Here are 70 books that All I Ever Wanted fans have personally recommended if you like
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Hi! I'm John Glynn, and I'm excited to share some book recommendations inspired by one of my favorite Taylor Swift songs, "Cruel Summer." To me, this song perfectly encapsulates the heightened emotions of summer love—a theme at the heart of my memoir Out East. I chose books that capture the "fever dream highs" of the season. But at the same time, as Taylor sings, "Summer's a knife," filled with longing and heartache, primed for nostalgia. All of these books carry the kind of moonlit shimmer I crave in a smart beach read. As a Swiftie, a beach lover, an avid reader, and a hopeless romantic, I hope you enjoy.
This might be my all-time favorite memoir. Every time I sit down to write, I tend to read a few pages of it to absorb the rhythm of Patti Smith’s unadorned, lyrical writing.
Like Taylor Swift, Patti Smith is a music icon, a poet, and a genius wordsmith. For me, this book totally captured the radiant nostalgia of a bygone era and a romantic love that evolves into something more permanent and transcendent.
“Reading rocker Smith’s account of her relationship with photographer Robert Mapplethorpe, it’s hard not to believe in fate. How else to explain the chance encounter that threw them together, allowing both to blossom? Quirky and spellbinding.” -- People
It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.
Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence…
Sadly, I was born without an ounce of musical talent. After realizing I was never going to effortlessly play the guitar or sing in tune, I focused a lot of my energies on listening to music. I came of age in the 80s and the rise of MTV brought loads of fantastic music to explore: punk, new-wave, post-punk, pop. My love for music grew and expanded as I grew up in the 90s. It was those I reached back to musical memories in creating my books, 80s Redux and Lived Through That. I also host a popular podcast called Lived Through That that combines my love of music and storytelling.
Kristin Hersh’s book documents a pivotal year in the Throwing Muses’ singer and songwriter’s life. The book is at times funny and warm, sometimes confounding – she befriended Betty Hutton, an American film star in the 30s. What?!As I was reading the book, memories of seeing her band in the early 90s kept flashing through my mind – the intensity of her performances and songs make a lot more sense after reading her story.
"One of the 25 Greatest Rock Memoirs of All Time” --Rolling Stone Magazine (#8)
“Sensitive and emotionally raw… it’s also wildly funny”--The New York Times Book Review
A powerfully original memoir of pregnancy and mental illness by the legendary founder of the seminal rock band Throwing Muses, 'a magnificently charged union of Sylvia Plath and Patti Smith' - The Guardian
Kristin Hersh was a preternaturally bright teenager, starting college at fifteen and with her band, Throwing Muses, playing rock clubs she was too young to frequent. By the age of seventeen she was living in her car, unable to sleep…
Sadly, I was born without an ounce of musical talent. After realizing I was never going to effortlessly play the guitar or sing in tune, I focused a lot of my energies on listening to music. I came of age in the 80s and the rise of MTV brought loads of fantastic music to explore: punk, new-wave, post-punk, pop. My love for music grew and expanded as I grew up in the 90s. It was those I reached back to musical memories in creating my books, 80s Redux and Lived Through That. I also host a popular podcast called Lived Through That that combines my love of music and storytelling.
Before taking a darker turn in the second half, this book almost reads like a Steven Spielberg movie: wise grandmother advises her young grandson to stick his hands in cow patties out in the field to rid himself of warts. After this hilarious beginning, the book goes into detail on Zabrecky’s rise through the Los Angeles music scene of the early 90s, finding some success with his band Possum Dixon, the inevitable lure of drugs, and a surprising third act. This book reads almost like fiction and you’ll likely read it in a sitting or two, it’s well-paced and well-written.
Strange Cures is a turbulent, against-all odds memoir of self-discovery, success, failure, and reinvention, told by one of LA's most interesting natives. With an unflinching gaze, musician/magician/actor Zabrecky recounts his bizarre coming-of-age tale and his quest to find a place in the arts--and the world.
The author reveals a young life filled with both physical miracles and subversive role models, including an uncle who impersonated an FBI agent and, in a drunken delusion, shot and nearly killed him. He takes readers on a roller coaster ride through the nascent days of Silver Lake's music and art community, as seen through…
Sadly, I was born without an ounce of musical talent. After realizing I was never going to effortlessly play the guitar or sing in tune, I focused a lot of my energies on listening to music. I came of age in the 80s and the rise of MTV brought loads of fantastic music to explore: punk, new-wave, post-punk, pop. My love for music grew and expanded as I grew up in the 90s. It was those I reached back to musical memories in creating my books, 80s Redux and Lived Through That. I also host a popular podcast called Lived Through That that combines my love of music and storytelling.
Author and musician Miki Berenyi, from the 90s band Lush, pens a memoir that is one of the most open and honest I’ve read. In addition, the book reads almost like a casual conversation with a friend over coffee – albeit a friend who has lived quite an interesting life. Trigger warning – there are some sensitive topics discussed here, including suicide, self-harm, and sexual abuse. As of this writing, the book is only available in the UK but it’s well worth your time to seek it out if you can.
Rough Trade Book of the Year Resident Book of the Year A Rolling Stone Book of the Year A Mojo Book of the Year A Sunday Times Book of the Year
Formed in 1988, Lush were part of the London gig scene during one of the most vibrant and creative periods in UK music. Now, Miki Berenyi tells all.
From the bohemian ways of her father's social circle to the privileged glamour of her mother's acting career, Miki's young life was a blur of travel, celebrities and peripatetic schooling. But frequent relocation, parental neglect and the dark presence of her…
I’m an Australian author, staring down the barrel of middle age. I’ve been writing about music for the past 30 years. I’ve written 25 books; my subjects have included Keith Urban, the Bee Gees, Angus and Malcolm Young, Daniel Johns of Silverchair, among others. During my career, I’ve also had interesting encounters with such legends as Aretha Franklin, Patti Smith, Bob Dylan and Helen Reddy. I live (currently in lockdown, yet again) with my very tolerant wife, my two children, and a house full of animals. (Real animals, that is, not the kids.)
Mark Evans was the bassist for AC/DC and played on such classics as ‘Dirty Deeds Done Dirt Cheap’ and ‘Long Way to the Top’. He was a resident of the ‘Prahran Hilton’ — a public housing estate in Melbourne — when he joined the band, and within a year he was in London mixing it up with Ozzy Osbourne (‘the plumber of darkness’), Marc Bolan, the Sex Pistols and the rest of them. This is a real boy’s own, working-class, rock and roll adventure.
Mark Evans joined AC/DC in 1975, at only nineteen years old, when they were one of the hardest working and loudest rock bands in Australia. In the next few years AC/DC recorded four bestselling albums, and Mark found himself headlining world tours and living the life of a bonafide rock star. His memoir, Dirty Deeds: My Life Inside and Outside of AC/DC, is the first book written by an AC/DC insider, giving fans insight into the life of not only Evans, but also singer Bon Scott, who died tragically in 1980. Rock and roll icons like George Harrison, Gene Simmons,…
It was not hard to grow up Goth in an old farmhouse in Norfolk, one of the most haunted counties in England. Age 11, when the Eighties began, I genuinely believed that ghosts, witches, and a demon dog called Old Shuck stalked this land. John Peel's radio show kept the night terrors at bay and replaced them with the music that became my passion. By 19, I was writing for Sounds and would meet and work with many of the bands and artists who saw me through that dread decade. Forty years on, this is my love letter to a most maligned and misunderstood genre – and why it still matters.
The Manchester evoked by Joy Division and Barry Adamson's first band, Magazine, also entered the Eighties a ravaged post-industrial city, strafed first by the Luftwaffe and then its own planners, who erected Brutalist estates over its Victorian past.
The son of a white Mancunian mother and black Jamaican father, Adamson grew up in some of the worst of the city's social housing in the Hulme of the Sixties. Another Selby aficionado, Barry recounts the story his challenging childhood with a picaresque, magical realist flair.
Music offers both salvation and damnation – as he progresses through Magazine and into Nick Cave's Bad Seeds, so too do all his most self-sabotaging addictions, until death brings a reckoning and a salvation in the first fruit of his solo career, the LP Moss Side Story.
In Up Above the City, Down Beneath the Stars, the enigmatic Barry Adamson shines a probing light into his own heart of darkness.
Born in the black and white world of post-industrial Manchester, Adamson saw music as a chance to turn his world technicolour. Propelled into punk via Magazine, he was the founding bass player in Nick Cave and the Bad Seeds, before stumbling too far down a dark, drug-induced path.
Unflinchingly candid, Adamson steers the reader through a mix of harrowing, tragic, funny and often life-affirming straights. Throughout it all, music - be it bass lines, melodies or film…
I was born in 1970. From my earliest memory there was music. But it’s never been just about the music, I have a natural curiosity for the people who make that music. The artist on the album cover, but also the side musicians, the producers, engineers, and promoters. I’m also fascinated by the roadmap from blues to rock to Laurel Canyon to disco to punk and on and on. Real music infuses and informs the fiction I write — by reading real-life accounts and listening to the songs, I’m put in the world from which it was all born.
I love the idea of taking a very specific time period, in this case one year, and parsing out what happened within an art form. The evolution of pop music in 1971 was changing both the industry and the world. Throughout 12 months, we see the same characters weaving in and out — Carol King, Van Morrison, Marc Bolan, David Bowie, Joni Mitchell, Mick Jagger — and the way they came together and pushed apart is its own year-long miniseries. To get at how art and industry cohabitate, and how we got to the pop culture machine we know today, there is no better crash course than 1971.
The basis for the new hit documentary 1971: The Year That Music Changed Everything, now streaming on Apple TV+.
A rollicking look at 1971, rock’s golden year, the year that saw the release of the indelible recordings of Led Zeppelin, David Bowie, the Who, Rod Stewart, Carole King, the Rolling Stones, and others and produced more classics than any other year in rock history
The Sixties ended a year late. On New Year’s Eve 1970 Paul McCartney instructed his lawyers to issue the writ at the High Court in London that effectively ended the Beatles. You might say this was…
I’ve had a passion for weirdness in mundane settings since my childhood days watchingThe Addams Family in a boring suburb. I grew up with the Apollo program, but as I realized I’d never be an astronaut, I increasingly turned to writing science fiction and fantasy set on Earth. I discovered role-playing games shortly after D&D came out, but when I became bored with characters who were only after money and mayhem, I found other RPGs and began writing for them. FGU’s Bushidointroduced me to Japanese mythology, which inspired my first urban fantasy novel, The Art of Arrow Cutting, which led me to being invited to write Shadowrunnovels.
War for the Oaks is a fantasy set in a very real Minneapolis (I’ve read parts of it on location) and concerns a war between the Seelie and Unseelie Courts for the city’s soul. As the fey are immortal, each side needs to recruit mortals to infect them with mortality or no victory will be possible. Eddi McCandry, a rock and roll singer, is chosen to fight alongside the Seelie Court.
Eddi starts playing an active role in their strategy and grows into the hero they need. It’s difficult not to love Eddi and her new band – some mortal, some fey – and the fact that the city she’s fighting for is real makes the story even more gripping than the battle for Gondor.
Acclaimed by critics and readers on its first publication in 1987, winner of the Locus Award for Best First Novel, Emma Bull's War for the Oaks is one of the novels that has defined modern urban fantasy.
Eddi McCandry sings rock and roll. But her boyfriend just dumped her, her band just broke up, and life could hardly be worse. Then, walking home through downtown Minneapolis on a dark night, she finds herself drafted into an invisible war between the faerie folk. Now, more than her own survival is at risk—and her own preferences, musical and personal, are very much…
Julian David Stone is an author, screenwriter, photographer, and filmmaker. He shot dozens of the 1980s greatest acts by sneaking his photography equipment into concerts such as Prince, U2, the Police, David Bowie, R.E.M., the Ramones, Elvis Costello, the Talking Heads, the Grateful Dead, Joan Jett, and many, many more. Other work include screenplays for Disney, Paramount, Sony, and MGM. He is also the writer and director of the hit cult comedy feature film, Follow the Bitch, which has played to packed houses all around the country and received numerous awards.
The Bible as far as I am concerned. As I was becoming a rock and roll fantastic in the early 80s, this was my go to source whenever encountering a new act that I hadn’t heard of. I would look up the new act, get an overview of their career and then dive in. It was always fun to see how they reviewed each album, using a scale of 1 to 5 stars. I bought every edition of this book (and will continue to do so, if they keep publishing them) and it was also interesting, and great feature of these books, that in each subsequent edition they would revisit their reviews and often change them, along with their star ratings.
A completely revised edition of the bestselling guide to popular recordings--featuring 2,500 entries and more than 12,500 album reviews. The definitive guide for the `90s.
Is there any better foreplay than great wordplay? Not in my book! After years of studying the romcom repartee gospel according to Nora Ephron and Nancy Meyers, I know this much is true: what’s said on the lips is first sparked in the hips! As a rom-com writer recently crowned “the Queen of Banter” by a reader (blush), I bow to the greats who taught me that witty banter is a symptom of unrealized or unsatisfied attraction. And as a lover of skillfully-written sparring, I squirm with delight whenever a sly remark, slick comeback, or sexy euphemism makes potential paramours pop. Want to enchant her? Use banter!
Rock star romances have been my jam since back when my teen bedroom walls were filled with Tiger Beat pinups. The beautifully-orchestrated banter that keeps the beat of a rock and roll love affair fraught with hit and miss encounters helps build the tension towards a satisfying crescendo. (Full disclosure: I begged author Kelly Kay to disclose her real-life inspiration, and it was exactly who I’d pictured!) The hotel pool scene where Meg and rockstar Ian do nothing more than talk (fully clothed) lives rent free in my head as one of the steamiest scenes I’ve ever read.
★★★★★"I LOVE this book." A rockstar romance love triangle without crossover, and everyone gets a happily ever after. And it all begins with a spilled glass of wine and a broken watch.
If Meghan Hannah's not falling down, she's falling in love.
She's a mess of herself and always has been. She's an expert at putting her foot in her mouth, tripping over nothing, and being a very loyal friend but love, not so much. But she thinks she has finally got it all figured out. Until she spills her wine on the wrong Rock Star. Now Meg needs to…
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