Here are 100 books that The Beautiful Necessity fans have personally recommended if you like
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As a practicing architect, and an avid reader—in a variety of subjects and genres, not just architecture—I love finding patterns and connections between seemingly dissimilar phenomena. Patterns conform to principles, and principles are the fountainhead of wisdom that never runs dry. I will be the first to admit that, even after forty years of absorbing these and other kindred principles, I’m still far from consistent in applying them. And, like the others I cite, my own work suffers from that inconsistency. I commiserate with all architects who are similarly struggling to design buildings that exemplify even a few of the principles in these books. And that is why I chose them.
When Susanka’s book first came out in the 90s, I felt like she had hit on something that many architects were being challenged by—the expanding popularity of the McMansion. Now with Tiny Houses bookmarking her work at the other end, and with all the at-home needs and complications that came with the pandemic, I still think she has got the formula right: Build better, not bigger. Her chapters include many principles on how to build smaller eloquent, gem houses, and to get away from the clunky, gaudy costume jewelry architecture ruining the American suburbs.
When I realized Alexander’s Pattern Language had also influenced Susanka’s work, I began to question why it was not on my list. But, I couldn't decide which book it would replace. Maybe it will make it onto the list for a future book, but that’s for another day.
This title offers an inspiration for homeowners and builders from a leading architect. "The Not So Big House" has sold over 500,000 copies since 1998. It features clear guidance that emphasises the use of quality not quantity. This anniversary edition includes 32 extra pages and a new introduction. Now available in paperback, the expanded 10th anniversary edition of Sarah Susanka's "The Not So Big House" is ready to inspire a whole new generation of homeowners and builders. Though a decade has passed, her deceptively simple message remains as powerful as ever: when it comes to our homes, quality should always…
As a practicing architect, and an avid reader—in a variety of subjects and genres, not just architecture—I love finding patterns and connections between seemingly dissimilar phenomena. Patterns conform to principles, and principles are the fountainhead of wisdom that never runs dry. I will be the first to admit that, even after forty years of absorbing these and other kindred principles, I’m still far from consistent in applying them. And, like the others I cite, my own work suffers from that inconsistency. I commiserate with all architects who are similarly struggling to design buildings that exemplify even a few of the principles in these books. And that is why I chose them.
Over his lifetime, Alexander’s controversial approach to architecture incited widespread criticism, yet it is precisely these unique and thought-provoking ideas that make The Nature of Order an essential read. Beyond his sometimes obscure writing style and lackluster built examples, Alexander's deep commitment to architecture as a complex layered system of patterns—an idea he first popularized in his hippy-architects bible, A Pattern Language—is still palpable in this four-volume magnum opus.
I found the second volume, where he offers a guide for how to “create life” through patterns, most pertinent to this list. Here he distills his earlier work down to fifteen essential patterns that lead to architecture as a living structure. There is gold to be mined here, for those in search of some semblance of order in the chaotic current of modern architecture.
Christopher Alexander's masterwork, the result of 27 years of research, considers three vital perspectives: a scientific perspective; a perspective based on beauty and grace; a commonsense perspective based on our intuitions and everyday life.
As a practicing architect, and an avid reader—in a variety of subjects and genres, not just architecture—I love finding patterns and connections between seemingly dissimilar phenomena. Patterns conform to principles, and principles are the fountainhead of wisdom that never runs dry. I will be the first to admit that, even after forty years of absorbing these and other kindred principles, I’m still far from consistent in applying them. And, like the others I cite, my own work suffers from that inconsistency. I commiserate with all architects who are similarly struggling to design buildings that exemplify even a few of the principles in these books. And that is why I chose them.
Whenever I’m reading Ruskin, I feel like I’m overhearing a crusty old man’s rant. Some rants I love—when he talks about honesty in materials, or his in-depth thoughts on nature and light; some I question—demonizing cast iron facades; and others I disagree with—the necessity for obedience to God as an architect. And some of his ideas are so outdated, they’ve almost come back full circle. But the reason I included this older volume, is simply because Ruskin’s seven principles on architecture have withstood the test of time.
"I believe architecture must be the beginning of arts, and that the others must follow her in their time and order; and I think the prosperity of our schools of painting and sculpture, in which no one will deny the life, though many the health, depends upon that of our architecture." — John Ruskin. In August of 1848, John Ruskin and his new bride visited northern France, for the gifted young critic wished to write a work that would examine the essence of Gothic architecture. By the following April, the book was finished. Titled The Seven Lamps of Architecture, it…
My passion as a teacher and writer is to help students and others interpret, understand and enjoy architecture and the built environment, and to help them respond in their own designs to the complexities of place, people, and construction. I have chosen five well-established books on analysing architecture that are highly illustrated, avoid jargon, can be explored rather than needing to be read sequentially cover-to-cover, and have lasting value. They offer guidance for beginning students and a checklist for the experienced. They are books to be kept handy and repeatedly consulted. Of course, analysing existing architecture is invaluable in designing new architecture. I hope you enjoy them.
In one of the most popular books published on form and composition in architecture, Francis Ching examines basic elements of form and space (edges, corners, planes, etc.) and strategies for their organisation (axes, grids, symmetry, etc).
Like Baker, he includes approach, entry, and movement through built form.
The examples are taken from contemporary and historical buildings. The text is short and the diagrams plentiful.
Ching has also written good books on basic ideas in building structure and construction, both helpful in analysing buildings beyond form and space.
The revered architectural reference, updated with contemporary examples and interactive 3D models The Interactive Resource Center is an online learning environment where instructors and students can access the tools they need to make efficient use of their time, while reinforcing and assessing their understanding of key concepts for successful understanding of the course. An access card with redemption code for the online Interactive Resource Center is included with all new, print copies or can be purchased separately. (***If you rent or purchase a used book with an access code, the access code may have been redeemed previously and you may…
I began my professional life as an actress and have skittered around the edges of theatre ever since, in various capacities. While I haven’t been on a stage for nearly forty years and I wouldn’t venture onto one at the point of a gun, I have always found the life of the actor fascinating. I’m old enough to have witnessed huge changes in the theatre over the decades, and it is intriguing to discover how much has changed—absconding managers are pretty well a thing of the past these days, and today’s actors don’t drink as much—yet how much the adaptability and single-minded passion of actors remain the same.
This great book gives a comprehensive and amusing overview of English society in the Edwardian period and the battle between what the author calls the Established Order and New Ideas, as reflected in the theatre and women’s role in society in particular. There is a very funny description of the role of the Censor, an employee of the Lord Chamberlain called the Examiner of Plays, an ex-bank manager who made his own rules according to his own whim and was accountable to nobody. The book also covers topics such as the popularity of ‘theosophy’ and the occult; and the prevailing hypocrisy of the Old Order as epitomised in the attitude of the monarch, King Edward VII, who tolerated ‘irregular’ behaviour so long as it was discreet, and condemned public immorality while indulging in affairs left right and centre.
The Edwardian Turn of Mind brilliantly evokes the cultural temper of an age. The years between the death of Queen Victoria and the outbreak of the First World War witnessed a turbulent and dramatic struggle between the old and the new. Samuel Hynes considers the principal areas of conflict - politics, science, the arts and the relations between men and women - and fills them with a wide-ranging cast of characters: Tories, Liberals and Socialists, artists and reformers, psychoanalysts and psychic researchers, sexologists, suffragettes and censors. His book is a portrait of a tumultuous time - out of which contemporary…
Having written several books on cultural history, I was puzzled in the late 1990s by the insistence of most American curators, art historians, and gallerists that there could not possibly be any spiritual content in modern artbecause the modernproject (beginning, they assert, with the first Impressionist exhibition in 1874) was all about the rejection of tradition, religion, etc. This overarching narrative has dominated the professional art world since World War II. I knew it was false because I was aware that many prominent modern artists had spiritual interests, which were expressed in their art. So began a 17-year-long research quest focused on what the artists themselves had said.
Lipsey, an art historian, was inspired by Coomaraswamy’s perception of spiritual interests in the work of early modernist artists who exhibited at Alfred Stieglitz’s 291 gallery in New York in the 1920s. Lipsey had a hunch that many more prominent 20th-century artists most likely had a similar engagement with the spiritual. In seeking to present “the hidden side” of modern art, he discusses some 20 renowned artists and relevant movements that attracted many of them in various decades, such as Theosophy, Orphism, and Cubism. The title is taken from a quotation by the sculptor Constantin Brancusi, who favored a nature-based spiritual sensibility that was distinct from church-based religious art: “It is time we had an art of our own.” Lipsey is an insightful and graceful guide in this area.
Alison and Walter have come into architecture on different paths, Alison with a biology/chemistry background (yes, one can become an architect with an accredited, first professional degree in architecture) and Walter through architectural engineering. We both believe that the union of science, aesthetics, energy, comfort, and health make buildings work! We enjoy creating simplified design processes for students to use in their work, so that they can gain confidence in the first steps of design. Equally, we feel it important to clearly understand what is to be created and how to confirm that what was intended actually results in the built environment.
Fitch is best known as a city planner—not as an architect or engineer. Perhaps it is this perspective that allowed him to prepare a delightful introduction to the various sensory dimensions—the environmental forces—we engage as building users.
These dimensions, which constitute much of our holistic experience with architecture, include air quality, light, sound, and heat. None are truly shown on architectural plans. All affect us for better or worse. This is a great introductory read bereft of equations.
Few books have influenced the field of architecture more than American Building: The Environmental Forces That Shape It. Originally published in 1947, it has emerged as a classic work on the relationships among buildings, their inhabitants, and the environment. Now comes the first major revision in over twenty-five years, bringing this essential book completely up to date for a new, more environmentally aware generation of architects and designers. In this superb volume, James Marston Fitch provides a fundamental theory of buildings. "The ultimate task of architecture," he writes, "is to act in favor of human beings: to interpose itself between…
I’ve always been interested in art and architecture. I studied Fine Arts at CalArts. I’ve written three books on Mid-century home builders and designers, William Mellenthin, Jean Vandruff, and Robert Byrd, whose life and work in Southern California had gone mostly unnoticed during their lifetimes—with very little information written about them in the press. I spent three years on each book working with the families to uncover their lives and place in local history. This is information that would have otherwise been lost. When you research the life of one person in this profession, you inevitably learn about the life and work of others—some famous, some not.
Esther McCoy has long been admired for her writing on architecture in Southern California, particularly on the Case Study House program from 1945-1962.
This is a remarkable story of a once-in-a-lifetime program sponsored by Arts & Architecture magazine that brought together legendary architects, hopes and dreams, and some fantastic Mid-century Modern Homes.
Many of these Case Study homes are still standing today, and some are available to tour. You can also look up the addresses of these homes and drive by yourself.
Since the popular Museum of Contemporary Art exhibit of 1989, Blueprint for Modern Living, much attention has been paid to the pioneering work done by the architects of the Case Study Program. Sponsored by John Entenza's Art & Architectue Magazine, the Case Study Houses program brought new thinking, techniques, and materials to post-war California house building. Contains the work of Charles Eames, Eero Saarinen, Craig Ellwood, Pierre Koenig, Richard Neutra, William Wurster, and others.
I’ve always been interested in art and architecture. I studied Fine Arts at CalArts. I’ve written three books on Mid-century home builders and designers, William Mellenthin, Jean Vandruff, and Robert Byrd, whose life and work in Southern California had gone mostly unnoticed during their lifetimes—with very little information written about them in the press. I spent three years on each book working with the families to uncover their lives and place in local history. This is information that would have otherwise been lost. When you research the life of one person in this profession, you inevitably learn about the life and work of others—some famous, some not.
Having lived in West Hollywood for many years, I have always been interested in the beautiful and historically significant courtyard apartment buildings found throughout the city.
One of the more famous buildings, the Villa Primavera (seen in the Gloria Grahame, Humphrey Bogart film, In a Lonely Place) was designed and built by Arthur and Nina Zwebell in 1923. Their story is quite fascinating, since neither one was formerly trained or a licensed architect.
He designed the building’s exterior, while she designed the interior as well as the furniture.
As cities throughout the U.S. struggle with housing shortages, valuable lessons can be learned from the principles thatunderlie the design of the courtyard house. Whether humble or sumptuous in scale, courtyards create a sense of privacyand enhance quality of life by creating the impression of green space for their residents.
Now available in its fifth printing, Courtyard Housing in Los Angeles documents the historical, technical, and cultural forces that shaped the development of this distinctive West Coast building type. The authors's in-depth research andanalysis is enhanced by the inclusion of numerous plans and technical drawings. Julius Shulman's sensuous black-and-whitephotographs document…
My passion as a teacher and writer is to help students and others interpret, understand and enjoy architecture and the built environment, and to help them respond in their own designs to the complexities of place, people, and construction. I have chosen five well-established books on analysing architecture that are highly illustrated, avoid jargon, can be explored rather than needing to be read sequentially cover-to-cover, and have lasting value. They offer guidance for beginning students and a checklist for the experienced. They are books to be kept handy and repeatedly consulted. Of course, analysing existing architecture is invaluable in designing new architecture. I hope you enjoy them.
This book is as much about urban design and landscape architecture as about architecture, its annotated sketches demonstrating how good places respond to their contexts.
I like its straightforward, practical, and concise approach. Although billed as ‘a manual for designers’, it is equally useful in analysing why some environments work, both practically and emotionally, and others don’t.
It is opinionated, not afraid to criticise as well as applaud.
Clearly demonstrates the specific characteristics that make for comprehensible, friendly and controllable places; 'Responsive Environments' - as opposed to the alienating environments often imposed today. By means of sketches and diagrams, it shows how they may be designed in to places or buildings.
This is a practical book about architecture and urban design. It is most concerned with the areas of design which most frequently go wrong and impresses the idea that ideals alone are not enough. Ideals must be linked through appropriate design ideas to the fabric of the built environemnt itself. This book is a practical attempt to…
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