Here are 100 books that Warrior Girl Unearthed fans have personally recommended if you like
Warrior Girl Unearthed.
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I'm an avid reader, lover of history, and newly-published author of The Real History of Thanksgiving (with more projects in the works!). I'm a mother of two and come from a large family at Gaa-waabigaanikaag, White Earth Reservation. I'm enrolled citizen of the White Earth Band of Ojibwe. I'm also an Oneida descendent with Irish, French, and Black ancestry. Much of my journey as a writer has been exploring the threads of our humanity and histories. It's powerful to think that we are still here, through time, distance, love, pain, and survival. There is immense beauty in being human and being Indigenous, and these books have been a source of connection and learning in my journey.
This book explores blood quantum, a faulty metric of “Indian blood” used to determine who is eligible for citizenship in a Native American tribe.
Blood quantum is a hot topic of discussion and continues to be controversial in Indian Country. Doerfler frames the issue expertly when she explores the real history of how White Earth Anishinaabeg at different periods of time conceive of identity. Or rather, who belongs, which is at the root of being Native American, both politically and personally.
My own feelings about blood quantum, once waffling and unsure, have evolved over the years. This book solidified my belief that blood quantum is built to destroy tribal nations and Indigenous identity.
Despite the central role blood quantum played in political formations of American Indian identity in the late nineteenth and twentieth centuries, there are few studies that explore how tribal nations have contended with this transformation of tribal citizenship.
Those Who Belong explores how White Earth Anishinaabeg understood identity and blood quantum in the early twentieth century, how it was employed and manipulated by the U.S. government, how it came to be the sole requirement for tribal citizenship in 1961, and how a contemporary effort for constitutional reform sought a return to citizenship criteria rooted in Anishinaabe kinship, replacing the blood…
Mixing the magical with everyday life is part of my Louisiana culture. Our history is a rich gumbo of legends from Indigenous peoples, Africa, the Caribbean, Spain, and France. So, as a child, hearing stories of the supernatural didn’t seem abnormal at all. I was ten years old when I became hooked on supernatural suspense. I voraciously read Agatha Christie's mysteries and spooky comic books. The comic book sleuths were sometimes as scary as the villains they chased. And I loved every page. What fun I had during summer school breaks! If you’re like me and love mysteries with paranormal twists, dive in. You won’t be disappointed in this list.
The unique protagonist is the main reason I loved this novel. Cash Blackbear is a young Objibwe woman in North Dakota with a strong sixth sense that leads her to clues. Cash gets visions that she can’t ignore. She teams with local Sheriff Wheaton, who trusts her insights even though he doesn’t understand them. Wheaton has been a father figure/mentor since she was a child left adrift in one abusive foster home after another.
I loved their sometimes awkward yet tender interactions. The author, who is Native American, expertly weaves in the rich tapestry of American indigenous culture and life. Additionally, this is a great whodunnit with plot twists that I thoroughly enjoyed.
Introducing Cash Blackbear, a young Ojibwe woman whose visions and grit help solve a brutal murder in this award-winning debut.
1970s, Red River Valley between North Dakota and Minnesota: Renee “Cash” Blackbear is 19 years old and tough as nails. She lives in Fargo, North Dakota, where she drives truck for local farmers, drinks beer, plays pool, and helps solve criminal investigations through the power of her visions. She has one friend, Sheriff Wheaton, her guardian, who helped her out of the broken foster care system.
As an Anishinaabe writer, my award-winning/nominated books, Murder on the Red River andGirl Gone Missing, feature Cash Blackbear; a young, Native woman, who solves crimes for the county sheriff. Oprah Magazine 2020 listed me as a Native American Author to read. I received Minnesota's 2020 McKnight Distinguished Artist Award. My script, Say Their Names, had a staged reading with Out of Hand Theater, Atlanta, 2021. Vazquez and I received the Loft’s 2017 Spoken Word Immersion Fellowship for work with incarcerated women. I have been a friend, colleague, and peer with the authors recommended. We might currently be a small crew writing but we are a mighty, award-winning crew.
I met Carole LaFavor, Ojibwe, when I was writing for community newspapers and local magazines. I wrote a profile of LaFavor detailing her activism work in the Native community. Later, we were both in a writing group. I first heard some of the early writing she was doing for Evil Dead Center. She was the first Native woman I met writing crime and she inspired me to keep going on the book I was writing at the time. University of Minnesota Press re-released Evil Dead Center in 2017 with the forward reading, “to underscore the significance of her writing to the Indigenous literary canon, to remind us of the power of her activism for HIV-positive Native peoples, and to return her important claims for the centrality of Two-Spirit peoples, bodies, and histories to the public eye.” - Lisa Tatonetti
An Ojibwa woman has been found dead on the outskirts of the Minnesota Red Earth Reservation. The coroner ruled the death a suicide, but after an ex-lover comes back into her life saying foul play was involved, Renee LaRoche wants to prove otherwise. As the events begin to unfold, Renee conducts a presumably normal welfare check on a young Ojibwa boy in foster care. After she learns the boy has suffered abuse, Renee finds herself amid an investigation into the foster care system and the deep trauma it has inflicted on the Ojibwa people. As Renee uncovers horrible truths, she…
I was attending graduate school in Mankato, Minnesota when I first discovered that 38 Dakota men were hanged there on December 26, 1862. I was shocked to find out that the largest simultaneous mass execution in United States history happened right where I lived and I knew nothing about it. Since then, I’ve dedicated myself to learning, understanding, and sharing the history of the U.S. – Dakota War of 1862. Over the years, I’ve discovered not just the history, but the legacy of that history for us today. Someday, I hope we all come to understand, and eventually break down, that legacy.
In Rez Life, David Treuer, an Ojibwe from the Leech Lake Reservation, shows us the real-life consequences of historical events and policy. Through scholarship and anecdote, Treuer teaches readers what it really means to be Native American in a country that has tried, time and again, to erase them. Rez Life is not the history book rendition of past wrongs and tragic events. Instead, it is an articulate, expressive look at the people who live with the legacy of those past wrongs and tragic events. It shows readers the Native Americans they won’t see in history books—the ones that exist today, fighting to overcome the trauma thrust upon them.
A prize-winning writer offers “an affecting portrait of his childhood home, Leech Lake Indian Reservation, and his people, the Ojibwe” (The New York Times).
A member of the Ojibwe of northern Minnesota, David Treuer grew up on Leech Lake Reservation, but was educated in mainstream America. Exploring crime and poverty, casinos and wealth, and the preservation of native language and culture, Rez Life is a strikingly original blend of history, memoir, and journalism, a must read for anyone interested in the Native American story. With authoritative research and reportage, he illuminates issues of sovereignty, treaty rights, and natural-resource conservation. He…
I was attending graduate school in Mankato, Minnesota when I first discovered that 38 Dakota men were hanged there on December 26, 1862. I was shocked to find out that the largest simultaneous mass execution in United States history happened right where I lived and I knew nothing about it. Since then, I’ve dedicated myself to learning, understanding, and sharing the history of the U.S. – Dakota War of 1862. Over the years, I’ve discovered not just the history, but the legacy of that history for us today. Someday, I hope we all come to understand, and eventually break down, that legacy.
Bagonegiizhig, better known as Hole in the Day, is an extremely charismatic figure in the history of Minnesota, yet few know of his life and leadership. In The Assassination of Hole in the Day, Ojibwe historian and scholar Anton Treuer skillfully reveals the rise and downfall of this clever, polarizing figure. An expert at his craft, Treuer provides readers with an excellent historical context to understand the world in which Hole in the Day lived. Then, Treuer shows readers how Hole in the Day rose to prominence and why he should not be overlooked by the annals of history.
On June 27, 1868, Hole in the Day (Bagonegiizhig) the Younger left Crow Wing, Minnesota, for Washington, DC, to fight the planned removal of the Mississippi Ojibwe to a reservation at White Earth. Several miles from his home, the self-styled leader of all the Ojibwe was stopped by at least twelve Ojibwe men and fatally shot.
Hole in the Day's death was national news, and rumors of its cause were many: personal jealousy, retribution for his claiming to be head chief of the Ojibwe, retaliation for the attacks he fomented in 1862, or retribution for his attempts to keep mixed-blood…
Though from different backgrounds, we share a profound passion for Native culture. As an enrolled member of the White Earth Chippewa Tribe of Minnesota, Gordon’s poetry and fiction draw deeply from his Anishinabe heritage and contribute to the current flowering of Indian writing. Ivy is the grandchild of Jewish immigrants from Eastern Europe. As a scholar and teacher, she was appalled that Native writers are largely excluded from the American canon and worked to right that wrong. They met through their shared interest in Samson Occom, an 18th-century Mohegan writer, and decided to collaborate on increasing awareness of the necessity of Native writing to sustaining our future.
Though we are thankful for the current movements to decolonize archives and museums, from at least 1750, Native writers have been doing this important survival work of asserting Native ways of knowing. This revelation is the subject of Wisecup’s ground-breaking study. It shows how early Native writers assembled lists, collages, and literary texts that, through juxtaposition and recontextualization, resisted the way colonial archives defined their bodies, belongings, and words as ethnographic evidence of vanishing peoples. Wisecup offers revealing ways to read the Indigenous compilations of key figures like Mohegan Samson Occom’s medicinal recipes, Ojibwe Charlotte Johnston’s poetry scrapbooks, and Abenaki leader Joseph Laurent’s vocabulary lists. We also deeply appreciate how Wisecup ends each chapter by connecting the early writer it focuses on to contemporary Indigenous culture.
A wide-ranging, multidisciplinary look at Native American literature through non-narrative texts like lists, albums, recipes, and scrapbooks
"An intricate history of Native textual production, use, and circulation that reshapes how we think about relationships between Native materials and settler-colonial collections."-Rose Miron, D'Arcy McNickle Center for American Indian and Indigenous Studies at the Newberry Library
Kelly Wisecup offers a sweeping account of early Native American literatures by examining Indigenous compilations: intentionally assembled texts that Native people made by juxtaposing and recontextualizing textual excerpts into new relations and meanings. Experiments in reading and recirculation, Indigenous compilations include Mohegan minister Samson Occom's medicinal…
I was born on the Oneida reservation in Wisconsin. Raised during the often troubled, often wonderful decade of the 1960s, I learned to stand up for what I thought was right. I joined forces with my beautiful wife during our high school years, and together, we ran away to build our own life aided by the Oneida principle of “looking ahead seven generations.” Encountering many obstacles along the way, including a poetry professor who said that what I wrote wasn’t poetry and a theater professor who said that if what I wrote was any good it was already being done. Still, I continue to write.
This book gives a nice accounting of American Colonialism and their response to the People who inhabited this country prior to being discovered (sic). I was especially enlightened by the undertaking of explaining the Second Amendment from an understanding of the times and the people. Seeing how the three fears of the times no longer exist.
Even before the Revolutionary War, American colonists feared and fought "merciless Indian savages," and through the following centuries, American law and policy have been molded by the relentless tradition of Indian-hating. From proportional representation and restrictions on the right to bear arms, to the break-up of tribal property rights and the destruction of Indian culture and family, the attacks on tribal governance and people continue and remain endemic. More than just a study of the progression of law, this book balances each chapter's history with the relating of a traditional Anishinaabe story or teaching, providing both context and a roadmap…
I’ve always loved “big books,” novels that are described as sagas and chronicles yet whose primary focus is on singular, nuanced characters. I like seeing the ways that lives intersect and reflect each other across decades, and I enjoy being immersed in one world and then dropped, with the turn of a page, into another equally engrossing one. I am the author of the novel Rebellion as well as numerous short stories and essays. Raised in St. Louis, Missouri, I spent several years living in China and a year as the Writer-in-Residence at St. Albans School in Washington, D.C. I now live in Wisconsin, where I write and teach creative writing.
I can never decide which of Erdrich’s books is my favorite, but The Plague of Doves is definitely a major contender. Erdrich’s novelistic style is more like a chorus than a solo: she presents various stories involving different characters in different times, but the stories are in orbit around the central conflict, in this case, a pair of horrific crimes committed long ago. Yet even when the content is dark, her writing is so beautiful that my primary feeling reading it is joy. For me, the title of this book perfectly captures that contradictory experience.
A beautiful, compelling, utterly original new novel from one of the most important American writers of our time, and winner of the National Book Award for Fiction, 2012
Pluto, North Dakota, is a town on the verge of extinction. Here, everybody is connected - by love or friendship, by blood, and, most importantly, by the burden of a shared history.
Growing up on the reservation is Evelina Harp, witty and ambitious, and prone to falling hopelessly in love. Listening to her grandfather's tales, she learns of a horrific crime that has marked both Ojibwe and whites. Nobody understands it better…
I'm an avid reader, lover of history, and newly-published author of The Real History of Thanksgiving (with more projects in the works!). I'm a mother of two and come from a large family at Gaa-waabigaanikaag, White Earth Reservation. I'm enrolled citizen of the White Earth Band of Ojibwe. I'm also an Oneida descendent with Irish, French, and Black ancestry. Much of my journey as a writer has been exploring the threads of our humanity and histories. It's powerful to think that we are still here, through time, distance, love, pain, and survival. There is immense beauty in being human and being Indigenous, and these books have been a source of connection and learning in my journey.
In college I majored in American Indian Studies and became very familiar with the term “survivance”. First used by Anishinaabeg writer Gerald Vizenor, survivance, defined is survival that transcends victimhood, that resists generations of oppression, and carves meaning out of great pain.
Peter Razor embodies survivance in his autobiography, which recounts his childhood as a ward of the State of Minnesota in the 1930s. His story is one of many that shines a light on a dark period when many Native American children were taken from their homes and families, forced to uproot their identity and existence to the unforgiving world of white America.
Through transcendent prose, an Ojibwe man chronicles his survival of abuse and bigotry at a state orphanage in the 1930s and the brutal farm indenture that followed.
In stark, haunting prose, first-time author Peter Razor recalls his early years as a ward of the State of Minnesota. Disclosing his story through flashbacks and relying on research from his own case files, Razor pieces together the shattered fragments of his boyhood into a memoir that reads as compellingly as a novel.
Abandoned as an infant at the State Public School in Owatonna, Minnesota, Razor was raised by abusive workers who thought…
Many of us were taught as children that life isn’t fair. I never accepted this; shouldn’t we do all we can to make life fair? I grew up to be a lifelong activist and a writer for social justice organizations. As a reader and writer, I love books about women’s lives, especially women who realize that the world around them shapes their own experiences. Sometimes history is happening right here, right now—and you know it. Those transformative moments spark the best stories, illuminating each book I’ve recommended.
What I loved most about this book is true of all Louise Erdrich novels: she creates such warm, complicated, fully human characters that I delight in their presence and grieve when I have to leave them at the book’s end.
In this novel, history hit home in a devastating way when the U.S. government in the 1950s decided to solve its “Indian problem” by simply reclassifying Native people as no longer Indian—a kind of paper genocide that wiped out Indigenous people’s cultural identity and tribal rights, such as land rights.
Sadly, this is all historical fact; the fiction comes in when Erdrich re-imagined in riveting detail the (also true) story of how one small tribe in North Dakota fought back.
It is 1953. Thomas Wazhushk is the night watchman at the first factory to open near the Turtle Mountain Reservation in rural North Dakota. He is also a prominent Chippewa Council member, trying to understand a new bill that is soon to be put before Congress. The US Government calls it an 'emancipation' bill; but it isn't about freedom - it threatens the rights of Native Americans to their land, their very identity. How can he fight this betrayal?
Unlike most of the girls on the reservation, Pixie…
