91 books like The Science of Doctor Who

I’m an award-winning astronomy author, writer, and speaker who has talked to over half a million people about the universe, including schools, the public, and businesses. My eighteen books have sold more than 350,000 copies worldwide and have been translated into 21 languages. I’ve written over 200 popular science articles for publications including The Guardian, New Scientist, The Wall Street Journal, and European Space Agency. In recognition of my efforts to popularise astronomy, the asteroid (15347) Colinstuart is named after me. I also won The Margaret Mallett Award for Children’s Non-Fiction in 2020, was a runner-up in the European Astronomy Journalism Prize and am a fellow of the Royal Astronomical Society.

I’m a professor at Cambridge University, and following years of training in ancient languages and linguistics, I am currently running a research project on the visual aspects of writing systems. Recently, I’ve become passionate about using research on ancient languages and writing to try to help communities today who are in danger of losing their linguistic traditions (I've started an Endangered Writing Network)–which is why the fragility of human culture is high on my agenda. Ultimately, I’d like the world to be a better place for my baby son to grow up in, and I hope to use my academic work to help people in some small way.

I love fantasy, particularly comic fantasy. But there's an art to making something that is mind-meltingly silly feel real and meaningful, at the same time. To make it feel solid. If something is too chaotic, too randomly silly, then the narrative integrity disintegrates. You're left feeling, ‘yes, I know that the troll has now mysteriously turned into a chicken; but really, what’s the point?’ On the other hand, if the story isn’t silly enough…well, then it becomes straight fantasy, which is wonderful when it’s done well, but can feel mundane and derivative when it is not. I've deliberately limited this list to include only two Discworld books. To include any more would seem, well—silly.

My favorite books all show me that reality is much, much richer and stranger than it seems. And that is exactly what makes me write myself. Already as a child, I wanted the world to be different. I longed for the other, richer realities that were, I felt, just around the corner. So I started to travel, to Senegal and beyond, and learn about other people’s life experiences. When I became a researcher of world literature, it truly came home to me how one-sided my view of the world was. Ouch. Fortunately, there is a wealth of stories out there to tell us about everything we have been blind to. 

As a child, I became enthralled with both science and history. Also, who doesn’t enjoy a good laugh? The chance to combine all three? A dream come true!

I, Ira Nayman, have been writing stories set in the multiverse for almost twenty years, first with the Alternate Reality News Service set of books, then with my Transdimensional Authority/Multiverse novels and, most recently, with multiverse triptychs (the spark for The Dance). One of the things that I recently realized about my writing is that a lot of it focuses on the factors that shape our lives and make us the people we are. My ongoing fascination with the multiverse is because it is a great vehicle for exploring this idea by showing us how our lives could have turned out if circumstances or our choices had been different.

I first got fascinated with fantasy as a very reluctant high school reader. I didn’t like to read all that much because I was a slow reader and it was a laborious task for me. A high school friend offered me a fantasy book to read sophomore year and I couldn’t put it down. That one book started me on a reading journey that has never stopped. I also studied English, became a teacher, and finally began writing my own fantasy. These books took a reluctant reader in high school to the man and author I am today. I hope my own work does the same for future writers.

I’m a Canadian writer with a degree in Mediaeval Studies. Even as a child, I wrote stories about characters who weren’t entirely human; they were also always people lurking on the edges of things—families, cultures, places, ways of being, even people existing only on the edges of becoming themselves. Those have always been where I found my stories and as an adult I haven’t lost this fascination and the need to tell such tales. Gods, assassins, devils, demons, shapeshifters, immortal wanderers, and ordinary people caught up in their history, vast, deep worlds, and complex characters—that’s what I do. 

Even before I found Lovecraft and Stephen King and my world turned, I was raised on Doyle, Wells, Hodgson, and Robert Louis Stevenson which gave me both a love of the "gentleman detective" era and a deep love of the late Victorian/early Edwardian historical period in general. Once you merge that with my abiding interest in all things weird and spooky, you can see where a lot of my stories come from. There seems to be quite a burgeoning market for this kind of mixing of detection and supernatural, and I intend to write more... maybe even a lot more.

For many people, reading has been a lifesaver for their mental health. I didn't begin reading until my 20s. But I wish I had had those windows into other realities when I was younger. Having a difficult childhood molds our adult lives, and therefore we can still be haunted by childhood memories. Reading can help us see other worlds and other people, and it can ignite our imagination. Growing up in a small fishing town in Scotland is the perfect backdrop for imagination, with coastlines lined with dark, boisterous waters and castles steeped in battles, folklore, and intrigues of the past. All this has given way to my writing.