Here are 100 books that A Cluster of Noisy Planets fans have personally recommended if you like
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Now, I’m a journalist who covers prisons—but a decade ago I was in prison myself. I’d landed there on a heroin charge after years of struggling with addiction as I bumbled my way through college. Behind bars, I read voraciously, almost as if making up for all the assignments I’d left half-done during my drug years. As I slowly learned to rebuild and reinvent myself, I also learned about recovery and hope, and the reality of our nation’s carceral system really is. Hopefully, these books might help you learn those things, too.
I read so much poetry in prison—words about survival, and loss, and absence. But one thing I did not read was poetry about people who’d been in prison like me, and wish I had. This poetry collection wasn’t out then, but I think I would have loved it if it were.
In fierce, agile poems, Felon tells the story of the effects of incarceration-canvassing a wide range of emotions and experiences through homelessness, underemployment, love, drug abuse, domestic violence, fatherhood and grace-and, in doing so, creates a travelogue for an imagined life. Reginald Dwayne Betts confronts the funk of post-incarceration existence in traditional and newfound forms, from revolutionary found poems created by redacting court documents to the astonishing crown of sonnets that serves as the volume's radiant conclusion.
I’m a lifelong student of philosophy, leadership, and principled living. Having worked with great leaders of today and being an editor-in-chief of a leadership journal (Leader to Leader), I experience how their leadership continues the principles set forth in days long past, and I publish works by authors who are keeping these principles alive in their writing. I am grateful for the opportunity to recommend books that might help others as we grapple with how to be in the world today to create value for all.
I love this book because when I first read it, I felt I was home.
It was recommended by a friend who recognized in me a leaning toward this type of literature. In the book, Kahlil describes all the different aspects of our lives and how/who we should strive to be in these areas. For instance, we should work in love as our “work” is our service to humanity. Hence, Kahlil’s phrase "Work Is Love Made Visible."
One of the most beloved classics of our time—a collection of poetic essays that are philosophical, spiritual, and, above all, inspirational. Published in 1923, Gibran's masterpiece has been translated into more than twenty languages.
Gibran’s musings are divided into twenty-eight chapters covering such sprawling topics as love, marriage, children, giving, eating and drinking, work, joy and sorrow, housing, clothes, buying and selling, crime and punishment, laws, freedom, reason and passion, pain, self-knowledge, teaching, friendship, talking, time, good and evil, prayer, pleasure, beauty, religion, and death.
Each essay reveals deep insights into the impulses of the human heart and mind. The…
I’ve always been preternaturally attentive to the way words work—as components of meaning, but also as visual, aural, and functional objects with their own erratic behaviors. Since joining the Oulipo in 2009, I’ve had even more occasion to think and talk about how those behaviors can be pointed in a literary direction, and to recognize successful experiments when I read them.
I truly never thought I’d laugh out loud at an erasure poem. ThenInk Earl came along. Holbrook starts with a hundred copies of the original fifties ad pitch for the Pink Pearl eraser—get it yet?—and hacks away different parts of each, yielding a series of meditations and diatribes and bouts of spirited near-nonsense. The poems are consistently clever delights, and the project’s conceptual wholeness is icing on the cake.
ink earl takes the popular subgenre of erasure poetry to its illogical conclusion.
Starting with ad copy that extols the iconic Pink Pearl eraser, Holbrook erases and erases, revealing more and more. Rubbing out different words from this decidedly non-literary, noncanonical source text, she was left with the promise of "100 essays" and set about to find them. Among her discoveries are queer love poems, art projects, political commentary, lunch, songs, and entire extended families.
The absurdity of the constraint lends itself to plenty of fun and funny, while reminding us of truths…
I'm a storyteller whose daydreams begin with “once upon a time”. I worked as a corporate paralegal and always thought that legal pads could be put to better use by writing a novel. Someone said that women learn best by observing the lives of women. I'm inspired by women who have stepped off the path as well as by those who have maintained it. My learning began by observing the women in my family, African American women who walked their paths, chosen and unchosen, with grace, style, and courage, sometimes, in heels. The stories of women, fictional narratives as well as biographies, poetry, and historical accounts, illuminate these strong souls.
The current United States Poet Laureate. She is an artist and not just of words. Harjo plays a mean saxophone. And writes poetry to send the soul soaring. Reminding me of the sky, the soil, the roots. My roots. “Do you know how to make a peaceful road through human memory?” Harjo’s Muscogee roots have their beginnings in the soil that nurtured some of my Georgia-born ancestors. What can I say? I feel the words.
In the early 1800s, the Mvskoke people were forcibly removed from their original lands east of the Mississippi to Indian Territory, which is now part of Oklahoma. Two hundred years later, Joy Harjo returns to her family's lands and opens a dialogue with history. In An American Sunrise, Harjo finds blessings in the abundance of her homeland and confronts the site where her people, and other indigenous families, essentially disappeared. From her memory of her mother's death, to her beginnings in the native rights movement, to the fresh road with her beloved, Harjo's personal life intertwines with tribal histories to…
I love gathering poets together to celebrate different causes. In fact, I hosted a weekly literary radio show, Gathering Voices, for seven years and published a book/cd collection, Gathering Voice. Since 1972, I have been publishing poetry as well as editing anthologies that collect differing voices, as an activist and poet/editor: gathering voices for women, nature, and social justice is my passion. Given the immensity of suffering in the war on Ukraine, I was galvanized to gather together poems in solidarity with Ukrainians. The anthology, co-edited with Richard-Yves Sitoski, was launched 3 months after the invasion began: a huge endeavor that included 48 activist poets.
This anthology is as powerful as it is still necessary: beware. Some pieces may be triggering, but they raised my awareness and empathy. These collected poems from writers across the globe declare one common theme: resistance. By exploring sexual assault and violence in their work, each writer resists the patriarchal systems of power that continue to support a misogynist justice system that supports abusers. In doing so, they reclaim their power and their voice. Resistance underscores the validity of all women’s experiences, and the importance of dignifying such experiences in voice, however that may sound. Because once survivors speak out and disrupt their pain, there is no telling what else they can do.
Writers across the globe speak out against sexual assault and abuse in this powerful new poetry anthology, edited by Sue Goyette. These collected poems from writers across the globe declare one common theme: resistance. By exploring sexual assault and violence in their work, each writer resists the patriarchal systems of power that continue to support a misogynist justice system that supports abusers. In doing so, they reclaim their power and their voice. Created as a response to the Jian Ghomeshi case, writers including Joan Crate, Ashley-Elizabeth Best, and Beth Goobie are, as editor Sue Goyette explains, a "multitude, resisting." The…
For my first 18 years, I slept in the same room (opposite my parents) in the same house (116 Monticello Avenue) in the same city (Piedmont) in the same state (CA) in the same country (USA), but soon after leaving for college in Evanston, IL, I pined for elsewhere and ended up peripatetic. That peripateticness plagued me, as a woman/wife/mother. While growing our family, my French husband and I moved: Israel to France to California to New York to Israel to New York to Israel. Finally, in my early fifties, I understood home is more about who you are than where you live.
This book combines compressed prose with nonfiction truth-telling but it isn’t linear or a complete story as much as a snapshot of Fennelly’s childhood, home life, and keen observations.
This book showed me that the quality of writing trumps the quantity of words. Short and sparse, when well written, can find a place on a bookshelf and shine.
The 52 micro-memoirs in genre-defying Heating & Cooling offer bright glimpses into a richly lived life, combining the compression of poetry with the truth-telling of non-fiction into one heartfelt, celebratory book. Ranging from childhood recollections to quirky cultural observations, these micro-memoirs build on one another to arrive at a portrait of Beth Ann Fennelly as a wife, mother, writer and deeply original observer of life's challenges and joys.
Some pieces are wistful, some wry and many reveal the humour buried in our everyday interactions. Heating & Cooling: 52 Micro-Memoirs shapes a life from unexpectedly illuminating moments and awakens us to…
I have been writing and teaching about African American poetry and poetics for more than two decades. My passion began when I kept discovering long-lost poems that were published once, in Black newspapers, and then forgotten. I wondered why I had never learned about Gwendolyn Brooks in school, though I’d read about e.e. cummings and Robert Frost. Once I stumbled on the fact that Claude McKay discovered cummings, I realized how much the questions of influence and power aren’t really central topics in thinking about the genealogy of Black poets and their influence on each other and on poetry in general.
Marilyn Nelson’s poetry is staggeringly good, particularly the way she writes formal poems—sonnets!—in a humble voice, like her sonnet “From an Alabama Farmer.” Nelson’s poem “To the Confederate Dead,” with its epigraph by Allen Tate is a better poem than Robert Lowell’s “For the Union Dead,” with which it is in conversation. Nelson’s ‘wreath’ of sonnets, “A Wreath for Emmett Till,” is simply sublime.
Conjuring numerous voices and characters across oceans and centuries, Faster Than Light explores widely disparate experiences through the lens of traditional poetic forms. This volume contains a selection of Marilyn Nelson's new and uncollected poems as well as work from each of her lyric histories of eighteenth-, nineteenth-, and twentieth-century African American individuals and communities.
Poems include the stories of historical figures like Emmett Till, the fourteen-year-old boy lynched in 1955, and the inhabitants of Seneca Village, an African American community razed in 1857 for the creation of Central Park. ""Bivouac in a Storm"" tells the story of a group…
I live in the southern Appalachians, a place that boasts some of the most beautiful views on earth and laments some of the most ravaged landscapes. As a fiction writer who is passionate about nature and human rights, I’ve taken up my pen to craft a novel with regular people at its heart, all living regular lives that are disrupted by tragedies all too common to the region. This is the general throughline in the books I am recommending, although the themes differ. I’ve offered a variety of genres, as well, which best reflects my own bookshelf at my home in the hills.
I’m including some verse in my list because there’s no better way to capture Appalachia’s mix of beauty and sorrow than with poetry. This collection by Joseph Bathanti, former poet laureate of North Carolina and longtime inhabitant of the Blue Ridge Mountains, lays bare the effects of mountaintop removal mining against a backdrop of the serene landscape it destroys. I don’t often read a book of poetry more than once, but I found myself skipping back through this one a lot, unable to turn away from the forsaken people and places of the poems.
Light at the Seam, a new collection from North Carolina poet Joseph Bathanti, is an exploration of mountaintop removal in southern Appalachian coal country. The volume illuminates and champions often invisible people residing, in a precarious moment in time, on the glorious, yet besieged, Appalachian earth. Their call to defend it, as well as their faith that the land will exact its own reckoning, constitutes a sacred as well as existential quest. Rooted in social and restorative justice, Light at the Seam contemplates the earth as fundamentally sacramental, a crucible of awe and mystery, able to regenerate itself and its…
I started writing poetry when I was eight or nine, inspired by the way song lyrics stirred my soul. The poetry of songs like Bowie’s Space Oddity or Dylan’s Johanna made me want to write. I read Allen Ginsburg’s Howl as a young man and found a new language, rhythm, and way of seeing the beauty and sadness of the world. Over the years, I’ve written many songs and more than many poems. My first collection, OWL, is out now. Poetry feeds my heart and soul and entices my senses. I love the books on this list and hope you enjoy them as much as I do!
I love poetry that employs new takes on old forms. The sonnet is once again brought alive by Hayes in a collection that feels poignant, playful, and urgent. I personally struggle with writing in the form and am blown away by the range and inventiveness of the nearly 80 sonnets in this action-packed collection.
My experience in reading these sonnets is one of joy: the pointed wit that paints Sylvia Plath as a drama queen and Trumpet (thinly veiled) as sexually tormented, the clear-eyed social and political criticism, the warm, broken, self-knowing heart. This collection rings true to me as a full and authentic ledger of the American experience.
Finalist for the National Book Award and the National Book Critics Circle Award in Poetry
One of the New York Times Critics' Top Books of 2018
A powerful, timely, dazzling collection of sonnets from one of America's most acclaimed poets, Terrance Hayes, the National Book Award-winning author of Lighthead
"Sonnets that reckon with Donald Trump's America." -The New York Times
In seventy poems bearing the same title, Terrance Hayes explores the meanings of American, of assassin, and of love in the sonnet form. Written during the first two hundred days of the Trump presidency, these poems are haunted by the…
I’m a poet, lover of great literature, and an English professor who has served as faculty advisor to my university’s student-run literary journal. I caught the bug as a teenager when I first started reading and memorizing poems that moved and intrigued me. Since then, reading and writing poetry—and having the pleasure of teaching it to students—has been my best way of checking in with myself to see what’s most important to me that I may have lost sight of in the daily bustle. It’s also my best way of going beyond myself—allowing my imagination to carry me to unexpected places.
I love Wordsworth’s poetry (and his comments on the creative process) for its beauty and its importance to the history of the art form. His best poems—especially Tintern Abbey and his Intimations or Immortality Ode—tell psychological and spiritual tales about the gains and losses of growing up, and the role that nature can play in a person’s maturation.
His Preface to Lyrical Ballads lays out a Romantic program for poetry that has been hugely influential for two centuries. Wordsworth’s idea that poetry comes from “emotion recollected in tranquility” and captures the “spontaneous overflow of powerful feelings” encapsulates how, for me and countless other writers, reflecting on personal memories provides a storehouse of poetic material.
William Wordsworth (1771-1850) is the foremost of the English Romantic poets. He was much influenced by the events of the French Revolution in his youth, and he deliberately broke away from the artificial diction of the Augustan and neo-classical tradition of the eighteenth century. He sought to write in the language of ordinary men and women, of ordinary thoughts, sights and sounds, and his early poetry represents this fresh approach to his art.
Wordsworth spent most of his adult life in the Lake District with his sister Dorothy and his wife Mary, by whom…
