91 books like The Shadow of What Was Lost

Game of Thrones, right? This author has created so many characters that fit this category, and they all handle their situations in a different manner. I love the three major ones, Arya Stark, Sansa Stark, and Daenerys Targaryen, who could not be more different from each other. Sansa and Arya have grown up in privilege, but one scheme to be a pampered lady, and the other would be happy sleeping in the kennel with her dire wolf.

Daenerys has been hidden much of her childhood to protect her, and suddenly, she is thrown into the game with her arranged marriage to a wild horse lord, where she grows up very fast in order to survive. Sadly, as women in Westeros, they do not control their own fates, and following how their lives evolve and intertwine is fascinating.

I came to this book by accident. I had overindulged in fantasy and was tired of recycled plots and worn tropes. I picked it up on holiday as a last resort and found a very different sort of fantasy, which rekindled my enthusiasm for the genre.

Inquisitor Glokta is a character I wanted to hate. He is a torturer, and a cripple, having been tortured himself. He’s ruthless and focused and possibly the meanest of anti-heroes. But I think I came to imagine what it was like to be the dashing hero, loved by everyone, feted by royalty, and then ruined by malice and torture, and yes, as this tale unfolded, I began to like him and the rest of the misfits that populate Joe Abercombie’s world very much indeed.

If you’ve read all of the books on this list and are looking for something new, this book is the story of Robin Hood with all the backstabbing, politicking, and civil unrest of A Game of Thrones. Though not “Fantasy” (there is no magic, second-world, divine intervention, etc), this historical fiction novel was no less epic, and I would be remiss to leave it off this list.

As someone who exclusively reads fantasy and some sci-fi, I find this story (and its sequel, Lionhearts) to fit right into my reading list. The use of character perspective was so powerful because despite there being six primary POV characters who are diametrically opposed to one another in different ways, I somehow found myself rooting for all of them. Each character was so convincing in their justifications and righteousness that every chapter constantly reflected on who was in the right.

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This book epitomizes what I want in a book! The worldbuilding has a degree of depth, breadth, and imagination that has kept me coming back for multiple rereads. While the world is fascinating, and the magic system is evocative and intriguing, they are not what put this story at the top of my reading list. 

Character. I love it when there is a full cast of complex characters to get lost in, and Sanderson can (and does) teach a master class on how to write unforgettable characters. The character motivations, the “Why” behind what they are doing, is so profoundly believable if not relatable. Every single character has a past that is drip-fed throughout the story, gradually delivering the formative wounds that made the characters who they are. That so many are written well in one book is just a bonus.

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I understood this story on a deep, metaphoric level.

Judith is a traumatized teen who disappeared for years and is unable to speak and explain why–which is often the plight of those who have suffered. Silence is a barrier to understanding and healing.

This book reads like poetry and transports you back in time. Life must have been difficult for early Puritan settlers–especially for anyone who was “different” or “afflicted.” The frustration and injustice! The mystery/thriller aspect had me on the edge of my seat! I really wanted things to get better for the main character, who remained graceful in the face of trauma and sadness. This story confirmed my hope that the truth is always eventually revealed and that it does set you free. It was a satisfying read!

This year, revisiting this book drove me deep into a madness that, at its center, is rooted in empathy for “hostiles” and “enemies.”

The novel was written in 1952, and its protagonist's been conscripted into World War II, but what Private Tamura endures is the insanity of every war. Booted out of his platoon due to a lack of resources, Tamura withstands and commits atrocities including cannibalism, amid a conflict he never sought. 

I’m a complete sucker for fantasy built around a seemingly unremarkable protagonist who responds to extraordinary circumstances with remarkable strength and courage. Add in a cross-dressing bad-ass heroine, and I’m hooked. This book is, in part, the story of Winter Ihernglass, a young woman who escapes her past by dressing as a man and enlisting in the Vordanai Colonials.

This is a complex novel reminiscent of the Napoleonic wars. The world-building was wonderful, the writing gritty, the military action realistic, but it was the way Winter earned the respect of her fellow soldiers that wouldn’t let go of me.

Guy Gavriel Kay is widely known and admired for his sweeping, epic fantasy novels, all set in fantastical version of real historical countries—but before he turned to that genre, he wrote the Fionavar Trilogy. 

Think Lord of the Rings with critical differences: the characters all have a wry sense of humor and an appreciation of irony and many of those characters are women, strong, intelligent, fierce, complex women. Kay also goes for broke as a storyteller here; you can almost hear him wondering, “Can I pull this off?” And he does it every single time.

The first installment in Erikson’s magnum opus introduces readers to the voracious Malazan Empire and focuses on a military, political, and supernatural battle for the free city of Darujhistan.

It boasts a vast, strange cast of characters and an even vaster, stranger world. However, Erikson demonstrates how every element, from the lowest trader to the mightiest god, can shape the outcomes of events. The free will of each character is shown to be in constant tension with the free wills of others, as well as the wrenching currents of history.

The antagonist of Erikson’s story is not a dark lord, but nihilism—the prospect that there is no moral order or higher meaning to existence—and every one of his characters must face this threat and figure out how to survive it.

Every entry of Brandon Sanderson’s Stormlight Archive is epic, hands down.

Filled with fantasy lore, action, weird magic, and displeased gods, yes, there is something good to say about every book in the series so far. But book 2, Words of Radiance, is filled with moment after moment where I found myself standing up and pumping my fist in the air after the story’s main protagonist does something terrifically badass, especially in the latter half of the novel.

It’s got all the other good stuff, too. Like its predecessor, The Way of Kings, it has plenty of light humor, moments of shared brotherhood in the face of oppression, complicated characters, sweeping battles…but those moments of tension building followed by resounding victory are excellently written and gets my heart pumping to this day.