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Growing up in the South Wales Valleys during the 1970s and 80s, I witnessed firsthand the effects of multiple adversities on the lives of those around me. Life was difficult for many families in the area as they battled with poverty, ill health, and lack of opportunity. I watched many amazing, creative, and talented young people fail to realise their potential. This sparked a passion and a career for supportive intervention with families and young children. It is my aim to help equip the workforce to better understand and respond to childhood adversity, be trauma aware, advocate for children’s rights, and make a positive difference in the lives of children and young people.
I am always looking for books that can help children and young adults to understand difficult issues. Endorsed by EmpathyLab, Sold is an extraordinary novel that explores the world of trafficking and modern-day slavery from the perspective of Roza, a fifteen-year-old Albanian girl who comes to the UK expecting a better life but finds herself trapped into a life of domestic servitude.
In this riveting read, Roza exemplifies human resilience, courage, and determination. She is a great example of an individual building on her own strengths and the help of those around her to overcome immense adversity.
Aimed at young adults, this book can also be beneficial to practitioners who can use it to prompt discussion about adversity, human trafficking, and young people’s resilience.
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What is this book about?
15-year-old Roza thinks she's leaving Albania for better things in the UK.
However, when she arrives, she realizes this is a lie. Her father has sold her to get out of debt. The Braka family now consider her their property. They work her hard, beat and starve her, and refuse to let her go out. But she must tell people they are her parents. When she runs to the police, her captors show them a forged birth certificate. She is dismissed as attention-seeking and returned to them for punishment.
She doesn't think life can get much worse. But when she…
Roger Reese has studied, researched, and or taught Soviet history since 1984. He has been on the faculty of Texas A&M University since 1990. He has published five books and numerous articles and book chapters on the military history of Russia and the Soviet Union. He was awarded the Norman B. Tomlinson, Jr. book prize for his most recent book, The Imperial Russian Army in Peace, War, and Revolution, 1856-1917.
This book is intriguing as it reads like a historical detective mystery. Pavlik Morozov was murdered in Siberia and the Soviet state used the murder to further its propaganda effort to inculcate youth into proper modes of socialist behavior. He was turned into a martyr for the Soviet cause and some relatives were railroaded into confessing to his murder, however the author sheds considerable doubt that the true culprits were caught. The whole story reeks of cynicism and fickleness on the part of the powers that be as they tried to make an example of the life of Morozov.
It was September, 1932. Gerasimovka, Western Siberia. Two children are found dead in the forest outside a remote village. Both have been repeatedly stabbed and their bloody bodies are covered in sticky, crimson cranberry juice. Who committed these horrific murders has never been proved, but the elder boy, thirteen-year-old Pavlik Morozov, was quickly to become the most famous boy in Soviet history - statues of him were erected, biographies published, and children across the country were exhorted to emulate him. Catriona Kelly's aim is not to find out who really killed the boys, but rather to explore how Stalin's regime…
I am an Assistant Professor in the Department of Foreign Language Teaching Methodologies at Vyatka State University in Kirov, Russia. My book Stalin’s Constitution: Soviet Participatory Politics and the Discussion of the 1936 Draft Constitution was published in November 2017. Most recently I have published an article-length study entitled Peasant Communal Traditions in the Expulsion of Collective Farm Members in the Vyatka–Kirov Region 1932–1939 in Europe Asia Studies in July 2012. I am currently conducting research for a future book manuscript on daily life on the collective farms and the day-to-day relationships between collective farmers and local officials.
Jonathan Waterlow’s book It’s Only a Joke Comrade looks at humor in the Stalinist period, exploring how average citizens used humor to understand the contradictions of their daily reality and to relieve stress. Looking at the way Soviet leaders were mocked Waterlow investigates how people subversively commented on policies that left them hungry and poorly clothed, joking for example that Stalin rid himself of pubic lice (crabs) by announcing he would create a crab collective farm, causing even the lice to flee in terror. Jokes also touched on policy issues such as five-year plans, repression, and even the Molotov-Ribbentrop pact, showing how people thought about and discussed these issues. Furthermore, Waterlow looks at the social aspects of telling jokes, which could have dire consequences if told to the wrong person. He studies how jokes helped create and reinforce trust circles, challenging old notions of atomization in the USSR. This witty,…
'A stunningly original study of Stalinist society... Essential reading for anyone interested in how human beings navigate a path through times of extraordinary upheaval, privation and danger' – Daniel Beer
In the shadow of the Gulag, Soviet citizens were still cracking jokes. They had to.
Drawing on diaries, interviews, memoirs and hundreds of previously secret documents, It’s Only a Joke, Comrade! uncovers how they joked, coped, and struggled to adapt in Stalin’s brave new world. It asks what it really means to live under a dictatorship: How do people make sense of their lives? How do they talk about it?…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
Roger Reese has studied, researched, and or taught Soviet history since 1984. He has been on the faculty of Texas A&M University since 1990. He has published five books and numerous articles and book chapters on the military history of Russia and the Soviet Union. He was awarded the Norman B. Tomlinson, Jr. book prize for his most recent book, The Imperial Russian Army in Peace, War, and Revolution, 1856-1917.
This is a great book because it is probably the only truly even-handed treatment of one of the most reviled people in Soviet history, Nikolai Yezhov, head of the NKVD during the great terror. The authors by no means treat him as a sympathetic character, but they convincingly dismiss the many myths about him that have gotten in the way of understanding his relations with Stalin and his true motivations and behavior during the purge. They show that he played a truly significant role in convincing Stalin to let him purge the party and then the whole Soviet population because he believed there was a vast conspiracy to undermine Stalin’s version of Soviet power. Rather than a psychophant who groveled at Stalin’s feet, it is clear that he exercised agency to accomplish a task he believed in. You almost get to know Yezhov as a real human being, which is…
The definitive study of Nikolai Yezhov's rise to become the chief of Stalin's secret police-and the dictator's "iron fist"-during the Great Terror
Head of the secret police from 1937 to 1938, N. I. Yezhov was a foremost Soviet leader during these years, second in power only to Stalin himself. Under Yezhov's orders, millions of arrests, imprisonments, deportations, and executions were carried out. This book, based upon unprecedented access to Communist Party archives and Yezhov's personal archives, looks into the life and career of the enigmatic man who administered Stalin's Great Terror.
I have been fascinated by the Gulag since reading the works of Aleksandr Solzhenitsyn in high school and then living for several months in Magadan, Russia, one of the “capitals” of the Gulag. The Gulag combined utopian dreams and stark violence; it was shrouded in many layers of secrecy; and it served, ultimately, as a microcosm of the Soviet Union. It is one of the great tragedies of the twentieth century, and its legacies are alive and well in Vladimir Putin’s Russia today. It can be an emotionally draining topic at times, but it also illustrates, through thousands of individual stories, humankind’s capacity for resiliency, goodness, love, and hope.
Compared to The Gulag Archipelago, this book is a breeze—check out how tiny it is! I love how it succinctly tells me pretty much everything I need to know about the Gulag, using all the latest research by historians who have accessed top-secret Soviet documents.
Barenberg excels at explaining the Soviet repressive system—why it was set up, what it aimed to accomplish, and how it was constantly changing. But he is equally strong at exploring the depth of suffering borne by millions of men, women, and children.
A vast system of prisons, camps, and exile settlements, the Gulag was one of the defining attributes of the Stalinist Soviet Union and one of the most heinous examples of mass incarceration in the twentieth century, combining the functions of a standard prison system with the goal of isolating and punishing alleged enemies of the Soviet regime. It stretched throughout the Soviet Union, from central Moscow to the farthest reaches of Siberia. From its creation in 1930 to its partial dismantling in the mid-1950s, approximately 25 million people passed through the Gulag. Prisoners and exiles were forced to work in…
I am a writer and a filmmaker who has lived in New York City since 1982. In 1986 I started my own independent film production company, Starfish Productions, through which I produced and directed documentary films that won multiple awards, including an American Film Institute grant, a Rockefeller Fellowship, and an Emmy Award in 1997. I started writing fiction full-time in 2010. My debut novel, We Shall See the Sky Sparkling (Kensington Books) was published in 2/2019; my second novel The Weight of the Heart (Kensington Books) came out in 5/2020.
I love Akhmatova for her talent and her immense courage. Considered to be the ‘Soul of the Silver Age,’ the greatest modernist Russian woman poet, Akhmatova was a brilliant master of conveying raw emotion in her portrayals of everyday situations. She began to write poetry at age eleven and was first published in her late teens. Her father considered this to be an unsuitable and even shameful occupation and forbade her to write using the family name so she chose the surname of her great-grandmother, Akhmatova. Her works range from short lyric love poetry to longer, more complex poems, such as Requiem, a tragic depiction of the Stalinist terror, and written as a testament to the hardship and suffering of the people during this time, particularly women whose husbands and sons were imprisoned and executed.
Initially published in 1990, when the New York Times Book Review named it one of fourteen "Best Books of the Year," Judith Hemschemeyer's translation of The Complete Poems of Anna Akhmatova is the definitive edition, and has sold over 13,000 copies, making it one of the most successful poetry titles of recent years.This reissued and revised printing features a new biographical essay as well as expanded notes to the poems, both by Roberta Reeder, project editor and author of Anna Akhmatova: Poet and Prophet (St. Martin's Press, 1994). Encyclopedic in scope, with more than 800 poems, 100 photographs, a historical…
Benghazi: A New History is a look back at the enigmatic 2012 attack on the US mission in Benghazi, Libya, its long-tail causes, and devastating (and largely unexamined) consequences for US domestic politics and foreign policy. It contains information not found elsewhere, and is backed up by 40 pages of…
I particularly enjoyed writing this book about a city that I love and have visited many times (starting in the late 1970s, when I was a student), and whose history I know well too. Most books, by foreigners anyway, talk about the city from a distance; I wanted to write something visceral, about sounds and smells as well as sights, and above all, how locals themselves think about their city, the way in which its intense and in some respects oppressive past shapes St Petersburg’s life today – yet all the same, never gets taken too seriously. Readers seem to agree: as well as an appreciative letter from Jan Morris, whose travel writing I’ve always admired, I treasure an email message from someone who followed my advice and tramped far and wide – before ending up in the room for prisoners’ relatives to drop off parcels at Kresty (the main city prison) when he wrongly assumed he was using an entrance to the (in fact non-existent) museum.
Akhmatova was one of the most important poets in the city’s history, and here she is brought to life by an exceptionally talented diarist: elusive, but at times extremely frank, hesitant, vulnerable, while at the same time demanding. It is a riveting portrait. Chukovskaya also draws a fraught picture of Leningrad during the Stalinist Great Terror, as evoked in Akhmatova’s famous cycle of memorial poems, Requiem. Look out also for Chukovskaya’s novel about the Terror, Sofia Petrovna.
Even in her own day Anna Akhmatova was ranked as one of the great Russian poets of the century. Yet she suffered scathing attacks from the Soviet establishment, was famously denounced as ""half-nun, half-whore"", and was finally expelled from the Writers' Union. Lydia Chukovskaya, an admirer who became the poet's close friend, kept intimate diaries that reveal the day-to-day life of a passionate artist forced to endure sorrow and oppression, yet still able to create poetry and friendship. This volume contains the journals kept between the years 1938 and 1941.
Lynne Viola is a University Professor of Russian history at the University of Toronto. Educated at Barnard and Princeton, she has carried out research in Russian and Ukrainian archives for over 30 years. Among her books, are two dealing with Stalinist repression: Stalinist Perpetrators on Trial: Scenes from the Great Terror in Soviet Ukraine and The Unknown Gulag: The Lost World of Stalin’s Special Settlements. Both are based on work in previously classified archives, including the archives of the political police.
This is a collection of diaries written by a wide range of individuals during the Stalin era. The diaries address the terror in a variety of surprising ways, demonstrating the diversity of Soviet citizens in this time.
The private lives of a broad section of Russians who lived during Stalin's purge are revealed in this book. The nine diaries here capture the day-to-day thoughts of these people, and represent a vast selection of opinions, from those oblivious to the terror and those deeply affected by it.
David Satter is a leading commentator on Russia and the former Soviet Union. He is the author of five books on Russia and the creator of a documentary film on the fall of the U.S.S.R. He is a senior fellow at the Hudson Institute in Washington, D.C. He has been a fellow of the Foreign Policy Institute at the Johns Hopkins University School of Advanced International Studies (SAIS), a research fellow at the Hoover Institution, a senior fellow of the Foreign Policy Research Institute in Philadelphia, and an associate of the Henry Jackson Society in London.
Russian historian Roy Medvedev, who has written classic works on Stalinism, recounts in this detailed and highly informed book the true consequences for Russia of Yeltsin era "shock therapy," including the impoverishment of the people, the destruction of the nation's health, and the rise of a criminal business oligarchy which in the words of Alexander Solzhenitsyn was totally indifferent to the Russian people or "even if they survived at all."
Roy Medvedev, one of the world's best-known Russian scholars and a former consultant to both Gorbachev and Yeltsin analyzes the main events that have transpired in the Russian federation since late August 1991. He looks at the plans that were meant to restructure a society in crisis but-for reasons both complex and obvious-were destined to fail. From the drastic liberalization of prices and "shock therapy" to the privatization of state owned property and Yeltsin's resignation and replacement by Vladimir Putin, this is an intricately fascinating saga of good intentions, philosophical warfare, and catastrophic miscalculations. Among the many compelling facts detailed…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
Yohanan Petrovsky-Shtern is the Crown Family Professor of Jewish Studies and a Professor of Jewish History in the History Department at Northwestern University. He teaches a variety of courses that include early modern and modern Jewish history; Jewish mysticism and Kabbalah; history and culture of Ukraine; and Slavic-Jewish literary encounters.
Written by one of the key scholars of Jewish history in the USSR, who died untimely in 2020, this book challenges our bias about the USSR and its Cold-War era culture. Shneer tells how the Soviet photographers, many of whom where Jews, documented the Nazi atrocities during World war II and how the Soviet officialdom used their visual narratives to create new cult of the Great Patriotic war and the image of the USSR as a humanistic society.
Finalist for the 2011 National Jewish Book Award in the Holocaust category
Most view the relationship of Jews to the Soviet Union through the lens of repression and silence. Focusing on an elite group of two dozen Soviet-Jewish photographers, including Arkady Shaykhet, Alexander Grinberg, Mark Markov-Grinberg, Evgenii Khaldei, Dmitrii Baltermants, and Max Alpert, Through Soviet Jewish Eyes presents a different picture. These artists participated in a social project they believed in and with which they were emotionally and intellectually invested-they were charged by the Stalinist state to tell the visual story of the unprecedented horror we now call the Holocaust.…
