Fans pick 100 books like A Thousand Cuts

This book tells the story of Craig Smith, a musician and songwriter who had a brush with fame in the sixties before developing mental health issues while on the hippie trail in Afghanistan. Thereafter, he adopted an unusual alter ego, Maitreya Kali, under which he recorded two bizarre and now excruciatingly rare albums. Through years of research, author Mike Stax tells the story by patching together court and medical records, interviews with associates, and other shreds of data, even trying to track down Smith, who had been homeless for many years.

This is a sad but captivating work that uncovers the mysterious story of an obscure cranny of music history.

Tony Parker was a British writer dedicated to telling the stories of marginalized members of society. Many of his books took the form of transcripts of interviews with murders, career criminals, lighthouse keepers, and occupants of social housing. This book was his most controversial: interviews with institutionalized sex offenders, who tell their stories in their own words. Parker was skilled at getting people to broach shameful topics and talk candidly about their lives, and this book is no exception. His transcripts capture each speaker’s unique parlance, as well as the offenders’ varying levels of self-reflection. Published in 1969, there is even the sad story of a man who was imprisoned for homosexuality.

I promise you my publisher isn’t strong-arming me into including this (now long out of print) book – which I stumbled upon years before I linked up with them. A spin-off of Kossy’s zine of the same name, Kooks is a kind-spirited examination of several conspiracy theorists, aspiring cult leaders, and miscellaneous cranks. In each profile, Kossy does her best to meticulously research her topic, digging deep into piles of rambling documents so that you don’t have to. Who can forget Francis E. Dec, sworn enemy of the Mad Deadly Worldwide Communist Gangster Computer God, who mailed out unintelligible hand-typed diatribes to media outlets for years?

The definitive book on outsider musicians, from The Shaggs to Jandek to the hyper-obscure likes of Y. Bhekhirst, who left copies of his outrageously bizarre cassette album, Hot In the Airport, at several NYC record stores before permanently disappearing into thin air. A detailed work that required copious original research to dig up murky facts about obscure musicians, it has been an inspiration to me as a writer. In fact, in my book I dedicate an entire chapter to outsider musicians of the digital age, in obvious homage to this magical tome.

No list of important books on Hollywood is complete without a reference to Kevin Brownlow.

Kevin was there in the 1960s and 1970s, when many of the silent-era Hollywood stars were still alive. He met and interviewed them all. His book brings that era to life in a way that no other book or film has been able to accomplish. Kevin is also a major supporter of other authors.

He was kind enough to blurb two of my books. He also read drafts of my Warner Brothers book – twice! Each time with increasingly helpful, thoughtful, and supportive feedback. Kevin is the one historian that every film historian is in debt to. I don’t think Kevin knows how important he is, but he certainly deserves a spot on my list. 

Only a small fraction of the millions of Americans in uniform during World War II were engaged in combat operations. Harris’s well-researched account zeroes in on the service of five Hollywood directors, who, like many other professionals, were asked to adapt their civilian skills to wartime needs.

Tacking back and forth between Washington and other stateside locales and posts far afield—from Midway and the Aleutian Islands to North Africa and Italy—the book’s carefully drawn action conveys the far-flung exploits of filmmakers during the war as well as how those experiences impacted their craft.

I think the author is very clever by bringing in the trendy concept of soft power and thus opening a new window for our understanding of Taiwan cinema.

I found the book not the easiest to read if you are not particularly familiar with the language of cultural studies or with specific films and filmmakers in Taiwan. However, the author has presented a convincing and valuable argument by linking a cinematic output to the entire system, which enables the production, circulation, and distribution of this output.

In other words, Taiwan cinema is a result, but the system that enriches creativity is where Taiwan’s values and soft power lie.  

Once upon a time, in a small apartment in Brooklyn, an unemployed, unproduced, unagented writer sat down to start a script. Three days later he finished it. Twelve months of rewrites and he sold it. Four years later it was made. And a year after that it won the Oscar for Best Original Screenplay. But, Michael Arndt notes in his modest introduction to the shooting script, this isn’t “a rewards-of-virtue narrative”; it’s a story about the razor-thin line between success and failure – and how, as Dwayne says in the movie, you should “do what you love and fuck the rest”. Words to live – and write – by.

This is a really good overview of how the studios responded to the rise of fascism overseas and how, as the reality of America becoming involved in the war became more possible, what plans they made to adapt, from more military screenplays to what actors to use (since many of the male actors were either drafted or enlisted), to how to get military equipment for sets.

Dick also probes how these war films, including some made after the war, altered or rearranged history in order to make a better movie.

Bruce Block has taught at many of the studios in the film industry and now you can also learn about the tools of art that can be used to elevate your art to entertainment industry standards. I myself have worked in animation, video games, and comics. In video games, I have been an art director for many years and when I discovered this book, it dramatically increased my ability to be a better AD. Not only is this book broken down into clear topics with numerous visuals to help you understand but Bruce also shows you have to chart these tools allowing you to art direct your own projects. Every artist and visual creative person should own this book.