Here are 100 books that Creation and the Timeless Order of Things fans have personally recommended if you like
Creation and the Timeless Order of Things.
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I am a Professor of Islamic Thought and Global Philosophy at Carleton University in Ottawa, Canada. Perpetually drawn to ideas and concepts that seek to explain the underlying nature of things, I predictably read and write books on such topics as consciousness, self-awareness, mysticism, God, philosophy of religion, metaphysical poetry, and virtue ethics. The titles listed here are in my own area of expertise (Sufi philosophy). Intellectually rigorous and spiritually informed, they each represent perfect points of entry into Sufism, which is an ocean without a shore.
Written for contemporary audiences by a living Sufi
philosopher and world-renowned authority of comparative philosophy and
mysticism, The Garden of Truth is a must-read for anyone who wants to
have an understanding of, awaken to, and joyously live in the present moment. Unlike
any book I’ve seen in English, this work explains how the Sufi path of
liberation is all about realizing that one can only return to the present
moment by proceeding from where we are in the here-and-now. Once we get There,
we realize that Here is Now, since Now was always Here.
Sufism has made significant contributions to the spread of Islam and the development of various aspects of Islamic civilisation. Many conservative Muslims disagree with many popular Sufi practices, particularly saint worship, the visiting of tombs, and the incorporation of non-Islamic customs. Consequently, in recent centuries Sufism has been a target for Islamic reformist and modernist movements. Nasr is the preeminent Sufi scholar in the U.S., and in the tradition of Martin Buber's I and Thou, here provides the beliefs and vision of the mystical heart of Islam. A gentle anitdote to the extremist Muslim fundamentalists who capture the headlines and…
My exploration of Sufism began in the unlikely environment of the Soviet Union where Sufism was considered a relic of the past to be replaced by the atheist, world-asserting ideology. The fact that my Muslim academic advisor assigned this topic to me, an active customs officer, was nothing short of a miracle. It was the beginning of a chain of miracles that punctuated my teaching and research career in the USSR, UK, US, EU, and the post-Soviet republics of Eurasia, especially Tatarstan and Kazakhstan. Having observed Sufism in various shapes and forms for over thirty years, my knowledge of its precepts and rituals is of great help to me in everyday life.
This book was a revelation for me when it came out, and I continue to use it as both reference and a source of new ideas and inspiration. The author felicitously combines a deeply personal perspective on Sufism’s greatest thinker Ibn ‘Arabi (1165–1240) with academic rigor and precision in translation. His comments on Ibn ‘Arabi’s teachings are unobtrusive and helpful in navigating the Sufi master’s breathtaking exploration of the universe that he presents, paradoxically, as a giant reflection of the [self-]image and imagination of the Divine Absolute. The subtle interaction of mundane and divine imaginations determines how we ourselves imagine the world. After reading this book, you will understand why Ibn ‘Arabi looms so large in Eastern and Western imaginings of Sufism and why he is compared to Plato in the Western intellectual tradition.
"For the first time in the history of Orientalism, a thorough study of Ibn al-'Arabi's thought is now available. William Chittick has given us a translation of numerous passages from the work of the Magister Magnus and placed them in their theological context, thus removing many misunderstandings that have prevailed both among Muslims and in the West when interpreting Ibn al-'Arabi's mystical worldview. Chittick has done this with admirable clarity, and his book will always remain a most important milestone in the study of Islamic mystical theology." -- Annemarie Schimmel, Harvard University
I am a Professor of Islamic Thought and Global Philosophy at Carleton University in Ottawa, Canada. Perpetually drawn to ideas and concepts that seek to explain the underlying nature of things, I predictably read and write books on such topics as consciousness, self-awareness, mysticism, God, philosophy of religion, metaphysical poetry, and virtue ethics. The titles listed here are in my own area of expertise (Sufi philosophy). Intellectually rigorous and spiritually informed, they each represent perfect points of entry into Sufism, which is an ocean without a shore.
This book is one of a kind. It draws upon an array of Sufi texts in translation in order to explain how the Sufi vision of reality is fundamentally rooted in a kind of yin/yang complementarity at every level of being—from the human, to the cosmic, to the divine.
This is a genuine foundational work in Islamic studies, an open door into the very heart of Islamic civilization. It suggests the bases of important comparisons and insights for those interested in cognate areas in Western cultures. The Tao of Islam is a rich and diverse anthology of Islamic teachings on the nature of the relationships between God and the world, the world and the human being, and the human being and God. Focusing on gender symbolism, Sachiko Murata shows that Muslim authors frequently analyse the divine reality and its connection with the cosmic and human domains with a view…
I am a Professor of Islamic Thought and Global Philosophy at Carleton University in Ottawa, Canada. Perpetually drawn to ideas and concepts that seek to explain the underlying nature of things, I predictably read and write books on such topics as consciousness, self-awareness, mysticism, God, philosophy of religion, metaphysical poetry, and virtue ethics. The titles listed here are in my own area of expertise (Sufi philosophy). Intellectually rigorous and spiritually informed, they each represent perfect points of entry into Sufism, which is an ocean without a shore.
The findings in this book have
opened my eyes to a truly unique moment in the history of cross-cultural
translation and non-Western philosophy by showing how pre-modern Indian
metaphysical teachings in Sanskrit were refashioned by the Persian Sufi
philosophical tradition in early modern South Asia. I particularly recommend Translating
Wisdom because it clearly points to an alternative quest for wisdom for those
who wish to escape the stranglehold of Anglo-American and European epistemic
systems.
A free open access ebook is available upon publication. Learn more at www.luminosoa.org.
During the height of Muslim power in Mughal South Asia, Hindu and Muslim scholars worked collaboratively to translate a large body of Hindu Sanskrit texts into the Persian language. Translating Wisdom reconstructs the intellectual processes and exchanges that underlay these translations. Using as a case study the 1597 Persian rendition of the Yoga-Vasistha-an influential Sanskrit philosophical tale whose popularity stretched across the subcontinent-Shankar Nair illustrates how these early modern Muslim and Hindu scholars drew upon their respective religious, philosophical, and literary traditions to forge a common vocabulary…
I've always been fascinated with the idea that humans have so many layers of consciousness, and reality is multi-faceted. I've studied Zen Buddhism, yoga, and for the past 43 years, Sufism. My experience of life has developed into a journey of changing difficult situations into exhilarating discoveries, finding hidden patterns in nature that delight me and tell me I’m not alone in the universe, and helping many people transform into beings of joy and gratitude. I’m beginning to see that our transformation delights and changes the Divine; we are not a passing phenomenon but contributors to new creation on a major scale.
This book, for serious students of mysticism, dances between the worlds of Persia a thousand years ago and the present. For me, it took the topic of creative imagination out of the realm of fantasy and established it as a cornerstone of the way we perceive and give meaning to reality, and the way we connect to God and inner worlds.
"Henry Corbin's works are the best guide to the visionary tradition...Corbin, like Scholem and Jonas, is remembered as a scholar of genius. He was uniquely equipped not only to recover Iranian Sufism for the West, but also to defend the principal Western traditions of esoteric spirituality."--From the introduction by Harold Bloom Ibn 'Arabi (1165-1240) was one of the great mystics of all time. Through the richness of his personal experience and the constructive power of his intellect, he made a unique contribution to Shi'ite Sufism. In this book, which features a powerful new preface by Harold Bloom, Henry Corbin brings…
I grew up, a child of the eighties, in a Minneapolis household filled with music and dance. My mom took me to see the moviePurple Rainwhen I was thirteen and I was never the same. And though I no longer rat and spray the life out of my hair, I’ve always felt an affinity for the decade. The music of the time inspired so much of what we hear today. Notes and lyrics are just another forms of story. So, please enjoy my list. And if you find your foot tapping, pop in a cassette, a CD, or maybe even spin a record while you read.
I had the wonderful opportunity to read this YA novel as an ARC. It debuts on November 1st 2022, so put your patient pants on for this one.
It’s 1979, and Jasmine Zumideh, an Iranian American music-journalist-in-the-making, embellishes on her application to NYU. When her coveted acceptance letter arrives, she must win her school’s election for Class President to turn her lie into the truth.
What I loved about this debut was although it tackled the complications of embracing one’s identity and culture, and how confusing and messy this can be, it was also a fun romp down the halls of the decade without feeling forced or dated. Life-altering events of the time were woven in seamlessly—The Iran Hostage Crisis, making for a heartfelt story about the hidden strength and perseverance of a teenage girl navigating discrimination, family expectations, friendships and a new love. Put this one on your…
Most Anticipated YA by Buzzfeed, BookRiot, Epic Reads, Publishers Weekly, and more!
A fresh spin on the cult-classic Election meets Darius the Great Is Not Okay in Jasmine Zumideh Needs a Win when an international incident crashes into a high school election, and Jasmine is caught between doing the right thing and chasing her dream.
It’s 1979, and Jasmine Zumideh is ready to get the heck out of her stale, Southern California suburb and into her dream school, NYU, where she’ll major in journalism and cover New York City’s exploding music scene.
I have gone through the refugee experience, and it has shaped me. I grew up queer in Syria, became a man in Egypt, a refugee in Lebanon, then an author in Canada. At the expense of romanticizing something so deeply painful, I do believe that the experience has made me a better man. It matured me, offered me a deep connection with others within my community, and built an unmatched appreciation of my culture of home back in Syria and my culture of diaspora here in Canada. As a fiction writer, I am obsessed with writing queer stories about immigration.
I only knew of this book because my British publisher introduced me to it. For that, I’m truly thankful. The book feels honest and unflinching and makes for a great read for both myself as an immigrant as well as for those navigating a world where immigration is a constant daily reality.
I read it over a weekend in 2020 and have read it once more in 2022. I had to return to it, especially when I was faced with microaggressions or felt unheard in my new home in Canada.
What is it like to be a refugee? It is a question many of us do not give much thought, and yet there are more than 25 million refugees in the world. To be a refugee is to grapple with your place in society, attempting to reconcile the life you have known with a new, unfamiliar home. All this while bearing the burden of gratitude in your host nation: the expectation that you should be forever thankful for the space you have been allowed.
Aged eight, Dina Nayeri fled Iran along with her mother and brother, and lived in the…
The idea for my first novel came from a 1946 study of Alabama parolees, linking individual characteristics to the likelihood of recidivism. The outcomes were surprising in many instances: “promising factors” such as education, profession, and intelligence didn’t correlate with good behavior. This got me thinking about the lasting effectsof imprisonment. Sentences don’t necessarily end when an inmate walks out the prison door. I see this again and again in the previously incarcerated students I teach at Helena College—they’ve been released from an institution, but mental and physical imprisonment lingers, and sometimes grows. The books on this list don’t shy away from that hard reality.
Set during the 2005 bus-driver strikes in Iran, this book explores imprisonment at nearly every level—from the confinement of a totalitarian regime to the physical and psychological torture of a political prisoner, to the locked doors of one’s own mind, to the escape sought (and sometimes found) in heroine. What sticks with me most, however, is the interior exploration of the main character, Yunus, and the way seemingly small decisions lead to enormous consequences.
An critically-acclaimed Iranian author makes his American literary debut with this powerful and harrowing psychological portrait of modern Iran-an unprecedented and urgent work of fiction with echoes of The Stranger, 1984, and The Orphan Master's Son-that exposes the oppressive and corrosive power of the state to bend individual lives.
Yunus Turabi, a bus driver in Tehran, leads an unremarkable life. A solitary man since the unexpected deaths of his father and mother years ago, he is decidedly apolitical-even during the driver's strike and its bloody end. But everyone has their breaking point, and Yunus has reached his.
I’ve been fascinated with ancient history since childhood, but really fell in love with the Achaemenids in college while taking classes on Greek history and wondering about the other side’s perspective on familiar stories of the Persian Wars. I was fortunate to get the opportunity to study both Greek and Persian history in graduate school at the University of Chicago, a leading center of scholarship on the Achaemenid world since the Persepolis excavations in the 1930s. Since 2006, I’ve taught in the History department at Christopher Newport University, a liberal arts university in Newport News, Virginia. I’m currently working on my next book, a new history of Persia’s Greek campaigns.
The Persian empire’s size and diversity impose special challenges for modern study. The major sources are written in a wide variety of ancient languages, including Old Persian, Elamite, Babylonian, Aramaic, Biblical Hebrew, Greek, and Latin, and many texts were initially studied in specialist publications with limited accessibility outside a small circle of scholars. Kuhrt’s sourcebook did a tremendous service to scholars and students alike by gathering reliable translations of a wide range of written evidence from the Persian empire, replete with supporting notes and bibliography for further reading. It includes substantial selections from Greek historians of Persia, including Herodotus, Xenophon, and the Alexander biographers, but ensures that readers are able to contextualize these texts alongside internal materials reflecting the full diversity of Persian empire and society.
Bringing together a wide variety of material in many different languages that exists from the substantial body of work left by this large empire, The Persian Empire presents annotated translations, together with introductions to the problems of using it in order to gain an understanding of the history and working os this remarkable political entity.
The Achaemenid empire developed in the region of modern Fars (Islam) and expanded to unite territories stretching from the Segean and Egypt in the west to Central Asia and north-west India, which it ruled for over 200 years until its conquest by Alexander of Macedon.…
I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinnis an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?
Hedayat (1903-1951) was an Iranian writer who knew that death and the mythic experience of Kairos time exists a hair’s breadth away from what we commonly experience as human life.
The Blind Owl was the book that gave me permission to write fiction: instead of writing a novel in standard form, I wanted to create a liminal space, a threshold world between real and unreal; to invite readers into an unfamiliar (and hopefully transformative) vision of humanity.
This is exactly what Hedayat does in The Blind Owl: we are immersed in a fable of otherworldly, repetitive, poetic, dark, and mesmerising power. The story (of jealousy, despair, the cyclical nature of life and death) has a rare depth and a sense of universal reach precisely because it has one foot in the liminal.
Widely regarded as Sadegh Hedayat's masterpiece, the Blind Owl is the most important work of literature to come out of Iran in the past century. On the surface this work seems to be a tale of doomed love, but with the turning of each page basic facts become obscure and the reader soon realizes this book is much more than a love story. Although the Blind Owl has been compared to the works of the Kafka, Rilke and Poe, this work defies categorization. Lescot's French translation made the Blind Owl world-famous, while D.P. Costello's English translation made it largely accessible.…
