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The West of Billy the Kid.
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Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.
Utley, a respected historian of (mostly) Indian-related research, offers the cold, hard facts of Billy’s life and remains true to objectivity, leaving the reader with the job of analyzing the right and the wrong of decisions, reactions, and events.
What tantalizes me about his book is that a researcher of such stature would choose to write about a teenaged outlaw and killer, when so many other topics of greater significance await their turn in his pen.
Whatever his name or alias at the moment-Henry McCarty, Henry Antrim, Kid Antrim, Billy Bonney-people always called him the Kid. Not until his final month did anyone call him Billy the Kid. Newspapers pictured him as a king of outlaws; and his highly publicized capture, trial, escape, and end fixed his image in the public mind for all time. He was only twenty-one years old when a bullet from Sheriff Pat Garett's six-shooter killed him on July 14, 1881. Within a year Billy the Kid became the subject of five dime-novel "biographies" as well as Garett's ghost-written account, and that…
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.
As it is often said, “history is written by the winners.”
The Hispanic population had very little voice in the outcome of the Lincoln County War, but it is they who had the deepest insight into who Billy was, for they were his friends and he their champion. Mills has mined that forgotten voice to publish a more thorough understanding of who the Kid was.
The result is a greater appreciation for Billy as a human being. This is a long overdue perspective that better defines Billy Bonney’s admirable traits.
In the annals of American western history, few people have left behind such lasting and far-reaching fame as Billy the Kid. Some have suggested that his legend began with his death at the end of Pat Garrett's revolver on the night of July 14, 1881, in Fort Sumner. Others believe that the legend began with his unforgettable jailbreak in Lincoln, New Mexico, several months prior on April 28, 1881. Others still insist his legend began with the publication in 1926 of Walter Noble Burns's book, The Saga of Billy the Kid.
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.
This book does a fine job of laying out the complex plots and cross-plots of a most complicated New Mexico Territory of the 1870s.
The full spectrum of politics, murders, and factions can be overwhelming to a first-time student. There are clearly too many players in the story for a reader to grasp the overarching drama. Mr. Wallis found a way to guide the reader across this challenging terrain without shortcuts.
Award-winning historian Michael Wallis has spent several years re-creating the rich, anecdotal saga of Billy the Kid (1859-1881), a deeply mythologized young man who became a legend in his own time and yet remains an enigma to this day. With the Gilded Age in full swing and the Industrial Revolution reshaping the American landscape, "the Kid," who was gunned down by Sheriff Pat Garrett in the New Mexico Territory at the age of twenty-one, became a new breed of celebrity outlaw. He arose amid the mystery and myth of the swiftly vanishing frontier and, sensationalized beyond recognition by the tabloids…
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.
Most people with even a casual familiarity with Billy the Kid know at least three things about the young outlaw:
1) Billy was captured and found guilty of murder.
2) Before he could be hanged, he affected a spectacular escape.
3) He was hunted down and killed by Sheriff Pat Garrett. Because of the high drama of that last point (a shooting in a dark room at midnight near the bedroom of Billy’s paramour) and because of the machinations of the sheriff’s ghostwriter and publicist, Garrett has received all the glory for the Kid being brought to justice.
But there was another lawman who deserves just as much credit—Frank Stewart, lead detective for a Texas cattleman’s association. Stewart played an equal role in Billy’s capture, but his name was suppressed by those who did not want to divvy up fame. This new information is the subject of this book.
New, hardcover copy of the latest book on the life of Billy the Kid, concentrating on the fall and winter 1880 chase-and-capture of Billy and the boys at Stinking Spring. 424 pp., pages 8 1/2 x 11, over 120 illustrations and documents, many never before published. Much new material. Also available: SIGNED copies; and limited edition in slipcase.
I’m an amalgam of all of my varied interests and varied employments from actress and singer to corporate paralegal at a movie studio. Since my teenage years, I’ve loved to research. That joy leads into writing factually-accurate historical fiction set in the West. Delving into the private lives of both the fictional and the real people gives the reader a better understanding of the characters’ designated paths leading to the events upon which my novel is based. My recommendations for the best books set in the West with in-depth characters have qualities I’ve employed in my novel. Some of these books also delve into characters from differing races, reflecting most towns in the Old West.
Perhaps Arizona’s most widely recognized event, the thirty seconds of gunfight at O.K. Corral in Tombstone isn’t the main emphasis in Epitaph. That belongs to Russell’s engrossing depictions of the intensely personal relationships between the Earp brothers, their girlfriends and wives, their routines, and addictions.
As I found out in researching for my novel, if you get the accurate facts about the personalities and actions of the good and the bad people, who actually lived in the Old West, you’re well on the way to writing a novel.
John Philip Clum started the newspaper in Tombstone and called it Epitaph, because “No tombstone is complete without its epitaph.” To complete your reading about the Old West, include Epitaph.
Mary Doria Russell, the bestselling, award-winning author of The Sparrow, returns with Epitaph. An American Iliad, this richly detailed and meticulously researched historical novel continues the story she began in Doc, following Wyatt Earp and Doc Holliday to Tombstone, Arizona, and to the gunfight at the O.K. Corral.
A deeply divided nation. Vicious politics. A shamelessly partisan media. A president loathed by half the populace. Smuggling and gang warfare along the Mexican border. Armed citizens willing to stand their ground and take law into their own hands. . . .
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime television in those decades. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really did happen in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is so much more interesting than the myth. As a Western historian, I've done my share of historical research, but I still gravitate toward fiction as a writer. I love the freedom to engage my characters’ thoughts and emotions.
Estleman has taken a well-known story—the chase, capture, and assassination of Billy the Kid—and given it new life by exploring the occult and its effect on Sheriff Pat Garrett as he stumbles toward his destiny as the killer of the Kid.
This novel is a perfect example of how fiction can sometimes offer a richer probe into history by exposing the inner workings of the characters.
In Loren D. Estleman's Journey of the Dead, when Pat Garrett killed his poker buddy, Billy the Kid, he had no idea what a terrible emotional price he would pay. Haunted by memories of Billy, Garrett wanders the New Mexico desert in a fruitless pursuit of peace.
Deep in the same desert, an ancient Spanish alchemist searches for the fabled philosopher's stone. Resolutely alone in his quest he devotes his long life to hunting the secrets of the old gods.
As these two men seek answers to questions that have confounded mankind for centuries, their stories encompass the panorama of…
After publishing five books of poems, I found myself writing a long work I had no way of classifying. It involved the extensive use of facts but was also fiction. It read in part like a novel but was also lyrical. I decided to just write it and not worry about what genre it belonged to. It became A Monster’s Notes. I suspect in our internet age, the emergence of unclassifiable work is going to become more and more common. You can already see it happening. The web isn’t divided into sections the way a bookstore is; instead, it’s more like a spider’s web—you can follow this thread or that, but somehow they’re all connected.
This short, engaging book mixes fact and fiction, prose and poetry, documents and photographs, to tell the story of Billy the Kid, from the time Pat Garrett sets out to hunt him down to his killing. At times it is beautifully hallucinatory as it gets inside Billy’s mind, showing his dreams and visions. But it is also very lucid and attentive to detail, vividly depicting how Billy is always protecting and exercising his left hand—the hand he shoots with—as well as showing Billy’s interactions with his fellow outlaws. This is Ondaatje’s earliest and most experimental novel.
Drawing on contemporary accounts, period photographs, dime novels, and his own prodigious fund of empathy and imagination, Michael Ondaatje's visionary novel traces the legendary outlaw's passage across the blasted landscape of 1880 New Mexico and the collective unconscious of his country. The Collected Works of Billy the Kid is a virtuoso synthesis of storytelling, history, and myth by a writer who brings us back to our familiar legends with a renewed sense of wonder.
I am a teacher of primitive survival skills. As a young boy, I was fascinated with the concept of courage. At seven, I read the pseudo-biography of Wyatt Earp, a wonderfully written account of a courageous man. This book began my lifelong interest in Mr. Earp. Eventually, I met many of the giants in Western history research and accompanied them into the field. After 65 years of collecting the facts, I wanted to use my novelistic skills to portray the life and times of Wyatt Earp as best as the record shows.
Boessenecker has achieved a fine reputation for honesty and thoroughness in his research. He has also learned how to structure his books to carry a reader forward like a novel.
His book puts into scope how major an event it was for Wyatt Earp to go up against the organized crime gang (known as the “cow-boys”) that had corrupted Southern Arizona. Many of these outlaws had drifted west from New Mexico after taking part in the bloodbath called the Lincoln County War.
Ride the Devil’s Herd is more than a history book. It’s a great ride in itself.
Winner of the Best Book Award by the Wild West History Association
A ripsnortin' ramble across the bloodstained Arizona desert with Wyatt Earp and company… A pleasure for thoughtful fans of Old West history, revisionist without being iconoclastic. —Kirkus Reviews
Wyatt Earp is regarded as the most famous lawman of the Old West, best known for his role in the Gunfight at the O.K. Corral in Tombstone, Arizona. But the story of his two-year war with a band of outlaws known as the Cowboys has never been told in full.
Drawing on groundbreaking research into territorial and federal government records,…
I’ve been fascinated by the Wild West since I was a little boy, playing Cowboy vs Indian with a plastic six-shooter and bow-and-arrow set. I grew up watching movies and reading books about the Wild West, and probably that sense of adventure and necessary courage required in such settings helped build the foundation that led me to join the Marines. It took guts to move out West. (Or desperation.) But either way, the settling of the Wild West is one of our core American stories. To me, the stories of the West are even more enthralling today than they were even fifty years ago.
This book is the perfect example of a great Western. A stern, courageous lawman, tougher than forged steel. A young sidekick by his side. A beautiful woman in town that everyone wants.
Put those elements onto the page and then throw into it a cruel, evil rancher, who’s already killed the city marshal and one of his deputies. What do you end up with? A kick-ass Western.
When Virgil Cole and Everett Hitch arrive in Appaloosa, they find a town suffering at the hands of a renegade rancher who's already left the city marshal and one of his deputies dead. Cole and Hitch are used to cleaning up after scavengers, but this one raises the stakes by playing not with the rules-but with emotion.
I’ve always sought to escape this world for another; one more exciting. Whether it was reading, or playing D&D, I constantly looked for new places to explore. Building my own has become one of my favorite things about writing. What starts as a simple ‘What if...’ turns into a place I find myself in daily. I’m no longer just an explorer, but a builder, and my craving for unique worlds hasn’t gone away. I’m still learning, still creating new worlds beyond my first, and always still walking new ones. I hope you love escapism as much as I do, because these books will transport you.
This book promised me high fantasy with tomb raiding and boy, did it deliver! Sangster’s world is simply named the Commonwealth, but it is anything but simple. Twin moons, ancient lore circling around monstrous shapeshifters, a forbidden magic opposing a heavily religious relegated one, carnivorous unicorns, deadly tombs, and swords carrying the souls of those it killed, She Who Rides the Storm is chock full of detailed worldbuilding. With a beautiful cast of four amazingly well-written characters you actually grow to care about, their individual heists to get into the tomb of the shapeshifter king are loaded with high stakes and dangers. Even better? The plot twists that connect them are glorious and had my jaw on the floor. Conclusion: a humble epic waiting to be discovered.
In this atmospheric YA fantasy that is Wicked Saints meets There Will Come a Darkness, four teens are drawn into a high-stakes heist in the perilous tomb of an ancient shapeshifter king.
Long ago, shapeshifting monsters ruled the Commonwealth using blasphemous magic that fed on the souls of their subjects. Now, hundreds of years later, a new tomb has been uncovered, and despite the legends that disturbing a shapeshifter's final resting place will wake them once again, the Warlord is determined to dig it up.
But it isn't just the Warlord who means to brave the traps and pitfalls guarding…
