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I thought I knew everything I needed to know about the Holocaust, which is that my father lost some members of his family. An email from a nephew I didn’t know existed sent me on a trail of documents that led me to a much deeper understanding of not just the Holocaust as a historical event, but more broadly about the impact that it had on the families of survivors, of people who were spared internment for one reason or another, but were wracked by guilt, besieged by family members who were not so lucky, and who passed down their feelings of guilt, anger, and pessimism to future generations.
In this amazingly inventive novel, Rotkowitz creates a world in which a young woman with everything to live for is haunted by imaginary demons – demons that stand for the horrible experiences her family endured during the time of the Holocaust, and which she must exorcise if she is ever to find true happiness in the true world of the living.
To everyone who knows her, 28-year-old Marcia Gold leads the perfect life. A high school guidance counselor in 1980 Brooklyn, New York who specializes in helping pregnant teens, Marcia thrives in her work. She also has a handsome, successful boyfriend who has won the approval of her Jewish, Holocaust-survivor family – no easy feat.However, beneath the shiny surface lurks another reality. Plagued by frightening and debilitating panic attacks brought on by her family’s wartime legacy and exacerbated by the Iranian hostage crisis in the news, Marcia becomes convinced that “demons” are occupying her closet and her mind. Determined to keep…
As the only child of Holocaust survivors, I wanted to know everything, and my parents would tell me nothing. "It is to spare you" would be my mother's words of comfort to me. Sadly they were not. Growing up is at best complex; growing up as children of Holocaust survivors is even more so. Some second-generation children could escape the shadow of their parents' suffering; for others, their parents' experiences led them, as I did, into early maturity.
Takeaway Men is a novel that proves once again that you can never forget. Aron and Judy Lubinski and their twin daughters, Bronka and Johanna, leave a Displaced Person Camp in Poland and immigrate to America, hoping to build a new life and escape the horrors of the Holocaust behind them. Through the kindness of Izzy, a cousin that immigrated earlier to America, they settle in Izzy and his wife, Faye's home in Queens, NY. In their neighborhood, we meet other immigrants, survivors, all working hard to build a better life for themselves and their children. Each of the other characters has a different story. They bring another perception of how people try to deal with the experiences of loss, trauma, doubt, and everyday complexities of life. We see this most clearly in the inner thoughts of Aron and Judy. Their struggle is, at times, painful and sorrowful and affects…
With the cloud of the Holocaust still looming over them, twin sisters Bronka and Johanna Lubinski and their parents arrive in the US from a Displaced Persons Camp. In the years after World War II, they experience the difficulties of adjusting to American culture as well as the burgeoning fear of the Cold War. Years later, the discovery of a former Nazi hiding in their community brings the Holocaust out of the shadows. As the girls get older, they start to wonder about their parents' pasts, and they begin to demand answers. But it soon becomes clear that those memories…
My father never talked about his experiences during the war. After he died at 67, we found his handwritten itinerary of three years and ten days in the Army Signal Corps. Plotting it on a map sparked a passion that continued for years, taking me twice to sites in Europe and through hundreds of records and books. I am amazed at all he never told us—the Queen Mary troopship, his radar unit’s landing on Omaha Beach (D+26), the Normandy Breakout, Paris after liberation, fleeing Bastogne, and so on. I grew up on WWII films but never grasped till now what my dad may have seen.
This is an extraordinary memoir. Arianna’s father, Hans, came from a family with 34 family members living in Czechoslovakia before WWII; by 1945, 25 would have been murdered by the Nazis. He experienced unspeakable horrors, but he did not speak of them to his family. Having grown up in Venezuela, Arianna knew nothing of his past—not even, in fact, that Hans’ family was Jewish. Upon his death, Hans left her a box crammed with letters, diary entries, and memorabilia, including an identification card that had his picture but bore a different name. Investigating the various threads of his life, this book tells the story of her search for her father and his family, while uncovering the devastating details of life and death in Nazi Germany.
In this astonishing story that “reads like a thriller and is so, so timely” (BuzzFeed) Ariana Neumann dives into the secrets of her father’s past: “Like Anne Frank’s diary, it offers a story that needs to be told and heard” (Booklist, starred review).
In 1941, the first Neumann family member was taken by the Nazis, arrested in German-occupied Czechoslovakia for bathing in a stretch of river forbidden to Jews. He was transported to Auschwitz. Eighteen days later his prisoner number was entered into the morgue book.
Of thirty-four Neumann family members, twenty-five were murdered by the Nazis. One of the…
Joshua M. Greene is the author of a dozen Holocaust biographies that have sold more than a half-million copies worldwide. He sits on the board of Yale University Video Archive for Holocaust Testimonies and has spoken on issues of Holocaust memory for such outlets as NPR and Fox News. His editorials on Holocaust history have appeared in the New York Times, the Los Angeles Times, and the Chicago Tribune.
Kraft has drawn on 200 hours of testimony by Holocaust survivors to demonstrate how memory responds to atrocity. His juxtaposition of accounts allows one individual to be presented in relation to others, showing personal tragedies as well as the collective atrocity from the insights of multi-voice narratives.
Compelling examples from 200 hours of testimony by Holocaust survivors form the foundation of this volume on how memory responds to atrocity-how people comprehend and remember deeply traumatic experiences, and how they ultimately adapt. Depicting how the Holocaust exists in the minds of those who experienced it, this book simultaneously reveals the principles of enduring memory and makes the Holocaust more specific and immediate to readers. A synthesis of myriad testimonies allows one individual to be presented in relation to others, showing personal tragedies as well as the collective atrocity. The findings are also applied to other groups of people…
Joshua M. Greene is the author of a dozen Holocaust biographies that have sold more than a half-million copies worldwide. He sits on the board of Yale University Video Archive for Holocaust Testimonies and has spoken on issues of Holocaust memory for such outlets as NPR and Fox News. His editorials on Holocaust history have appeared in the New York Times, the Los Angeles Times, and the Chicago Tribune.
Langer has written the finest analysis available on the workings of traumatic memory, one that contributes to our understanding of history as autobiography—a brilliant mapping of the tortured terrain of Holocaust remembrance.
Winner of the 1991 National Book Critics Circle Award in Criticism
This important an original book is the first sustained analysis of the unique ways in which oral testimony of survivors contributes to our understanding of the Holocaust. It also sheds light on the forms and functions of memory as victims relive devastating experiences of pain, humiliation, and loss.
Drawing on the Fortunoff Video Archives for Holocaust Testimonies at Yale University, Lawrence L. Langer shows how oral Holocaust testimonies complement historical studies by enabling us to confront the human dimensions of the catastrophe. Quoting extensively from these interviews, Langer develops…
I'm a child of Holocaust survivors who spent three years in slave labour camps. My mother told me stories of her experiences a child should probably not hear. The result is that my philosophy of life, and sometimes my writing, can be dark. It’s no surprise that this period of history imbues my novels. I chose to write mysteries to reach a wider audience, the Holocaust connections integral to the stories. During my research, I discovered a wealth of information on the Holocaust but learned that memoirs revealed best what happened to people on the ground. Memoirs draw you into the microcosm of a person’s life with its nostalgia, yearning, and inevitable heartbreak.
Helen Fremont has managed to write a memoir that reads like detective fiction. All she and her sister Lara knew of their Polish parents’ past was that they had survived Siberia and a concentration camp. The sisters were raised Catholic and it’s not until Fremont is an adult in Boston that she discovers the family is Jewish. Slowly piecing the past together, the sisters find out that after great trauma, their parents constructed post-war identities hiding their Jewishness. This story interested me because I had a Hungarian friend in university who was brought up in a convent but who learned as an adult that she was Jewish. In my youth I struggled to understand; this book gave me insight.
“Fascinating . . . A tragic saga, but at the same time it often reads like a thriller filled with acts of extraordinary courage, descriptions of dangerous journeys and a series of secret identities.”—Chicago Tribune
“To this day, I don't even know what my mother's real name is.”
Helen Fremont was raised as a Roman Catholic. It wasn't until she was an adult, practicing law in Boston, that she discovered her parents were Jewish—Holocaust survivors living invented lives. Not even their names were their own. In this powerful memoir, Helen Fremont delves into the secrets that held her family in…
Why did I end up spending almost a third of my life researching Nazi boarding schools, and childhood under the Third Reich more generally? I sometimes wonder if it was because I myself was sent to boarding school at the age of nine – somehow, I can sympathise with what these children had to endure, as well as knowing full well from a historian’s perspective which hardships were truly unique to a National Socialist elite education, and which were simply the kind of heart-ache that’s common to any institution which takes children away from their parents at a young age…
Elli tells the true story of a teenage Holocaust survivor – when I first read the book I was still a teenager myself; I could sympathise with Elli’s everyday fears and anxieties over boys she liked or troubles with her family, even as her world descended into the most unimaginable of horrors. It’s one of the most moving books I’ve ever read, and her story stayed with me for a very long time after I finished reading.
'Among the most moving documents I have read in years ... You will not forget it' Elie Wiesel
From her small, sunny hometown between the beautiful Carpathian Mountains and the blue Danube River, Elli Friedmann was taken - at a time when most girls are growing up, having boyfriends and embarking upon the adventure of life - and thrown into the murderous hell of Hitler's Final Solution.
When Elli emerged from Auschwitz and Dachau just over a year later, she was fourteen. She looked like a sixty year old.
This account of horrifyingly brutal inhumanity - and dogged survival -…
I’m the author of seven published novels and a recently retired English professor. I was the founder and director of the Fairfield University MFA program. My latest novel is called Lebensborn and is set in Germany near the end of World War II. The novel concerns a little-known project hatched by Heinrich Himmler called Lebensborn (“the fount of life”). Concerned about Germany’s falling birth rate, Himmler began the program in 1935 hoping to encourage unwed mothers not to have abortions but to give birth to their babies at Nazi-run homes and then to give their babies up for adoption to “pure Aryan” officers. Lebensborn follows the story of Renate Dressler, a young German girl who falls in love with an SS officer.
What I appreciate about Hunter's novel is that it takes a new approach to the subject of the Holocaust. With the outbreak of WWII, the Kurcs, a Polish-Jewish family, find themselves driven into another diaspora, with their family members cast to the four corners of the globe. Hunter touches on the plight of Poland during the early years of the war when the country was torn asunder by Germany from the west and the Soviet Union from the east. The plot follows the various family members as they struggle to survive the Holocaust in Poland, in Stalin's Gulag, and as one member tries to flee to South America. A big, sprawling, family epic filled with tragedy and humanity, brutality and heroism.
The New York Times bestseller with more than 1 million copies sold worldwide
Inspired by the incredible true story of one Jewish family separated at the start of World War II, determined to survive-and to reunite-We Were the Lucky Ones is a tribute to the triumph of hope and love against all odds.
"Love in the face of global adversity? It couldn't be more timely." -Glamour
It is the spring of 1939 and three generations of the Kurc family are doing their best to live normal lives, even as the shadow of war grows closer. The talk around the family…
Born in Budapest, Hungary, Susan Rubin Suleiman emigrated to the U.S. as a child with her parents. She has had a distinguished career as a professor of French and comparative literature at Harvard, publishing more than a dozen books and over 100 scholarly articles. Her acclaimed memoir about returning to Budapest, Budapest Diary: In Search of the Motherbook, appeared in 1996; in 2023, she published Daughter of History: Traces of an Immigrant Girlhood, a memoir of immigration which was a finalist for a 2024 National Jewish Book Award. She has been awarded many honors, including the Radcliffe Medal for Distinguished Achievement in 1990 and France’s highest honor, the Légion d’Honneur, in 2018.
Marianne Hirsch is justly famous for proposing the term “postmemory” to designate how the past may be remembered by those who have no personal memories of it. Memories are transmitted in families (familial postmemory), but claiming a memory can also be a matter of choice through an act of affiliation (affiliative postmemory). Hirsch is especially insightful on the role of photographs and objects in the creation of postmemories.
Can we remember other people's memories? The Generation of Postmemory argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit catastrophic histories not through direct recollection but through haunting postmemories--multiply mediated images, objects, stories, behaviors, and affects passed down within the family and the culture at large. In these new and revised critical readings of the literary and visual legacies of the Holocaust and other, related sites of memory, Marianne Hirsch builds on her influential concept of postmemory. The book's…
My father never talked about his experiences during the war. After he died at 67, we found his handwritten itinerary of three years and ten days in the Army Signal Corps. Plotting it on a map sparked a passion that continued for years, taking me twice to sites in Europe and through hundreds of records and books. I am amazed at all he never told us—the Queen Mary troopship, his radar unit’s landing on Omaha Beach (D+26), the Normandy Breakout, Paris after liberation, fleeing Bastogne, and so on. I grew up on WWII films but never grasped till now what my dad may have seen.
To learn about the Holocaust, I read personal remembrances, eyewitness accounts, and detailed descriptions of ghettos, camps, and transports, but this graphic novel based on Spiegelman’s father captured me like none of the others. Its words tell its terrible story masterfully and its drawings fill in what words can’t say, both as his father lived it and as his son learns about it. Banning it from U.S. schools would be completely wrongheaded. It should be required reading.
The first and only graphic novel to win the Pulitzer Prize, MAUS is a brutally moving work of art about a Holocaust survivor -- and the son who survives him
'The first masterpiece in comic book history' The New Yorker
Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Approaching the unspeakable through the diminutive (the Nazis are cats, the Jews mice), Vladek's harrowing story of survival is woven into the author's account of his tortured relationship with his aging father.
