Here are 48 books that Up Above the City, Down Beneath the Stars fans have personally recommended if you like
Up Above the City, Down Beneath the Stars.
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It was not hard to grow up Goth in an old farmhouse in Norfolk, one of the most haunted counties in England. Age 11, when the Eighties began, I genuinely believed that ghosts, witches, and a demon dog called Old Shuck stalked this land. John Peel's radio show kept the night terrors at bay and replaced them with the music that became my passion. By 19, I was writing for Sounds and would meet and work with many of the bands and artists who saw me through that dread decade. Forty years on, this is my love letter to a most maligned and misunderstood genre – and why it still matters.
While the Ripper was abroad in Yorkshire, New York was stalked by its own phantom killer, Son of Sam, while its rapidly diminishing police force were otherwise engaged giving out leaflets entitled Welcome To Fear City: A Survival Guide for Visitors.
Abe Beame was Mayor over a burned-out necropolis of demolished buildings, crumbling infrastructure and tripling crime rates, a city President Gerald Ford told to "drop dead". This was the stage on which Lydia Lunch began her assault on the senses and sensibilities of her nation, at the tender age of 16.
Her account of not only surviving but grabbing every last moment of fun to be had in Fear City is rivalled only by mentor Hubert Selby Jr's Last Exit to Brooklyn as the ultimate in New York stories.
“Paradoxia reveals that Lunch is at her best when she’s at her worst . . . [and] gives voice to her sometimes scary, frequently funny, always canny, never sentimental siren song."—Barbara Kruger, Artforum
Lydia Lunch relays in graphic detail the true psychic repercussions of sexual misadventure. From New York to London to New Orleans, Paradoxia is an uncensored, novelized account of one woman’s assault on men.
Lydia Lunch was the primary instigator of the No Wave Movement and the focal point of the Cinema of Transgression. A musician, writer, and photographer, she exposes the dark underbelly of passion confronting the…
I was born in 1954, the same year as rock and roll. I am a product of the era that spawned me. I was that kid at school who would rather read his music mags than his school books. Over a rich and varied career, I have turned those passions into my profession. I have been a singer in a band, a music journalist, a broadcaster with the BBC national radio network, and have had several music related books published by major publishers. I have also been an academic specialist in my field and have managed to turn all those lifelong interests into a Ph.D. and an M.Phil.
I like books that take me via the scenic route. If I’m reading a history of folk music, I don’t just want dry old discographies and lists of bands and their lineups. I want a living, breathing account of where this all came from and what the modern era has inherited.
I want to know about the collectors and archivists and famous composers like Vaughan Williams and Holst who went from town to town and village to village getting information from people of my Grandad’s age about the songs that were passed down to them through the generations. I want a sense of how this stuff is in the very soil and landscape we inhabit.
A new edition as part of the Faber Greatest Hits - books that have taken writing about music in new and exciting directions for the twenty-first century.
Rob Young's Electric Eden: Unearthing Britain's Visionary Music is a seminal book on British music and cultural heritage, that spans the visionary classical and folk tradition from the nineteenth-century to the present day.
'A thoroughly enjoyable read and likely to remain the best-written overview for a long time.' GUARDIAN
'A perfectly timed, perfectly pitched alternative history of English folk music . . . wide-ranging, insightful, authoritative, thoroughly entertaining.' NEW STATESMAN
It was not hard to grow up Goth in an old farmhouse in Norfolk, one of the most haunted counties in England. Age 11, when the Eighties began, I genuinely believed that ghosts, witches, and a demon dog called Old Shuck stalked this land. John Peel's radio show kept the night terrors at bay and replaced them with the music that became my passion. By 19, I was writing for Sounds and would meet and work with many of the bands and artists who saw me through that dread decade. Forty years on, this is my love letter to a most maligned and misunderstood genre – and why it still matters.
Many children of my generation were turned to the dark side by their parents' collections of Dennis Wheatley's glamorously lurid Black Magic novels.
Key to their appeal was the author's assurance that the diabolical deeds described therein were actually being practised today – from the heart of power in London to the most remote village in the land. Phil Baker's enormously entertaining biography makes it clear that Dennis sincerely believed this, and consulted all the leading magicians of his age – including Aleister Crowley – to get the Goat-based goods from the gate.
Not only that, but his own life was steeped in just as much intrigue and danger as any of his novels, including stints as a WWI solider, peacetime purveyor of Napoleon's own brandy, and WWII member of Churchill's secret services.
"It is not only the Hammer films based on Dennis Wheatley's novels that are full-blooded, sensational entertainment, so was Wheatley's life, brilliantly evoked by Phil Baker. This gripping biography draws out all the comedy from Wheatley's history, from his childhood in a family of wine merchants who were dedicated to social climbing (the scrambling for status never left Wheatley either, even in his 70's he was proudly joining gentlemen's clubs such as White's) to his experiences in World War One. Wheatley's main ambition as a soldier was to join a socially acceptable regiment, but the Westminster Dragoons wouldn't have him…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
It was not hard to grow up Goth in an old farmhouse in Norfolk, one of the most haunted counties in England. Age 11, when the Eighties began, I genuinely believed that ghosts, witches, and a demon dog called Old Shuck stalked this land. John Peel's radio show kept the night terrors at bay and replaced them with the music that became my passion. By 19, I was writing for Sounds and would meet and work with many of the bands and artists who saw me through that dread decade. Forty years on, this is my love letter to a most maligned and misunderstood genre – and why it still matters.
No other book captures the darkness at the dawn of the Thatcher decade with such verisimilitude as David Peace's conjuring of its premier bogeyman, the Yorkshire Ripper, in the third of his Red Riding Quartet.
Perhaps that's because the author used his Goth record collection to transport him back to the places where these crimes were committed, at the time of his West Yorkshire youth. Songs like Siouxsie and the Banshees' 'Night Shift' and The Sisters of Mercy's 'Fix' summon back that fearful terrain, where 'cow' was a term of endearment for a woman and the use of hammers to the head a familiar sign of domestic abuse.
Detectives are revealed to be as deadly as their quarry, priests give benediction with nine-inch-nails and stone angels turn their heads away.
Nineteen Eighty Three's three intertwining storylines see the Quartet's central themes of corruption and the perversion of justice come to a head as BJ, the rent boy from Nineteen Seventy Four, the lawyer Big John Piggott - who's as near as you get to a hero in Peace's world - and Maurice Jobson, the senior cop whose career of corruption and brutality has set all this in motion, find themselves on a collision course that can only end in a terrible vengeance.
Nineteen Eighty Three is an epic tale which concluded an extraordinary body of work confirming Peace as the…
Ever since childhood, I’ve wondered about people who led inventive, innovative lives. How did they get their inspiration? Where did their ideas come from? How did they take that inspiration and change the world? I found information, but not the answers I was looking for, at the library. When I became an elementary library teacher, new forms of biographies – beautiful picture book biographies about people of all kinds – became available. My students loved them and so did I, and I became inspired to write for children. I’m excited that my first two picture book biographies, which received starred reviews, are out in the world – with more coming your way!
I love this book because it shows how a musical icon discovered and developed his own personal style.
Juan García Esquivel had a passion for music but no formal training. Without knowing the typical ways of arranging notes, Esquivel was free to experiment–and that made his work so unique that anyone hearing his music knew right away that he was the composer.
I think this book is great for showing the value of thinking differently. I also love the joyful illustrations inspired by ancient Mexican art.
Juan Garcia Esquivel was born in Mexico and grew up to the sounds of mariachi bands. He loved music and became a musical explorer. Defying convention, he created music that made people laugh and planted images in their minds. Juan's space-age lounge music--popular in the fifties and sixties--has found a new generation of listeners. And Duncan Tonatiuh's fresh and quirky illustrations bring Esquivel's spirit to life.
My doctorate is in music, and although I am now more active as a composer, I was at one time a performer (pianist). Thus, I have both personal ties to the author (my mother) and professional insights into the subject matter. I have also interviewed a number of the world’s leading violinists (Bell, Chase, Markov, Zukerman, and others) and composed two works for the instrument (my Op. 4 and Op. 5, published by Broadbent & Dunn). Moreover, my series, The Passion of Elena Bianchi, also involves classical music and musicians, and echoes Paganini Agitato with concerts, poker, the great love of a child, and elements of the supernatural and/or demonic.
Paganini is not one of the composers the author discusses. However, I consider Secret Lives an important book, simply because it “spills the beans” about a number of these giants.
Gioachino Rossini is portrayed with some of his numerous shortcomings (though Paganini’s dalliances achieved far more notoriety). I shall mention a few significant historical facts: (1) he and Paganini were very close friends, (2) Paganini wrote a set of brilliant variations, I Palpiti,based on an aria from Rossini’s opera, Tancredi, and (3) Paganini did indeed conduct the debut of another Rossini opera, Matilde di Shobran.
Secret Lives was also a source I tapped for some of the information I presented about composers (including, most notably, Richard Wagner) in one of my own novels.
In the fine tradition of "Secret Lives of Great Authors" and "Secret Lives of Great Artists" comes the latest entry in Quirk's successful series: "Secret Lives of Great Composers". You've heard their scores in countless movies, from "Fantasia" to "Apocalypse Now" - now get the skinny on their tumultuous lives, loves, and lunacy. You'll learn that Frederic Chopin had his heart removed before burial, due to his grave fear of being buried alive. Sergei Rachmaninoff hated the sound of his own music and despised performing it. Gustav Mahler was rarely invited to dinner parties because he would eat nothing but…
We Had Fun and Nobody Died
by
Amy T. Waldman,
Peter Jest,
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of…
Ever since childhood, I’ve wondered about people who led inventive, innovative lives. How did they get their inspiration? Where did their ideas come from? How did they take that inspiration and change the world? I found information, but not the answers I was looking for, at the library. When I became an elementary library teacher, new forms of biographies – beautiful picture book biographies about people of all kinds – became available. My students loved them and so did I, and I became inspired to write for children. I’m excited that my first two picture book biographies, which received starred reviews, are out in the world – with more coming your way!
I love this energetic book about experimental composer Charles Ives for its liveliness, beautiful language, and glorious sounds! It’s also an important example of staying true to yourself and following your own path.
Before he became a composer, young Charles Ives’s life was full of noise–glorious noise! Influenced by his father, a music educator and bandleader, Ives experimented with sound. Like John Cage, he faced ridicule and criticism, and faced roadblocks to having his music performed.
The extraordinary story of the composer Charles Ives.
"Sometimes little Charlie lay in his crib just listening. He heard his mother’s long dress as she moved around his room. He heard big clocks and little clocks. He heard wagons and horse hooves. He heard dogs and crickets and the church bell next door."
Charlie listened all through his boyhood, and as he grew into a man, he found he wanted to re-create in music the sounds that he heard every day. But others couldn’t hear what Charlie heard. They didn’t hear it as music – only as noise. In this…
I have loved music since childhood. I grew up on a farm in Western Pennsylvania. My loving, hard-working parents gave my three brothers and me the best life possible. I began singing at our little Chewton Christian Church when asked to do so. Piano lessons began, and for 12 years, my sweet teacher, Joann Thurston, taught me piano, but I realized my true love was singing. She always allowed me to sing as well as play the piano. I attended Westminister College, majoring in elementary education with a music minor. Following graduation, my first job was teaching music to 1500 schoolchildren in Blacksburg, Virginia.
This book encourages readers to travel through the ages with our most famous classical composers, big bands, jazz, and popular music innovators. It introduces the reader to time periods beginning with primitive man and ending with the Beatles arriving at Buckingham Palace to receive honors from the Queen of England. Tidbits of information are gleaned as one progresses from page to page through the periods.
Piero Ventura’s fascinating art helps us visualize everyday life and gain insight into our most famous composers. One can almost see the composers walking the streets, attending opening night concerts, operas, and ballets while showing us they were real people, just like us. One never knows what influence these great composers or any one of us might have on society from generation to generation.
The internationally acclaimed artist and author has created a work that helps teach young people about the world's greatest composers and describes the history of music from primitive rhythms to the era of the classical masters
I am Frederick L. McKay, the youngest son of the composer and author George Frederick McKay (1899-1970), and I have re-issued and edited Professor McKay’s theory books and also authored his biography titled McKay’s Music: The Composer Chronicles. George Frederick McKay hoped to have more American music performed in the concert halls of our country and also involved cultural elements from around the world in his musical works, including poetry and whimsical pieces for young people studying music. His other works include Creative Harmony, How Music Begins and Grows, and Workbook for Creative Orchestration.
Penrod reminded the composer of the many adventures he had as a young boy along with his friends in the early decades of the 20th century.
McKay remembered when he helped the son of a doctor who was a boyhood friend as they made placebos for the doctor's practice out of bread and water in the basement of the doctor's home. He also recalled street fights with other boys that did not always turn out well for undersized kids but were considered sporting in those times in frontier towns.
A timeless novel in the spirited tradition of The Adventures of Tom Sawyer and Huckleberry Finn One of the most popular American authors of the late nineteenth and early twentieth centuries, Pulitzer Prize winner Booth Tarkington was acclaimed for his novels set in small Midwestern towns. Penrod tells of a boy growing up in Indianapolis at the turn of the twentieth century. His friends and his dog accompany him on his many jaunts, from the stage as the Child Sir Lancelot, to the playground, to school. They make names for themselves as bad boys who always have the most fun.…
As the Director of the Center for Texas Music History at Texas State University, I’m excited to stay on top of all that’s being done in the field of Texas Music and let me assure you that it is a great way to spend one’s days. Texas music and culture reflect the state’s diverse and contested past, and every month, it seems that there is not only a new artist appearing on the stage to sing her or his truth but a writer helping us to understand how those truths fit into the larger narratives of Texas history.
This is one of the books that had me inserting an unsolicited “did you know that...” into just about every conversation I had while reading it. Terry Allen is a singular visual and musical artist whose story exemplifies what a rich and contrarian place Texas is.
I knew something of what I might find in a Terry Allen biography, and yet there’s so much more: 1950s Lubbock wrestling promoters and Thai psychedelic bands, David Byrne and Marcel Duchamp, and, most compellingly, the lifelong love of partners Terry and Jo Harvey Allen. I cannot imagine many authors up for the task.
Brendan Greaves expertly delivers as one of those rare characters who understands that Allen’s roles in fine art and country music are not only on equal footing but of a piece. Greaves also oversaw the masterful reissue of Allen’s iconic albums Juarez and Lubbock on Everything, which makes it all…
Drawing on hundreds of interviews with Allen himself, his family members (including actor and poet Jo Harvey Allen, his wife and artistic partner of more than sixty years), and his many notable friends, colleagues, and collaborators (from musicians like David Byrne and Kurt Vile to artists such as Bruce Nauman and Kiki Smith); full access to the artist's home, studio, and voluminous journals and archives; and over twenty years of collaboration and friendship with Allen, author Brendan Greaves limns a revealing portrait, as deeply researched as it is intimate, as provocative as it is poetic, of a singularly multivalent storyteller…
