Here are 42 books that Death of a Gossip fans have personally recommended if you like
Death of a Gossip.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’m Julia Buckley, a passionate lifelong reader, English teacher, and mystery writer. I gravitated toward mystery as a child when my mom read all the greats of 20th Century Mystery and Romantic Suspense and then passed them on to me. When I became an English teacher, I had the privilege of teaching some of the great Gothic classics like Jane Eyre, Rebecca, and The Castle of Otranto. Teaching these great works and researching the way that all Gothic literature stemmed from Horace Walpole and Ann Radcliffe, I realized that MANY of the books I read are tinged with the Gothic.
I began reading Grimes in the 80s, but her books still hold up today, and this one establishes all of the cozy/Gothic things I love. Grimes has a gift for ironic humor, so even though she sets her books in a very cozy English village called Long Piddleton, she tends to satirize the residents and the narrow-mindedness of the provincial town.
In this way, she is similar to Agatha Christie, except that Grimes is much funnier. In this small town, Melrose Plant, a Lord by inheritance who has thrown off his title and tries to live a quiet life in the family manse, is a long-suffering, sane person in an often chaotic existence. He is continually terrorized by his “Aunt Agatha,” an American who married his uncle and refers to herself as “Lady Ardry,” although her late husband had no title. Their relationship is a source of great humor, but…
At the Man with a Load of Mischief, they found the dead body stuck in a keg of beer. At the Jack and Hammer, another body was stuck out on the beam of the pub’s sign, replacing the mechanical man who kept the time. Two pubs. Two murders. One Scotland Yard inspector called in to help. Detective Chief Inspector Richard Jury arrives in Long Piddleton and finds everyone in the postcard village looking outside of town for the killer. Except for one Melrose Plant. A keen observer of human nature, he points Jury in the right direction: into the darkest…
I primarily write Western romance novels under the name Margaret Brownley. As much as I enjoy reading cozy mysteries, never did I think I could write one. I’m not a cat owner, and I’m not much of a cook, so I kind of figured that left me out of the cozy mystery business. But after a friend was sequestered for several weeks during a trial, it got me thinking. I go away for a week and come back two weeks behind. What happens to a juror who’s sequestered for weeks or months? Before I knew it, I was banging away at the computer.
This is a fun cozy that has four seniors scrambling to find a killer. I liked so much about this book. For one, it was a fun read. Every Thursday, four unlikely friends residing in a retirement home gather to tackle cold cases. They never anticipated that they would find themselves embroiled in an actual murder investigation.
I found Elizabeth, Joyce, Ron, and Ibraham to be endearing characters who bring warmth and humor to the story. I loved the way each character employs their unique and sometimes eccentric strengths to contribute to solving the crime, making their interactions both entertaining and engaging.
A New York Times bestseller | Soon to be a major motion picture from Steven Spielberg at Amblin Entertainment
"Witty, endearing and greatly entertaining." -Wall Street Journal
"Don't trust anyone, including the four septuagenarian sleuths in Osman's own laugh-out-loud whodunit." -Parade
Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB
In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club.
I’ve loved mysteries since I gobbled up Nancy Drew and the Encyclopedia Brown books in grade school. As I grew older, I got hooked on Agatha Christie’s Miss Marple, Sue Grafton’s Kinsey Milhone, and Sara Paretsky’s VI Warshawski. Besides being a diehard fan of female sleuths, I have a B.S. in Journalism, which drummed the importance of “who-what-when-where-and-why” into my brain. I definitely take a reporter’s mindset into my story-telling, particularly when it comes to the “who.” Breathing life into characters is crucial. Maybe that’s why I used bits and pieces of my grandma Helen in order to create my fictional Helen. Plus, it gives me a chance to spend time with her again, if only in my imagination.
Though this is Penny’s first in the “Three Pines” series featuring CI Armand Gamache, I’ll confess that I initially read it out of order. I picked up a later Penny book and liked it well enough to go back and start from the beginning.
This book feels like a debut. The writing is good, but not quite as sure-handed as more recent books (which makes sense). It introduces us to Armand Gamache, a seasoned detective if ever there was one, and to the cast of characters in Three Pines.
By the time I finished it the first time around, I’d become a legit Gamache fan-girl. This series is one of the few that I’m so enamored with that I pre-order forthcoming titles. ‘Nuff said.
In Still Life, bestselling author Louise Penny introduces Monsieur L'Inspecteur Armand Gamache of the Surete du Quebec, a modern Poirot who anchors this beloved traditional mystery series.
Winner of the New Blood Dagger, Arthur Ellis, Barry, Anthony, and Dilys awards.
Chief Inspector Armand Gamache of the Surêté du Québec and his team of investigators are called in to the scene of a suspicious death in a rural village south of Montreal. Jane Neal, a local fixture in the tiny hamlet of Three Pines, just north of the U.S. border, has been found dead in the woods. The locals are certain…
Mood swings and insomnia are one thing, hot flash-induced psychic visions are quite another. When Olivia Wilde realizes the visions she’s experiencing in the midst of hot flashes are actually premonitions, she must learn to understand and trust what she sees in order to help a friend, preserve a piece…
I grew up reading Agatha Christie, Dorothy Sayers, and everything British. My first novel celebrated American literature and small towns, and my first murder mystery was a love letter to England. I once spent twenty days visiting almost thirty bookshops and reading my way all over England, and let me tell you, I learned a thing or two about murders.
A murder is announced and will take place on Friday, October 29th, at Little Paddocks at 6.30. It’s impossible to talk about British crime without mentioning the queen of crime herself: Agatha Christie. My own personal favorite is Miss Marple, the unimposing old lady who solves crimes by noticing parallels to the people she knows in St Mary Mead.
If you love cozy English villagers, you will love the opening of this book, which follows several different villagers as they read the local paper and a mysterious ad that invites them all to witness a murder at Little Paddock. Fortunately, Miss Marple is at hand to solve the mystery.
The villagers of Chipping Cleghorn, including Jane Marple, are agog with curiosity over an advertisement in the local gazette which read: 'A murder is announced and will take place on Friday October 29th, at Little Paddocks at 6:30 p.m.' Unable to resist the mysterious invitation, a crowd begins to gather at Little Paddocks at the pointed time when, without warning, the lights go out ...
I’m a keen follower of Scottish crime fiction, a genre that has really come to the fore in recent years, spawning dedicated book festivals and many TV and film adaptations. The great thing about many of these books is that they don’t always follow the usual narrative of cops and baddies but have varied and diverse storylines, often concentrating on characters in unusual or extreme situations and not involving the police–something I attempted in my own book. My picks on this list hopefully illustrate just how diverse Scottish crime writing can be and encourage more readers to seek it out.
I love books with unusual structures, and this one certainly fits the bill. The story concerns the violent murder of three crofters (farmers) in a remote Scottish Highland community in 1869.
When reading the book and the way it is presented, you are never sure if you are reading true witness testimonies, contemporaneous court reports and medical statements, or the confession of the actual murderer himself. Unreliable narrators can sometimes be frustrating, but in this case, how sure are we that any of what we are reading is actually true?
The book delivers a sort of courtroom drama in which the reader is left to piece together to draw their own conclusion.
NAMED A BEST BOOK OF 2016 BY NEWSWEEK, NPR, THE GUARDIAN, THE TELEGRAPH, AND THE SUNDAY TIMES
A NEW YORK TIMES EDITORS' CHOICE
"THOUGHT PROVOKING FICTION"-THE NEW YORK TIMES BOOK REVIEW
A brutal triple murder in a remote Scottish farming community in 1869 leads to the arrest of seventeen-year-old Roderick Macrae. There is no question that Macrae committed this terrible act. What would lead such a shy and intelligent boy down this bloody path? And will he hang for his crime?
Presented as a collection of documents discovered by the…
One of my favorite writers, Ralph Ellison, said art could "transform dismal sociological facts" through "tragi-comic transcendence." For me, finding humor in the horrific is a means of survival. It's a way of embracing life's tragedy and finding beauty. My two novels, Pickard County Atlas and Little Underworld, try to do that.
The main character, Bruce Robertson, is repulsive. But there’s something deeply funny about a pathologically miserable bastard.
Bruce does and says terrible things, he believes terrible things, he plays sadistic tricks against coworkers (he’s a detective sergeant in Edinburgh). But the thing that really makes me squirm about Bruce is the food he eats and how he goes about eating it. Despite Bruce’s repellent nature, Welsh’s approach to the character is magical.
I was locked in from the first page—I couldn’t look away—and the glints and glimmers of Bruce’s humanity ultimately made my heart break.
With the Christmas season upon him, Detective Sergeant Bruce Robertson of Edinburgh's finest is gearing up socially—kicking things off with a week of sex and drugs in Amsterdam.
There are some sizable flies in the ointment, though: a missing wife and child, a nagging cocaine habit, some painful below-the-belt eczema, and a string of demanding extramarital affairs. The last thing Robertson needs is a messy, racially fraught murder, even if it means overtime—and the opportunity to clinch the promotion he craves. Then there's that nutritionally demanding (and psychologically acute) intestinal parasite in his gut. Yes, things are going badly for…
I was born on Halloween, so I’m officially a card-carrying member of all things creepy, right? However, I’m definitely drawn to books with mood and atmosphere over outright horror and gore. I find the subtle aspects of fear so much more interesting—how is it that one person’s reality can be so different than another’s? I write domestic suspense because I think the people we are closest to and the places we think are safest are often the ones that can hurt us the most. Where a story takes place is so very important. I need to know the geography, the feel, the history of a place—then I can put people in it and make bad things happen.
Ever been to a bad dinner party? I can bet it wasn’t as bad as the one in this book! I adored the spooky small-town insular setting in this book, and the mood contributes to the claustrophobic feel of the plot. As you read to try to figure out who did it, you realize that everyone has secrets—and no one can be trusted.
Who do you turn to, when everyone's a stranger and you stop believing what your own eyes see?
Finnie Doyle and Paddy Lamb are leaving city life in Edinburgh behind them and moving to the little town of Simmerton. Paddy has landed a partnership in a local solicitors and Finnie's snagged a job as a church deacon. Their rented cottage is quaint; their new colleagues are charming, and they can't believe their luck.
But witnessing the bloody aftermath of a brutal murder changes everything. They've each been keeping secrets about their pasts. And they both know their precious new start…
I write horror and crime thrillers grounded in my unusual lived experience as an author and attorney who has also overcome poverty, incarceration, and violent crime. I feel most fulfilled when I read a book that both entertains and expands me in meaningful ways, immersing me in lives, cultures, and history I might not otherwise know. So I love Social Horror novels, which feature characters who face significant human adversity beyond my own experience and leave me questioning what was worse, the human or the supernatural.
Grayson Hale claims that the devil made him commit a gruesome murder. This brilliant page-turner kept me guessing whether the blame should fall on the devil or untreated mental illness, given Grayson’s upbringing within a fundamentalist Christian household where he was viewed as evil.
I love psychological horror, so this book was right up my alley as I turned the pages to see whether the murder had a human or supernatural cause. The book beautifully unfolds the story of Grayson’s trauma, shame, and self-loathing as an isolated and marginalized person.
I will say no more about that to avoid spoilers, but I loved how this book kept me guessing and entertained while it provided me with a new understanding and compassion.
This “disorienting, creepy, paranoia-inducing reimagining of the devil-made-me-do-it tale” (Paul Tremblay, author of The Cabin at the End of the World) follows the harrowing downfall of a tortured graduate student arrested for murder.
Grayson Hale, the most infamous murderer in Scotland, is better known by a different name: the Devil’s Advocate. The twenty-five-year-old American grad student rose to instant notoriety when he confessed to the slaughter of his classmate Liam Stewart, claiming the Devil made him do it.
When Hale is found hanged in his prison cell, officers uncover a handwritten manuscript that promises to answer the question that’s haunted…
I’ve loved mysteries since I was a kid and became hooked on the Fear Street books by RL Stine. In college, I took a class on suspense and mystery and was introduced to the greats: Chandler, Hammett, Collins, Christie, Doyle… I could go on and on. As I consumed more, I became enamored with mysteries that were more than just stories about victims but also used crime as a vehicle to comment on the region’s social and economic issues. My favorite mysteries are more than the sum of its body parts. They also scrutinize the worlds where these heinous crimes were allowed to occur.
I loved visiting the Shetland isles with world-weary police inspector Jimmy Perez. The islands, the unique culture, weather, and the remoteness were such compelling components of the story. I loved how Ms. Cleeves used Scotland as one of her characters. She created this lush and detailed world that’s eerie and uncomfortable, the perfect setting for a murder mystery.
I’m also a sucker for a grumpy detective, and Jimmy Perez is such an understandably jaded character, but he still has a kind, warm heart under his crusty exterior that comes out when he’s interacting with his more novice colleagues and members of the community.
Introducing Inspector Jimmy Perez. Raven Black is the first book in Ann Cleeves' bestselling Shetland series - now a major BBC One drama, starring Douglas Henshal.
A remote community with a killer in their midst . . .
On New Year's Day, Shetland lies buried beneath a deep layer of snow. Trudging home, Fran Hunter's eye is drawn to a vivid splash of colour on the white ground, ravens circling above. It is the strangled body of her teenage neighbour. As Fran opens her mouth to scream, the ravens continue their deadly dance . . .
An experienced genealogist, I became fascinated by true historical crime reports when I found murderers in my family tree. Since then, I have written ten historical mystery books featuring true unsolved crimes. My novels re-imagine what might have happened had the killers been brought to justice. My background in genealogy and vast experience trawling through historical newspaper reports has given me a passion for the past and a desire to resolve the unknown.
This book is close to my heart as it started my writing career. The Death of Lucy Kyte is the fifth book in the Josephine Tey mystery novels based on a true Suffolk crime dubbed The Red Barn murders. I loved the way the book weaved between past and present, and the skill employed by the author in creating a fictional work from an actual historical crime. Not only did it offer me a series of mystery books, which I loved, but it set me on the path to penning my own novels in a similar genre.
A house that can't rest A crime that won't fade...
When crime writer Josephine Tey inherited a remote Suffolk cottage from her godmother, it came full of secrets. Sorting through the artefacts of her godmother's life, Josephine is intrigued by an infamous murder committed near the cottage a century before. Yet this old crime - dubbed the Red barn murder - still seems to haunt the tight-knit village and its remote inhabitants.
As Josephine settles into the house, she knows that something dark has a tight hold on the heart of this small community. Is it just the ghosts of…
