racially segregated Hollywood.

I applaud Tate for transforming Hattie McDaniel from a recognizable name into a three-dimensional, inspiring figure. 

When you think of Method acting—which actors come to mind? Marlon Brando, James Dean, Robert De Niro…in other words, all men? This is where Keri Walsh’s landmark book comes in, challenging the cultural presumption that Method acting is a male craft.

This book is a revelation for both my teaching and research. Walsh argues that actresses like Kim Stanley, Shelley Winters, and Jane Fonda developed a feminist Method of acting that synthesized with second-wave feminism. Even more striking is their omission from American cinema histories because Walsh underscores how critics praised these women and their films, won Oscars, and/or they were popular with audiences in their contemporary moment.

This book sets the historical record straight by showing that Method acting was equally the domain of Hollywood women and men.

Barbra Streisand reads her autobiography out loud for the audiobook. It takes 48 hours and covers her early years, her films, her albums, her politics, and her love life, and when it finished, I was bereft. What a woman! She was prolific and clever and often underestimated or put down, particularly in her early years, because she was a woman.

I said aloud, “Yes, Barbra!” when she triumphed over adversity (or sexism). She’s a phenomenal woman. However, she hates giving presentations and speeches and ties herself in knots at the thought. It’s reassuring that even a global superstar like Barbra has the same fear of presenting as so many of us. But she did something about it–she practiced and got better. And so can we.

This novel sparked my lifetime obsession regarding Mexican Revolutionary Francisco “Pancho” Villa and the U.S. Army’s eventual pursuit of Villa deep into Mexico following his presumed attack on Columbus, New Mexico.

In some ways evoking aspects of Hemingway’s A Farewell To Arms, this is a blood and thunder coming-of-age novel set against a wartime backdrop and narrated by a young (and future silent movie cowboy star) Tom Mix, who on a romantic whim, decides to cross the border and fight with Villa to overthrow Mexico’s despotic president.

I believe I reread this novel perhaps six times within a year of its 1982 release. Irving also knows something about effectively mixing fact and fiction as the convicted (and incarcerated) author of the notoriously fake Autobiography of Howard Hughes.

This is not an Asia book at all, but to understand Asia’s geopolitical future, one needs empathy with both China (already discussed) and the US.

To imbibe the spirit of America, I recommend historian Edmund Morris’ highly controversial and unusual portrait of Ronald Reagan. “Dutch” sympathetically recounts Reagan’s quintessentially American story. Morris reveals a quixotic character who dominates the global stage.