Fans pick 100 books like The Beautiful Necessity

When Susanka’s book first came out in the 90s, I felt like she had hit on something that many architects were being challenged by—the expanding popularity of the McMansion. Now with Tiny Houses bookmarking her work at the other end, and with all the at-home needs and complications that came with the pandemic, I still think she has got the formula right: Build better, not bigger. Her chapters include many principles on how to build smaller eloquent, gem houses, and to get away from the clunky, gaudy costume jewelry architecture ruining the American suburbs.

When I realized Alexander’s Pattern Language had also influenced Susanka’s work, I began to question why it was not on my list. But, I couldn't decide which book it would replace. Maybe it will make it onto the list for a future book, but that’s for another day. 

Over his lifetime, Alexander’s controversial approach to architecture incited widespread criticism, yet it is precisely these unique and thought-provoking ideas that make The Nature of Order an essential read. Beyond his sometimes obscure writing style and lackluster built examples, Alexander's deep commitment to architecture as a complex layered system of patterns—an idea he first popularized in his hippy-architects bible, A Pattern Language—is still palpable in this four-volume magnum opus. 

I found the second volume, where he offers a guide for how to “create life” through patterns, most pertinent to this list. Here he distills his earlier work down to fifteen essential patterns that lead to architecture as a living structure. There is gold to be mined here, for those in search of some semblance of order in the chaotic current of modern architecture. 

Whenever I’m reading Ruskin, I feel like I’m overhearing a crusty old man’s rant. Some rants I love—when he talks about honesty in materials, or his in-depth thoughts on nature and light; some I question—demonizing cast iron facades; and others I disagree with—the necessity for obedience to God as an architect. And some of his ideas are so outdated, they’ve almost come back full circle. But the reason I included this older volume, is simply because Ruskin’s seven principles on architecture have withstood the test of time.

In one of the most popular books published on form and composition in architecture, Francis Ching examines basic elements of form and space (edges, corners, planes, etc.) and strategies for their organisation (axes, grids, symmetry, etc).

Like Baker, he includes approach, entry, and movement through built form.

The examples are taken from contemporary and historical buildings. The text is short and the diagrams plentiful.

Ching has also written good books on basic ideas in building structure and construction, both helpful in analysing buildings beyond form and space.

This great book gives a comprehensive and amusing overview of English society in the Edwardian period and the battle between what the author calls the Established Order and New Ideas, as reflected in the theatre and women’s role in society in particular. There is a very funny description of the role of the Censor, an employee of the Lord Chamberlain called the Examiner of Plays, an ex-bank manager who made his own rules according to his own whim and was accountable to nobody. The book also covers topics such as the popularity of ‘theosophy’ and the occult; and the prevailing hypocrisy of the Old Order as epitomised in the attitude of the monarch, King Edward VII, who tolerated ‘irregular’ behaviour so long as it was discreet, and condemned public immorality while indulging in affairs left right and centre.

Lipsey, an art historian, was inspired by Coomaraswamy’s perception of spiritual interests in the work of early modernist artists who exhibited at Alfred Stieglitz’s 291 gallery in New York in the 1920s. Lipsey had a hunch that many more prominent 20th-century artists most likely had a similar engagement with the spiritual. In seeking to present “the hidden side” of modern art, he discusses some 20 renowned artists and relevant movements that attracted many of them in various decades, such as Theosophy, Orphism, and Cubism. The title is taken from a quotation by the sculptor Constantin Brancusi, who favored a nature-based spiritual sensibility that was distinct from church-based religious art: “It is time we had an art of our own.” Lipsey is an insightful and graceful guide in this area.

While this book is not about the use of psychedelics, I loved how this book on astral travel provided me with expansive maps of what realms and beings can be explored in the infinitude of consciousness when using psychedelics.

Leland provided me insights into a long list of energetically advanced beings, whom he defines by their function, who can be called into psychedelic sessions for guidance and help. He also taught me how my biography and cultural beliefs can create the visual personal experience of cosmic energies experienced during psychonautical explorations.

Learning the nuances of using thought forms to create my immediate reality and experience was of the greatest value to me: awareness follows thought, and when out of the body, thought manifests itself instantly.

This book is a classic and is a beautifully informative excerpt from the author’s longer and more extensive The Japanese House: A Tradition for Contemporary Architecture which is long out of print. The drawings and plans are wonderful, and illuminate the Japanese House layout, modularity, proportions, and many structural and ornamental details. I particularly love the white-on-black visual treatment used for many of the plans. 

I’ve spent some time in the north of Scotland and became intrigued by the remains of Pictish forts on hilltops and by the sea. This book doesn’t provide many answers—written records before 900 AD are few and the archaeology is confused—Konstam’s conclusion is "the main benefit of any visit to one of these sites is to be able to stand on the same hilltop or promontory, and to imagine what it might have looked like in the days of the Picts." Which explains why legends and stories have grown up about castles—imagining has been key to making sense of such imposing features in the landscape, when often their real history has been forgotten over time.

Konstam’s book is one of a series, and if your curiosity is about a different sort of castle it’s worth checking it out.

Although the concept sounds theoretical, this book is about very simple techniques on how to cheap and fast change urban spaces, streets, and plazas so that they are for people (not cars). The book provides a toolkit for conceiving, planning, and carrying out projects, including how to adapt them based on local needs and challenges. Tactical Urbanism can inspire and empower citizens, urban designers, land use planners, architects, and policymakers to become key actors in the transformation of their communities.