100 books like The Memoirs of Elisabeth Vigee-Le Brun

I’ve read a lot of biographies of Simone de Beauvoir.

But this is the one that best brought out her importance as a philosopher, the many ways in which her thought differed from Sartre’s and the ways in which this has been obscured by a posterity that just wants to see her as his sidekick.

One thing that this book did for me that others on Beauvoir didn’t was to reconcile me with the unpleasant aspects of her life and relationships – she was human, she was flawed, but so were her male peers! 

Have you ever seen Parisians on cafés terraces?

They drink coffee for hours while they are talking. French people like to argue, to talk, and even to fight for their opinions. This phenomenon so French comes from Le salon.

Benedetta Craveri, Italian historian, explains how the art of conversation was invented by witty Parisian women as Madame de Rambouillet or Madeleine de Scudéry who were ruling literary salons in the 17th century. Those women taught men how to be gentlemen and not smelling garlic.

I'm a fan of Benedetta Craveri. She explains well how the past lightens the present. Everything Mrs. Craveri writes is smart, clear, and she is never pedantic.

In one word, she masters the French Art of conversation.

Maybe you don't know George Sand. 

You should meet her. She is a great woman. She is even the chapter four of my book written in French about 5 inspirational Parisian women.

Unfortunately my book is not translated in English yet. So in the meantime, don't miss this biography of George Sand, famous French writer from Romantic era who took a male nom de plume.

George Sand inspired Charlotte Brontë, she was lover and muse of Chopin and Alfred de Musset.

In the rigid 19th century she did not care to have younger lovers, to wear trousers, when it was illegal for women to wear trousers, and smoking cigars in public. How shocking!

If I tell you I'm coming from Roaring Twenties and I have fascinating conversations with great characters who lived in Paris in 1920s, you will maybe think I'm a bit weird. And you will be right.

That's my Parisian life. In front of a café crème at La Rotonde café in Montparnasse, I fight with Picasso and I flirt with the young Hemingway.

And my best friend is called Kiki de Montparnasse. I know how to choose my best friend. Kiki was friendly with a strong temper and beautiful. She posed for painters and sculpters whose art now costs a fortune.

And of course Kiki was elected queen of Montparnasse, the place where modern art was created and the navel of the world, according Henry Miller. And like Miller, Kiki's book was censured in USA because it was too spicy.

She even has an introduction written by Ernest Hemingway—a rare… show more.

I loved learning about the close ties that existed between Sweden and France in the late 18th century and the French Revolution figured in the plot of my novel. This fabulous non-fiction work explores the politics, intrigues, and plotting of the period through the intimate connection between Marie Antoinette, doomed Queen of France, and her purported lover, Axel von Fersen — a Swedish nobleman. The revolution was reaching a fevered pitch when King Gustav III of Sweden sent von Fersen to assist the French royal family in their escape from Paris — an epic failure told with passion by Mr. Loomis! 

I read the French edition of this book, and I found it most helpful as a reference for my own writing because Campan was close to Marie Antoinette as her servant and confidant. Moreover, Campan did not sugarcoat the queen’s life but rather offered an unbiased view of the queen's character.

Having read many current biographies of Marie Antoinette, I was thrilled to find Madam Campan’s because it was a unique and firsthand account of Marie Antoinette’s life at the court of Versailles. More importantly, Campan revealed why Marie Antoinette often behaved the way she did and debunked some of the scandals—some of which are still espoused today. In my opinion, Campan’s writing conveys sincerity and authenticity. On the other hand, some critics feel she is a bit biased.

I am perhaps more familiar with – and fonder of – Marie Antoinette than I am of any other historical personage. Emersed in French history since an early age, I have had a near-lifetime fascination for this complicated woman – who never said, “Let them eat cake!” 

Having researched Antoinette exhaustively (most recently, in connection with her periodic appearances in my own books), since first reading Evelyn Lever’s masterful, beautifully-written work some twenty years ago, I have found myself frequently returning to it. I am drawn to it for its depth and detail, as well as her balanced treatment of an, in many ways, controversial figure. I recommend it as it is a perfect introduction to the life of a captivating woman, as well as presenting a highly satisfying experience for any lover of fine biography. 

This book, set in the court of King Louis XVI (late 18th century), immersed me in the days leading up to the French Revolution and the storming of the Bastille. I especially appreciated that the story was told from the points of view of two young people: Joliette, who serves as Maid of Honor to Queen Marie Antoinette while at the same time striving to preserve her own family’s legacy, a French winery (I do love wine!); and Henri, an orphan raised by a washerwoman.

This is the first in the three-book Château de Verzat series. I really enjoyed the dual perspectives of the plucky noblewoman and the determined commoner as they experienced the beginnings of the French Revolution.

As a Francophone myself, I found that Fraser's biography offered a captivating study of the French monarchy. And through nuanced storytelling, it challenged conventional perceptions of Marie Antoinette. By fostering empathy for her incredible plight amid French society’s expectations, the book ultimately reshaped her historical portrayal. 

Fraser's portrayal of the characters' emotional states added depth to the Marie Antoinette’s story, making it vivid in my imagination. She also offered a sympathetic view of the queen, highlighting her tragic end. Balanced in her views, the author also challenged my misconceptions, revealing the queen’s humanity and providing insightful, little-known details of her short life.

This is also a book I read long ago, and it made me want to write historical fiction novels. This is an astounding story of a young peasant woman who is swept up into the Parisian society of King Louis XVI.

The author's attention to historical details in the construction of Versailles and the French Revolution is a standard that I have judged most novels by. It's a beautiful multi-generational story of love and loss, and I'll admit to tears when reading this book. I usually avoid sad books. I want love to never end. Having said that, I'm so glad I read it, and I was amazed at how much French history I learned!