100 books like The War Diaries

I liked this book because it was true and written in the form of a diary. This format made it especially interesting to me because you got a good idea about Ann’s thoughts and feelings while living in Amsterdam during Nazi occupation in World War II. She tries hard to overcome all kinds of obstacles to survive such as by not leaving the hidden attic and remaining quiet during the day. In her case, she doesn’t survive but knowing that Ann dies in a concentration camp makes the content of the book especially poignant. 

This dual timeline novel is expertly researched and woven into a tapestry. In 1940, a German archaeologist is forced to marry an SS officer—and to catalog art stolen from the Jews. In modern times, a young woman with a traumatic past in the neo-Nazi movement works with the Holocaust Museum to fight hate crimes. Their entwining stories show the courage needed to stand up against racism—and the necessity of doing so, no matter the cost.

The famous Hannah Arendt coined “the banality of evil." Not monsters, but ordinary people were able to follow Hitler’s murderess ideology. Ordinary Men clearly shows how men and women from all walks of life were capable of becoming cold-blooded killers. Ordinary Men were the Nazi mobile gas units and death squads responsible for the murder of 1.5 million Jews in Eastern Poland & Ukraine.   

I love the way Jennifer Gold writes. She takes an important historical moment and turns it into a heart-stopping, rollercoaster ride that leaves the reader wanting more! That's how I felt when I read Names in a Jar. The story is an important one, historically. It's set in the Warsaw Ghetto and the Treblinka death camp. There are not many YA novels set in Treblinka, probably because so few prisoners survived that death camp. Jennifer has taken the true story of a real revolt that took place in Treblinka and adapted it for her novel. It's a story filled with courage and with hope.

The partisan experiences of Primo Levi—chemist, Auschwitz survivor, and writer—are researched and offered in gritty, thorough detail by Luzzatto. Levi, in his writings, alluded to incidents that occurred during his time as a partisan, and Luzzatto delves deeper into the motivations behind these events and the personalities involved. The Resistance in its early days, while being hunted by Nazis and their Italian allies, became a small force of its own making, using collective, military-style decisions and tactics, and meting out its own forms of justice. An important book to gain insight into the complexities of purpose within the Resistance, learn about the crimes and subsequent justice of members of Salò—the puppet government installed in northern Italy—and understand the influences on political alignments and fascism in the period beyond the war.

Berta Geissmar was the Jewish secretary and confidante to legendary German conductor Wilhelm Furtwangler beginning in 1921.

In her memoir, published in 1944, Geissmar describes how the Nazi hierarchy interfered in the world of classical music, purging orchestras of Jewish musicians and banning works by Jewish composers. Although Furtwangler at first refused to do the bidding of the Nazis, he was eventually sidelined. And Geissmar soon became a Nazi target.

They blamed her for the bad publicity that the regime was getting in the classical music world, and seized her passport. Geissmar was eventually allowed to leave the country, and, ended up in London as the secretary of another legendary conductor—Sir Thomas Beecham.

There is a common assumption among a younger generation brought up on the horrors of the Holocaust or Shoah that the Allies waged war to save the Jews. As Aronson shows in this candid and carefully researched volume, nothing could be further from the truth. The war waged by Hitler against the Jews was well-known, but the Allies did very little to try to end or modify the outcome. For anyone interested in the war, understanding the fate of the Jews in both German and Allied terms is bound up with wider issues of strategy and politics. Aronson tells a slice of the wartime narrative that many might want to forget. It is also a reminder that the war and the Holocaust were bound together, not separate histories. This perspective has not won general acceptance, but it should. 

Zable writes of the haunted consciousness of post-conflict generations, in his case, the holocaust.

He argues that great stories must have both terror and beauty, or they merely add to the darkness. It is easy to see the terror, but what of the jewels? I grappled with this question too - how do we rightly remember victims of extreme violence? When I looked to Zable, I found a work imbued with poetry and lyricism.

Jewels and Ashes is a transcendent retracing of the terrain of his parents and grandparents.

I appreciated the author’s meticulously researched account of her parents' remarkable survival in Poland.

Her writing is very emotional yet beautiful and fact-based. The details capture the complexity of survival during these dark days. Moreover, she is able to convey the randomness of individual outcomes, and the unfathomable resilience of the ones who managed to stay alive and tell their tale.

This classic is about the need to speak up when someone sees something wrong. The story mirrors what many seemingly good people did not do during the WWII Holocaust. This story is told about different groups of animals, which is easier for young readers to understand. When the Terrible Things come to take away one group, the others feel relief. But one by one the Terrible Things take away another group. During this time no one speaks against what’s happening. They are just happy their time hasn’t come. By the time the Terrible Things come for the last group, there is no group left to protest and save them. The author wrote this book to “encourage young children to stand up for what they think is right, without waiting for others to join them.” That’s exactly what children in my books do and what I want to encourage in readers.