Here are 88 books that Reputation fans have personally recommended if you like
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I grew up on a steady diet of Nancy Drew and Encyclopedia Brown. Then, in a plot twist that surprised exactly no one, I became an English teacher, a librarian (did you know you can recommend books for a LIVING???), and an author. I love books where the sleuth must not only solve the case at hand, but also wrestle with some sort of ongoing personal problem–bonus points if they can simultaneously pull the curtain back on societal issues and make me feel like I’m getting to experience life in a place where I don’t actually live (I’m looking at you, London and L.A.).
I enjoyed being along for this wacky ride as Finlay accidentally gets herself hired as a contract killer, disposes of a body, and navigates the criminal underworld–all while raising her two small children and dealing with her infuriating ex-husband. There’s a love triangle in this book, but the relationship I enjoyed most was the friendship that develops between Finlay and Vero, her former nanny turned partner in crime.
This story is completely absurd, laugh-out-loud funny, and very suspenseful.
"Getting the job done" for one single mom takes on a whole new meaning in Finlay Donovan is Killing It.
One of Suspense Magazine's "Best Thrillers of 2021" One of New York Public Library's Best Books of 2021 Nominated for the Left Coast Crime 2022 Lefty Award for the Best Humorous Mystery
“Funny and smart, twisty and surprising.”—Megan Miranda
Finlay Donovan is killing it . . . except, she’s really not. She’s a stressed-out single-mom of two and struggling novelist, Finlay’s life is in chaos: the new book she promised her literary agent isn’t written, her ex-husband fired the nanny…
When I started writing mysteries, beginning with St. Martin’s Malice Award-winning Southern Fried,I wanted to get the medical, investigative, and courtroom details right. What better resource than good first-hand accounts from professionals who do those things every day? I must admit that, over several decades now, I’ve fallen down the rabbit hole. Real life is full of stories that, if told as fiction, would leave readers rolling their eyes in disbelief. The gruesome and cruel don’t interest me. I’m drawn to the storytellers who can capture the worst moments and turn them into finely written, compelling, accurate stories, showing us the complexity of life.
Roughead wrote leisurely, almost Dickensian accounts of UK criminal trials in the 1920s and 1930s. He brought a sharp lawyer’s eye, a flair for the unusual, and a witty, knowledgeable voice to the trials and to the people involved. Madeleine Smith, Constance Kent, and Donald Merritt are among the 12 cases in this sampling from his many collections. Roughead set the bar for literate crime writers who followed.
Dorothy Sayers called William Roughead "the best showman who ever stood before the door of the chamber of horrors," and his true crime stories, written in the early 1900s, are among the glories of the genre. Displaying a meticulous command of evidence and unerring dramatic flair, Roughead brings to life some of the most notorious crimes and extraordinary trials of eighteenth- and nineteenth-century England and Scotland. Utterly engrossing, these accounts of pre-meditated mayhem and miscarried justice also cast a powerful light on the evil that human beings, and human institutions, find both tempting to contemplate and all too easy to…
As an ex-police officer, I have experienced many of the things that I write about, albeit in the modern age: I’ve investigated scenes of sudden and violent death, attended post-mortems, and chased the odd suspected criminal through the streets. After a few years on the beat, I left the force and went to university as a mature student, where I received a PhD for my research into early modern law and literature. I now combine my love of all things true crime with my passion for early modern legal history in the books I write about historical crime, murder, and violent death.
Although the trials in this book may be fictional, they are based on true cases from the author’s decades of experience as a high court judge.
I could not help but be immersed in the drama of these murder trials and the gory details one tends to shy away from. Indeed, these stories were so gripping I found each case flew by!
Along the way, I learned a lot about English law, the courts, and the humanity of those embroiled in the criminal justice system.
THE INSTANT SUNDAY TIMES BESTSELLER WINNER OF THE CWA GOLD DAGGER FOR NON-FICTION 2023
'Lifts the lid on what it's like to dispense justice ... a gripping insight ... beautifully crafted ... grim tales lifted by humour and honesty.' The Times
Wendy Joseph's gripping account of the law at work reads like a cliffhanger.' Sunday Times
'Absolutely superb. 5 stars for sheer readability alone. Her Honour entertains as she educates us about murder, about the law and about how we human beings are shaped as we create the culture we live with.' PHILIPPA PERRY, author of THE BOOK YOU WISH…
I am a British writer/producer with a 30-year interest in Richard III (1452-1485). A visit to Bosworth Field, the penultimate battle of the Wars of the Roses changed my life irrevocably. This haunting place captured my imagination and with it the story of the last Plantagenet monarch who died fighting in this small corner of Leicestershire for crown and country.
The murder of the ‘Princes in the Tower’ is the most famous cold case in British history. Matthew Lewis delves into the context of the disappearance and the characters of the suspects and asks a crucial but often overlooked question: what if there was no murder? Lewis provides a rounded and complete assessment of this most fascinating historical mystery.
The murder of the Princes in the Tower is the most famous cold case in British history. Traditionally considered victims of a ruthless uncle, there are other suspects too often and too easily discounted. There may be no definitive answer, but by delving into the context of their disappearance and the characters of the suspects Matthew Lewis examines the motives and opportunities afresh as well as asking a crucial but often overlooked question: what if there was no murder? What if Edward V and his brother Richard, Duke of York survived their uncle's reign and even that of their brother-in-law…
My parents were avid readers and mysteries were a perennial favorite for all of us. By my early teens I moved from Judy Bolton and Nancy Drew to the Golden Age of mystery writers such as Agatha Christie and Mary Roberts Rinehart. Clearly addicted to mysteries without undue violence or gore, I discovered some wonderful television series as well. It won’t surprise you to learn that my favorite is Murder, She Wrote.
Many of the women in my family worked in domestic service. I do know that their work lives were not easy and their employers were often quite demanding. Still, each time I wander into the Victorian era where Mrs. Jeffries is housekeeper to Inspector Witherspoon of the Metropolitan Police, I imagine that my grandmother or my aunt is one of the household staff who Mrs. Jeffries organizes to do a “behind the scenes” investigation and provide the Inspector with the right clues to solve his cases.
Mrs. Jeffries is back in the New York Times bestselling Victorian Mytery series, perfect for fans of Downton Abbey.
Thomas Mundy checks in to London’s Wrexley Hotel, but he never checks out. The maid finds him on the floor of his room, bludgeoned to death by his own walking stick. Inspector Witherspoon is soon on the case and learns Mundy had a reputation for being polite, charming, and diligent—an unlikely victim for such a violent crime.
But Mrs. Jeffries and the household staff uncover that Mundy was less an amiable businessman and more a duplicitous con man with enemies on…
Having spent my entire professional life in the art world as a practicing artist, art historian, journalist, curator, and museum director, and as an avid reader of mysteries, I’m excited when I find fiction in which art and crime coincide. Authentic settings, strong characters, and plenty of deception are de rigeur. The occasional dead body is always a plus, though not strictly required. It’s a specialized genre, but it speaks to me and inspires me to write my own series of art-world mysteries, combining fictional characters with real people from my own background and experience.
I had great fun deciphering the period English and Australian slang in this 1938 Inspector Roderick Alleyn mystery. The ingeniously plotted murder is set in a private art school, with a cast of eccentric characters right out of a London music hall revue.
The story works best if you know some of the types (including their prejudices) whom Marsh, a prolific mystery writer, is lampooning. Alleyn and Agatha Troy, the artist who runs the school, are so well imagined that I could feel the sparks flying between them as their romance ignited.
One of Ngaio Marsh's most famous murder mysteries, which introduces Inspector Alleyn to his future wife, the irrepressible Agatha Troy.
It started as a student exercise, the knife under the drape, the model's pose chalked in place. But before Agatha Troy, artist and instructor, returns to the class, the pose has been re-enacted in earnest: the model is dead, fixed for ever in one of the most dramatic poses Troy has ever seen.
It's a difficult case for Chief Detective Inspector Alleyn. How can he believe that the woman he loves is a murderess? And yet no one can be…
While I love books that reflect strong family values, I don’t like sugary sweetness to the point of unrealism. I prefer to read about real people who can make fun of themselves and the world. That sarcastic and biting edge seems to tap into a deeper honesty about life while making me roll around on the floor and break all my furniture.
Imagine being in a tour group with the most annoying person in the world, Susan. Every tour group has that one person who talks non-stop about things that don’t matter. The difference here is that the tour guide Rowan Rover is an inept hitman who can’t seem to bump Susan off. An added element of fun is that the group is touring England’s most famous murder sites. When I was learning to write mysteries, I had two prominent influences, Sue Grafton and Sharyn McCrumb. Both taught me how to construct a solid mystery. Sue Grafton opened my eyes to the power of connection created by writing in first person. And Sharyn McCrumb showed me the importance of using humor even when talking about dark subjects like murder.
Edgar Award winner Sharyn McCrumb brings you her sixth Elizabeh MacPherson mystery novel. The unsinkable Elizabeth is on tour of England's most famous murder sites, when Rowan Rover, the group leader, is quietly asked to commit murder. He does, of course, but not without misgivings--not the least of which is having Elizabeth MacPherson, canny observer and all-around murder spoiler, on his tail... "Sharyn McCrunb is definitely a rising star in the New Golden Age of mystery fiction. I look forward to reading her for a long time to come." Elizabeth Peters
Many years ago, when I’d read my first medieval mystery, I decided I wanted to write my own. But mine would be as realistic as I could manage; I wanted the reader to smell medieval London and to be there with me. A lot had been written about Kings and Queens but not much about ordinary life so that became the center of my academic study leading eventually to my Master's Degree in medieval medicine. As well as my novels I now write popular factual books and I’m pleased to say people have taken the time to say how much they enjoy the fine details I share.
Mel Starr is an American author who deserves to be better known for his Chronicles of Hugh de Singleton set in late fourteenth-century England.
Hugh is a surgeon as well as bailiff of Brampton. In this eleventh tale, Hugh is escorted to Kensington Palace, his expertise required to treat the ailing Black Prince. But I knew things had to get more serious than that and, sure enough, murder is committed.
Mel Starr’s research is impeccable and I found myself in the heart of medieval England, encountering royalty, rogues, and worse villains. But Hugh’s medical knowledge means he can tell an accident from a deliberate killing and there’s no deceiving him when he’s on a murderer’s trail.
'Another delightful and absorbing mystery from Mel Starr, keeping the reader guessing as the corpses pile up in Prince Edward's palace. Hugh de Singleton, of the dry wit and engaging humility, is one of my favourite sleuths.' Penelope Wilcock, British author and blogger
Master Hugh won the Black Prince's favour when he helped to ease the Prince's illness.
Now, in the autumn of 1372, the prince is suffering a relapse and sends to Bampton for Master Hugh to attend him. While at dinner in Kennington Palace, Sir Giles, the knight who escorted Hugh to London, is stricken and dies. Poison!…
I’ve been a lover of historical mysteries ever since I realized it’s possible to read mystery fiction and learn history at the same time. Every time I pick up a mystery set in the past, whether it’s the ancient past, the more recent past, or somewhere in between, I know I’m going to be intrigued and challenged by a great story and come away with a greater understanding of the people, culture, customs, and events of that time period. It’s a win-win. I write historical mysteries because I want to share with readers what I’ve learned about a particular time or place in a way that’s compelling and engaging.
I picked up this book because I loved the cover (who says we don’t choose books by their covers?) and shortly thereafter found myself completely immersed in a 17th-century English Restoration mystery. I would visit that era in my time machine provided it’s fully stocked with soap and hand sanitizer (this time period being the one during which the Great Plague took place).
Main character Lucy Campion is a chambermaid in the home of a London magistrate. Her days are filled with the drudgery of servant duties—that is, until a murder claims the life of a servant in the household and someone Lucy holds dear is accused of the crime. Knowing that person can’t possibly be the killer, Lucy sets out to find out whodunit. I don’t want to give away any spoilers, so I’ll stop there.
I learned more about 1660s England reading this book than I ever did…
In Susanna Calkins's atmospheric debut novel, a chambermaid must uncover a murderer in seventeenth-century plague-ridden LondonFor Lucy Campion, a seventeenth-century English chambermaid serving in the household of the local magistrate, life is an endless repetition of polishing pewter, emptying chamber pots, and dealing with other household chores until a fellow servant is ruthlessly killed, and someone she loves is wrongly arrested for the crime. In a time where the accused are presumed guilty until proven innocent, lawyers aren't permitted to defend their clients, and--if the plague doesn't kill them first--public executions draw a large crowd of spectators, Lucy knows she…
Having grown up in a family of crime-fiction readers, I published my first murder mystery in 2019 and have created two bestselling series. My 1920s-set “Lord Edgington Investigates…” books have been a big hit for me, and I’ve just published my third Christmas book overall. But that’s not the only reason I’m qualified to recommend Christmassy whodunits. I am obsessed with Christmas and, with a little help from my four-year-old daughter, spend far too much time decorating every December. Let’s just say that my Christmas Lego village is already out of control, and someone really needs to stop me from buying any more before it takes over our house.
I can’t think of a more evocative start to a murder mystery than a steam train stuck in the snow on Christmas Eve. With no hope of getting to their destination, a group of unlikely allies gangs together to find shelter for the night.
Led by the mysterious Mr. Maltby of the Royal Physical Society, they survive a torturous trek through waist-high drifts and hole up in a stately home with the fires blazing but no one on the premises. There are bodies about the house, clues to be deciphered, and an ancient crime to uncover. I was overjoyed to discover this whodunit from 1937 that is full of quirky characters, unexpected twists, and more snow than any other Christmas mystery I’ve read.
'The horror on the train, great though it may turn out to be, will not compare with the horror that exists here, in this house.' On Christmas Eve, heavy snowfall brings a train to a halt near the village of Hemmersby. Several passengers take shelter in a deserted country house, where the fire has been lit and the table laid for tea - but no one is at home. Trapped together for Christmas, the passengers are seeking to unravel the secrets of the empty house when a murderer strikes in their midst.
