Love Shanghai Homes? Readers share 100 books like Shanghai Homes...

Shanghai, which was once called the “Hollywood of Asia,” has always been a cinematic city par excellence, so a good way to describe the charms of this book is via movie terms. In one sense, it zooms in tightly on a specific day in the history of the city and what was happening in a single setting. It mixes close-ups of a horse race and some people who came to watch it, though, with wide-angle shots and flashbacks. The author, a skilled historian with deep knowledge of Chinese history and a stylish writer, moves effortlessly between Shanghai in the early 1940s as the Japanese military’s World War II era grip on the city and much of China was tightening and earlier points in its past. He also moves fluidly between the racecourse—a potent symbol, as during the height of the British imperial period, Britons would often build these to mark… show more.

Lynn Pan, who was born in Shanghai before 1949 and then returned to live there early in the twenty-first century after spending time in many other parts of the world, is in many ways my single favorite Shanghainese writer. So, when I put together a list like this, the question is not whether a work by her will be on it, but rather which one of several excellent ones by her will make the cut. This volume is a beautifully produced one that complements Champions Day nicely, focusing on similar themes but coming at them via a focus on architecture and creativity. It is a book for those fascinated by Shanghai, for obvious reasons, but like a lot of books on the city’s past, it is also intriguing to read by those who have been fascinated by Hong Kong’s cultural and creative vibrancy and have been following the news about… show more.

Decadent Old Shanghai was never going to survive a Communist takeover. It wasn’t easy to leave—in her family, my mother was told she was the lucky one, and so was the mother of author Helen Zia. An accomplished journalist, Zia masterfully captures what it was like for four young people—including her mother—to make the wrenching decision to leave their homes for places unknown, the chaos and distress of boarding that fabled “last boat” out of Shanghai, and what came after. The core of the story unfolds through the authentic accounts of the main characters Benny, Annuo, Bing, and Ho. Additionally, Zia uses detailed research and extensive interviews with hundreds of émigrés from all strata of Shanghai society, bringing to life this last of a generation to embark on a largely forgotten mass exodus.

There is a lot of wonderful fiction set in Shanghai, so I wanted to make sure to include one such work. Figuring out which wasn’t easy, as there are good short stories and novels by a range of important authors, from deceased writers like Mao Dun, Eileen Chang, and J.G. Ballard, whose partly autobiographical Empire of the Sun was based on his Shanghai childhood, to living ones like Wang Anyi. I chose this collection of vignettes by Qiu Xiaolong (who is best known for his Inspector Chen Shanghai-set police procedurals and grew up in Shanghai and now lives in the United States) because it pairs so well with Shanghai Homes. You can read it as a fictional cousin to Jie Li’s book, as this work by Qiu, in which his famous detective does not appear, is made up of tales set in a single alleyway neighborhood. Reading them together,… show more.

This story collection is mind-blowing in the best way. As its name suggests, a lot of the stories in this book deal with immigrants, including Chinese people who've immigrated to the United States, but also rural people who've migrated to cities. Chai's characters are struggling to balance traditional Confucian values with postmodern urban existence, and a lot of these stories feature tensions between different generations in a single-family. The best story is probably the award-winning "Fish Boy," in which a boy moves from the Chinese countryside to the big city and ends up working at a seafood restaurant whose offerings sound pretty unappetizing. Chai is brilliant at picking up on the subtle nuances of damaged families, and every one of these stories hits home.

I’m not fond of the title, but I like this book because it exposes us readers to a little-known population: China’s poor migrant workers. During many visits over ten years, Bloomberg BusinessWeek Beijing correspondent Tiff Roberts befriended a rural family in impoverished Guizhou Province and their relatives who had found industrial jobs in modern Guangdong. His unusual access lets readers understand a key weakness of modern China: the discontent of those not able to prosper during these decades of modernization.

Home is Not Here is a touching autobiographical account of a past Chinese world completely different in time and place from that of Hessler’s explorations. In the first half of the twentieth century millions of Chinese left China and migrated to Southeast Asia, including Wang’s parents. Wang traces their struggles to maintain their Chinese identity as minorities in different cultures. In telling his family’s story he gives a vivid picture of the upheavals and tribulations of both China and Southeast Asia in a troubled era. Wang Gungwu is my favorite historian of China, and author of many books on the grand sweep of Chinese history, but here we see China’s and Asia’s most turbulent era from a personal perspective.

Since 1949 the demographics of Xinjiang have been altered radically by waves of migration of Han Chinese, initially with the paramilitary bingtuan organisation, but in recent decades by economic migrants. Cliff’s book is an important reminder of how their presence functions in a neo-colonial fashion, and the influence that their needs and concerns have on official policy in the region – which to put it simplistically, is to keep them happy. Though he emphasises that Han in Xinjiang are far from a homogenous social group – something that often gets forgotten or obscured – the common viewpoints and concerns that emerge from his interviews are a sobering reminder of the difficulties in finding common ground between Han and Uyghur in the region.

Migration in the Time of Revolution pushes the international history of the 20th century into a new and exciting direction. Using the Chinese diaspora in Indonesia as a lens, Taomo Zhou elevates citizens to agents in international relations. On the basis of Chinese archival research and oral history, she explores how Indonesians of Chinese descent lastingly influenced the diplomatic relations between their home country and divided China during the Cold War.

I have read this book more than once and each time have found myself pulled into the life of the main character, a Chinese contract laborer, and his story, which spans several generations, set across the late nineteenth and twentieth centuries. The novel features an Afro-Chino Cuban family and shows how they become deeply part of Cuba. It also shows how the descendants of the mixed-race couple face trials in New York City and Vietnam, depicting complexities of race, gender, family, and heritage with beautiful, painful detail and emotion.