Here are 100 books that Visions of China fans have personally recommended if you like
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I first went as a student to Beijing in 1984 with a camera and a suitcase of film but not much of a plan. I found myself in a country whose young people were suddenly empowered to put their skills to use rather than let state planning order every aspect of their lives. My academic studies rapidly evolved into a vocation to photograph the changes around me. There was a demand for this: one of my first assignments being for Life magazine and then a slew of US and European publications eager to expand their coverage of all that was reshaping China and in turn the world. I chose street-level life as the most relatable to an international audience and in recent years also for Chinese eager to see how this era began.
This vast book in 500 pages broke new ground in publishing and photojournalism circles in China. Edited by the visionary curator Wang Huangsheng this extraordinary collection of colour and black and white material from hundreds of photographers both professional and amateur remains unmatched in scope. With unflinching courage to show both the brightest and darkest sides of life in the People’s Republic Wang selected many previously unpublished images along a range of themes from ‘desire’ to ‘time’, existence’ to ’relationships’. Crime and punishment, rural schools, and worker demonstrations - all sorts of subjects that were rarely seen in the state media, even the anal inspection of army recruits. Never before and rarely since, particularly in the last few years, has such a daring serving of so many slices of life been served. This important book is a reminder that despite the limitations of China’s state media and the much denigrated…
Humanism in China A Contemporary Record of Photography
Themed "Humanized China - Individualized China", the exhibition "Humanism in China" derives from the following three ideas. First,to record in detail the daily lives of ordinary Chinese in different periods of time; Second, to display the diversity of Chinese people's lives from all walks of life;Third, to promote the humanistic spirit of contemporary Chinese candid photography.
The exhibition is divided into four subjects: Existence, Relationship, Desire and Time. "Existence" reveals the contemporary Chinese people's everyday existence. "Relationship" presents the complexities and nature of relationships among nature, mankind and social environment. "Desire" stresses…
I first went as a student to Beijing in 1984 with a camera and a suitcase of film but not much of a plan. I found myself in a country whose young people were suddenly empowered to put their skills to use rather than let state planning order every aspect of their lives. My academic studies rapidly evolved into a vocation to photograph the changes around me. There was a demand for this: one of my first assignments being for Life magazine and then a slew of US and European publications eager to expand their coverage of all that was reshaping China and in turn the world. I chose street-level life as the most relatable to an international audience and in recent years also for Chinese eager to see how this era began.
The grandmaster of 20th Century photojournalism long had a fascination with China and was fortunate to get access to the country both pre and post-revolution. These times were chaotic and characterised by social upheaval yet Cartier-Bresson finds order and meaning through close observation and attention to geometric form until the ‘decisive moment’ is reached. Civil war, political turbulence, and an undercurrent of violence were the prevailing themes of this period yet the Frenchman’s sensitivity to the humanity and strength of his subjects is what lingers in the mind long after closing the cover.
I first went as a student to Beijing in 1984 with a camera and a suitcase of film but not much of a plan. I found myself in a country whose young people were suddenly empowered to put their skills to use rather than let state planning order every aspect of their lives. My academic studies rapidly evolved into a vocation to photograph the changes around me. There was a demand for this: one of my first assignments being for Life magazine and then a slew of US and European publications eager to expand their coverage of all that was reshaping China and in turn the world. I chose street-level life as the most relatable to an international audience and in recent years also for Chinese eager to see how this era began.
Spontaneous photojournalism has not been a feature of the People’s Republic as the state-run media prefers rigid control of any media message. One of the most distinguished early practitioners of documentary photography to challenge this dull approach was Wang Fuchun. His book on life on the long-distance trains that trundled across the country delighted and informed first his compatriots and then the world. Most of the journeys he witnessed were in the age before mass tourism and are a far cry from the world-beating high-speed trains of the 21st century. It feels like ancient history but steam-powered locomotives were still produced in China until the 1990s, the last country to give up the coal-burning dinosaurs.
China's economy has developed rapidly for 40 years. Railway is the artery of this land and is also a mirror for the rise of the Chinese economy. As a railway worker, the photographer Wang Fuchun takes pictures for people on the train to record the feelings and emotions in the narrow space on the train with almost instinctive observation and reflection. He expands the carriage of transportation vehicles to the stage of life, the space of flowing history, the platform for social contact, the happy theater and the mobile caravan. It is accumulated as time goes by and condenses life…
I first went as a student to Beijing in 1984 with a camera and a suitcase of film but not much of a plan. I found myself in a country whose young people were suddenly empowered to put their skills to use rather than let state planning order every aspect of their lives. My academic studies rapidly evolved into a vocation to photograph the changes around me. There was a demand for this: one of my first assignments being for Life magazine and then a slew of US and European publications eager to expand their coverage of all that was reshaping China and in turn the world. I chose street-level life as the most relatable to an international audience and in recent years also for Chinese eager to see how this era began.
After the gradual normalisation of relations between China and the US and the end of the Cultural Revolution in 1976, a small number of western journalists were allowed to open bureaus in Beijing. Access was limited and travel difficult but one talented Chinese American photojournalist really pushed the boundaries in showing the rest of the world what the long inaccessible country was like. His tenacity and eye for the telling detail were an inspiration for me to take up the challenge to devote my career to covering the historic era of change in due course. Such was Liu’s ability to cover more than his hosts were quite ready to show ethnic Chinese foreign journalists found it near impossible to gain accreditation for many years afterwards.
An entire country captures unposed and authentic in a unique collection of photographs. China is seen emerging from a frightening period of political terror into an era where its true nature can be expressed once again. In decades to come, we and those who follow us will need to look back on post-Maoist China and try to understand what was the experience then of the nearly one-quarter of humanity that is Chinese. It will, I predict, be the images in this collection by Lin Heung Shing that, more than any other single source, will most deeply touch our understanding
Andrei Znamenski spent 35 years exploring religions, ideologies, and utopias. Formerly Associate Professor at Alabama State University, a resident scholar at the US Library of Congress, and then a visiting professor at Hokkaido University in Japan, he is currently Professor of History at the University of Memphis. Znamenski studied indigenous religions of Siberia and North America, including Shamanism and Tibetan Buddhism. At some point, he became intrigued with Western idealization and romanticization of non-Western cultures and spiritualities, the topic that he covered in his The Beauty of the Primitive: Shamanism and Western Imagination. His Socialism as a Secular Creed, which is a logical follow-up to that project, is an attempt to examine the socialist phenomenon as a political religion of the modern age.
This volume complements well the Muravchik book. Written in an easy user-friendly language, the text represents a set of short essays that deal with socialist construction in various countries (Stalin’s Russia, Mao’s China, Kim Il Sung North Korea, Pol Pot’s Cambodia, Castor’s Cuba, Chavez Venezuela). Besides these well-known cases of socialism, Niemietz, a libertarian scholar of a German extract, gives an excellent succinct analysis of the Eastern German communist regime from 1945 to its collapse in 1989. The reader should also benefit from reading his comprehensive introductory chapter on the enduring appeal of socialism. Both high and home school and college instructors, who want to challenge the dominant socialism-friendly educational mainstream, may want to use Muravchik’s book and this one as textbooks.
Socialism is strangely impervious to refutation by real-world experience. Over the past hundred years, there have been more than two dozen attempts to build a socialist society, from the Soviet Union to Maoist China to Venezuela. All of them have ended in varying degrees of failure. But, according to socialism's adherents, that is only because none of these experiments were "real socialism". This book documents the history of this, by now, standard response. It shows how the claim of fake socialism is only ever made after the event. As long as a socialist project is in its prime, almost nobody…
I've been working on questions of identity and history for more than thirty years. It's a very personal topic for me, as I come from a working-class background – something that I was acutely aware of throughout my school and university education, where people of my background were comparatively rare. History in my view has the power to construct essentialist identities that exclude and are potentially deadly. But history also has the power to critically question this essentialism and contribute to a more tolerant, open-minded, and self-reflective society. Hence, as a historian, I've been trying to support and strengthen an engaged and enlightened historiography that bolsters a range of progressive identifications without leading to essentialist constructions of collective identities.
Over the last twenty years, China has become one of the most powerful nation-states in the world, both economically and politically. Since 1949 it has been ruled by a Communist Party which is still claiming today that is pursuing socialism with a Chinese face. It unites a turbo-capitalism with a strong nationalism that seeks to bring the Chinese people behind the Communist Party. This book shows how alien nationalism is to many of China’s most distinguished intellectual traditions over the course of the twentieth century. Especially those historians working on non-Chinese topics have for a long time attempted to use their cross-cultural competencies to counter nationalist historical narratives.
Nationalism is pervasive in China today. Yet nationalism is not entrenched in China's intellectual tradition. Over the course of the twentieth century, the combined forces of cultural, social, and political transformations nourished its development, but resistance to it has persisted. Xin Fan examines the ways in which historians working on the world beyond China from within China have attempted to construct narratives that challenge nationalist readings of the Chinese past and the influence that these historians have had on the formation of Chinese identity. He traces the ways in which generations of historians, from the late Qing through the Republican…
I currently teach Chinese studies at the Department of Asian Studies of the University of Adelaide. My publications include several books, and over a hundred book chapters/articles. My book Mandarin Chinese: An Introduction is a standard reference for learners of modern Chinese in English-speaking countries. Two of my books Gao Village: A Portrait of Modern Life in Rural China and Gao Village Revisited: Life of the Rural People in Contemporary China are case studies of Gao Village where I came from. Other books include the Battle of China's Past: Mao and the Cultural Revolution and Remembering Socialist China 1949 – 1976 which are reassessments of the Mao era and the Cultural Revolution.
Generally speaking, there is a tendency both in China and the West to view the rise of China as the result of post-Mao reform. Mao is either perceived as a monster at worst or hopeless in economies at best. Deng Xiaoping takes the largest credit for China’s spectacular economic takeoff. Meisner is one of the first who presents a balanced view of China’s contemporary development, presenting convincing evidence to show that China’s industrialization and modernization started in the era of Mao.
When MAO'S CHINA first appeared in 1977, it was hailed as the single most useful general volume on recent Chinese history, covering every important question of the time with clarity and amazing insight. Now, Meisner brings the third edition of his definitive work, with new information provided throughout the classic study. Including a whole new section in Part Six, 'Deng Xiaoping and the Origins of Chinese Capitalism: 1976-1998', Meisner assesses the country's uneasy relationship with democracy, socialism and capitalism. Retaining the elegance, lucidity and comprehensiveness he is known for, Meisner moves far beyond his previous work to paint a never-before-seen…
Andrei Znamenski spent 35 years exploring religions, ideologies, and utopias. Formerly Associate Professor at Alabama State University, a resident scholar at the US Library of Congress, and then a visiting professor at Hokkaido University in Japan, he is currently Professor of History at the University of Memphis. Znamenski studied indigenous religions of Siberia and North America, including Shamanism and Tibetan Buddhism. At some point, he became intrigued with Western idealization and romanticization of non-Western cultures and spiritualities, the topic that he covered in his The Beauty of the Primitive: Shamanism and Western Imagination. His Socialism as a Secular Creed, which is a logical follow-up to that project, is an attempt to examine the socialist phenomenon as a political religion of the modern age.
A Soviet dissident scientist and prominent conservative ideologist of Russian nationalism, Shafarevich (1923-2017) traces the roots of modern socialism to statist and collectivist experiments in ancient Egypt, China, and Inca civilizations. He also explores the aggressive egalitarianism of modern socialism’s predecessors among European eschatological movements in medieval and early modern Europe (e.g., Lollards in England, Taborites in Bohemia, Peasants’ War during the Protestant Reformation in Germany, and the Jesuit state in Paraguay). Among other things, the author examines in detail the early 1920s Bolshevik activities in Russia, Maoist assaults on traditional society in China, and the rise of the Western New Left in the 1960s. According to Shafarevich, each time leading to disastrous and suicidal results, socialism represents humanity’s “death wish”; the writer implies that one might slow down this enduring and recurrent dark side of human existence, but, ultimately, we will always have to deal with the socialist phenomenon…
The Socialist Phenomenon is a powerful survey of socialism and socialist thought from ancient times to the present day. Most assume that socialism and communism began with the writings of Karl Marx, but through his book Shafarevich lays out with amazing clarity that socialism is an evil that has been present in man’s thoughts and actions for thousands of years.
In the age of “democratic socialism” and other modern iterations, The Socialist Phenomenon reminds us of the truth about socialism and the dangers that come when societies embrace socialist policies and ideals.
I was born to privilege in Manhattan. A seeker from the get-go, I perpetually yearned to see below the surface of the pond and understand what lay beneath and how the world really works. Not connecting with Western philosophy, religion, or culture, I turned to the wisdom of the East at a young age. I stayed the course through decades of training in Chinese martial arts, eventually reached some understanding of them, and realized my spiritual ambitions when I was ordained a Daoist monk in China in an official government ceremony. I write about China then and now and teach meditation and tai chi around the world.
Van Gulik is a giant in the field of historical mysteries, having penned the better part of 20 novels about his favorite protagonist “Judge Dee.” Set in ancient China, the stories typically involve political intrigue, moral quandaries, and settings so evocative it is easy to just close your eyes and see yourself in a pavilion overlooking a swan-filled lake or in a lady’s bed-chamber, a scholar’s library, or an artist’s studio. These novels are mood pieces as well as whodunnits, and the immersive experiences the author offers lead me to recommend not only this title but any and all in the series. Heaven for someone like me who loves what China used to be.
Early in his career, Judge Dee visits a senior magistrate who shows him a beautiful lacquer screen on which a scene of lovers has been mysteriously altered to show the man stabbing his lover. The magistrate fears he is losing his mind and will murder his own wife. Meanwhile, a banker has inexplicably killed himself, and a lovely lady has allowed Dee's lieutenant, Chiao Tai, to believe she is a courtesan. Dee and Chiao Tai go incognito among a gang of robbers to solve this mystery, and find the leader of the robbers is more honorable than the magistrate.
I used to be Chief Economist at the UK bank SG Warburg and then at UBS, starting out in 1987 and finally cutting the cord in 2016 as Senior Economic Advisor. I visited China twice or three times a year from about 1994 and then the pandemic intervened. After the financial crisis, I decided that China would be the world’s next big thing. So I've spent a lot of time trying to figure out what’s going on there and for the last few years, I've been an associate at the China Centre at Oxford University and SOAS in London. Red Flags was a book I simply had to write. Maybe there’ll be another. We shall see.
Naughton is the grandfather of China economy books, having written prolifically and with great authority on it for what seems like an eternity. This second edition updates his original 2006 work and should be considered a sort of bible, certainly an essential reference, on how China emerged from poverty under Mao to become what it is today. There are no economic or economic policy or structure stones unturned in this tome.
If you are more minded to read an authoritative narrative rather than a sort of handbook, I recommend a much shorter, readable book by the same author, published last year called The Rise of China’s Industrial Policy. It’s also very topical and pertinent to contemporary China discussion.
The new edition of a comprehensive overview of the modern Chinese economy, revised to reflect the end of the “miracle growth” period.
This comprehensive overview of the modern Chinese economy by a noted expert on China's economic development offers a quality and breadth of coverage not found in any other English-language text. In The Chinese Economy, Barry Naughton provides both a broadly focused introduction to China's economy since 1949 and original insights based on his own extensive research. This second edition has been thoroughly revised to reflect a decade of developments in China's economy, notably the end of the period…
