Here are 4 books that The Science Fiction Hall of Fame, Volume One 1929-1964 fans have personally recommended if you like
The Science Fiction Hall of Fame, Volume One 1929-1964.
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Whereas many seek out stories of human triumph and heroic deeds, I have always been captivated by stories that show humanity for what it is–a bastion of innovation and wonder but also a complex and ethically questionable force of nature. I began writing my book when I was twelve years old, and I immediately knew that my characters would not be one-sided, cast in light or shadow. Instead, they would love at times and hate others, try their hardest to do what is right, but sometimes end up doing more harm than good. Remember that a ‘hero’ is a product of perspective when reading these books.
Like The Ballad of Songbirds and Snakes, Frank Herbert’s book tells the story of a man who could be the villain or the hero, depending on who you ask. I love watching how an intelligent yet malleable person can be swept up in feelings of duty, responsibility, and leadership only to make highly questionable decisions.
Paul Atreides’ moral ambiguity is undeniably engineered by the shifting and slimy political landscape of the Dune universe, driving home the idea in my mind that good worldbuilding can set the stage for truly complicated characters.
Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.
Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's lifespan to making interstellar travel possible. And it can only be found on a single planet: the inhospitable desert world of Arrakis.
Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.
I’ve always loved a good mystery that doesn’t give you all the details upfront. My favourite stories growing up were those where I had little epiphanies along the way until I got to the end, where everything finally fell into place. But perhaps why I’m most drawn to these types of stories is because they parallel learning about your surroundings in the real world. After living in several different countries, I’ve come to learn many situations piece by piece, where some ended in danger, while others were more humorous events that I can now laugh about.
This book blew my mind! It changed my life and gave me food poisoning; well, maybe it was some lousy shrimp that did that, but it came around the same time anyhow.
I loved the initial point of revenge, how the main character was abandoned to die in a broken spaceship in the middle of nowhere. I, too, would be pissed if a ship flew by me without stopping to save my butt.
I was happy that the book also played with metaphysical notions and cranked up the ending to a glorious finish that broke from the standard good-guy wins trope.
Gully Foyle, Mechanic's Mate 3rd Class, is the only survivor on his drifting, wrecked spaceship. When another space vessel, the Vorga, ignores his distress flares and sails by, Gully Foyle becomes a man obsessed with revenge. He endures 170 days alone in deep space before finding refuge on the Sargasso Asteroid and then returning to Earth to track down the crew and owners of the Vorga. But, as he works out his murderous grudge, Gully Foyle also uncovers a secret of momentous proportions...
My passion for old-school genre fiction began as that of a writer learning to write. What started out as self-education soon turned into a love of all things thrilling and fantastic. I was able to truly enjoy reading, something I felt discouraged from in school (beyond the classics and a few exceptions). I discovered a great many works and writers in my studies who I look up to now, for they taught me some key ingredients, from creating intelligent, dynamic heroes to captivating world-building to, above all else, well-paced prose, whether in action, dialogue, or exposition. These five are not only great teachers; they are simply great fun.
This was the first time, upon finishing the first in a series, that I immediately cracked open the sequel, just to make sure my favorite hero came out alright. Burroughs, creator of Tarzan, is a giant among pulp and fantastic fiction. His tale of a gentlemanly Virginian war veteran thrust among the alien warriors of Mars is one whose DNA is woven into all modern sci-fi and fantasy and has been celebrated by everyone from Ray Bradbury to Carl Sagan.
Best of all, the place where it all began still holds sway more than a century on from its debut. John Carter, soon-to-be Warlord of Mars in the Barsoomian tomes that followed, is a model hero and a beautiful celebration of loyalty, strength, compassion, and friendship.
Rediscover the adventure-pulp classic that gave the world its first great interplanetary romance-now featuring an introduction by Junot Diaz
In the spring of 1866, John Carter, a former Confederate captain prospecting for gold in the Arizona hills, slips into a cave and is overcome by mysterious vapors. He awakes to find himself naked, alone, and forty-eight million miles from Earth-a castaway on the dying planet Mars. Taken prisoner by the Tharks, a fierce nomadic tribe of six-limbed, olive-green giants, he wins respect as a cunning and able warrior, who by grace of Mars's weak gravity possesses the agility of a…
I’ve always loved characters with ambiguous morals, and the inherent tension they bring to stories: their path from ruin to redemption, the examination of their past misdeeds that requires them to choose what kind of person they want to be. As a former software engineer, I was traumatized by the Polytechnique massacre in Montréal, which happened while I was studying at a neighboring university, and in which fourteen women were murdered. I don’t consider its perpetrator redeemable, but after I wrote The Tree of Souls, I realized its character arcs were me trying to understand why people do bad things and forcing my characters to confront the pain they’d caused.
This is the book that launched my Zelazny obsession as a teen. Carl Corey wakes up after a car crash with amnesia (sense a theme here?), which he hides from those close to him, some of whom insist on calling him Corwin. He gradually discovers he’s an immortal with a strong claim to the throne of Amber, the one true world at the center of infinite shadow worlds, including our Earth. As Corwin’s memories return, he realizes he was a cruel and arrogant man, and some of his numerous siblings have good reason to hate him. Here the amnesia trope truly allows a character to examine their past through a less biased lens. Top-rate fantasy set against a war for succession to the keys to the universe.
One of the most revered names in sf and fantasy, the incomparable Roger Zelazny was honored with numerous prizes—including six Hugo and three Nebula Awards—over the course of his legendary career. Among his more than fifty books, arguably Zelazny’s most popular literary creations were his extraordinary Amber novels.
Now officially licensed by the Zelazny estate, the first book in this legendary series is now finally available electronically.
Carl Corey wakes up in a secluded New York hospital with amnesia. He escapes and investigates, discovering the truth, piece by piece: he is really Prince Corwin, of Amber, the one true world…
