Here are 100 books that The World as I See it fans have personally recommended if you like
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I’m a philosopher based in Tartu, Estonia. In my work I’ve always been interested in value and value judgments, and how value gets us to act, sometimes, though by no means always. But only recently have I become puzzled by what happens when value motivates us the wrong way, as when we are drawn to something (an action, an event) for its badness, not for its goodness. And that’s how I gradually uncovered the fascinating, centuries-long philosophical (and sometimes literary) history narrated in my book and partially represented in the booklist.
Aristotle is an obligatory milestone in the history of the main idea of my book: all desire the good or the apparent good.
The Nicomachean Ethics also provides a gallery of interesting and puzzling characters: the akratic, who wants the good but, being weak, goes for what they know to be worse; or the outright vicious, who wholeheartedly chooses the bad, but still under the guise of the good, being misled by pleasant associations with the wrong things.
"The Nicomachean Ethics", along with its sequel, "the Politics", is Aristotle's most widely read and influential work. Ideas central to ethics - that happiness is the end of human endeavor, that moral virtue is formed through action and habituation, and that good action requires prudence - found their most powerful proponent in the person medieval scholars simply called 'the Philosopher'. Drawing on their intimate knowledge of Aristotle's thought, Robert C. Bartlett and Susan D. Collins have produced here an English-language translation of the Ethics that is as remarkably faithful to the original as it is graceful in its rendering. Aristotle…
As a lifelong student with what I sometimes call “a multidisciplinary disorder,” I have been intrigued both about “the outer world,” or the “external environment of life on planet Earth, and “the mind that knows the world.” Hence, as a teenager in New York City, I read voraciously books in philosophy, history, and the social and natural sciences to learn what “great minds” have thought about “the world.” Much later, as an “academic” researcher and writer, I scoured the shelves of university libraries to examine what I considered the strengths and weaknesses of the academic disciplines that addressed our “knowledge of the world,” and their applications for “changing the world for the better.” My book The World as Idea is the first volume of a projected trilogy modestly entitled The Fate of This World and The Future of Humanity. I’m now working on the second volume, The Reality of This World.
Kant is one the most important, and many, including myself, would argue the most seminal thinkers in the Western intellectual tradition.
His epistemological and metaphysical masterpiece, The Critique of Pure Reason, has had the single greatest impact on my own thinking about how we think and know “the world,” both in its “inner” and “outer” dimensions.
The Critique of Pure Reason (1781) is one of the most influential works in the history of philosophy. It is also referred to as Kant's "First Critique", being followed by the Critique of Practical Reason (1788) and the Critique of Judgment (1790). In the preface to the first edition Kant explains what he means by a critique of pure reason: "I do not mean by this a critique of books and systems, but of the faculty of reason in general, in respect of all knowledge after which it may strive independently of all experience." “There is no single philosopher of…
As a lifelong student with what I sometimes call “a multidisciplinary disorder,” I have been intrigued both about “the outer world,” or the “external environment of life on planet Earth, and “the mind that knows the world.” Hence, as a teenager in New York City, I read voraciously books in philosophy, history, and the social and natural sciences to learn what “great minds” have thought about “the world.” Much later, as an “academic” researcher and writer, I scoured the shelves of university libraries to examine what I considered the strengths and weaknesses of the academic disciplines that addressed our “knowledge of the world,” and their applications for “changing the world for the better.” My book The World as Idea is the first volume of a projected trilogy modestly entitled The Fate of This World and The Future of Humanity. I’m now working on the second volume, The Reality of This World.
Merleau-Ponty is one of the 20th century’s most important, and frequently overlooked, thinkers.
His work The Phenomenology of Perception has had the single greatest impact on my own thinking about how we perceive both “the world” of our senses and body, and the incarnate subject—the “I”—who is in the world. It is one of the great philosophical masterpieces of the past century.
First published in 1945, Maurice Merleau-Ponty's monumental Phenomenologie de la perception signalled the arrival of a major new philosophical and intellectual voice in post-war Europe. Breaking with the prevailing picture of existentialism and phenomenology at the time, it has become one of the landmark works of twentieth-century thought. This new translation, the first for over fifty years, makes this classic work of philosophy available to a new generation of readers.
Phenomenology of Perception stands in the great phenomenological tradition of Husserl, Heidegger, and Sartre. Yet Merleau-Ponty's contribution is decisive, as he brings this tradition and other philosophical predecessors, particularly Descartes…
As a lifelong student with what I sometimes call “a multidisciplinary disorder,” I have been intrigued both about “the outer world,” or the “external environment of life on planet Earth, and “the mind that knows the world.” Hence, as a teenager in New York City, I read voraciously books in philosophy, history, and the social and natural sciences to learn what “great minds” have thought about “the world.” Much later, as an “academic” researcher and writer, I scoured the shelves of university libraries to examine what I considered the strengths and weaknesses of the academic disciplines that addressed our “knowledge of the world,” and their applications for “changing the world for the better.” My book The World as Idea is the first volume of a projected trilogy modestly entitled The Fate of This World and The Future of Humanity. I’m now working on the second volume, The Reality of This World.
Schopenhauer is one of the 19th century’s most important, and frequently overlooked, thinkers.
His multivolume work, translated as The World as Will and Representation, or The World as Will and Idea, has had the single greatest impact on my own thinking about “the world,” and as clearly written as a German philosopher can make it, this multi-volume, sometimes appearing as one-volume abridged edition, should be on every educated reader’s bucket list.
Arthur Schopenhauer's Die Welt als Wille und Vorstellung is one of the most important philosophical works of the nineteenth century, the basic statement of one important stream of post-Kantian thought. It is without question Schopenhauer's greatest work. Conceived and published before the philosopher was 30 and expanded 25 years later, it is the summation of a lifetime of thought. For 70 years, the only unabridged English translation of this work was the Haldane-Kemp collaboration. In 1958, a new translation by E. F. J. Payne appeared that decisively supplanted the older one. Payne's translation is superior because it corrects nearly 1,000…
I am the co-founder and current owner of The Manhattan Rare Book Company. I’ve been in the rare book business for 25 years, specializing in the history of science with particular emphasis on material relating to Albert Einstein. Like many people, I’ve long been drawn to Einstein, attracted by his wisdom, curiosity, personality, approachability, and general decency.
Of all the books I've read about Einstein, this one was, perhaps, the most eye-opening for me. For years, the prevailing opinion was that while Einstein was (of course) brilliant, and his special and general theories of relativity were seismically important, he was on the wrong side of history with his views on quantum theory. Stone sets the record straight: Einstein was indeed skeptical of many aspects of quantum theory (particularly with his refusal to accept quantum entanglement and inherent randomness), but his challenges to the theory were so intelligent and so piercing, that the entire scientific community had to respond to him. Stone argues convincingly that Einstein's concerns were often the driving force propelling the theory forward.
Einstein and the Quantum reveals for the first time the full significance of Albert Einstein's contributions to quantum theory. Einstein famously rejected quantum mechanics, observing that God does not play dice. But, in fact, he thought more about the nature of atoms, molecules, and the emission and absorption of light--the core of what we now know as quantum theory--than he did about relativity. A compelling blend of physics, biography, and the history of science, Einstein and the Quantum shares the untold story of how Einstein--not Max Planck or Niels Bohr--was the driving force behind early quantum theory. It paints a…
I am the co-founder and current owner of The Manhattan Rare Book Company. I’ve been in the rare book business for 25 years, specializing in the history of science with particular emphasis on material relating to Albert Einstein. Like many people, I’ve long been drawn to Einstein, attracted by his wisdom, curiosity, personality, approachability, and general decency.
Using Einstein's most famous equation as his organizational theme, Bodanis offers a fresh and exciting approach to Einstein's life and work. Energy, mass, and the speed of light become characters of their own as Bodanis traces our evolving understanding of the nature of the universe. The book is all about context—delightfully so—giving Bodanis an excuse to introduce a kaleidoscope of colorful personalities who either influenced Einstein, or were influenced by him, all connected by their relationship to this most powerful of all equations.
Already climbing the bestseller lists-and garnering rave reviews this "little masterpiece" sheds brilliant light on the equation that changed the world.
Bodanis begins by devoting chapters to each of the equation's letters and symbols, introducing the science and scientists forming the backdrop to Einstein's discovery from Ole Roemer's revelation that the speed of light could be measured to Michael Faraday's pioneering work on energy fields. Having demystified the equation, Bodanis explains its science and brings it to life historically, making clear the astonishing array of discoveries and consequences it made possible. It would prove to be a beacon throughout the…
I have always been fascinated by how the world works. What gives gravity so much power? Why is it easier to lift things with levers and pulleys? Why do we have electricity inside of our own bodies?! The world is amazing. My job editing nonfiction books for kids puts me on the front lines of some of the smartest science writing out there. While I had no hand in the making of the following five picture books about physics, they are still some of my favorites because of the way they peel back the mysterious layers of the world to show us the science hidden in our daily lives.
You can’t talk physics without talking Einstein! This beautiful book explores Einstein’s curiosity and drive to know more, which began when he was young. His journey from nonverbal child to brilliant scientist is fascinating and inspiring for all kinds of readers.
Travel along with Einstein on a journey full of curiosity, laughter, and scientific discovery. Parents and children alike will appreciate this moving story of the powerful difference imagination can make in any life.
I hold the chair of Old Testament at the Faculty of Catholic Theology at Munich University in Germany. My main area of expertise is Semitic languages, though, which is also the field for which I previously held a chair at Leiden University in the Netherlands for fifteen years (eventually, however, Munich made me an offer one cannot refuse). Hence my main occupation concerns the interpretation of ancient texts in exotic languages such as Hebrew, Aramaic, Phoenician, and others, mostly at the baseline of individual words, grammatical forms, and syntactic constructions. Despite the seemingly dry, specialized character of my work, it is, in my view, a lifestyle rather than a job.
Scholarship, regardless of the particular field, is always a creative process. Craft and method, the fruits of a rigorous education and hard work, are essential prerequisites, but genuine breakthroughs often seem to result from some mysterious incubation: a wild dance of ideas that emerge from the subconscious, stirred up by the keen will to understand something. Only a few of them eventually make it, by way of sensual representations, to the surface of consciousness, where they are formed and articulated by logic and language. In this book, the great French mathematician Jacques Hadamard captivatingly describes his investigation into the psychological underpinnings of creativity. He stresses the role of images and emotions in thought processes. I have always liked his conclusion that every significant invention requires at least some poetic feel.
Fifty years ago when Jacques Hadamard set out to explore how mathematicians invent new ideas, he considered the creative experiences of some of the greatest thinkers of his generation, such as George Polya, Claude Levi-Strauss, and Albert Einstein. It appeared that inspiration could strike anytime, particularly after an individual had worked hard on a problem for days and then turned attention to another activity. In exploring this phenomenon, Hadamard produced one of the most famous and cogent cases for the existence of unconscious mental processes in mathematical invention and other forms of creativity. Written before the explosion of research in…
I am an applied mathematician at Oxford University, and author of the bestseller 1089 and All That, which has now been translated into 13 languages. In 1992 I discovered a strange mathematical theorem – loosely related to the Indian Rope Trick - which eventually featured on BBC television. My books and public lectures are now aimed at bringing mainstream mathematics to the general public in new and exciting ways.
This book has haunted me for years. For what is it, exactly, that gives it such enduring popularity? After all, it was first published in 1936, yet is still in print today. In his autobiography, Hogben remarks on the importance of eye-catching illustrations but speculates that its success may instead be because the book contains – most unusually for a 'popular' work – exercises and answers, making it more suitable for self-teaching. Whatever the real answer, his book must surely have something to teach anyone – like myself – who aspires to bring mainstream mathematics to life for the general public.
I'm the writer and artist of the Johnny Hiro graphic novels. In those books, I use pop culture reference humor, but never simply as a joke. A reference can act as a hint to a world beyond the story the writer tells. I often dig slightly into an emotional resonance behind that reference—perhaps the (fictional) story of why it exists, or perhaps it even becomes an integral plot point. Popular media and culture often have a direct influence on our creative arts projects. And just sometimes, that art becomes an integral part of the popular culture itself.
I read this play before I saw it, and it was great as a read. Steve Martin is obviously known as a comedic actor. But if you like the few movies he’s written, think Roxanne and LA Story, then you might want to give this one a try. It’s the fictional meeting between Pablo Picasso and Albert Einstein circa 1904. Picasso has started gaining fame for his breaking of artistic boundaries, and Einstein is a year away from releasing his theory of relativity. The two men have a chance meeting in a bar and drunkenly philosophize about art, science, society, meaning, and sex. And because it’s Steve Martin, don’t be surprised if Elvis comes along.
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