Here are 43 books that The Running Grave fans have personally recommended if you like
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At one time, it was commonplace for male mystery writers to devote a substantial amount of plot to romance; for example, Wilkie Collins, The Woman in White or Dashiell Hammett, The Maltese Falcon. In recent years, this tradition has eroded to the point where romantic mysteries are primarily written by women. I think romance spices up mysteries. In Death is Potential, Kate Swift is more invested in solving the murder mystery because she is protecting her lover.
I like this series set in 1880s London. Julia Grey is trapped in an unsatisfying marriage to Sir Edward Grey. When he is poisoned, Julia gets an opportunity to restart her life.
She not only has to manage the estate left to her by her husband, but also deal with the murder of her husband. She retains a private investigator, Nicolas Brisbane, and develops a passionate attraction to this difficult man.
Go back to where it all began with the original Lady Julia Grey historical mystery series from New York Times bestselling author of Killers of a Certain Age, Deanna Raybourn.
“Let the wicked be ashamed, and let them be silent in the grave.”
These ominous words are the last threat that Sir Edward Grey receives from his killer. Before he can show them to Nicholas Brisbane, the private inquiry agent he has retained for his protection, he collapses and dies at his London home, in the presence of his wife, Julia, and a roomful of dinner guests.
At one time, it was commonplace for male mystery writers to devote a substantial amount of plot to romance; for example, Wilkie Collins, The Woman in White or Dashiell Hammett, The Maltese Falcon. In recent years, this tradition has eroded to the point where romantic mysteries are primarily written by women. I think romance spices up mysteries. In Death is Potential, Kate Swift is more invested in solving the murder mystery because she is protecting her lover.
I love this series because I treasure the original Sherlock Holmes books.
Sherry Thomas reinvents Holmes as a smart and passionate young woman. Down on her luck, Charlotte Holmes sets up a detective consulting business using her imaginary brother, Sherlock. She fools everyone except her longtime friend, Lord Ingram.
After a period of tortured adjustment, Charlotte and Ingram become lovers. Sadly, they cannot spend much time together, because they are pursued by the evil Moriarity.
Charlotte Holmes's life is in peril when her brilliant deductive skills are put to the test in her most dangerous investigation yet, locked aboard a ship at sea.
After feigning her own death in Cornwall to escape from Moriarty’s perilous attention, Charlotte Holmes goes into hiding. But then she receives a tempting offer: Find a dossier the crown is desperately seeking, and she might be able to go back to a normal life.
Her search leads her aboard the RMS Provence. But on the night Charlotte makes her move to retrieve the dossier, in the midst of a terrifying storm…
At one time, it was commonplace for male mystery writers to devote a substantial amount of plot to romance; for example, Wilkie Collins, The Woman in White or Dashiell Hammett, The Maltese Falcon. In recent years, this tradition has eroded to the point where romantic mysteries are primarily written by women. I think romance spices up mysteries. In Death is Potential, Kate Swift is more invested in solving the murder mystery because she is protecting her lover.
I love this series because each book couples an interesting mystery with a juicy romantic interlude.
Elly Griffiths wrote fifteen novels featuring indomitable forensic anthropologist, Ruth Galloway. Ruth solves mysteries in the English community of Norfolk while dealing with her passionate attraction to married DCI Harry Nelson.
Each of the first 14 books ended with a romantic cliffhanger. Book 15, the last of this wonderful series, brings the tortured romance to a steamy conclusion.
The unmissable new book in the Dr Ruth Galloway Mysteries. Ruth and Nelson are working on a murder case in which Cathbad emerges as the prime suspect. Can they uncover the truth in time to save their friend?
'GALLOWAY NOW SEEMS AS REAL AS MARPLE AND MORSE' The Times
'SET IN DIVINE NORTH NORFOLK. INTENSELY ATMOSPHERIC AND GREAT' India Knight
When builders renovating a cafe in King's Lynn find a human skeleton behind a wall, they call for DCI Harry Nelson and Dr Ruth Galloway, Head of Archaeology at the nearby University of North Norfolk. Ruth is preoccupied with the…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
At one time, it was commonplace for male mystery writers to devote a substantial amount of plot to romance; for example, Wilkie Collins, The Woman in White or Dashiell Hammett, The Maltese Falcon. In recent years, this tradition has eroded to the point where romantic mysteries are primarily written by women. I think romance spices up mysteries. In Death is Potential, Kate Swift is more invested in solving the murder mystery because she is protecting her lover.
I like this series set in wartime London. Electra “Ellie” McDonnell, a safecracker, is in business with her Uncle Mick, they rob homes of the rich.
After they are arrested, the handsome Major Ramsay has a deal for Ellie: if she will help him, he’ll let her, and her uncle walk free. A straightforward deal, except for the romantic complication.
As the Blitz continues to ravage London, Ellie McDonnell is approached by British Intelligence officer Major Ramsey with a new assignment. She is to travel under an assumed identity to the port city of Sunderland and there await further instructions. Ellie, ever-ready to aid her country, heads north, her safecracking tools in tow. But before she can rendezvous with the major, she witnesses an unnatural death. A man falls dead in the street in front of her, with a mysterious missive clutched in his hand. Ellie's instincts tell her that the man's death is connected in some way to her…
My whole family shared a love for classic British mysteries, especially light-hearted, witty ones. With the enduring popularity of Agatha Christie and Dorothy L. Sayers, people sometimes forget there were lots of other great writers from the “golden age” of mysteries. I first found most of these books on my parents’ bookshelves when I was a bored teenager growing up in snowy central Maine. Several of the paperbacks were so well-worn the cellophane was peeling off their covers. For me, reading classic mysteries is like listening to Mozart—they are endlessly stirring and fascinating, and in the end, order is restored, and all is right with the world.
This book introduces one of my favorite sleuths, Albert Campion. But what’s fun is that Allingham never tells the story from Campion’s point of view.
We only see him from the outside, as others do. This adds to the fun and intrigue. And there’s lots of that. In a spooky old English country mansion full of strangers, the host is murdered, and the rest of the crew goes on a twisty, scary roller-coaster ride driven by an assortment of secrets and criminal schemes—which we must slowly figure out.
This one had me on the edge of my chair, wondering what outrageous turn the plot would take next.
Classic Crime from the Golden Age, the first in the Albert Campion Series. Margery Allingham is J.K. Rowling's favourite Golden Age author.
George Abbershaw is set for a social weekend at Black Dudley manor, hosted by Wyatt Petrie and his elderly uncle Colonel Combe, who enjoys the company of Bright Young Things. With Meggie Oliphant in attendance, George looks forward to the chance of getting closer to the girl he's set his heart on. But when murder spoils the party, the group soon find out that not only is there a killer in their midst, but the house is under…
I love a good mystery. Quirky, amateur sleuths using their wits and grit to solve tough cases while juggling regular lives like real people deliver a double-thrill—one for justice and another for the everyday oddball taking the win (like me, when I publish a book). This inspired my Delilah Duffy series and this list.
Another writer-hero, Anthony Horowitz writes as himself in this page-turning whodunit. Well-known for his television work onMidsomer Murders, Poirot, and Foyle’s War, Horowitz knows how to craft a mystery. When ex-cop turned private investigator Nathaniel Hawthorne approaches Horowitz about ghostwriting a book about his cases, Horowitz isn’t interested. Annoying and eccentric, Hawthorne isn’t someone Horowitz wants to be around, let alone write about. But when a famous actor’s wealthy mother is murdered six hours after planning her own funeral, Horowitz gets pulled into the investigation anyway. Though very much a Sherlock Holmes and Watson relationship, Hawthorne and Horowitz are more adversarial, making them an entertaining team. You want them to be friends, but then again, you don’t. The word isn’t justmurder, but funny, engaging, and endearing, too.
Liveaboard sailor Cass Lynch thinks her big break has finally arrived when she blags her way into skippering a Viking longship for a Hollywood film. However, this means returning to the Shetland Islands, the place she fled as a teenager. When a corpse unexpectedly appears onboard the longship, she can…
My first book love was Agatha Christie’s And Then There Were None. The game between author and reader that centers a whodunit has always delighted me. The breadcrumb trail of clues, the misdirection, the inevitable I should have seen it! are my jam. Now an author of whodunits—I have one series published and a second on the way, along with several short stories – I read mysteries with greater scrutiny—in admiration and with a selfish desire to learn from other authors’ envious talents. Each of the books on my list excited me for their excellent storytelling. In the end, I found them just plain entertaining. I hope you do too!
As much as I love this book’s hero, former television commercial star Dayna Anderson, her tight circle of got-your-back friends is what made this mystery really shine.
To say the cast has big personalities is like calling Hollywood’s Dolby Theater a quaint venue. I laughed out loud throughout and wished I could ride along with these ladies (there are some guys involved, a love interest in particular) as they doggedly unravel the deftly plotted mystery.
I am grateful to Garrett that there is a sequel to this first in the series, Hollywood Ending.
Dayna Anderson doesn t set out to solve a murder. All the semi-famous, mega-broke black actress wants is to help her parents keep their house. After witnessing a deadly hit-and-run, she figures pursuing the fifteen-grand reward isn t the craziest thing a Hollywood actress has done for some cash. But what starts as simply trying to remember a speeding car soon blossoms into a full-on investigation. As Dayna digs deeper into the victim s life, she wants more than just reward money. She s determined to find the poor woman's killer too. When she connects the accident to a notorious…
Flannery O’Connor once said that all fiction is ultimately about the “mystery of personality.” I agree. In fact, I have always suspected that all good novels, genre-based or otherwise, are secretly mystery novels, if only in the psychological sense. Conversely, many so-called genre novels have just as much depth, insight, and realism as any literary work. I have read a lot of genre and literary fiction in my time, and I have long been fascinated by works that blur the line between the two. My favorite kind of book is one that feels like a genre novel (that is, it has a great plot) but also has the depth and vividness of a literary novel.
One thing I really like about this mystery novel is the way it is told from multiple points of view, which is a very unusual technique in mystery fiction. That’s one reason that it felt, to me, so much like a literary novel.
The first character is a brilliant, tortured artist named Margot, who is already dead at the start of the novel. The second character is Kate, an ex-cop turned P.I. who is hired to find Margot’s killer.
Both women are compelling, interesting characters, but I especially liked the way Kenna renders the hero, Kate. She’s a single mom in recovery from a drug addiction. Her ex is a creep, and most of her old (male) cop colleagues are, too. Her struggle in solving the case felt completely real and human to me. And that’s the signature quality of literary fiction.
From debut author Alex Kenna comes a pulse-pounding tapestry of secrets, retribution, and greed for fans of Jeffrey Archer.
Kate Myles was a promising Los Angeles police detective, until an accident and opioid addiction blew up her family and destroyed her career. Struggling to rebuild her life, Kate decides to try her hand at private detective work—but she gets much more than she bargained for when she takes on the case of a celebrated painter found dead in a downtown loft.
When Margot Starling’s body was found, the cause of death was assumed to be suicide. Despite her beauty, talent,…
When I make a snarky remark during a party, chances are one person will catch my eye with the amused look that says, “I saw what you did there.” Everyone else will keep right on talking. But in a book, the reader is right there in the character’s head, which lets your audience catch those subtle humorous comments. In my mystery series, The Accidental Detective, Kate shares witty observations about life with the reader – making Kate funnier than I am. I don’t do as much slapstick and joking (in life or in fiction), but I enjoy writers who pull off those forms of humor well. Humor makes life’s challenges bearable
In this historical mystery set in the 1920s, the hero-narrator is likable and a bit goofy. He reminded me of Bertie Wooster in the Jeeves stories by PG Wodehouse, but Heathcliff is more intelligent. The mystery was complicated and puzzling, with added fun from the 1920s setting. It’s hard to investigate when phone lines are down and roads become impassable in poor weather. I've read the rest of the series, and they’re all pretty strong. Some move the action to Scotland or Egypt for extra 1920s travel excitement. They’re perfect reads when you want a light cozy with historical charm and some chuckles along the way.
It's 1920 and Christmas is coming. Major Lennox finds a body on his doorstep - why on his doorstep? Was it to do with the Countess? Was it about the ruby necklace? Lennox goes to Melrose Court home to his uncle, Lord Melrose, to uncover the mystery. But then the murders begin and it snows and it all becomes very complicated....
Major Heathcliff Lennox, ex-WW1 war pilot, six feet 3 inches, tousled, dark blond hair, age around 30 - named after the hero of Wuthering Heights by his romantically minded mother - much…
Riley Masterson has moved to Greenbrier, SC, anxious to escape the chaos that has overwhelmed her life.
Questioned in a murder in Alabama, she has spent eighteen months under suspicion by a sheriff’s office, unable to make an arrest. But things in gentrifying Greenbrier are not as they seem. As…
Writing a mystery novel is no small task. You have to craft a clever plot, stay true to your characters, and bewilder, but ultimately satisfy, your readers, all the while not mixing up your theirs and your there’s. Maybe that’s why we writers like to saddle our heroes with even heavier burdens, forcing them to sort through complex webs of deceit, and fight against deeply rooted cultures full of corruption. When they win, we share their victories… even more so because it means we’ve finished writing the darn book! Enjoy this list of detectives facing long odds, and let it inspire you in whatever creative endeavors are closest to your heart.
Everyone knows Agatha Christie’s most famous novels but when you dig a little deeper, you start to really uncover her genius.
The Hollow is slow, careful, and spectacularly mature for a genre novel. Legend has it that Christie didn’t like her detective, Hercule Poirot, so maybe that’s why she stuck him in such a difficult situation. A murder occurs right before his eyes, and the killer is there, holding a gun.
The killer has motive, opportunity, and, of course, Poirot watched her do it. But why is the gun the wrong caliber? And why is everyone except the murderer acting so suspicious?
This one plays against convention, so even when you think you know what is going to happen next, you probably don’t.
Agatha Christie's ingenious mystery thriller, reissued with a striking new cover designed to appeal to the latest generation of Agatha Christie fans and book lovers.
Lucy Angkatell invited Hercule Poirot to lunch. To tease the great detective, her guests stage a mock murder beside the swimming pool. Unfortunately, the victim plays the scene for real. As his blood drips into the water, John Christow gasps one final word: `Henrietta'. In the confusion, a gun sinks to the bottom of the pool.
Poirot's enquiries reveal a complex web of romantic attachments. It seems everyone in the drama is a suspect -…
