68 books like Benny and Omar

I’m super-passionate about giving young people the window into the world that they deserve – in fact, I wrote a whole book about journalism and fake news for kids.

David McCullagh, with this book, has flung that window wide open.

David will be familiar to Irish audiences as the anchor of the main evening news programme on RTE, but he’s managed to do the almost-impossible with this book. Namely: communicating the world of politics to kids in a way that doesn’t patronise or talk down to young people.

This beautifully-illustrated book explains some quite complicated concepts clearly with real-word examples and some excellent tongue-in-cheek humour.

I’ll be forcing it on my wee nephew as soon as he’s old enough!

Simply put: this book is one of the most beautiful books I’ve ever read.

PJ is a world-renowned artist who turned his hand to writing with this period piece, set aboard the famous ship bound for the new world. I had the enormous privilege of visiting PJ’s studio in Dublin several years ago and fell in love with his artwork on the spot.

In a world of flashy, computer-rendered illustrations, PJ’s style is timelessly beautiful.

The simplicity of the story, paired with the epic scope of his artwork makes this book a constant pleasure to revisit over and over again.

I’m a sucker for tongue-in-cheek humour, the sort of dry, straight-faced joke that is so skilfully woven into a narrative or a character’s personality that you’re almost not sure if it was meant to be funny.

Alex Barclay has that skill in truckloads, and uses it to tremendous effect in this book. It’s a ripping yarn about a young girl on the search for her dad – except, it’s about a lot more than that.

It embraces the absurd and the vividly real in equal measure, all told through the eyes of a beautifully-crafted main character.

I can’t think of another book like it – it is utterly, uniquely brilliant.

Back to the non-fiction shelf for my last pick – which is a whistle-stop tour through the Irish sportswomen who have achieved greatness, but perhaps not always the recognition that they deserve.

Jacqui Hurley and her crack squad of illustrators have curated a book full of brilliant role models for all the young women out there who dream of representing their county, their country, or even those who just need some inspiration to go out on the pitch and do their best.

It’s essential reading for any young sports fan, no matter who they are!

What a surprise to savor a first-hand account of sharing a cottage in Ireland with a leprechaun. After the initial shock, intrigue set in, and then the joyous laughter to offset the underlying angst of being ridiculed for even thinking such an experience could be possible. 

As I relaxed into Helliwell’s narrative about her summer in Ireland, I felt my heart warm, and then accept the possibilities of new realities. I realized that if I allowed myself to simply enjoy and pay attention in a different way, I could experience everyday magic that exists as close as my own breath.

In a world where the scientific method demands proof, this book might delightfully upend assumptions regarding elemental beings.

This book is luminous. The world of everyday reality and the world of magic overlap and interact and influence each other. There are philosophers and gods, leprechauns and (once again) taking animals, and women wiser than all of them put together. The plot concerns a crime that never occurred and various types of bizarre trouble that result from it. Adventures follow adventures in a picaresque manner, not all of them necessarily connecting with any other, a free and easy approach that gives great fluidity to the whimsical narrative.

The Gold-Son is about a teen boy, Tommin, cursed with the need to steal. When the leprechaun, Lorcan Reilly arrives, he tricks Tommin and takes him to the realm of the Leprechauns. The thing I marveled over the most was the description of Tommin’s urge to steal—it was so well written. The author’s writing is lyrical and beautifully atmospheric, and she melds the legends and folklore of leprechauns to craft a tale of a terrible curse, a young love that lasts, and second chances.

An absent-minded, modern-day scientist is pulled out of time, finding himself in a medieval England of a parallel universe. He is mistaken for a sorcerer and starts using his knowledge to make a name for himself.

I know all of that may sound cliche, the story is anything but.

I was especially drawn to the big bad of the story, who is so powerful that he can hear that narrator and start to argue with him in some great fourth-wall-breaking moments that turn out to be more than just humorous exchanges.

I found this to be a fun series that really plays around with some common fantasy concepts and has fun with it all, not taking itself too seriously.

Let’s be clear: the title is ironic. This is a love story, told mostly in retrospect. Well, it’s not love exactly. It’s sex. Or a kind of twisted idea of romance. It’s attraction anyway, not quite obsessive, but close.  And it’s mysterious. Who are these people? How do they connect to each other? How do they know each other? Do they even like each other? Why/why not?

The answers, if readers can identify them, are not reassuring. And yet... I loved this book, read it twice, straight off. It’s partly the descriptions of the physical world – natural and constructed – always partial, never conclusive, that are so attractive to read. 

And it’s a very young book. Exhilarating. 

Democracy aid deals with governance-related political reforms. Using statistics and case studies of the US, Tunisia, and Jordan, Bush understands the failures of democracy aid through the lenses of organizational politics. On the donors’ side, Bush documents how the professionalization of democracy aid forces nongovernmental groups to prioritize projects with quantifiable outputs that bureaucrats want. On the recipients’ side, Bush demonstrates the attempts by authoritarian regimes to control, restrict and co-opt the nongovernmental groups that seek democratic reforms. Buffeted from both directions, such nongovernmental groups respond by avoiding serious projects that challenge the authoritarian regime. Instead, they prioritize symbolic projects that look good to the bureaucrats in the donors but fail to promote genuine democratization. It is organizational politics run amok.