100 books like Windrush Child

Ghanaian-born, I came to Britain aged twelve with my family and was always a lover of stories.  Now a PhD-educated mum of three, it niggled that there weren’t many novels with a Black child as the protagonist, especially a Black British one. As a creative who’d acted and performed poetry in the past, I set out to write a story about a Black child in Britain overcoming challenges.  Inspired by anecdotes of children remaining with relatives in their home country as their parents moved to Britain to make a life before sending for them, I was interested in writing a story about such a child after they arrived in Britain.

Ghanaian-born, I came to Britain aged twelve with my family and was always a lover of stories.  Now a PhD-educated mum of three, it niggled that there weren’t many novels with a Black child as the protagonist, especially a Black British one. As a creative who’d acted and performed poetry in the past, I set out to write a story about a Black child in Britain overcoming challenges.  Inspired by anecdotes of children remaining with relatives in their home country as their parents moved to Britain to make a life before sending for them, I was interested in writing a story about such a child after they arrived in Britain.

Ghanaian-born, I came to Britain aged twelve with my family and was always a lover of stories.  Now a PhD-educated mum of three, it niggled that there weren’t many novels with a Black child as the protagonist, especially a Black British one. As a creative who’d acted and performed poetry in the past, I set out to write a story about a Black child in Britain overcoming challenges.  Inspired by anecdotes of children remaining with relatives in their home country as their parents moved to Britain to make a life before sending for them, I was interested in writing a story about such a child after they arrived in Britain.

Ghanaian-born, I came to Britain aged twelve with my family and was always a lover of stories.  Now a PhD-educated mum of three, it niggled that there weren’t many novels with a Black child as the protagonist, especially a Black British one. As a creative who’d acted and performed poetry in the past, I set out to write a story about a Black child in Britain overcoming challenges.  Inspired by anecdotes of children remaining with relatives in their home country as their parents moved to Britain to make a life before sending for them, I was interested in writing a story about such a child after they arrived in Britain.

I'm a historian. But I’ve never been interested in Parliamentary debates, or important politicians. I’m much more interested in things like gender and entertainment. I always say that a lot more people have sex than become prime minister, so it makes more sense to study marriage than high politics! I like to learn about ordinary people, living their lives and loving their families, working and surviving, and trying to have a little fun along the way. I also love history of more fun and glamorous things—celebrities and scandals and spectacles and causes célèbres, hit plays, and best-selling novels. I have history degrees from Harvard and Yale and I’ve been publishing on nineteenth-century British history since 2000.

Kundnani writes about racial capitalism and Islamophobia, surveillance and political violence, and Black radical movements. He is the author of The Muslims are Coming! Islamophobia, extremism, and the domestic War on Terror and The End of Tolerance: racism in 21st century Britain, which was selected as a New Statesman book of the year. He has written for the Nation, the Guardian, the Washington Post, Vice, and The Intercept. Born in London, he moved to New York in 2010. A former editor of the journal Race & Class, he was miseducated at Cambridge University, and holds a PhD from London Metropolitan University. He has been an Open Society fellow and a scholar-in-residence at the Schomburg Center for Research in Black Culture, New York Public Library.

My father died when I was a young child, and so my uncle became the nearest I had to a father figure. He was a trade unionist and strongly committed to social justice. I was so enamoured by the compassion he showed towards socially disadvantaged people and the struggles they encounter through no fault of their own that I became an advocate for social justice from an early age. That passion for fairness and inclusion has stayed with me throughout my career and therefore figures strongly in my writings and, over the years, in my teaching, training, and consultancy work.

Memoirs have crept up on me as favorites. I could list many more. Please let me! As a psychoanalyst, I listen to the pains and struggles of individuals trying to become more at ease with themselves. They engage with their demons and try to make sense of how to manage the way their personal history has created their worldview and how to expand it enough to enter a present. Memoirs are another way of addressing such struggles. They have an elegance and a universality that emerges out of their individual stories. We learn about the other and we learn about ourselves.

I am a historian and historic buildings consultant with a longstanding interest in 15th and 16th century England. In addition to my own work on memorials, funerals, and the Howard family, I have worked as a researcher and consultant for television and books, including being a production researcher for the BBC adaptation of Wolf Hall. 

I have a Ph.D. in British history and have taught a variety of courses on the topic for the past 40 years. Since first visiting Scotland on a study tour in 1981, I have been to Britain and Ireland both multiple times and have spent extended periods of time there. From Shakespeare to the Beatles, from the Norman Conquest to the Second World War, from Roman Britain to Brexit, I have found each period of British and Irish history endlessly fascinating and sharing my passion with students and readers has been one of the great joys of my life.