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For my first 18 years, I slept in the same room (opposite my parents) in the same house (116 Monticello Avenue) in the same city (Piedmont) in the same state (CA) in the same country (USA), but soon after leaving for college in Evanston, IL, I pined for elsewhere and ended up peripatetic. That peripateticness plagued me, as a woman/wife/mother. While growing our family, my French husband and I moved: Israel to France to California to New York to Israel to New York to Israel. Finally, in my early fifties, I understood home is more about who you are than where you live.
In 102 brief numbered chapters, Dani Shapiro goes on a journey to examine her belief system.
Raised as an only child in a religious Jewish house, she fled to find herself. Decades later—after losing her father, being left alone to deal with her mother, and facing her infant son’s life-threatening illness—she wrestled with existential questions.
Like a spiritual investigator, she searched for answers, jumping from one house of faith and experience to another, from her childhood synagogue to her meditation teacher. In my early 50s, I, too, woke up and wondered if my inherited religion served me.
For my half-century birthday, my husband and I checked into a French Benedictine Monastery in Abu Gosh near Jerusalem, where a nun asked our religious affiliation. Born Jewish, I said, but questioning.
“Devotion’s biggest triumph is its voice: funny and unpretentious, concrete and earthy—appealing to skeptics and believers alike. This is a gripping, beautiful story.” — Jennifer Egan, author of The Keep
“I was immensely moved by this elegant book.” — Elizabeth Gilbert, author of Eat, Pray, Love
Dani Shapiro, the acclaimed author of the novel Black and White and the bestselling memoir Slow Motion, is back with Devotion: a searching and timeless new memoir that examines the fundamental questions that wake women in the middle of the night, and grapples with the ways faith, prayer, and devotion affect everyday life. Devotion…
For my first 18 years, I slept in the same room (opposite my parents) in the same house (116 Monticello Avenue) in the same city (Piedmont) in the same state (CA) in the same country (USA), but soon after leaving for college in Evanston, IL, I pined for elsewhere and ended up peripatetic. That peripateticness plagued me, as a woman/wife/mother. While growing our family, my French husband and I moved: Israel to France to California to New York to Israel to New York to Israel. Finally, in my early fifties, I understood home is more about who you are than where you live.
The Part That Burns is not a linear narrative but a memoir in fragments. Each essay or chapter is different, interesting, engaging like scattered pieces of a puzzle that the writer—and reader—are trying to put together.
It's about a childhood wrought with abuse and rejection, about trauma and epigenetics, home and roots. It's about a girl who grows up to become a teenager who becomes a young woman who becomes a wife and a mother and every step of the way, she yearns for what we all yearn for: acceptance and love.
My memoir is as slim and sparse as Ouellette’s and some might consider my chronological story as fragmented because of its tiny chapters and missing connective tissue from one chapter to the next.
"I love this book and am grateful it is in the world." —Dorothy Allison, New York Times best-selling author of Bastard Out of Carolina and Cavedweller "Simply beautiful. Precisely imagined, poetically structured, compelling, and vivid." —Joyce Carol Oates "A textured remembrance of a traumatic childhood that also offers affecting moments of beauty." —Kirkus Reviews (starred review)
In her fiercely beautiful memoir, Jeannine Ouellette recollects fragments of her life and arranges them elliptically to witness each piece as torn and whole, as something more than itself. Caught between the dramatic landscapes of Lake Superior and Casper Mountain, between her stepfather’s groping…
For my first 18 years, I slept in the same room (opposite my parents) in the same house (116 Monticello Avenue) in the same city (Piedmont) in the same state (CA) in the same country (USA), but soon after leaving for college in Evanston, IL, I pined for elsewhere and ended up peripatetic. That peripateticness plagued me, as a woman/wife/mother. While growing our family, my French husband and I moved: Israel to France to California to New York to Israel to New York to Israel. Finally, in my early fifties, I understood home is more about who you are than where you live.
This book combines compressed prose with nonfiction truth-telling but it isn’t linear or a complete story as much as a snapshot of Fennelly’s childhood, home life, and keen observations.
This book showed me that the quality of writing trumps the quantity of words. Short and sparse, when well written, can find a place on a bookshelf and shine.
The 52 micro-memoirs in genre-defying Heating & Cooling offer bright glimpses into a richly lived life, combining the compression of poetry with the truth-telling of non-fiction into one heartfelt, celebratory book. Ranging from childhood recollections to quirky cultural observations, these micro-memoirs build on one another to arrive at a portrait of Beth Ann Fennelly as a wife, mother, writer and deeply original observer of life's challenges and joys.
Some pieces are wistful, some wry and many reveal the humour buried in our everyday interactions. Heating & Cooling: 52 Micro-Memoirs shapes a life from unexpectedly illuminating moments and awakens us to…
I’m an author and elementary librarian living in Northern California. My mind is a busy neighborhood: there are all sorts of thoughts and feelings running around up there like hordes of naughty unsupervised children. I need books to ground me, to encourage me to slow down, to help me feel and release those emotions. As an elementary librarian, I’m a voracious reader, but I only choose to return to the most necessary, beautiful books. These authors comfort me through their words, pulling forth laughter, tears, and the knowledge that I’m not so crazy after all. Or, if I am, I’m not the only one.
Maggie Smith is a poet, and this book about the end of her marriage is exquisite.
I loved her careful prose, her honesty, and the book’s format (with its varying chapter lengths and her perfect word choice, it often reads like poetry). I love being married to my husband of 20+ years, but this book reminds me that, in the end, I belong to me. It’s healthy and necessary to search out my own joy.
"[Smith]...reminds you that you can...survive deep loss, sink into life's deep beauty, and constantly, constantly make yourself new." -Glennon Doyle, #1 New York Times bestselling author
The bestselling poet and author of the "powerful" (People) and "luminous" (Newsweek) Keep Moving offers a lush and heartrending memoir exploring coming of age in your middle age.
"Life, like a poem, is a series of choices."
In her memoir You Could Make This Place Beautiful, poet Maggie Smith explores the disintegration of her marriage and her renewed commitment to herself in lyrical vignettes that shine, hard and clear as jewels. The book begins…
I’m a historian of modern Germany. As a teacher and a writer, I seek to get my students and readers to empathize with the people of the past, to think and even feel their way inside those people’s experiences. Because empathy is not sympathy, one can and should empathize with people one finds unsympathetic. We need to empathize with Nazis in order to understand how they and other Germans—human beings not unlike ourselves—could have committed the worst crimes in modern European history, not least the Holocaust.
Since its publication, I have assigned this book every time I taught my course on Nazi Germany at Williams College.
Through his use of diaries, letters, and anecdotes, in combination with his profound knowledge of the history of the Third Reich, Fritzsche shows how, after January 1933, when Hitler became Reich Chancellor, the German people came rapidly to support and even to create National Socialism in Germany. The German people here were not simply duped or terrorized by the Nazis. Fritzsche shows how, in various different ways and to various different degrees, Germans became Nazis.
And, through empathy with those Germans, he helps the reader to understand why they did so. If you want to read only one book on the history of the Third Reich, this is the book I would recommend.
On January 30, 1933, hearing about the celebrations for Hitler's assumption of power, Erich Ebermayer remarked bitterly in his diary, "We are the losers, definitely the losers." Learning of the Nuremberg Laws in 1935, which made Jews non-citizens, he raged, "hate is sown a million-fold." Yet in March 1938, he wept for joy at the Anschluss with Austria: "Not to want it just because it has been achieved by Hitler would be folly."
In a masterful work, Peter Fritzsche deciphers the puzzle of Nazism's ideological grip. Its basic appeal lay in the Volksgemeinschaft-a "people's community" that appealed to Germans to…
I am a historian, and I am fascinated by the interplay and tensions between our moral and material lives. In my books, I try to recover how people in earlier periods thought about good and bad and why they acted the way they did. I try to understand how norms and customs change over time and how we came to think of our own as “normal,” which was all but normal not so long ago. I do not believe historians should play being prophets, but I do believe history can help us make better sense of the present.
What I admire about this book is the courage to break with the standard narrative of West Germany from 1949 to 1989 as a success story. West Germans did not just settle down in prosperity and comfort but had plenty of angst and fear.
The book does a great job of showing how we can write a history of emotions.
German Angst analyses the relationship between fear and democracy in postwar West Germany. While fear and anxiety have historically been associated with authoritarian regimes, Frank Biess demonstrates the ambivalent role of these emotions in a democratizing society: in West Germany, fear and anxiety both undermined democracy and stabilized it. By taking seriously postwar Germans' uncertainties about the future, this study challenges dominant linear and teleological narratives of postwar West German 'success', highlighting the prospective function of memories of war, National Socialism, and the Holocaust. Postwar Germans projected fears and anxieties that they derived from memories of a catastrophic past into…
I’ve been a journalist for much of my life and have been passionate about history since I was a child. Ever since I visited a castle at age five, I’ve loved imagining the past and naturally ended up doing a History degree at Oxford. I love fact-based stories and am always meticulous in my research so that I can bring my readers with me on a journey of discovery. But what always brings history to life for me is focusing on the characters, real or imagined, who’ve made history themselves.
Written in just four weeks, this book pulsates with fury and is all the more poignant when you know its young Jewish author died after his ship was sunk in the war.
Otto Silbermann is a Jewish businessman on the run as his world collapses around him, and he slowly realises his homeland is enemy territory. It’s chilling and devastatingly real.
Berlin, November 1938. With storm troopers battering against his door, Otto Silberman must flee out the back of his own home. He emerges onto streets thrumming with violence: it is Kristallnacht, and synagogues are being burnt, Jews rounded up and their businesses destroyed.
Turned away from establishments he had long patronised, betrayed by friends and colleagues, Otto finds his life as a respected businessman has dissolved overnight. Desperately trying to conceal his Jewish identity, he takes train after train across Germany in a race to escape this homeland that is no longer home.
Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at…
I was a law school graduate heading for my first job when, unable to think of anything better to do with my last afternoon in London, I wandered through the First World War galleries of the Imperial War Museum. I was hypnotized by a slide show of Great War propaganda posters, stunned by their clever viciousness in getting men to volunteer and wives and girlfriends to pressure them. Increasingly fascinated, I started reading about the war and its aftermath. After several years of this, I quit my job at a law firm and went back to school to become a professor. And here I am.
Fritzsche shows here how, from 1914 to 1933, middle class Germans were welded into the political block that supported Hitler. Another spellbindingly original book – among other things, Fritzsche shows very persuasively that the Great Depression had little to do with the rise of Hitler – the Nazis’ recipe of egalitarian but nationalist politics was already doing its work before 1929.
Why did ordinary Germans vote for Hitler? In this dramatically plotted book, organized around crucial turning points in 1914, 1918, and 1933, Peter Fritzsche explains why the Nazis were so popular and what was behind the political choice made by the German people.
Rejecting the view that Germans voted for the Nazis simply because they hated the Jews, or had been humiliated in World War I, or had been ruined by the Great Depression, Fritzsche makes the controversial argument that Nazism was part of a larger process of democratization and political invigoration that began with the outbreak of World War…
Keith Lowe is the author of several works on postwar history. His international bestseller, Savage Continent, won the English PEN/Hessell Tiltman Prize and Italy’s Cherasco History Prize. His book on the long-term legacy of World War II, The Fear and the Freedom, was awarded China’s Beijing News Annual Recommendation and was shortlisted for the Historical Writers Association Non-Fiction Crown. His books have been translated into more than twenty languages.
There are dozens of excellent books about Germany and Germans in the wake of defeat – I could mention Giles MacDonogh’s After the Reich, or R.M. Douglas’s Orderly and Humane – but Douglas Botting’s book is by far the most engaging history of the subject that I’ve ever read. It was written in the 1980s, so it is not quite as up-to-date as the more recent histories, but what it lacks in cutting-edge research it more than makes up for in narrative immediacy. It is impossible not to be moved by Botting’s descriptions of postwar chaos, of orphans hiding in the ruins, of lawlessness, starvation, desperation and retribution. An absolute classic.
First published in Britain in 1985, In the Ruins of the Reich is a classic account of Nazi Germany after her fall to the Allies in May 1945. Douglas Botting concentrates on the defining events that took place in the period between the collapse of the Third Reich and the foundation of the new Germanys to create the prevailing atmosphere of a most unusual and little-charted time in history. This was a period when four of the strongest industrial nations to emerge from the Second World War attempted to work together to govern the once strong Germany, now prostate, impoverished…
I write fiction and poetry in English and translate literary works from Kannada, a South Indian language. I was shortlisted for the Lucien Stryk Asian Translation Prize, and twice in a row for the Montreal International Poetry Prize. I had the Charles Wallace India Trust Fellowship in writing and translation at LAF and UWTSD in 2022. As a reader, I admire original and clever use of language, writing that portrays with humour the profundity in the absurdity of life, that which makes the quotidian quotable – writing that strikes while the ‘irony’ is hot. These are qualities that I think are intuitive in my own writing. I've enjoyed the following books for these reasons.
A fantastic work of a surefooted wordsmith takes an equally talented translator to carry it across the linguistic barrier in a way that makes it a literary treat in its own right.
I’m envious of Breon Mitchell’s limpid linguistic manoeuvering that has rendered the German modern classic very enjoyable in English. The narration set in Nazi times as told by a dwarf – who is rather unlikeable by all counts – is an ingenious technique of stripping bad politics to its bare bones and laying out the nonsense that remains.
It is political without being political. There are signs galore in the book for metaphor hunters, but I simply revelled in the language of this remarkable debut work.
WITH A NEW FOREWORD BY THE AUTHOR On his third birthday Oskar decides to stop growing. Haunted by the deaths of his parents and wielding his tin drum Oskar recounts the events of his extraordinary life; from the long nightmare of the Nazi era to his anarchic adventures is post-war Germany.
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