Fans pick 100 books like Éléphasme, Rhinolophon, Caméluche et autres merveilles de la nature

This is one of my favourite books. It is a palimpsest—a serious document about humanity’s effects on the natural world overlaid with Adams’s hilariously absurdist worldview. This book is different from most other popular science books in that it sort of isn’t one; it’s more of a travel book, with Adams acting as the uninformed everyman repeatedly confronted with the realities of an unfolding ecological tragedy and interpreting them as only he could.

Extinction is not an inherently amusing subject, and this book is a sobering account of how much biological diversity we have already lost, yet at the same time, it is painfully funny. For me, Adams’s recounting of his conversation with an Australian snake venom expert is worth the price of admission on its own.

This was the book that set me off on a decade-long journey of reading (and re-reading) Murakami. Along with The Wind-Up Bird Chronicle, another favorite, I've re-read it at least twice.

So why is it about thinking differently? Because the book is written so differently! If you've read any recent speculative fiction, the author likely owes a debt to Murakami and his wondrous approach to narrative storytelling. You'll get lost in a bizarre, beautiful quest that takes on all sorts of twists and turns.

Why should fluffy, cute and beautiful animals get all the attention? What about the fleshy, bulbous, beady-eyed monstrosities whose bodies favour function over form?

If you’re a weird animal enthusiast like me, this illustrated compendium features the usual suspects, such as the naked mole-rat and southern elephant seal. But it’s also got some obscure surprises, including the (honestly quite attractive) maleo, and the monkey slug caterpillar, also known as the hag moth (both of which are suitable monikers for this shaggy mess of a thing).

It just goes to show that no matter how extensive your knowledge about animals is, there will always be a new species to discover and perhaps even fall in love with. If that happens to be the blobfish, well, each to their own, I guess.

From a wild sheep chase to a grand old treasure hunt that gripped a nation, the Quest for the Golden Hare tells the real-life story of one of the most famous book-related escapades in recent memory. 

In 1979, British artist Kit Williams published Masquerade – a cryptic storybook containing clues to the whereabouts of an 18-carat gold hare trinket that Williams buried somewhere in the English countryside. Author Bamber Gascoigne was the only other person present at the burial, and was tasked with documenting the frankly bonkers lengths the crazed fans would go to uncover it.

I’m loath to mention the pandemic again, but in these times, when most of us are going stir crazy and are itching for an adventure, this book might just be the next best thing. (Bonus points if you can source a copy of Masquerade while you’re at it, which I believe has been… show more.

There’s this rumor that poets look longer and harder at the ornaments of the world than do anyone else.  They keep looking, and looking, and looking, after most everyone else has long ago looked away, moved on. Here, in the wonderful world of poet Aimee Nezhukumatathil’s first book of nonfiction, whimsy and reverence twine like the DNA helices of the flora and fauna she examines. In her essay on the firefly, I adore the part when the insects “…lose their light rhythm for a few minutes after a single car’s headlights pass. Sometimes it takes hours for them to recalibrate their blinking patterns.”

Illuminating text describes 43 endangered species from around the world. The book is organized by habitat—ocean, forest, mountains, grasslands, arctic tundra—and relates the stories of a wide range of animals, from recycling beetles, to desert fish, to the odd axolotl and wide-ranging wandering albatross. You’ll also find a map detailing where each species lives, and ideas on how you might aid in their conservation.

Imagine a medieval bestiary of whimsical creatures, but with a twist. Instead of being imaginary, the animals here really exist. The book moves alphabetically from axolotl to zebrafish, with a new delight on every page. It’s a perfect reminder of what biologist J.B.S. Haldane once said: that the universe is not only stranger than we imagine, it’s stranger than we can imagine.

First published in 1934, this extraordinary novel begins with a chance meeting between the Hungarian narrator, János Bátsky, and reclusive Welsh aristocrat the Earl of Gwynedd, who invites Bátsky to visit him in his castle in Wales. Our hero accepts the invitation, in spite of various warnings (his friend Fred describes the Earl as "Mad as a hatter!" and an anonymous phone call advises Bátsky that everyone who becomes involved with him "comes to a sticky end"). From this point on, the story becomes increasingly bizarre, involving ancient grudges, the Rosicrucians and a laboratory full of giant axolotls.

If someone were to ask me what I thought of this book, I would honestly have to say: "I don't know." The effect of reading it was rather like stuffing yourself with Christmas cake: too rich to manage all at one go. But what I did enjoy very much were the impressions… show more.

This book is a great summer read. The relationship between young eventer Rio and her project horse is really special and the author does a good job of introducing us to this fun, quirky family, their many pets, and their dilapidated country house. The descriptions of the French countryside and the differences in how horses are cared for in France were really interesting. It is a fun, captivating read.

The first time I went to Paris, I found a copy of this book at a bouquiniste on the Quai de la Tournelle. I can honestly say it has never left my bedside. Colette, born Sidonie-Gabrielle Colette in 1873, was a ferocious talent, a novelist, memoirist, journalist, and colossal French cultural figure until her death in 1954. Earthly Paradise is an autobiography in essays, and hers is an extraordinary story. Born in small-town Burgundy, she was a showgirl at the Moulin Rouge, a traveling performer, was married twice, lived as a lesbian for a decade, had a facelift in the 1920s and at the height of her literary fame, opened a beauty salon in Paris. She was to the core a sensualist and though she claimed to dislike feminism, she was a tower of female strength. But the reason this book—just one of her fifty-five—endures is her achingly gorgeous writing.… show more.