37 books like At the Water's Edge

Gallipoli occupies an infamous place in the history of amphibious operations. The British and Allies hoped in 1915 to wrest control of the Gallipoli peninsula from Turkish forces, then aligned with the Central Powers of Germany and Austria-Hungary. This attack in turn would open the way for the defeat of Turkey, link up with friendly Russian forces, and ultimately defeat the Central Powers. However, as Robin Pryor explains, the British amphibious assault suffered from poor planning, incompetent leadership, ineffective logistics, and inadequate weapons and vehicles. The Turks enjoyed the advantages of high ground and good leadership. Following the assault in April 1915, ground operations cost 130,000 British and Allied casualties and ended in their evacuation and failure in January 1916. Pryor’s book paints Gallipoli as a cautionary tale of how not to conduct amphibious operations.  

First published in 1959, some 15 years after the Allied invasion of Normandy on D-Day, Cornelius Ryan’s book stands as a classic narrative of that amphibious assault. Writing in the vivid prose of an experienced journalist, Ryan also conducted research like a seasoned historian. He interviewed combatants of every nation and rank and sent questionnaires to many others. I feel like I am in the thick of the fight alongside Allied soldiers in the landing craft approaching the beach and with Germans hunkered down in the fortifications trying to stop their amphibious assault. Throughout his narrative, Ryan blends analyses of the good and bad decisions made by both sides.   

Although most studies of amphibious operations focus on twentieth-century examples, the chapters in this anthology study ship-to-shore assaults throughout the Middle Ages and the early modern era. I think the introductory chapter is a tour de force in explaining how amphibious warfare plays out in tactics, operations, and strategy. The principles remain timeless regardless of terrain or technology. Subsequent chapters represent stand-alone studies of reasons for successes or failures in amphibious battles in the Baltic, Mediterranean, Ireland, and Europe, whether on seashores or along riverbanks. The sum of all the chapters is greater than their individual pieces. I grasped that amphibious warfare sometimes expanded beyond military objectives to include establishing footholds for commercial trade, state development, and imperial expansion. 

Although the Japanese eventually captured Wake Island in western Pacific Ocean, the U.S. Marines’ 15-day defense in December 1941 helped give the American people some hope after the devastated losses at Pearl Harbor. The 449 Marines and 1,104 civilian contractors endured daily air raids and defended against two amphibious assaults—the first unsuccessful and the second successful—by the Japanese. Urwin draws on exhaustive research in archives and interviews with veterans to tell the day-by-day story of Wake. He provides analysis about how the fighting played out. Readers get to know Marines like Major James P.S. Devereux and Marine pilot Captain Henry “Hammerin’ Hank” Elrod. Devereux commanded the Marines on the island, and Elrod died fighting the Japanese in the air over Wake. Urwin’s prose reads like a novel, and his attention to detail is exceptional.

This is a book I read as a teen that inspired me to write war stories. I loved it because it doesn’t glorify war; Brian Callison is a master of writing about war as it is, from multiple perspectives, in all its bloody, brutal horror.

The action is great but almost secondary to the memorable characters he creates, and Brian Callison writes dialogue the way soldiers really talk. If you like this one, he's written a dozen more like it, and they haven't aged.

A brilliant and harrowing depiction of the kind of full-on, high-stress decisions made in the furious hours of combat in the deep south Atlantic Ocean as Great Britain sought to recapture the Falkland Islands from Argentina, which had seized them. There is no finer example of decision-making by a senior commander at sea in modern combat. As a strike group commander myself decades later in the Afghan and Iraqi wars, this book was invaluable to me in learning how to make hard decisions.

A gorgeous meditation on friendship, the English countryside, art, and beauty.

Two men spend the spring and summer of 1989 creating crop circles in Wiltshire, working during the ‘arcane mystery of the humming night’ to ‘fuel the myth and strive for beauty, yes, but never the reveal the truth’ of their identities. It’s lyrical and life-affirming, yes, but also a warning.

As Calvert, an ex-soldier, remarks: ‘it’s about the land...getting people to learn to love it so that they don’t take it for granted, and then feel compelled to protect it.'

I taught about the Falklands War in my final position within the Department of Defense. I found this unheralded engagement to be as riveting and visually engaging as any publication I have read about this conflict. I found the tales of individual courage, along with the mistaken assumptions, lack of basic survival resources, and the sheer magnitude of their struggle for the cause they believed in, to shed an entirely new light on this forgotten time in the post-Vietnam, pre-Gulf War period.

I came to appreciate the Argentinian force's behavior despite the deprivations on the field and at home. Their resiliency was admirable. The emotional and physical scars on the sides were honestly and sensitively portrayed, many of which linger to this day.

As a researcher and Historian, L.A. Carlyon was a genius. Gallipoli was a WW1 campaign that failed for the Allies; the brainchild of Winston Churchill and a complete disaster. And yet, it was the first big battle fought by Australians under a National identity and has been written into folklore. Many saw this as the blooding of our nation. What I really loved about this book is that it went into the deep truth about Gallipoli, things I never imagined could have happened, and a land offensive that was never supposed to happen. What we were taught at school was a long way from the truth and it really opened my mind.

Without giving too much away, this book follows a woman who lost a baby. We don’t witness her as a mother, as such. She’s someone whose choices resulted in no child at all. Instead, we witness her in a cavernous, self-destructive funk, in which she leaves her husband and flees to an ambiguous seaside town. 

Here, she drinks too much. She falls asleep in public places. She charms men, just to feel her power over them. And also — she longs for something. Deeply. Like the protagonists in all these stories, she remains somehow absolvable, despite the moments where she does something abhorrent or perplexing. 

If you were to list the protagonist’s transgressions on paper, the character portrait would be unflattering, even loathsome at times. But that’s not how I perceived her. I found myself sympathetic, charmed, and wanting to be her friend.