Here are 100 books that Good Grief fans have personally recommended if you like
Good Grief.
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As a writer and best-selling poet who addresses themes of mental health, addiction, grief, and hope, I have a deep understanding of the struggles that many face and what they are looking for when they are trying to heal, feel less alone, or come to terms with something. They are looking for honest, authentic writing from people who have made it out alive, free of platitudes and chronic optimism. For over 10 years, I have used my own writing to create connections and open conversations around sensitive topics, so of course, I would recommend other writers who do the same.
This was the first modern book of poetry that ever made me cry. Warsan Shire crafts vivid, unflinching images in little words. I felt seen thanks to her ability to explore the intimate, isolating nature of personal trauma in such a universal, collective way.
This was my first modern poetry experience and helped me to better understand the healing and connective power of poetry. I wanted to read more from Shire immediately, and, as a poet myself, I wanted to learn from her.
What elevates 'teaching my mother how to give birth', what gives the poems their disturbing brilliance, is Warsan Shire's ability to give simple, beautiful eloquence to the veiled world where sensuality lives in the dominant narrative of Islam; reclaiming the more nuanced truths of earlier times - as in Tayeb Salih's work - and translating to the realm of lyric the work of the likes of Nawal El Saadawi. As Rumi said, "Love will find its way through all languages on its own"; in 'teaching my mother how to give birth', Warsan's debut pamphlet, we witness the unearthing of a…
As a writer and best-selling poet who addresses themes of mental health, addiction, grief, and hope, I have a deep understanding of the struggles that many face and what they are looking for when they are trying to heal, feel less alone, or come to terms with something. They are looking for honest, authentic writing from people who have made it out alive, free of platitudes and chronic optimism. For over 10 years, I have used my own writing to create connections and open conversations around sensitive topics, so of course, I would recommend other writers who do the same.
When I read this, I felt like I was being trusted with something delicate and personal. At times, it felt like I overhear something I shouldn't—but not in a bad way! Let me explain. Cofer’s poetry is what I prefer to read as it focuses on trauma, suicide, depression, and the often-unseen roads of relapse and recovery.
I appreciated how she also examined topics like racism, body dysmorphia, and self-harm. I walked away from this poetry book, having learned more about the human experience. Cofer's writing reminded me of the strength it takes just to survive another day, something too many of us take for granted.
"I have never been anything but a paper girl. Something to tear into pieces. Something to burn."
We've all been paper before. We've all been fragile. Leaflike and gently blowing, enough to create stories or build fires. We go through life like that. We come across things that tear us into pieces, and we keep going. We keep fighting, because we must. We look for ways to be whole. To be the person we dream ourselves to be.
Fragile by nature but tough by circumstance, paper girls are shaped by their love and loss. This collection of poetry and prose…
As a writer and best-selling poet who addresses themes of mental health, addiction, grief, and hope, I have a deep understanding of the struggles that many face and what they are looking for when they are trying to heal, feel less alone, or come to terms with something. They are looking for honest, authentic writing from people who have made it out alive, free of platitudes and chronic optimism. For over 10 years, I have used my own writing to create connections and open conversations around sensitive topics, so of course, I would recommend other writers who do the same.
This book made me reflect deeply on how my connection with my own parents has changed as I’ve gotten older. I highlighted so many lines, especially ones centered on the complicated evolution of a parent-child relationship and the pain, love, and resentment that can coexist in these relationships.
Brik might be one of my favorite modern poets at this point. I even recommended this book to my therapist.
"My Father's Eyes, My Mother's Rage" is the raw and emotionally charged debut poetry collection by Rose Brik. Rose delves into the intricate layers of the human experience with profound insight. Through her poetry she fearlessly navigates themes of the mother and father wound, childhood trauma, domestic violence, grief, mental health struggles, love, motherhood and ultimately, the process of healing. Her words possess the power to unearth buried emotions and memories, evoking a deep sense of empathy and reflection in her readers.
"I have my mother's rage, and my father's ability to walk away. this, I've learned, is a very…
As a writer and best-selling poet who addresses themes of mental health, addiction, grief, and hope, I have a deep understanding of the struggles that many face and what they are looking for when they are trying to heal, feel less alone, or come to terms with something. They are looking for honest, authentic writing from people who have made it out alive, free of platitudes and chronic optimism. For over 10 years, I have used my own writing to create connections and open conversations around sensitive topics, so of course, I would recommend other writers who do the same.
Anytime anyone asks me to recommend a modern poet to them, J.R. Rogue enters the chat. With this book, she’s compiled some of her best work into one collection, so everything I love about her is now under one cover. I often describe her as a modern-day Sylvia Plath; she’s one of the few modern poets I’ve read who is able to weave traditional poetic devices and language into the struggles and mediums of today.
This makes her writing feel timeless to me but also jarringly current. I’ve recommended this book countless times to friends dangling from their last thread, looking for poetry that addresses mental health issues but still feels like the poetry of yesterday.
For the first time, five of J.R. Rogue's poetry chapbooks, including Goodreads Choice Awards Finalist La Douleur Exquise, can be purchased in one volume. Coming in at over 300 pages, this collection contains poetry written between 2014 and 2016. Included works: La Douleur Exquise An Open Suitcase & New Blue Tears Rouge Le Chant Des Sirènes Apus
I’m a trans, Latinx yoga teacher, writer, and musician who transitioned at the age of 40. Before that, I’d spent most of my life trying to live by someone else’s rules…only to realize, when my dad was dying, that I was not truly living. The funny thing is, as an artist and teacher, I’d dedicated myself to helping others live their lives to the fullest but had not granted myself the same courtesy. Sometimes, our lessons are hard-won. The books on this list have been beacons of hope and treasure trove chests of inspiration for me, as I hope they will be for you, too.
I love hearing Andrea read it because of the feeling conveyed in their voice and the way it brings out the musicality in their incredible words. There is also something mesmerizing about reading it on the page, having the time to taste the words and all the space in between the lines.
Andrea’s writing is raw, visceral, and bittersweet-hurts-so-good kind of writing. Their poetry goes right to the quick. This is a book for the ages that, every time I read it, distills for me what matters in my life.
2023 Feathered Quill Book Awards Gold Medal Winner 2022 Independent Publisher Book Awards (IPPY) Gold Medal Winner 2022 Over the Rainbow Short List 2021 Goodreads Choice Awards - Best Poetry Book Finalist 2021 Bookshop's Indie Press Highlights
You Better Be Lightning by Andrea Gibson is a queer, political, and feminist collection guided by self-reflection.
The poems range from close examination of the deeply personal to the vastness of the world, exploring the expansiveness of the human experience from love to illness, from space to climate change, and so much more in between.
As a teacher, I often talk with my students about current events and highlight how disasters can spiral. Wildfire seasons are worsening, storms are getting stronger, wars are starting and never-ending, and sometimes, my students express some despair in the face of such cycles. Though it’s not a cure-all for this anxiety, I encourage my students to try and create something from this existential worry. Rather than scrolling through all the bad things that cross our screens, creativity can help us imagine a better world to work towards. Poetry about disasters can help us see them through.
The poems in this book made me feel glad to be alive in a world that feels like it’s ending. I loved how Jones situated personal grief within disasters of national and international scale; grieving a mother is as monumental as grieving a world.
I also found it compelling how Jones consistently maintains a musical quality to the poems’ language. The first two lines of, 'Saeed, How Dare You Make Your Mother into a Prelude', are: "And then, night neons itself inside me / and I begin missing you in loud new ways.”
Multisensory with pleasing consonance, these lines are a small sample of Jones’s linguistic verve. Full of wit and sincerity, these poems made me want to write my own defiant love letter to the apocalypse.
Pierced by grief and charged with history, this new poetry collection from the award-winning author of Prelude to Bruise and How We Fight for Our Lives confronts our everyday apocalypses.
In haunted poems glinting with laughter, Saeed Jones explores the public and private betrayals of life as we know it. With verve, wit, and elegant craft, Jones strips away American artifice in order to reveal the intimate grief of a mourning son and the collective grief bearing down on all of us.
Drawing from memoir, fiction, and persona, Jones confronts the everyday perils of white supremacy with a finely tuned…
I'm an Emmy Award-winning writer, wife, and adoptive mother with an unapologetic passion for Black queer stories. I'm also an artist-activist who takes great pride in producing content that sparks honest dialogue and positive change. Life's complexities energize me, and, as a queer artist of color, I'm committed to reflecting these intricacies in my work. I write, produce video, and host allyship seminars as well as art as activism workshops for LGBTQ+ youth. If you're both inspired and entertained by layered depictions of BIPOC queer culture then please check out the recs in my Queer-tastic reading list. Enjoy!
I love pretty packaging, so it's no surprise that Mans' Black Girl, Call Home stopped me in my tracks. The cover art, an over-the-shoulder shot of a young Black girl, her head bedazzled in a rainbow assortment of brightly colored barrettes. For me and Black women across the globe, the image evokes instant nostalgia. Luther on the radio. Me between my mama's legs. And the smell of Blue Magic hair grease slathered on the back of her hand.
Both painful and empowering, Mans' candid approach to feminism, race, and LGBTQ+ identity is wrapped in undeniable realness. Whether readers identify as Black and queer or simply as women on the path to healing, Mans' rhythmic collection of truths inspires self-acceptance and sisterhood. Do yourself a favor — order the audiobook and be blown away by Mans' heartfelt spoken word!
A Most Anticipated Book of 2021 by Oprah Magazine • Time • Vogue • Vulture • Essence • Elle • Cosmopolitan • Real Simple • Marie Claire • Refinery 29 • Shondaland • Pop Sugar • Bustle • Reader's Digest
“Nothing short of sublime, and the territory [Mans'] explores...couldn’t be more necessary.”—Vogue
From spoken word poet Jasmine Mans comes an unforgettable poetry collection about race, feminism, and queer identity.
With echoes of Gwendolyn Brooks and Sonia Sanchez, Mans writes to call herself—and us—home. Each poem explores what it means to be a daughter of Newark, and America—and the painful, joyous…
Ever since my childhood on a farm poetry has helped me pay attention to the world around me. Like a naturalist’s field guide, nature poems name, depict, and explore what might otherwise pass unnoticed. Now in the midst of environmental crisis I believe poets have a role alongside ecologists, farmers, and foresters to protect and restore our threatened habitats and species. Writing nature poetry helps me face and express loss while celebrating what still survives. I value poetry that connects us to what we love and gives us courage to imagine different ways of living.
By showcasing the rich tradition of queer poets whose writing is inspired by nature, Queer Nature opens up the nature poetry genre.
It is the book I needed twenty years ago when I began writing poetry. In my search for queer role models I was happy to find Mary Oliver, Kay Ryan, and Elizabeth Bishop but little did I know how many others were hiding in plain sight. This expansive anthology presents up to 200 more poets from 150 years ago to the present day, with a moving introduction by editor Michael Walsh.
Funny, sad, complex, and direct; the poems explore exclusion and alienation as well as love and belonging. Above all else this anthology confirms that poetry is as boundless as nature and that together they belong to everyone.
An anthology of queer nature poetry spanning three centuries.
This anthology amplifies and centers LGBTQIA+ voices and perspectives in a collection of contemporary nature poetry. Showcasing over two hundred queer writers from the nineteenth to the twenty-first century, Queer Nature offers a new context for and expands upon the canon of nature poetry while also offering new lenses through which to view queerness and the natural world.
In the introduction, editor Michael Walsh writes that the anthology is "concerned with poems that speak to and about nature as the term is applied in everyday language to queer and trans bodies…
I’ve always been preternaturally attentive to the way words work—as components of meaning, but also as visual, aural, and functional objects with their own erratic behaviors. Since joining the Oulipo in 2009, I’ve had even more occasion to think and talk about how those behaviors can be pointed in a literary direction, and to recognize successful experiments when I read them.
I truly never thought I’d laugh out loud at an erasure poem. ThenInk Earl came along. Holbrook starts with a hundred copies of the original fifties ad pitch for the Pink Pearl eraser—get it yet?—and hacks away different parts of each, yielding a series of meditations and diatribes and bouts of spirited near-nonsense. The poems are consistently clever delights, and the project’s conceptual wholeness is icing on the cake.
ink earl takes the popular subgenre of erasure poetry to its illogical conclusion.
Starting with ad copy that extols the iconic Pink Pearl eraser, Holbrook erases and erases, revealing more and more. Rubbing out different words from this decidedly non-literary, noncanonical source text, she was left with the promise of "100 essays" and set about to find them. Among her discoveries are queer love poems, art projects, political commentary, lunch, songs, and entire extended families.
The absurdity of the constraint lends itself to plenty of fun and funny, while reminding us of truths…
As a poet and a dreamer, I believe in a world where we live in harmony with other people, nature, and the Divine. During the completion of my Master of Arts degree, I discovered a love of poetry: the lyrical cadences of the romantic poems reminded me of the sung psalms of my youth. No life is without sorrow, and the gift of poetry — both writing and reading it — has offered me hope through many a dark time, inspiring me to push on towards a new dawn. My wish for you is that, in these poetry collections, you too find a light during these turbulent times that we’re living in.
While this book of poems, first published in 1964, does hark back to a past era, the poems themselves are timeless. There’s an underlying sense of peace, which gives me solace when I feel bleak and filled with a nameless anxiety. Despite the sorrows, there’s grace in these poems, and in the world Berry speaks of — a simpler world than the one we live in today. Yet, each time I read them, I’m enriched with comfort and hope that frees me from the melancholy of living in a modern world that appears to be losing its way.
I come into the peace of wild things who do not tax their lives with forethought of grief. I come into the presence of still water. And I feel above me the day-blind stars waiting with their light. For a time I rest in the grace of the world, and am free.
The poems of Wendell Berry invite us to stop, to think, to see the world around us, and to savour what is good. Here are consoling verses of hope and of healing; short, simple meditations on love, death, friendship, memory and belonging; luminous hymns to the land, the…
