Here are 100 books that Cuckold fans have personally recommended if you like
Cuckold.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Anand Neelakantan is an Indian author, columnist, screenwriter, television personality, and motivational speaker. He has authored eight fiction books in English and one in Malayalam. His debut work Asura, The Tale of the Vanquished is based on the Indian epics of Ramayana. His next book series was Ajaya-Roll of the Dice, Ajaya – Rise of Kali based on the two books on the epic Mahabharata told from Kaurava perspective. Anand's books voice the suppressed party or the defeated party. In his fifth book Vanara, the legend of Baali, Sugreeva, and Tara also follow the same pattern of expressing the defeated side.
Originally written in Malayalam and published in 1984, this Mahabharata-based novel won the Jnanapith award, the highest literary award in India, for M.T. Vasudevan Nair. The greatness of Mahabharata is that every character in the epic has a story worth telling about. In the dextrous hands of M. T Vasudevan Nair, the poignant tale of the second Pandava, attains a different dimension, forcing us to see the ancient epic in a new light. The book is a classic in every sense and in Malayalam, every word and punctuation has a lyrical quality. The English translation is excellent enough to create a long-lasting impact on the reader’s mind. A beautiful and lyrical book.
This is the story of Bhima, the second son, always second in line - a story never adequately told until one of India's finest writers conjured him up from the silences in Vyasa's narrative.
M.T. Vasudevan Nair's Bhima is a revelation:lonely; eager to succeed; treated with a mixture of affection and contempt by his Pandava brothers,and with scorn and hatred by his Kaurava cousins.Bhima battlesincessantly with failure and disappointments. He is adept at disguising his feelings,but has an overwhelmingly intuitive understanding of everyone who crosses his path.A warrior without equal, he takes on the mighty Bakasura and Jarasandha, and ultimately…
Anand Neelakantan is an Indian author, columnist, screenwriter, television personality, and motivational speaker. He has authored eight fiction books in English and one in Malayalam. His debut work Asura, The Tale of the Vanquished is based on the Indian epics of Ramayana. His next book series was Ajaya-Roll of the Dice, Ajaya – Rise of Kali based on the two books on the epic Mahabharata told from Kaurava perspective. Anand's books voice the suppressed party or the defeated party. In his fifth book Vanara, the legend of Baali, Sugreeva, and Tara also follow the same pattern of expressing the defeated side.
This Kannada classic written by S L Byrappa humanises each character of Mahabharata and turns the ancient epic into a modern novel. The book won the Kendra Sahitya Academy Award and is one of the greatest Indian books written in any Indian language. There is no magic, gods, or superhumans in this novel and this makes it poignant, deep, and moving. This is Mahabharata as raw as it can get and reads like historical fiction. If Bhima is lyrical, Parva is powerful fiction. It grabs you from the first page and shakes up many of our beliefs.
The novel narrates the story of the Hindu epic Mahabharata mostly using monologue as a literary technique. Several principal characters found in the original Mahabharata reminisce almost their entire lives. Both the setting and the context for the reminiscence is the onset of the Kurukshetra War. Parva is acknowledged to be S.L.Bhyrappa's greatest work.Non-Kannadigas who have read it in it's Hindi and Marathi translations consider it one of the masterpieces of modern Indian literature.It is a transformation of an ancient legend into a modern novel.In this process,it has gained rational credibility and a human perspective.The main incident,the Bharata war,symbolic of…
Anand Neelakantan is an Indian author, columnist, screenwriter, television personality, and motivational speaker. He has authored eight fiction books in English and one in Malayalam. His debut work Asura, The Tale of the Vanquished is based on the Indian epics of Ramayana. His next book series was Ajaya-Roll of the Dice, Ajaya – Rise of Kali based on the two books on the epic Mahabharata told from Kaurava perspective. Anand's books voice the suppressed party or the defeated party. In his fifth book Vanara, the legend of Baali, Sugreeva, and Tara also follow the same pattern of expressing the defeated side.
Karna is the classical tragic hero. The greatest warrior of Mahabharata, everyone who mattered wronged him. Rejected by his mother, teacher, lover, and God, the only person to stand with him was the antagonist of the epic. And that was Karna’s tragedy. He could have avoided the epic war and become the king of Hastinpura, but he chose loyalty over kingship. He could have sided with his brothers, but he chose friendship over brotherhood. The Marathi classic by Shivaji Sawant is an ode to Karna. Translated in many languages, it was one book that inspired me to become a writer.
The sixth son of Kunti, Karna is often reduced to an antagonist in most modern renditions of the Mahabharatha. In Mrityunjaya, The Death Conqueror: The Story Of Karna, a study of humanity, life and existentialism through Ved Vyasa's epic, Shivaji Sawant examines Karna's life. Summary of the Book The autobiography of Karna, this book contains six dramatic sililoquies to form nine parts. Four of these are in Karna's point of view, mixed with the view points of Kunti, Duryodhana, Shatruntapa, Vrishali and Krishna. The author makes a comparison between Karna and Krishna, changing the reader's perspective of Karna's "sins." About…
Anand Neelakantan is an Indian author, columnist, screenwriter, television personality, and motivational speaker. He has authored eight fiction books in English and one in Malayalam. His debut work Asura, The Tale of the Vanquished is based on the Indian epics of Ramayana. His next book series was Ajaya-Roll of the Dice, Ajaya – Rise of Kali based on the two books on the epic Mahabharata told from Kaurava perspective. Anand's books voice the suppressed party or the defeated party. In his fifth book Vanara, the legend of Baali, Sugreeva, and Tara also follow the same pattern of expressing the defeated side.
Bhasa, the ancient Indian poet and dramatist, who lived two thousand two hundred years ago, was perhaps the first one to think of an alternative ending to Mahabharata in his play, Pancharatra. His Oorubhanga was the first play to be sympathetic to Duryodhana, the antagonist of Mahabharata. In Pratihna- Yaugandharayanam, one of the classical Sanskrit plays in this collection, a wooden elephant in which soldiers hide is used, making us wonder whether the Trojan horse was inspired by this ancient play or vice versa. No one has reimagined Mahabharata more boldly than this dramatist of antiquity.
This translation is of thirteen Sanskrit plays discovered in South India by the late Pandit Ganapati Sastri and edited by him in the Trivandrum Sanskrit Series. It comprises the following titles: 1.Pratijnayaugandharayana, 2.Svapnavasavadatta, 3.Carudatta, 4.Pancaratra, 5.Madhyamavyayoga, 6.Pratima-nataka, 7.Dutavakya, 8.Dutaghatotkaca, 9.Karnabhara, 10.Urubhanga, 11.Avimaraka, 12.Balacarita, and 13.Abhiseka. Sastri attributed all the thirteen plays to Bhasa and the prevailing opinion of the scholars is in agreement with him, though the available evidence is not conclusive and so the question still remains open. The translation was done by two eminent Sanskrit scholars. It was published s early as 1930 and a reprint is now…
I do not know about the origins of my passion but hardships did influence me, the values of Islam shaped my personality and infused passion required to speak up against injustices. When I write, I speak my mind and try to put my heart and soul into it and that’s how the passionate story of ‘The Broken Silence’ came into existence. It is composed over a period of 23 years; that speaks up and documents the genocidal sanctions imposed on Iraq that caused the pathetic deaths of about a million innocent children - “This book is a historic documentation of one man’s passionate efforts to do his part to speak truth to power.”
This book is about the 2002 Gujarat riots in India and the coverup. It reads like a real-life thriller as you learn about the murder of the state’s Home Minister, the complicity of the state and its officials in the massacre, and how those who went along with the cover-up were rewarded. This book inspires me with the courage and conviction of the author-activist Rana Ayyub, who dares to speak up and continues to do so!
It will surprise and upset you that the politicians who are said to be complicit in the horrendous rapes, murders, and rioting have ascended to the national level of governance in India. When the author played tapes from her undercover investigation of Gujarat at a university of Chicago event, “everybody was stunned, numb, and there was just silence in the room.”
Gujarat Files is the account of an eight-month long undercover investigation by journalist Rana Ayyub into the Gujarat riots, fake encounters and the murder of state Home Minister Haren Pandya that brings to the fore startling revelations. Posing as Maithili Tyagi, a filmmaker from the American Film Institute Conservatory, Rana met bureaucrats and top cops in Gujarat who held pivotal positions in the state between 2001 and 2010. The transcripts of the sting operation reveal the complicity of the state and its officials in crimes against humanity.
With sensational disclosures about cases that run parallel to Narendra Modi and Amit…
I grew up in Tanzania, where I discovered the importance of learning first-hand from ordinary people about their lives by accompanying my mother, who was an anthropologist, when she carried out participant observation among coastal people. Much later in my own research, I could see how essential it was to interact with people face-to-face and learn about their aspirations, joys, fears, daily struggles, and creative ways of coping with the challenges of an economy in free fall. I learned to look beyond the “economic data” to more fully appreciate the humanity of the people involved. All of these books I selected are by people who learned about the real urban economy in this way.
Ela Bhatt, a former Member of the Indian parliament, chronicles the astonishing rise of the Self-Employed Women’s Association (SEWA) ,which she helped form in 1972.
The overwhelming majority of the labor force in India is self-employed and the majority of the self-employed are women. Today SEWA works in 18 Indian states and is made up of 2.1 million informal women workers — the single largest union of informal sector workers in the world.
In this first-hand account, Bhatt shows how the organization struggled against cultural norms, the state, and formal unions, and challenged the rise of Hindu nationalism as it mobilized women across religious lines and caste in the state of Gujarat, which has experienced decades of Hindu-Muslim violence.
This book is a first-hand account of the vision, rise, and success of SEWA, the Self-Employed Women's Association, a trade union of self-employed women in India. It takes the reader into an up-close look at these women's daily lives, at the forces that overpower them, the conditions that perpetuate their poverty, the battles they fight, the attitudes they face and the working and living conditions of both rural and urban working women. It highlights the role that trade cooperatives play in economic development and shows the impact of the larger economy on the lives of the women.
I started writing fiction and writing aboutfiction at about the same time. My novels and stories tend to be about solitary characters pulled into the maelstrom that is contemporary Indian urban life and trying to make sense of it. I’ve always believed that to be an effective observer of your society you need to stay in tune with what your peers are doing and the last two decades in which I’ve been writing and publishing have been some of the most exciting for Indian fiction in general.
I am always looking out for talented young writers and this debut really struck me for its narrator’s very distinctive voice, both stylish and sad. An Indian Catcher in the Ryebut with a protagonist more hampered by family and circumstances, capable of greater angst, and looking for authenticity in the strangest and loneliest of places.
"And then finally I felt sadness, aided perhaps by those futile notes, by the dust that keeps thickening, by the untouchable past, the inevitable future, and by everything else that pushes us around."
Ib lives with his schizophrenic father and his "nice" mother negotiating life, not knowing what to do, steered by uncaring winds and pushy people. From his slimy, unmiraculous birth to the tragic death of a loved one, Ib wanders the city, from one thing to another, confused, lost, and alone, all the while reflecting on his predicament. He is searching for something - what he does not…
I’ve lived in small towns and capital cities and gone to school on four continents, so I love books in which the location is practically a character in the story. When moving, I struggle to put down roots and feel legitimate in my new home. Writing about old homes helps. While living in New England, I wrote my Jana Bibi trilogy, set in India. Now in New York state, I’m setting a new novel in my native New Hampshire. I’ve been a Jill of all Trades: teaching, software, editing, fact-checking, social science research, and, most happily, fiction-writing. I’m also an amateur musician and an avid foreign language buff.
I love Rumer Godden’s novels, but I’m even fonder of her memoirs, especially this one. Writing with her sister, Jon, she describes life in Naryangang (then in British India, now in Bangla Desh) during and shortly after World War 1. The large household, the bazaar, the diversity of people, the bright sun and the monsoon rains, the wealth and the poverty, the danger of rabid dogs, the holidays in hill stations…I grew up in India forty years after Jon and Rumer Godden, but in many ways, their experiences bring back my own childhood.
As an Indian writer of contemporary fiction revolving around family, relationships, emotions, and hope, I am constantly on the lookout for similar novels to take inspiration from them and learn how to build beautiful, well-etched characters and portray heart-wrenching emotions. I love books that make me cry as they give me a fulfillment like nothing else. I love characters that are likable and make me feel a strong connection with them. And I like to write similar characters in my books as well. The readers of my novel The Fragile Thread of Hope have corroborated the same. I live in Gangtok, a hill station in northeast India.
This novel oscillates between pre-independent times in India and the present. It is about Gowri, Lucy, and James, the terrible sacrifices they make, and how they affect their families in the present. I love Renita D’Silva’s descriptions of Indian culture and food, and the powerful emotions her stories trigger in me. A Daughter’s Courage is my favorite book of hers. The sacrifices and dialogues wrenched my heart, the revelation of family secrets astonished me, and the skilled narrative bound me from start to finish. A masterpiece.
1929. When a passionate love affair threatens to leave Lucy in disgrace, she chooses a respectable marriage over a life of shame. With her husband, coffee-plantation-owner James, she travels to her new home in India, leaving her troubled past behind her.
Everything in India is new to Lucy, from the jewel-coloured fabrics to the exotic spices. When her path crosses that of Gowri, a young woman who tends the temple on the plantation’s edge, Lucy is curious to find out more about her, and the events that lead her to live…
I’m from Mauritius, of Indian heritage, and proudly African. I remember reading my first chick-lit romance circa 2001, thinking Mauritius has everything—the drama, the over-the-top characters, love matches, exciting backdrops both physical & cultural—to create great rom-coms & uplifting fiction…but where were such stories? A decade later, I was helping other African authors showcase their feel-good books by creating an imprint dedicated to African romance with a US publisher. I’m an author who loves to write about her country & life experiences, and I have the perfect day job for a bookworm as an editor who specializes in editing romance stories for indie authors & publishers alike.
I’m a sucker for all things Royal! Give me a prince and/or princess looking for love in today’s world, and I’m sold. This one has a princess and a prince!
Imagine you’re a princess bidden to enter a marriage of convenience with a neighbouring land’s prince. Then, on your wedding day, you get into an accident, your new husband dies, and when you wake from a coma, you find you’ve now been legally married off to the new Crown Prince, aka your late husband’s younger brother. And he’s hot as sin itself!
This one is more on the steamy side, but don’t let it deter you. Amidst all the heat is a treasure trove of feels and warring emotions and a seismic journey of falling for the "wrong" person who now happens to be exactly the right one!
India Saene, Princess of Bagumi, must enter a marriage alliance to save her kingdom from an economic crisis. Tragedy strikes when her husband of a few hours is killed in an accident on the way to their honeymoon. She recovers from a coma two weeks later to discover she has been inherited by her husband's younger brother! Sheikh Omar El Dansuri has never wanted to be king, nor does he desire a wife. However, when his older brother dies, he not only becomes the future king of Sudar, but he also inherits his brother’s bride through an age-old tradition. Falling…
