Here are 100 books that Europe's Tragedy fans have personally recommended if you like
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I was born in East Germany and experienced the disappearance of that country and the huge changes that followed as a child. My history teachers reflected this fracture in the narratives they constructed, switching between those they had grown up with and the new version they had been told to teach after 1990. It struck me how little resemblance the neat division of German history into chapters and timelines bears to people’s actual lives which often span one or even several of Germany’s radical fault lines. My fascination with my country’s fractured memory has never left me since.
Jähner’s Aftermath is one of the best books about post-1945 Germany. Defeated and confronted with the horrors their country had unleashed during the preceding six years of genocidal war in Europe, most ordinary Germans were keen to move on, rebuild and forget. A myth was born that saw 1945 as Germany’s ‘Zero Hour,’ a kind of tabula rasa, from which the nation could start anew. Jähner’s social history of the first ten years after the Second World War shatters this illusion powerfully and definitively. His book is a great foundation for anyone who wants to understand Germany today.
How does a nation recover from fascism and turn toward a free society once more?This internationally acclaimed revelatory history—"filled with first-person accounts from articles and diaries" (The New York Times)—of the transformational decade that followed World War II illustrates how Germany raised itself out of the ashes of defeat and reckoned with the corruption of its soul and the horrors of the Holocaust.
Featuring over 40 eye-opening black-and-white photographs and posters from the period.
The years 1945 to 1955 were a raw, wild decade that found many Germans politically, economically, and morally bankrupt. Victorious Allied forces occupied the four zones…
I was born in East Germany and experienced the disappearance of that country and the huge changes that followed as a child. My history teachers reflected this fracture in the narratives they constructed, switching between those they had grown up with and the new version they had been told to teach after 1990. It struck me how little resemblance the neat division of German history into chapters and timelines bears to people’s actual lives which often span one or even several of Germany’s radical fault lines. My fascination with my country’s fractured memory has never left me since.
Wilhelm II, the last German emperor, has always been a subject of fascination to me. Often portrayed as a caricature of the archetypical Prussian and blamed single-handedly for the outbreak of the First World War, the man behind the historical figure has remained an enigma. Very little has been written about him in Germany itself. Christopher Clark, who is perhaps better known for his seminal work The Sleepwalkers and his excellent biography of Prussia, Iron Kingdom, has done a great job tackling this delicate subject. Neither tied down by the weight of German memory culture nor by the constraints of academic writing, Clark’s biography of Kaiser Wilhelm is readable, informative and well-balanced. I would highly recommend it to anyone who seeks to understand Germany before and during the First World War.
Christopher Clark's Kaiser Wilhelm II: A Life in Power is a short, fascinating and accessible biography of one of the 20th century's most important figures.
King of Prussia, German Emperor, war leader and defeated exile, Kaiser Wilhelm II was one of the most important - and most controversial - figures in the history of twentieth-century Europe. But how much power did he really have? Christopher Clark, winner of the Wolfson prize for his history of Prussia, Iron Kingdom, follows Kaiser Wilhelm's political career from his youth at the Hohenzollern court through the turbulent decades of the Wilhelmine era into global…
I was born in East Germany and experienced the disappearance of that country and the huge changes that followed as a child. My history teachers reflected this fracture in the narratives they constructed, switching between those they had grown up with and the new version they had been told to teach after 1990. It struck me how little resemblance the neat division of German history into chapters and timelines bears to people’s actual lives which often span one or even several of Germany’s radical fault lines. My fascination with my country’s fractured memory has never left me since.
Growing up in rural Brandenburg, just outside of Berlin, the towering figure of Frederick the Great accompanied my childhood. One of my earliest memories is running down the endless steps of the vineyard terraces at his summer palace of Sanssouci, excited by the splendour of the landscaped gardens below. On these family outings, my father would tell me tales about how ‘Old Fritz’ introduced the potato in Germany and how he won many wars by whipping the Prussian army into shape. But Frederick was also a complicated and troubled man. A patron of the arts and fascinated by the ideals of the Enlightenment, he could also be ruthless in pursuing his ambition to make Prussia a European power. Blanning’s excellent biography captures Frederick in all his complexity.
'Highly readable and deeply researched' - Andrew Roberts
'Masterful ... brilliantly brings to life one of the most complex characters of modern European history' - Sunday Telegraph
'It is sure to be the standard English-language account for many years. It instructs; it entertains; and it surprises' - Philip Mansel, The Spectator
Frederick the Great, King of Prussia, dominated the eighteenth century in the same way that Napoleon dominated the start of the nineteenth. He was a force of nature, a ruthless, brilliant, charismatic military commander, a monarch of exceptional energy and talent, a gifted composer, performer, poet and philosopher, and…
I was born in East Germany and experienced the disappearance of that country and the huge changes that followed as a child. My history teachers reflected this fracture in the narratives they constructed, switching between those they had grown up with and the new version they had been told to teach after 1990. It struck me how little resemblance the neat division of German history into chapters and timelines bears to people’s actual lives which often span one or even several of Germany’s radical fault lines. My fascination with my country’s fractured memory has never left me since.
As someone who was born in East Germany, I have experienced, studied, read, and heard a fair bit about the German Democratic Republic and the famous Wall that separated it from the West. As the fault line of the Cold War, it’s hard to overestimate the symbolic significance of this structure and it is therefore hardly surprising that so much has been written about it. Taylor’s book stood out to me because it is about people as well as politics. The many anecdotes that lace his book shed light on the personal stories behind this inanimate object as well as making it a great read.
The astonishing drama of Cold War nuclear poker that divided humanity - reissued with a new Postscript to commemorate the thirtieth anniversary of the fall of the wall.
During the night of 12-13 August 1961, a barbed-wire entanglement was hastily constructed through the heart of Berlin. It metamorphosed into a structure that would come to symbolise the insanity of the Cold War: the Berlin Wall. Frederick Taylor tells the story of the post-war political conflict that led to a divided Berlin and unleashed an East-West crisis, which lasted until the very people the Wall had been built to imprison breached…
I have been drawn to the history of the German lands ever since I opened a historical atlas as a child and wondered why the middle of Europe was a colorful patchwork compared to the solid blocks depicting other countries. I then wondered how the people living under this multitude of authorities could manage their affairs, resolve differences, and defend themselves against each other and outsiders. Digging deeper into these questions has unearthed fascinating stories, not all of them pleasant, but which also shed light on the complexities of our shared existence.
The Thirty Years War remains seared into the popular consciousness across Germany and Austria as a momentous catastrophe against which other conflicts are still measured.
The conflict was indeed terrible, yet its impact was uneven across time, place, social status, and gender.
Sigrun Haude writes sympathetically about how ordinary people coped with calamity whilst skillfully weaving individual stories with the wider dynamic of military and political events.
At its core, Coping with Life during the Thirty Years' War (1618-1648) explores how people tried to survive the Thirty Years' War, on what resources they drew, and how they attempted to make sense of it. A rich tapestry of stories brings to light contemporaries' trauma as well as women and men's unrelenting initiatives to stem the war's negative consequences. Through these close-ups, Sigrun Haude shows that experiences during the Thirty Years' War were much more diverse and often more perplexing than a straightforward story line of violence and destruction can capture. Life during the Thirty Years' War was not…
I'm an award-winning teacher and writer who introduces students and readers to war in a profession that today is at best indifferent to military history, and more often hostile. That gives me a wry sense of irony, as colleagues would rather teach about fashion than fascism and truffles over tragedy. Having written a multiple award-winning book that covered 2,000 years of war, frankly I was sickened by how the same mistakes were made over and again. It has made me devoted to exploring possibilities for humane behavior within the most inhumane and degraded moral environment humanity creates; where individuality is subsumed in collective violence and humanity is obscured as a faceless, merciless enemy.
Connects military gamblers from Frederick II to Hitler, demonstrating that “rolling the iron dice of destiny” (Bismarck) by starting wars they hoped would be short but even though they knew they could not win if they went long instead, was always the German national tradition. I learned a great deal from this key book about the irrationalities of decisions made to go to war, contrary to the assumption in most analysis that decision-makers weigh the odds with care. And how many wars are started with a roll of the dice and without a real plan to win them? Or at least, no Plan B once Plan A goes awry, as it always does.
For Frederick the Great, the prescription for warfare was simple: kurz und vives ("short and lively")-wars that relied upon swift, powerful, and decisive military operations. Robert Citino takes us on a dramatic march through Prussian and German military history to show how that primal theme played out time and time again.
Citino focuses on operational warfare to demonstrate continuity in German military campaigns from the time of Elector Frederick Wilhelm and his great "sleigh-drive" against the Swedes to the age of Adolf Hitler and the blitzkrieg to the gates of Moscow. Along the way, he underscores the role played by…
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
I picked this book up, thinking it might have to do with witch trials in Europe during the 17th Century, and in a peripheral way, it does because it’s very loosely based on the life of Katharina Kepler, the mother of famous astronomer Johannes Kepler. (And really, how can you resist the title.) But the novel delivered so much more.
It’s a witty, searing meditation on community, gossip and envy, the strictures of society, the corruption of power, and a woman’s determination to be her own person. Add to that some of the funniest, most absurd situations I’ve read in a long while. Some sections of the novel are truly laugh-aloud.
The startling, witty, highly anticipated second novel from the critically acclaimed author of Atmospheric Disturbances.
The story begins in 1618, in the German duchy of Württemberg. Plague is spreading. The Thirty Years' War has begun, and fear and suspicion are in the air throughout the Holy Roman Empire. In the small town of Leonberg, Katharina Kepler is accused of being a witch.
Katharina is an illiterate widow, known by her neighbors for her herbal remedies and the success of her children, including her eldest, Johannes, who is the Imperial Mathematician and renowned author of the laws of planetary motion. It's…
From my earliest memories I’ve always been interested in military history, and as a young man I served in the U.S. Navy on a nuclear submarine. As an ardent bibliophile, my home and office overflows with books. As a professor, for the past 25 years I’ve been fortunate enough to teach a broad survey on western military history, which gives me the opportunity to experiment with many books for my own and the students’ enjoyment. The books on this list are perennial favorites of the traditional-age undergraduates (18-22) I teach, but will appeal to any reader interested in premodern military history.
Wedgewood published this in 1938, on the cusp of World War II.
In many ways the disaster that was the Thirty Years war provided an allegory of what was to come. Many authors have tackled this subject since Wedgewood wrote, some far more massive than her 500 pages, but there’s a reason this one remains in print. Wedgewood wrote an eminently readable narrative that is as delightful to read as its subject is dreadful. She excelled at what narrative should provide: a sense of development, how a huge event happens from beginning to end, all while keeping the reader’s attention.
Wedgewood conveyed the nastiness, carnage, and utter craziness of the conflict in a dispassionate, easily understandable way.
Europe in 1618 was riven between Protestants and Catholics, Bourbon and Hapsburg--as well as empires, kingdoms, and countless principalities. After angry Protestants tossed three representatives of the Holy Roman Empire out the window of the royal castle in Prague, world war spread from Bohemia with relentless abandon, drawing powers from Spain to Sweden into a nightmarish world of famine, disease, and seemingly unstoppable destruction.
I am the author of two novels, and I currently teach fiction writing in the MFA program at the University of Missouri – St. Louis. I’ve long been fascinated with journeys both real and literary. In the early 1990’s I lived in Taiwan and traveled across China—from Guangzhou to the far northwestern desert province of Xinjiang, an extraordinary journey that informed my first novel.
A true marvel of a novel. It follows the famous jester Tyll Ulenspiegel and the Winter Queen and several learned and lethal Jesuit priests (among others). Most novels that cut between storylines lose momentum and direction. Tyll takes bold leaps and keeps transforming into new adventures, new truths, a new vision of the seventieth century that subtly mixes historical fact and magical possibility.
'A masterly achievement, a work of imaginative grandeur and complete artistic control' Ian McEwan
'Brilliant and unputdownable' Salman Rushdie
He's a trickster, a player, a jester. His handshake's like a pact with the devil, his smile like a crack in the clouds; he's watching you now and he's gone when you turn. Tyll Ulenspiegel is here!
In a village like every other village in Germany, a scrawny boy balances on a rope between two trees. He's practising. He practises by the mill, by the blacksmiths; he practises in the forest at night, where the Cold Woman whispers and goblins roam.…
Growing up in a small town and realizing I was gay, I saw nothing but dread ahead of me. In graduate school, I came across a one-sentence description of Margaret Anderson as a “lesbian anarchist.” I knew I was home. My book is the first full-length biography of Anderson and her partner, Jane Heap. They went through a lot of crap–they were tried for publishing Joyce’s masterpiece Ulysses–but above all, they were witty rebels, strong women, and proud and out.
I love the humor, self-confidence, and acerbic wit of Margaret Anderson–a woman known by few, but those who know her love her.
Writing in her thirties she looks back with a keen eye for the geniuses of modernism–Joyce, Eliot, Pound, etc. She also, with her lover Jane Heap, published early feminist and LGBTQ content. And she is funny. An iconoclast from Day 1.
