100 books like George Sand

I’ve read a lot of biographies of Simone de Beauvoir.

But this is the one that best brought out her importance as a philosopher, the many ways in which her thought differed from Sartre’s and the ways in which this has been obscured by a posterity that just wants to see her as his sidekick.

One thing that this book did for me that others on Beauvoir didn’t was to reconcile me with the unpleasant aspects of her life and relationships – she was human, she was flawed, but so were her male peers! 

Have you ever seen Parisians on cafés terraces?

They drink coffee for hours while they are talking. French people like to argue, to talk, and even to fight for their opinions. This phenomenon so French comes from Le salon.

Benedetta Craveri, Italian historian, explains how the art of conversation was invented by witty Parisian women as Madame de Rambouillet or Madeleine de Scudéry who were ruling literary salons in the 17th century. Those women taught men how to be gentlemen and not smelling garlic.

I'm a fan of Benedetta Craveri. She explains well how the past lightens the present. Everything Mrs. Craveri writes is smart, clear, and she is never pedantic.

In one word, she masters the French Art of conversation.

When you read the incredible life of some people you don't really need to read fictional stories.

What a life Elisabeth Vigée - Le Brun had! It looks like a wonderful novel. She was a great French portrait painter (she painted 660 portraits!) during an age of revolution.

In 1778, at the age of 23, she painted her first portrait of Queen Marie Antoinette. 

Elisabeth Vigée- Le Brun became one of the rare woman to be member of the prestigious French Royal Academy of paintings. After being exploited by an unfaithful husband she had to face the French Revolution.

She left France and traveled to Europe until the cold and far away Russia. 

How much talent and energy did Elisabeth Vigée - Le Brun have to develop to be one of the best portraits painter of her time?

If you like art, the refined 18th century and audacious women, you… show more.

If I tell you I'm coming from Roaring Twenties and I have fascinating conversations with great characters who lived in Paris in 1920s, you will maybe think I'm a bit weird. And you will be right.

That's my Parisian life. In front of a café crème at La Rotonde café in Montparnasse, I fight with Picasso and I flirt with the young Hemingway.

And my best friend is called Kiki de Montparnasse. I know how to choose my best friend. Kiki was friendly with a strong temper and beautiful. She posed for painters and sculpters whose art now costs a fortune.

And of course Kiki was elected queen of Montparnasse, the place where modern art was created and the navel of the world, according Henry Miller. And like Miller, Kiki's book was censured in USA because it was too spicy.

She even has an introduction written by Ernest Hemingway—a rare… show more.

France also had a rich Romantic movement (Chateaubriand, Madame de Staël, Victor Hugo, Alfred de Musset, to name a few writers, not to mention Delacroix and Berlioz), though it flowered later than those in Germany and England, probably because of the distraction of the Revolution. Bénichou’s book traces the origin of the “consecration” of the poet and creative genius, an idea fundamental to romanticism and still with us in our skeptical times. It is the first of four volumes on French romanticism, and it is a pity that the other three have yet to be translated.

I first read this many years ago and it has stayed with me. Every so often, I return to it in order to immerse myself in its wonderful prose and insights. It combines travelogue with biography, detective work with a probing inner exploration and is both an account of a physical journey and a remap of the writer’s imagination. He begins with his homage to Robert Louis Stevenson’s Travels with a Donkey and describes his own trek over the Cevennes. He starts out with the idea that he will be a poet and finishes his walk having been led "far away into the undiscovered land of other’s men and women’s lives. It led towards biography."

It is the turning point of his life and for the remainder of the book – as he hunts down his subjects which include Mary Wollstonecraft, Shelley, Gerard de Nerval, and Gautier – he goes… show more.

I love Stein’s unapologetic and brazen queerness at a time when that was not exactly appreciated. Toklas was Stein’s lifelong lover, with whom she shared her life in Paris.

To me, this book feels like a love letter. My favorite scene is the one in which Toklas and Stein invite the struggling artists of Paris to dinner and then sit them opposite paintings they themselves have made in order to keep them from arguing. Stein’s wit is as lively as ever in this book, and–it’s simply the best example of a hoax autobiography I can think of. And it certainly puts paid to any notion that an autobiographical text might be stable or even a little truthy.

Words do marvelous things as they emerge out of Stein’s brilliant mind. 

“On the morning of its first birthday, a baby was found floating in a cello case in the English Channel.” From the opening line this is a story you will fall in love with!  Sofie, the orphaned baby in the cello case, is rescued from a shipwreck by an elderly gentleman called Charles who decides to raise her himself. He does an excellent job and I adore Sofie’s bravery, her love of knowledge, and her passion for adventure. Certain that her mother is still alive, Sofie and Charles set off for Paris to look for her, believing that you “never ignore a possible.” This is a fabulous book about pursuing your dreams and the power of hope. Plus the writing is just gorgeous!  

This is the most touching love story I have ever read. I do not tend to read period dramas, and so I was hesitant to read a book set during the first world war. However, this book had me in tears so many times. I read this book over ten years ago, yet it is still my favorite love story of all time to date. Beautiful, just beautiful.

Five-year-old Peony narrates the story of her life in Southern France and the imaginary world which she creates with the younger Margot. Known as Pea, she lives in a rundown farmhouse, where her recently bereaved and heavily pregnant English mother sleeps most of the time. Bold and brave, Pea’s ability to cope with absent parenting is beautifully imagined. She looks after herself and Margo and makes forays into the community her mother has rejected. The language she uses and her understanding of the world is delightfully quirky.