Fans pick 90 books like Third Time Lucky

Full disclosure, Darcie was a producer on Legally Blonde and was president of MGM On Stage. Darcie was a real character, and she also dripped with worship for the theater.

This book is a meticulously researched love letter to the fusion of film and theater, filled with phenomenal photos and teeming with love. Chronicling West Side Story, Gypsy, Chicago, and beyond, it’s a great coffee table book you’ll actually want to read.

I am fairly convinced that Grace Burrowes is a time traveler, for I have never seen a modern author get period-specific language so right. Unlike all the other books on my list, the Lady Violet series does not include any murders.

Instead, Lady Violet’s penchant for solving “puzzles” made for a nice break from the more macabre. I got lost in the twisty details and adored the Agatha Christie-style reveal at the end of the book.

When I was kid, it was a rite of passage to watch the movie version of this musical with my parents on TV during Fourth of July week in the U.S.. I’ve since seen regional theater productions as well.

Yes, the play is fun and funny, but what did not sink in until I’d done my own research into the lives of the signers was how marvelously the words and lyrics lay out the history. When one of the flashy South Carolina delegates sings “Molasses to Rum,” you understand the underlying economics of the slave trade. The songs still hold up and advance the plot, as all great Broadway songs must do.

But if you miss the words in the 1972 film or modern staged versions, the only way to absorb it all is to dip into the official libretto itself.

This weighty reference book is not something to be read from cover to cover but, for browsing or looking up a plot or commentary on Broadway musicals, it is still the leader in its field. Bordman published his Chronicle in 1978 and he revised it up until his death, critic Richard Norton helping on the fourth edition. The coverage is impressive: musicals from the late 1700s up to 2010. The writing is concise and to the point. This book discusses shows you're not likely to find in any other book or website.

An early and still one of the best works on the subject, Green's The World of Musical Comedy is the book that introduced generations of musical theatre fans to the art form. It was first published in 1960 and that first edition was my first encounter with the great songwriters and musicals of the American theatre. Green later revised and updated the book and the fourth edition stops at 1980 but the book remains in print. I still recommend it as the best way to discover the classic works in the world of musicals.

Choosing this book was tough, because there were so many great science fiction novels written by women in the twentieth century and I want to tell you about all of them!
Brightness Falls From the Air is brilliant and will leave you in awe, written by an author who was not revealed to be a woman until many years after the publication of her books.

Alice B. Sheldon, who was winner of both the prestigious Hugo and Nebula Awards, wrote under the pen name, James Tiptree Jr., until her death.

What? A scholarly book about Broadway to kick things off? Absolutely. If you think you know everything about musicals, Jack Viertel (a jack-of-all-trades with a career seeped in working in and around the stage) is here to take you a step deeper. From the evolution of what is “popular” and preferred, to the aspects that make a show into a hit, Viertel leads you through the decades of American musicals for a thorough education that is equal parts analysis and a shared love of the genre. The best part is that he loves Broadway as much as you do! He pulls the curtains aside to probe how this amazing world works, in an entertaining and informative way. 

One of my favorite books on the genre, and indispensable if you’ve moved beyond show scores and behind-the-scenes anecdotes (although he has those too!).

If you’ve never done theater, this book will have you running for the nearest audition. The non-fiction book contains heartwarming reflections from the cast, crew, and creative team for Fiddler on the Roof in Yiddish, including director Joel Grey. Readers get an inside look at show life, from cast bonding to pre-opening stress to performance mishaps. The vignettes convey what each cast and crew member contributes to making the magic happen. While heavy on the feel-good memories, it rings true and mesmerizes.

Theatre Quotient: High. It’s all theater, all the time!

Barbara O’Connor is one of my very favorite authors for this age group. Her books are funny, sweet, and full of heart! She also does a great job of creating books set in the South without relying on tropes. In Wonderland, two very different girls team up to help a runaway greyhound find a more satisfying home. Mavis is brave and bold but has never had a best friend. Rose is timid and a worrier. She’s never really fit in with the other kids in the neighborhood. And then there’s Henry, a greyhound who’s run away from the Wonderland race track. Henry’s best days are behind him which could lead to his being euthanized. Alternating between the voices of Mavis, Rose, and Henry, O’Connor weaves a wonderful story of friendship, home, and redemption. Give this book to your reader who loves to laugh and to cry.

Woolford describes his book as a prenatal guide for musicals and it is indeed just that. He breaks down the process from idea to opening night for a thorough examination of what goes into each part of writing a musical. From the tickle of inspiration—and everything that went into its construction after that point, including the steps back and sideways, trying to find the right formula for success—there isn’t much left out. Warning: You might be inspired to try your hand at writing once you finish this book! 

I felt as if I’d taken a college-level theatre course at the end of How Musicals Work, with an instructor who revels in the complicated chaos that is musicals! It opens up a whole extra level to watching/experiencing a musical.